Monthly Archives: November 2016

Community News & Updates November 2016

ALUMS

Karen Bovenmyer (Popular Fiction, S’13) is proud to have been part of the “Fantasy of the American Heartland” (with Rob Howell, Lynne Cantwell, Gary K. Wolfe, and Stephanie Loree) and “Shirley at 100: Marking the Shirley Jackson Centennial” (with Eileen Gunn, Peter Straub, Gordon Van Gelder, and Stephanie Feldman) panels at the World Fantasy Convention October 27-30. Her flash undead-grandmother-farm-guardian story “On Rising One Snowy Evening” will be reprinted in a forthcoming issue of Cosmic Roots and Eldritch Shores. Karen’s new poem “Broken Tractor Sonnet,” which contains some mighty shocking language for a midwestern farm girl, will appear in Off the Coast: Maine’s International Poetry Journals Fall 2016 issue. Her Japanese theater alien possession micro story “The Things Between Us” will appear in Daily Nightmare’s Quick Shivers in the Midwest anthology. Also, audio of Karen reading her poem “Effects of Moonlight” is up on the child-safe Science Fiction Poetry Association’s 2016 Halloween Poetry Reading website.

uncanny_issue_thirteen_coverJennifer Marie Brissett (Popular Fiction, S’11) has published her story “Kamanti’s Child” along with an interview in the November/December issue of Uncanny Magazine. Also our own Theodora Goss has a poem in this issue as well!

Libby Cudmore‘s (Creative Nonfiction/Popular Fiction, S’10) debut novel The Big Rewind (William Morrow, February 2016) was long-listed for the Kirkus Prize. The original starred review called it “A mystery that will inspire more than one playlist and, hopefully, a sequel.”

the-butchers-daughterFlorence Grende‘s (Creative Nonfiction, S’08) book, The Butcher’s Daughter: A Memoir, has just been released by Hamilton Stone Editions and is available through their catalogue at Hamiltonstone.org., at Amazon.com, and at Goodreads.com. A family portrait drawn in lyrical style, it examines the effects of war and its aftermath.

In his capacity as a screenwriter and television producer, Mike Langworthy (Creative Nonfiction, W’11) received a pilot script order from the Independent Film Channel, a dark comedy about family relationships and the afterlife entitled Get Your Shit Together. IFC is one of the AMC (Mad Men, Breaking Bad, and The Walking Dead) family of channels and currently broadcasts Portlandia and the documentary parody series Documentary Now! from Seth Myers, starring Bill Hader and Fred Armisen.

on-hurricane-islandEllen Meeropol’s (Fiction, W ’06) second novel, On Hurricane Island, was named a Massachusetts Must Read Book for 2016 by the Massachusetts Center for the Book.

John Christopher Nelson‘s, (Fiction, S’15) short story “Good Friday,” conceived during his residency in Ireland with the Deppes, will be featured in issue VI (summer 2017) of The New Guard. His flash fiction piece “Detumescence” is currently online in issue II of The Matador Review.

Mary Heather Noble (Creative Nonfiction, W’14) is pleased to announce that her essay “Eulogy for an Owl” won the Editor’s Prize in Creative Nonfiction’s Learning From Nature Issue (Issue #61, available now here). “Eulogy for an Owl” was also selected as a finalist in Bellingham Review’s 2016 Annie Dillard Award for Creative Nonfiction. Mary Heather is also looking forward to presenting at the Moravian College Writers’ Conference on February 3-4, 2017, in which she will discuss “Crossing Boundaries in Nonfiction,” her evolution from a professional environmental scientist into a writer-scientist, and how science and art can enrich one another. Additional information about the 2017 Moravian College Writers’ Conference, featuring Alison Hawthorne Deming as the Keynote Speaker, can be found here.

Jean M. Peck (Fiction, S’08) will be reading from her new book, Blue Girls, on November 15, 7:00 p.m., at Longfellow Books in Portland. The novel was written as a senior thesis at Stonecoast under the watchful eyes of Lesléa Newman, David Anthony Durham, and Suzanne Strempek Shea.

Lisa Romeo’s (Creative Nonficiton, S’08) recent guest post at the Brevity blog discussed the steps she took in the writing process to break into Brevity Magazine with an essay in their Fall 2016 special issue on race. A new hat Lisa is wearing now is editing nonfiction craft essays for Cleaver Magazine.

Ashley Warren‘s (Fiction, S’12) short story “Code Gray” has been published in the latest issue of The Examine Life Journal, a literary journal of the University of Iowa Carver College of Medicine.

Requiem in StonesRequiem in Stones, a novel by Richard Wile (Creative Nonfiction, W’05) has just been published by Maine Authors Publishing Cooperative and is available in local book stores, through Amazon, or by going to http://richardwile.com. Brunswick’s Gulf of Maine Book Store will host a launch and reading on Sunday, December 4, at 3:00 p.m. You might also want to check out Rick’s blog. http://geriatricpilgrim.com

FACULTY

An interview with Aaron Hamburger (Creative Nonfiction, Fiction, Popular Fiction), conducted at Politics & Prose bookstore, is available here.

we-got-himElizabeth Searle‘s (Fiction, Popular Fiction, Scriptwriting) new novel, We Got Him, will be released by New Rivers Press on November 15th; Elizabeth will have her Book Launch reading and party (all Stonecoasters are invited!) at Newtonville Books in Newton Centre, MA, on November 20th at 2:00 p.m. Then, a week later, Elizabeth’s Tonya & Nancy: The Rock Opera opens in Chicago, produced by Underscore Theater, with Previews November 26 and 27 and Opening Night November 29th. Elizabeth will be at all the November performances; for tickets see Theater Wit.

Soap bubbles are on the horizon! Elizabeth Searle and Suzanne Strempek Shea (Creative Nonfiction, Fiction) learned this past week that Soap Opera Confidential: Writers and Soap Insiders on Why We’ll Tune Tomorrow, As the World Turns Restlessly by the Guiding Light of Our Lives, will be published in March of 2017 by McFarland Press. They will be planning readings in New England and beyond this spring, and they hope to meet up and read along with many of the writers and soap insiders who penned stories about their own soap-opera fixations.

 

 

 

 

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