Monthly Archives: February 2019

Community News & Updates February 2019

ANNOUNCEMENTS

Iota: Short Prose Conference is now open to students and alumni of Stonecoast MFA. (Applications don’t open for everyone else until February 8!) The creation of Stonecoast graduate Penny Guisinger (Creative Nonfiction, S’13), Iota will stage on Campobello Island from August 16-19, 2019, with faculty Arielle Greenberg and Richard Blanco. Iota is also thrilled to partner with Stonecoast again this year on offering a full scholarship to one writer from rural Washington County, Maine.

FACULTY

The French edition of JJ Amaworo Wilson‘s (Fiction, Popular Fiction, Writing for Social Change) novel Damnificados (Les Dévastés), translated by Camille Nivelle, was published in January by Les Editions de l’Observatoire. The book was reviewed the same week by Le Monde, which described it as “extraordinary … and magical.”

Tom Coash (Playwriting, Dramatic Arts) recently recorded a podcast of his short play Raghead for The American Playbook library to be released later in 2019. Coash has also recently received a Johnny Mercer Foundation fellowship to work on a new musical, entitled Wild Sound, at the Johnny Mercer Writers Colony at Goodspeed Musicals, February 2019.

Susan Conley’s (Fiction, Creative Nonfiction, Writing for Social Change) new novel Elsey Come Home (Knopf, January 2019) is an Oprah Magazine “Ten Best Winter Reads,” an Amazon Books “Best Book of the Month,” a Marie Claire Magazine “Best Women’s Fiction of 2019,” a Huffington Post “61 Books We’re Looking Forward to for 2019,” a Southern Living Magazine’s “Best New Books Coming Out Winter 2019,” Washington Independent Review of Books “Sixteen Titles We’re Watching,” a Read it Forward’s “Best Books of the first-half of 2019,” and a Fodors Travel “Best Travel Books for 2018.” The book was also recommended by Publishers Weekly, Kirkus, Library Journal’s “Pre-Pub Pick,” Shelf-Awareness, Book Page, Read It ForwardThe Millions, Hello Giggles, and others.

Advance praise is rolling in for Aaron Hamburger‘s (Fiction, Creative Nonfiction) new novel Nirvana Is HereAuthor Elisa Albert calls the book “compulsively readable, charming, and suffused with deep humanity. The title is truth in advertising, folks: this novel is nirvana indeed.” Lesléa Newman says, “This is a drop-everything, stay-up-way-too-late, unputdownable novel… an absolutely necessary read.” And Tova Mirvis says, “Nirvana Is Here is tender, wise and deeply affecting.” Book tour dates are in the works, with stops already booked for New York; Washington, DC; Baltimore; Detroit; Annapolis; and Portland, Maine, a joint reading with Stonecoast alum Dave Patterson, who’ll be reading from his debut novel Soon the Light Will Be Perfect, at Print Bookstore, June 26. Mark your calendars! If you’re interested in having Aaron come to read at your town or Skyping with your book group, let him know directly at aaronhamburger@gmail.com

Amanda Johnston (Poetry, Writing for Social Change) has a new poem in Thalia Magazine. Check out “forgive me, but another black woman has been killed and I’m shook” along with two poems from Another Way to Say Enter, “Crossing In” and “History Repeating Repeating.”

Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) Tonya & Nancy: The Rock Opera returns to New York City February 4 at 7:30 p.m. at the Lucille Lortel Theater for a special concert event produced in a association with the Abingdon Theatre Company under Tony-Award-winning Executive Producer Jim Kierstead (Kinky Boots, Pretty Woman, Be More Chill). Media coverage for the event includes a feature article in Broadway World. Updates at http://www.tonyaandnancytherockopera.com

ALUMS

Carina Bissett (Popular Fiction, S’18) has a poem, “O Mad Arachne: A Folle in Three Acts,” included in NonBinary Review #19: Dante’s Infernopublished by Zoetic Press in December 2018.

Ryan Brod (Creative Nonfiction/Fiction, S’17) recently won the AFFTA’s (American Fly Fishing Trade Association’s) first ever guide-only essay contest, along with a $1,000 prize. The piece (about complicated water issues facing south Florida/the Everglades region) will appear in the spring issue of The Drake magazine.

KT Bryski (Popular Fiction, W’16) is thrilled to announce that she is now represented by Kim-Mei Kirtland of the Howard Morhaim Literary Agency. Her story “Ti-Jean’s Last Adventure, as Told to Raccoon” also appears in Lightspeed this month.

Julie C. Day‘s (Popular Fiction, S’12) flash piece “Stone Memories” can be found online at the Jellyfish Review. Her piece “City Magic” can be found online as part of the Cincinnati Review’s miCRo series. A few reprints have also made their way out into the world. Her story “Raising Babies” is now available on the podcast Tales to Terrify, while her story “A Pinhole of Light” was reprinted online in The Dark and in translation as part of the French anthology Ténèbres 2018. Finally, Julie’s debut collection Uncommon Miraclesreleased in October 2018, is now available in hardcover, signed limited edition, and e-edition! Here are a few recent accolades…

“In many of her stories, Day lulls readers into a false sense of familiarity with people, places and events before hitting a literary switch that snatches all certainties away…Day’s prose is spare but vivid and she has an impressive facility with a range of forms and voices.” ~Morning Star, Best of 2018: Fiction

“It’s hard to describe any one of the 18 stories collected here as characteristic of Day’s approach to fiction, since she demonstrates such an impressive range of tones and topics, but we can see here what will become a few recurring elements: a fascination with American landscapes as psychic spaces (with occasional side trips to Paris or the Azores), an almost playful manipulation of genres tropes and protocols, a fondness for subtitles that segment tales into discreet scenes, a resolute focus on characters haunted by memory and sometimes by grief, and an almost casual disinterest in linear plotting…her capacity for engaging bizarre ideas in the exploration of deeply felt and deeply damaged characters can be stunning.” ~Locus Magazine, Collection Review

Renee S. DeCamillis (Popular Fiction, W’ 14) is excited to share the release date and cover reveal for her debut book, The Bone Cutters—a bizarro horror novella about the hell of mental illness, the evil hands of drug addiction, and the horror of psych. hospitals. The book is set for publication on September 1, 2019, through Eraserhead Press. A book release event and local readings will be sure to follow. Stay tuned for those location and date announcements. Preorders for the book will be possible soon. Until then, here is the synopsis: Dory wakes up in the padded room of a psychiatric hospital with no recollection of how she wound up there. She soon finds out she’s been Blue-Papered–involuntarily committed. When she is sent to the wrong counseling group, she finds a whole new group of drug addicts that make her skin crawl. By the end of that first meeting she is running scared, afraid of being “dusted,” though the psych. hospital staff doesn’t believe a word she says; after all, she’s delusional—at least that’s what they tell her. They end up sending her to that same counseling group every day, though Dory knows that all those junkies want is what’s inside of her—she’s fresh, and she holds the most intense high. Like Girl, Interrupted and “The Yellow Wallpaper,” The Bone Cutters is one woman’s dark and surreal experience with a madness that is not necessarily her own.

March 3-5, Gail Hovey (Creative Nonfiction, S ’11) will be attending a Masters Workshop in Tucson. She is eligible for this event as a finalist in the Tucson Festival of Books Literary Awards Competition. Her submission for the competition was an excerpt from her memoir manuscript What Goes by the Name of Love.

Veda Boyd Jones (Fiction, S’17) has a couple articles in the 2019 Harris’ Farmer’s Almanac on newsstands now.

Little Patuxent Review honored Alan King (Poetry, W’13) with the 2018 Michael J. Clark Award, which is given annually to an outstanding work of literature published the previous year in LPR. The 2018 award, which was presented at the Winter 2019 Issue launch, was for his poem “The Journey.”  Video highlight from the reading below:

Paul Kirsch (Popular Fiction, W’11) has been nominated for a Writers Guild Award for Videogame Writing. Pillars of Eternity II: Deadfire is up against Assassin’s Creed Odyssey, Batman: The Enemy Within, God of War, and Marvel’s Spider-Man. You can peruse the other nominees here.

Andrea Lani‘s (Fiction, W’14) short story “Confluence” appears in the collection This Side of the Divide: Stories of the American West, which comes out on February 12. Her profile of author Caitlin Shetterly appeared in the January issue of Literary Mama, and you can read her editor’s letter from that issue here.

Kristin Leonard (Fiction, S’18) is the 2019 recipient of the Meetinghouse Theatre Lab’s Maine Playwright Award. Her one-act play, Crash, is based on a quartet of ten-minute plays she wrote at Stonecoast. It received its first staged reading on January 19th.

Ellen Meeropol (Fiction, W’06) will be teaching two workshops on using multiple narrators in the novel at the San Miguel Writers Conference and Literary Festival February 13-17 in San Miguel de Allende, Mexico. She will also be moderating a panel (“Better Later? Success and the Late Blooming Woman Author”) at the AWP Annual Conference on Thursday, March 28, at 4:30 p.m.

Jenny O’Connell (Creative Nonfiction, S’17) is thrilled to be invited to join the North American Review’s 50th Anniversary conference lineup, which features Stonecoast faculty Debra Marquart and keynote speaker Martín Espada. Jenny’s seminar, based on her recent article in Creative Nonfiction and her third semester project at Stonecoast, uses a study of songwriting to explore vulnerability in creative writing.

Carolyn O’Doherty (Popular Fiction, W’11) is pleased to announce that her second novel, Unleashed, will be published on September 10, 2019. Unleashed continues the story that began with Rewind (April 2018) about a group of teenagers with the ability to freeze and rewind time. Both books are published by Boyds Mills Press. Rewind was recently named a 2019 YALSA Quick Pick for Reluctant Readers.

Bruce Pratt‘s (Fiction, S’04) new poetry chapbook Forms and Shades is available from Clare Songbirds Publishing with a ship date of February 1, 2019 (today!). His short-fiction collection The Trash Detail from New Rivers Press is currently at number 17 on the Small Press Distribution sales list.

Lisa Romeo (Creative Nonfiction, S’08) will lead a one-day workshop, “Memoir Writing and the Gift of Incomplete Memories,” at The Open Center in New York City on Saturday, April 13. She’ll also be the lunchtime speaker at the Longform Narrative Workshop (featuring Narratively memoir editor Lilly Dancyger) hosted by Cedar Ridge Writers Series, March 2, in Bedminster, New Jersey. Lisa’s recent essay publications include  “Hands off the Black Jack,” for The Inquisitive Eater (a publication of The New School), and a micro excerpt, “Upstairs,” in the anthology The Walls Between Us: Essays in Search of Truth, edited by Beth Kephart. In Winter and Spring 2019, Lisa will continue a series of memoir writing tip programs at libraries around New Jersey, as part of promoting her memoir, Starting with Goodbye.

The LeVar Burton Reads podcast featuring Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “In the City of Martyrs” went live in January and is available for listening here.

Lisa C. Taylor’s (Poetry, S’04) latest collection of short stories, Impossibly Small Spaces, received a new review. Her collaborative collection of poetry published in 2011, The Other Side of Longing (with Irish writer Geraldine Mills), will be adopted by an Irish literature class at University of Connecticut for the spring semester. Both of them are invited to speak to the class in April.

Melanie Viets (Creative Nonfiction, W’17) had an essay featured in Narrative. “Strata” ran as the Story of the Week through February 1st. Thanks to Rick Bass and T Fleischmann for their help and encouragement, and thanks to Susan Conley for the workshop writing prompt that inspired the piece.

 

 

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