Category Archives: News & Updates

Community News & Updates December 2019

FACULTY

The French translation of JJ Amaworo Wilson‘s (Fiction, Popular Fiction, Writing for Social Change) novel Damnificados, entitled Les Dévastés and translated by Camille Nivelle, has won the Prix Révélation de Traduction from Société des Gens de Lettres. The ceremony takes place in Paris on December 3rd, 2019.

Stonecoast faculty member Tobias S. Buckell (Popular Fiction) and co-author Paolo Bacigalupi won the World Fantasy Award for Best Collection with The Tangled Lands, a fantasy novel told in four novella-length parts about a land crippled by the use of magic. Buckell also sold new novel The Musketress to Audible Originals: in a far-future world where reading has been forbidden by mechanical archangels a general’s daughter and fugitive librarian search for world-changing secrets found in ancient, lost books.

Tom Coash‘s (Playwriting, Dramatic Arts) monologue, “Blind Dog,” was produced in New York City by The Playground Experiment as part of the Faces of America Monologue Festival in support of the ACLU. “Blind Dog” has also been published in the Faces of America Anthology.

The paperback edition of Susan Conley‘s (Fiction, Creative Nonfiction, Writing for Social Change) novel Elsey Come Home has been published by Vintage. Susan’s forthcoming novel Landslide will be published by Knopf in February of 2021.

Martín Espada (Poetry, Writing for Social Change) has edited and published a new anthology entitled What Saves Us: Poems of Empathy and Outrage in the Age of Trump from Northwestern University Press.

Aaron Hamburger (Fiction, Creative Nonfiction) received two special mentions, in both fiction and creative non-fiction, in the 2020 Pushcart Prizes: his short story “Refugees” (published in The Bennington Review) and his essay “Sweetness Mattered” (published in Tin House) were both honored.

Elizabeth Hand (Popular Fiction, Fiction) profiled Blondie frontwoman Debbie Harry for the pop culture site Please Kill Me. Her novel Curious Toys was named one of autumn’s best reads by Real Simple Magazine, as well as one of 2019’s best books by the Chicago Library, and was featured in Maine Women Magazine. Forthcoming reviews include Priya Sharma’s Ormeshadow, Tade Thompson’s The Survival of Molly Southborne, and Craig Laurance Gidney’s A Spectral Hue for The Magazine of Fantasy & Science Fiction.

Several chapters for Lauren Marie Schmidt‘s (Poetry, Writing for Social Justice) YA novel-in-progress, The Players, are forthcoming in the following journals: North American ReviewMobius: The Journal for Social Change, and The MacGuffinClick here to learn more about the project and here to read samples.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) has a new short film, produced via LGBT Toronto Film Festival. The five-minute short, Sister Kin, is based on a studio recording of a single scene by Elizabeth. The ‘Screenplay Short’ film will screen at LGBT Toronto Film Festival in 2020. A longer short film, Four-Sided, also based on Elizabeth’s novel, has been an official selection at nine festivals so far this year and will screen next in Chicago. Elizabeth’s feature-film script has been recognized at 20 festivals or competitions. Elizabeth looks forward to leading Stonecoast’s first hands-on Screen Your Short seminar for students wanting to write and shoot a short film. For updates on Elizabeth’s film projects, see www.afoursidedbedfilm.com

 

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) film short adaptation of her memoir, The Sound of a Wild Snail Eating, won the Best International Short Award at the Kerry International Film Festival in Kerry, Ireland.

Carina Bissett (Popular Fiction, S’18) placed her poem “Lepus antilocapra” in HWA Poetry Showcase Vol. VI, edited by Stephanie Wytovich. This piece found its final form under the guidance of Cate Marvin. In other news, her short story “Gaze with Undimmed Eyes and the World Drops Dead” is featured in the anthology Terror at 5280′. This piece originated from a ghost story prompt in workshop with Liz Hand.

KT Bryski (Popular Fiction, W’16) has a story in Lightspeed Magazine this month: “The Path of Pins, the Path of Needles” is available from December 5th. Her flash piece “By Jingly Bell, By Velvet Mouse” also came out from PodCastle recently.

Jessica de Koninck (Poetry, S’11) has a poem, “Good Humor”, in the most recent edition of Glassworks. Its online segment, “Looking Glass,” includes her reflections on the poem. Her poem “Crazy Eights” appears in the most recent edition of Presence. “Lullaby Ghazal” is in Southword (Munster Literary Center), and her poem “Revisiting the Psalms” is included in the anthology A Constellation of Kisses from Terrapin Books. Finally, her poem, “Pastoral”, was the daily poem on SWIMM on Friday, November 29, 2019.

Jess Flarity (Popular Fiction, S’18) was featured on the literary journal Barnstorm‘s website; you can read the tale of how he sold his first short story here.

Terri Glass’s (Poetry & Creative Nonfiction, S’13) poems “The Girl Who Became So Still” and “The God Hour” will be published in the New Rivers anthology Wild Gods: The Ecstatic in Contemporary Poetry and Prose.

Andrea Lani (Fiction, W’14) was honored to have her essay “Persistence Is the Thing with Fins” selected for inclusion in A Dangerous New World: Maine Voices on the Climate Crisis, which comes out this month from Littoral Books. A book launch party will be held on Sunday, December 8th, from 2:00 to 4:00 p.m. at Space Gallery in Portland, Maine. Also, Andrea was also thrilled that her short story “The Quilt” was short-listed for the Peaceful Dumpling Environmental Writing Prize.

Ellen Meeropol (Fiction, W ‘06) has recent essays published in Ms Magazine“No More Coat Hangers”—and Lilith Magazine“When Life Imitates Your Own Art.”

John Christopher Nelson‘s (Fiction, S’15) short-fiction pieces “Avoidance,” “Meaning As Use,” and “Sola Fide” (the last of which was originally published in Able Muse, summer 2016) will be featured in Pleasure Boat Studio’s first biannual zine this December. Additionally, John will read “Sola Fide” at a Soul Food Coffee House event this December 19th.

Suri Parmar (Popular Fiction, W’17) is elated to announce that her live-action/animated film Rialia (2019) is an official selection at the National Screen Institute of Canada’s Online Short Film Festival and was their weekly featured film. Her short film The Bakebook (2017) will also be screening in Italy at the CineCiok Festival.

Dave Patterson (Fiction, W’13) had his novel, Soon the Light Will be Perfect, recently reviewed in The Portland Press Herald. The reviewer noted that the novel is “a beautiful exploration of what it means to come of age in difficult circumstances.”

Linda K. Sienkiewicz (Fiction, S’09) was selected to participate in the third annual Poets and Artists in Dialogue at The Grosse Pointe Congregational Church in Michigan. Two of Linda’s poems are published with accompanying art in the full-color book. The reading is January 9th, 2020.

Mary Katherine Spain (Fiction, S’16) has been awarded semi-finalist status in the Machigonne Fiction Contest sponsored by The New Guard Literary Review. Her short story “Collision” will be published in Volume IX of The New Guard Literary Review in 2020.

An anthology of poems and essays on the climate threat by Maine Writers, A Dangerous New World: Maine Voices on the Climate Crisis, edited by Kathleen Sullivan (Poetry, ’13) and Meghan Sterling, has been published by Littoral Books and can be purchased online here—or at the publication party at Space Gallery on December 8th in Portland. All Stonecoasters and their friends are invited! Also, The Portland Phoenix recently published an article about the anthology.

Morgan Talty‘s (Fiction, W’19) short story “Earth, Speak” will be published this December in Shenandoah‘s winter issue; the editors of Shenandoah have also nominated the story for a Pushcart.

Allister Timms (Popular Fiction, ‘13) has published his novel The Killing Moon with PS Publishing, the UK’s foremost specialist genre publisher of horror, sci-fi, and fantasy. The artwork for the novel is by Italian artist Daniele Serra, winner of the 2017 British Fantasy Award for Best Artist. The Washington Post has included The Killing Moon in its “Best Horror Fiction of the Year.” Allister Timms is from Wales and now lives in Belfast, Maine, and teaches Literature at Husson University in Bangor. Allister can be found at https://allistertimms16.wixsite.com/home

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Community News & Updates November 2019

ANNOUNCEMENTS

ALUMNI RESIDENCY WORKSHOP: A CROSS-GENRE WORKSHOP IN FICTION AND CREATIVE NONFICTION

This January, Stonecoast is offering a personalized writing experience for our Alumni.  Held in conjunction with the Stonecoast winter residency, Susan Conley will lead workshops that get alums to immerse in their writing within a peer setting again. Participants will generate new work as well as discuss old work. It is our hope that you will get to see your writing from new vantage points and that you’ll leave the residency feeling inspired. The conference fee includes four 2.5 hour workshop sessions, plus full access to all presentations, seminars, readings, pop-up classes, reception, and special events. You’ll also get a one-on-one meeting with New York agent Stephanie Koven.

  • Dates: January 10-January 14, 2020
  • Cost: $650.00 workshop fee, plus room and board (~$750 for 4 nights) or commuter fee ($285). Includes daily lunches and afternoon tea at the Harraseeket Inn.
  • Contact Jenny O’Connell to reserve your spot! There are only 8 slots available, and we expect this workshop to fill quickly.

STONECOAST AT AWP

Do you plan on attending the 2020 AWP conference (March 4-7) in San Antonio? Contact Special Programs Coordinator Jenny O’Connell to be added to the list of attending Stonecoasters! As part of the new Stonecoast WISE (Writing for Inclusion and Social Equity) Initiative, all Stonecoast students, alumni, and faculty are invited to a WISE reading and discussion in San Antonio. Time and location TBD. We hope to see you there!

FACULTY

Tom Coash’s (Scriptwriting) play Thin Air has recently been published by Brooklyn Publishers. His play Raghead will be produced in Bronx, NY, as part of the Urban Waves Festival by the Open Hydrant Theater Company, November 11-17.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about sports, crime, and social issues. In October, he wrote a feature for ESPN’s The Undefeated: Red Sox’s Raquel Ferreira Breaks Through Baseball’s Glass Ceiling. He also recently signed a two-book YA deal with Macmillan Children’s Group. The first will tell the controversial story of Sacco & Vanzetti, two Italian anarchists wrongly convicted of murder and later executed in Boston, MA.

Aaron Hamburger (Fiction, Creative Nonfiction) has been awarded an arts and humanities fellowship from the DC Commission on the Arts and Humanities for 2020. The award, which supports individual artists who achieve excellence in the arts, was given on the basis of several selections from Aaron’s novel Nirvana Is Here. Also, Aaron will be presenting Nirvana Is Here at the National Press Club Book Fair on November 1st in Washington, DC.

Elizabeth Hand’s (Popular Fiction, Fiction) novel Curious Toys has received rave reviews from The New York Times, The Washington Post, The Chicago Tribune, The Chicago Review of Books, and CrimeReads, among others, and was named one of the Ten Books You Must Read Now by Oprah Magazine.

Jim Kelly (Popular Fiction emeritus) has been active in his retirement from Stonecoast. His short story “Selfless” appears in the current issue of Asimov’s Science Fiction Magazine and is featured in the Asimov’s Spotlight podcast in which Jim reads the story in its entirety. His novelette “Grace’s Family” was published last month in The Year’s Best Science Fiction & Fantasy 2019 Edition. A new standalone novella, King of the Dogs, Queen of the Cats, is forthcoming in January from Subterranean Press in print  and Blackstone Publishing in audio. The novelette “The Boyfriend Experience” will be published in the Twelve Tomorrows anthology from M.I.T. Press this summer, and the story “The Man I Love” is slated for later in 2020 in the Magazine of Fantasy and Science Fiction. When you read this, Jim will be in in Beijing as a guest of the Chinese government at the fourth annual China Science Fiction Conference (November 2-3), where he will give a presentation on teaching science fiction writers at Stonecoast and other programs.

Robert Levy’s (Popular Fiction) ghost story “The Vault of the Sky, the Face of the Deep” is included in Come Join Us By the Fire, a free audio anthology to celebrate the launch of Nightfire, a new horror imprint from Tor Books. More information about the anthology and the imprint can be found here.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) and A Four-Sided Bed, her script in development as a feature film, were featured in the October issue of Imagine Magazine, a longtime publication for the New England Film Community. In other film news: Four-Sided, the short film based on Elizabeth’s novel, won Best Experimental Short and second place as Best Narrative Short in Vegas Movie Awards, and the short film is a Semi-Finalist at Blow-Up: The International Art-House Film Fest, along with having screenings upcoming at festivals in Pittsburgh and Chicago. Elizabeth’s feature script A Four-Sided Bed won Best Dramatic Screenplay at Vegas Movie Awards and was selected for a Best Scenes short reading at the Romance Film Festival.

Imagine Magazine‘s feature article on Elizabeth and A Four-Sided Bed

 

ALUMS

Peter Adrian Behravesh (Popular Fiction, W’18) has accepted a full-time position as an editor for Seven Seas Entertainment, the #1 independently owned manga publisher in North America. He will be at the World Fantasy Convention in L.A. from October 31st to November 3rd, where he will moderate the “Mixing Genres” panel (Friday, November 1st, at 1:00 p.m.) and appear on the “Beyond Castles, Horses and Knights: Non-Eurocentric Fantasy” panel (Saturday, November 2nd, at 12:00 p.m.).

Nancy Holder (Popular Fiction faculty) and Debbie Lynn Smith Daughetee (Popular Fiction, S’04) would like to announce that Kymera Press is launching a Kickstarter in January 2020 for their title Mary Shelley Presents. The Kickstarter is to fund the printing of a trade paperback of all four issues (Nancy is the author and Debbie is the publisher). We hope you’ll help support us bringing back the voices of Victorian women horror writers in a unique and artful way.

Jess Flarity (Popular Fiction, S’18) has been accepted to present a paper on space Jesuits at this year’s Northeast Modern Language Association conference in Boston (NeMLA). The paper is titled “Glory to the Machine God: Tech-priests as Future Jesuits in the Warhammer 40k Universe” and might be included as part of his PhD thesis on the intersection of science fiction and philosophy. Space Jesuits and Habermas! What a time to be alive.

Zachary Jernigan

Zachary Jernigan (Popular Fiction, W’11) has sold History of the Defeated, a novella, to LGBTQ+-focused publisher Lethe Press. In creative-adjacent news, he’ll also be appearing on the live taping of Nicole Byer’s (Netflix’s Nailed It!) podcast Why Won’t You Date Me? on November 14th at Tempe Improv in Tempe, AZ. Zack can be found on Twitter at @CriticalJams.

Clifford Royal Johns (Popular Fiction, W’18) will be on the schedule for Windycon, a Chicago area SF convention (November 15-17), as follows:

  • Panel: Commerce in Space Opera — Friday, November 15th, 6:00-7:00 p.m. in Mueller Grand Ballroom G
  • Panel: Ask a Scientist — Saturday, November 16th, 1:00-2:00 p.m. in Lilac C
  • Chicago-SF Book discussion: Ringworld by Larry Niven — Saturday, November 16th, 3:00-4:00 p.m. in ISFiC Suite – Room 1612
  • Writers Workshop Moderator: Sunday — Sunday, November 17th, 9:00 a.m. to 12:00 p.m. in ISFiC Suite – Room 1612
  • Panel: Memorable Space Opera Settings — Sunday, November 17th, 1:00-2:00 p.m. in Mueller Grand Ballroom H

Veda Boyd Jones (Fiction, S’17) has several articles in the 2020 Harris’ Farmer’s Almanac on newsstands now. This year’s Christmas romance novella, The Christmas Parade, is now available on Amazon. Favorable reviews welcome. 🙂

Teacher/Pizza Guy, the new poetry collection by Jeff Kass (Fiction, S’09), was recently reviewed by The Ann Arbor Observer. Jeff will be reading on Wednesday, November 6th, at Nicola’s Books in Ann Arbor, MI, and on Wednesday, December 5th, at The White Plains Public Library in White Plains, NY.

Alan King (Poetry, W’13) is looking for reviewers for his audiobook Drift, now available on Audible. He has promo codes for review copies (US and UK). Those interested should contact him at alanw.king@gmail.com. Please add “DRIFT Audiobook Review” in the subject line.

Tom MacDonald‘s (Fiction, W’09) short story “Nashua River Floater” will be published next June in Coast to Coast Noir, a crime anthology edited by Paul D. Marks and Andrew McAleer.

Ellie O’Leary (Poetry W’17) has a poem “We Were a Family of Five When I Coughed” in the anthology The Hands We Hold: Poetry Concerning Breast Cancer.

Suri Parmar‘s (Popular Fiction, W’17) short film Skin Deep, based on her screenplay and directed by Ryan Couldrey, recently won second prize at Port Horror Festival’s short film showcase. Her short film Rialia also premiered at the CineFAM Film Festival, and her short script Vomit Comet was featured in a live staged reading at Toronto Cold Reads.

For the second year running, Cynthia Furlong Reynolds (Fiction, ‘12) won a journalism award in the annual Writers’ Digest Writing Competition. The first was for “Ginger Takes A Stand: A Life Lived With Polio,” the second “DNA Discoveries: Home Ancestry Tests are Rewriting Family Trees.” (Despite her commitment to finishing the novels she started at Stonecoast, Cynthia still loves writing for magazines.) In addition, Cynthia has had two non-fiction books published recently: The Purple Rose of Chelsea: Jeff Daniels and His Theater and Reach!, a business manual written for meta-franchiser John Rotche.

Two poems, “are you against me Boss” and “it’s dark outside Boss by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the forthcoming issue of Christianity and Literature. These poems are part of a new series of psalm-like poems inspired by Maurice Manning’s collection, Bucolics.

Lisa Romeo (Creative Nonfiction, S’08) was recently interviewed by Nonfiction Reads. She’d love to see Stonecoast folks at I AM BOOKS, in Boston, on Saturday, November 9th, at 6:00 p.m., when she’s reading along with (fellow Stonecoast alum) Anthony D’Aires (Creative Nonfiction, W’09) and New Hampshire poet/author Jennifer Militello.

Kathleen Sullivan (Poetry, ’06) has co-edited a book to be published this November by Littoral Books called A Dangerous New World: Maine Voices on the Climate Crisis. The book is an anthology of essays and poems by Maine writers on the topic of the climate catastrophe we are facing and can be purchased online, after November 15th, at Littoralbooks.com. On December 8th at 2:00 p.m. at Space, we will hold a publication party, and Kathleen would like to invite the Stonecoast community. Intended both as a work of art and as a call to action, the hope of the editors is that it wakes people to the enormous potential and already arrived losses a fossil fuel dependent world promises and, in the awakening, that people will be moved by their love for this place we call home to act. Kathleen has also had a poem, “Mrs. C and the Social Worker,” published in Cafe Review‘s Fall 30th Anniversary issue.

Darlene Taylor (Fiction, W’17) received an individual artist grant from the DC Commission on Arts and the Humanities. The merit-based grant supports her work as a literary artist during Fiscal Year 2020.

The Killing Moon, a novel written by Allister Timms (Popular Fiction, ’13) during his time at Stonecoast, was published on Halloween by PS Publishing, the UK’s foremost genre publisher.

 

 

 

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Community News & Updates October 2019

ANNOUNCEMENTS

SUBMISSIONS OPEN: The Learned Pig

Melanie Viets (Creative Nonfiction, W’17) is currently a guest editor at the UK magazine The Learned Pig. Her “Root Mapping” section is an exploration of mapping place instead of space. What is sparked when today’s mapping is guided by a desire for connection and beauty instead of domination, when maps are living creations that arise from engagement and attention? Submissions of poetry, literary nonfiction, photo essays, and interviews are all welcome through October 31st.

CALL FOR SUBMISSIONS: The Way of the Laser: Future Crime

Vernacular Books, an indie press venture created by Joe McDermott (Popular Fiction, S’11) and Eric Bosarge (Popular Fiction, W’12) is pleased to announce they are accepting submissions for the anthology The Way of the Laser: Future Crime stories.

What we’re looking for: 

Crime stories that take place in the future. Preferably these stories will go beyond simple murders or capers to reveal something about how technology and the powers that wield it have changed our world. Is poisoning the nanobots responsible for programming the ads in your neural feed a crime? Is organized crime society’s only hope or responsible for its downfall? Consider what will constitute a crime and what unique problems it poses for your characters.

Keep in mind what is criminal behavior one day may be legal the next and vice versa. We want to see people caught up in the pitfalls of society ruled by corporations, ideologies, and demagogues and what lengths they will go to when there simply is no other choice.

Wow us with your original idea and blow us away with your writing.

Length: 4,000-8,000 words

Payment: $.05/word advance + royalties.

For SUBMISSION GUIDELINES visit www.vernacularbooks.com/submissions/

To support this project via Kickstarter, visit https://www.kickstarter.com/projects/vernacularbooks/the-way-of-the-laser-future-crime-stories 

CURRENT STUDENTS

Jac Evans’ (Popular Fiction) short story “Scales” appeared in Issue 30 of Three-Lobed Burning Eye, published on August 30! This story was workshopped in her very first Stonecoast residency.

FACULTY

David Anthony Durham (Fiction, Popular Fiction) has signed a new book deal with Tu Books for his middle-grade solar-punk fantasy novel, The Shadow Prince. It won’t enter the world until some time in 2021, but he’s happy. In November, he’ll be a guest at the first Reno Pop Culture Con.

Aaron Hamburger‘s tour for Nirvana Is Here rolls on, with stops at Literati Bookstore in Ann Arbor, at 7:00 p.m., Thursday, October 3rd; a reading and conversation at the Fall for the Book Festival at George Mason University at noon on Friday, October 11th; an appearance at the Rainbow Book Fair in New York on Saturday, October 12th; and a stop in Arlington, VA, for the Readings on the Pike reading series, Wednesday, October 15th at 7:30 p.m. Aaron will also be featured as part of the Detroit Public Library Author Series on Sunday, October 27th at 2:30 p.m., and will participate in the National Press Club Book Festival On Friday, November 1st. Keep up with all of Aaron’s latest events here.

Elizabeth Hand’s (Popular Fiction) novel Curious Toys, out October 15th, has received glowing early reviews, including raves from Publishers Weekly and Kirkus and starred reviews in Booklist and Library Journal, as well as advance praise from Audrey Niffenegger, Sarah Weinman, Peter Straub, and Bradford Morrow, among others. Liz will be appearing at the Strand Bookstore in New York City on October 16th, in conversation about the book with Benjamin Dreyer; at Solid State Books in D.C. with Michael Dirda on October 17th; at Anderson’s Bookstore in Chicago with Sarah Weinman on October 24th; and at the WORD Festival in Blue Hill, Maine, on October 26th, where she’ll be in conversation with Joe Hill and Laura Miller. Her forthcoming reviews include Rene Denfeld’s The Butterfly Girl in The Washington Post.

Cara Hoffman‘s (Fiction, Popular Fiction) debut children’s novel Bernard Pepperlin, out this fall from Harper Collins, was a Jr. Library Guild Selection, received a starred review in Kirkus, and earned glowing reviews in Publishers Weekly and School Library Journal which compared Bernard Pepperlin to books by Roald Dahl and E.B. White.

Robert Levy‘s (Popular Fiction) novella Anaïs Nin at the Grand Guignol is out this month from Lethe Press. Kirkus Reviews says, “Readers looking for a concentrated cocktail of Années folles splendor will find that this short erotic novel quenches their thirst. A finely crafted, Anaïs Nin–centered fantasy with unexpected depths,” while Publishers Weekly in a Starred Review writes, “Levy’s disquieting erotic imagery masterfully evokes Nin’s original prose. This sensual confection will enthrall readers looking for an intimate, disturbing thrill.”

Cate Marvin (Poetry) is this year’s editor of Best New Poets: 50 Poems from Emerging Writers, a series curated by Jed Livingood.

At the 2019 Massachusetts Independent Film Festival in September, Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) won Best Feature Film Screenplay and the short film Four-Sided, based on Elizabeth’s novel, was screened on the Festival’s closing night, September 7th. Elizabeth attended the Festival with Amy Carpenter Scott, one of the producers developing Elizabeth’s script, A Four-Sided Bed, as a feature film. Also in September, Elizabeth’s script was named a Finalist at the Northeast Film Festival and the short film Four-Sided was a Finalist at Moondance International Film Festival. See updates here.

Elizabeth and A Four-Sided Bed producer Amy Carpenter Scott at the 2019 Massachusetts Independent Film Festival

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) film short adaptation of her memoir The Sound of a Wild Snail Eating won the international Jackson Wild Media Award in the Education category. The film has an upcoming Canadian premier at the Edmunton International Film Festival and was recently reviewed in the San Francisco Examiner.  

Michael Beeman (Fiction, S’09) published two short stories recently: “Better” in The Saturday Evening Post and “The Escape Artists” in The Normal School.

Carina Bissett (Popular Fiction, S’18) was awarded the inaugural Ladies of Horror Fiction (LOHF) Writers Grant, which was funded by indie author Steve Stred.

KT Bryski (Popular Fiction, W’16) and PodCastle co-editor Jen R. Albert are pleased to announce their creation of a new speculative fiction reading series. Funded by the Ontario Arts Council, ephemera will feature literary speculative fiction with a focus on emerging and underrepresented voices. Starting in November, it will run the first Wednesday of every month at the Glad Day Bookshop, Toronto.  Follow ephemera on Twitter and Instagram @ephemeraseries.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce that Aqueduct Press has just released her 140-page novella, The Rampant, as a paperback and ebook:

Christianity it turns out got a whole lot of things wrong. It’s ten years since the hordes of old-world Sumerian gods arrived in Southern Indiana ready to kick off the end of the world. Massive tornadoes, tsunamis, government collapse: it all started out so strong, but the Rampant, the final herald of the apocalypse, failed to show. Both people and gods have had to adjust. Sixteen-year-old Emelia Bareilles and Gillian Halkey have spent most of their childhood stuck in this seemingly never-ending apocalypse. Now the two friends are resolute: they will travel into the lands of the dead and force a change.

Paperback:  Amazon | Publisher

eBook:  Amazon | Publisher

Goodreads list.

What others are saying

“Equal parts playful and heartbreaking, this apocalyptic novella offers one-of-a-kind answers about the end of the world….This clever and surprisingly fun take on the rapture is the perfect theological horror story.” ~Publishers Weekly

“Day perfectly balances dark and light in The Rampant, and offers up a fresh take on apocalyptic fiction that draws on ancient mythology and literature to create something that feels completely original and new.” ~The Book Smugglers Women to Read

Josh Gauthier’s (Popular Fiction, S’17) debut full-length play Of Murder and Madness opens in early October at Footlights Theatre in Falmouth, Maine. The show runs from October 10-26, and tickets are on sale now. Visit the Footlights Theatre website for full details.

Nancy Hayden (Fiction S’12) and her husband John Hayden are excited about the September release of their new book, Farming on the Wild Side: The Evolution of a Regenerative Organic Farm and Nursery from Chelsea Green Publishing. The book explores growing fruit and perennial vegetables, enhancing native biodiversity for pollinators, beneficial insects, and birds, and increasing resilience in the face of climate change. Its hopeful message is combined with the authors’ color photographs of their Vermont farm.

Veda Boyd Jones (Fiction, S’17) has been elected president of Ozarks Writers League, which is headquartered in Branson, Missouri, but includes Arkansas as well. She will preside over a spring and a fall conference with national speakers.

Alan King‘s (Poetry, W’13) Drift, the audiobook, is now available on Audible. Learn more here.

Paul Kirsch (Popular Fiction, W’11) co-wrote a game called The Outer Worlds, which launches October 25th on PC and consoles. The Outer Worlds is a dark sci-fi satire about consumerism and corporate greed in space, full of fun shooty combat and opportunities for creative roleplay. You can find the latest trailer here (and below).

Ellen Meeropol (Fiction, W’06) is delighted to reveal the cover of her fourth novel, Her Sister’s Tattoo, coming in April from Red Hen Press. Angela Davis blurbed the book with this quote: “The elegant restraint of Ellen Meeropol’s prose and the painstaking precision of her vision offer us discerning glimpses over decades and generations into the complexities of political engagement—its big questions and especially its intimacies. At a time when radical movements are on the rise, we find in Her Sister’s Tattoo exactly what we now need: both caution and hope.” Elli will be doing an ARC-drop road trip to New England indie bookstores this fall, so if you have suggestions about bookstores likely to be interested in a political novel, please let her know.

Catharine H. Murray (Creative Nonfiction, S’17) will be at the Lewiston Public Library October 5th from 3:00-4:30 p.m. to discuss Memoirs and Loss with Suzanne Farrell Smith. Murray will be back at the Lewiston Public Library on October 26th teaching a Memoir Workshop from 1:30 to 3:30 in the afternoon. Both events are free and open to the public.

John Christopher Nelson‘s (Fiction, S’15) story “Beth Garland Realizes Her Date is a Serial Killer” will be featured online in Parhelion Literary Magazine this October. John read this same piece at a Stonecoast Faculty & Guest event during his summer Teaching Apprenticeship.

Carolyn O’Doherty (Popular Fiction, W’11) is delighted to announce that her debut novel, Rewind, won the 2018 Oregon Spirit Book Award from the Oregon Council of Teachers of English. The award is given annually to the author of a distinguished contribution to young adult literature that engages and encourages readers’ imagination, discovery, and understanding, reflecting the spirit and values held by Oregonians. Carolyn’s second novel, Unleashed, the sequel to Rewind, was released in September 2019.

Ellie O’Leary (Poetry W’17) will be the featured poet at Amesbury (Massachusetts) Public Library’s Fall Poetry Series on Tuesday, October 22nd, at 6:00 p.m.

Anne Britting Oleson (Poetry, W’05) has contracted her latest novel, Cow Palace, with B Ink Publishing; the book will be published in 2021. She will be reading from her most recently published book, Tapiser, at the Boothbay Public Library on Saturday, October 12th, at 2:00 p.m.; she will also be the guest at Union’s Vose Library for their annual “Soup & Suspense” fundraiser on Thursday, October 17th, at 6:30 p.m.

“On the Ridge,” a poem about the search for a man lost in the Great Smoky Mountains National Park, by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the forthcoming issue of The American Journal of Poetry.

An essay, “Upstairs Love,” by Lisa Romeo (Creative Nonfiction, S’08) appears in the fall issue of Ovunque Siamo: New Italian-American Writing. Upcoming: Lisa and fellow Stonecoaster Anthony D’Aries will read together at I AM Books in Boston (November 9th); she will present two sessions at the Philadelphia Writing Workshop (November 23rd); and lead a three-day memoir workshop (January 17-20) at the Winter Poetry & Prose Getaway in Atlantic City, NJ, presented by Murphy Writing/Stockton University.

Catherine Schmitt (Creative Nonfiction, W’12) has an essay on the importance of Maine, and wonder, to Rachel Carson, in Maine Boats, Homes & Harbors Magazine,  and another about the monuments of oyster shells made by Wabanaki ancestors, in Island Journal. She wrote the cover story on Atlantic salmon for Maine Audubon’s Habitat magazine Summer Issue,  and she will be talking about salmon and signing copies of The President’s Salmon at Maine Audubon on October 3rd. Schmitt will be moderating a Maine Writers and Publishers Alliance discussion on “Finding a Publisher” at the Bangor Public Library on October 19th.

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Community News & Updates September 2019

FACULTY

The podcast of Tom Coash’s (Playwriting, Dramatic Arts) play Raghead has been added to the American Playbook Series. Raghead will also be produced in September at the Short & Sweet Festival in Auckland, New Zealand, and the Write About Now Festival in London, UK.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about the intersection of race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece was an August feature story for ESPN’s The UndefeatedToni Harris Made History by Getting a Football Scholarship. Now She Needs to Make Tackles. His YA book, War in the Ring: Joe Louis, Max Schmeling, and the Fight Between Hitler and America, was released by Macmillan’s Children’s Group in June 2019.

Aaron Hamburger (Fiction, Creative Nonfiction) will be reading from his novel Nirvana Is Here at KGB on 85 E. 4th St. in New York on Sunday, September 8 at 7:00 p.m. He’ll also be signing books at the Brooklyn Book Festival, Sunday September 22 at his publisher’s booth in the afternoon. Also, a new mini-documentary (two and a half minutes) about Aaron and the novel directed by Ender Emre is now available online here. Check out Aaron’s Nirvana events in October (including appearances at Literati Bookstore in Ann Arbor, The Fall for the Book festival at George Mason University, the Detroit Public Library, and the National Press Club…) here.

Four-Sided, the short film based on Elizabeth Searle‘s (Fiction, Playwriting, Popular Fiction, Scriptwriting) novel, is now an Official Selection at two more festivals this fall: Chi-Town Multicultural Film Festival in Chicago and Reel Q: Pittsburgh LGBTQ+ Film Festival! First, the film will have its USA debut at Massachusetts Independent Film Festival. For updates see www.afoursidedbedfilm.com

ALUMS

Elisabeth Tova Bailey (Creative Nonfiction, S’15) received the New England Director’s Award from the academy accredited Flickers’ Rhode Island International Film Festival for her film short The Sound of a Wild Snail Eating. She is director and screenwriter for the film, which she adapted from her CNF memoir of the same title (Algonquin Books). The film is also a double finalist for the international Jackson Wild Media Awards in the categories of Audioscape and Education. A slate of 20 festivals spring through fall included summer premiers in Italy, Australia, and Poland, with many upcoming fall screenings including premiers in Canada and Germany. For more information please see wildsnailfilm.org

Lindsey Barlow‘s (Popular Fiction, W’19) debut novel Pivot, the first of the Jack Harper trilogy, received a rave review in Publishers Weekly: “Barlow’s gorgeous writing will easily propel readers through the rest of the series.” You can read the entire review here.

Peter Adrian Behravesh (Popular Fiction, W’18) appeared at Worldcon 77 in Dublin, where he presented a paper, “Mischief in Her Heart: Women’s Empowerment in the Persian Fantastic,” and appeared on the panels “Muslim SFF” and “Using Science in Fantasy Writing.” In addition, Peter narrated Premee Mohamed’s story “Willing” for the August 20 episode of PodCastle. You can listen to it here.

Carina Bissett (Popular Fiction, S’18) placed her poem “The Perils of Invisibility” in Nonbinary Review #21 The Works of H .G. Wells (Zoetic Press, June 2019). In other news, her short story “The Gravity of Grace” was a finalist in the first quarter of Writers of the Future, May 2019. This story was one of the first pieces she workshopped at Stonecoast.

Renee S. DeCamillis (Popular Fiction, W’14) is excited to announce that her debut book, The Bone Cutters, is set for publication on Sunday, September 1st through Eraserhead Press. It’s a bizarro horror novella set in a dysfunctional psychiatric hospital, where you’ll meet a troubled young woman named Dory who encounters a peculiar and brutal group of patients when she’s sent to the wrong counseling group over and over again. Dory’s introduction to this counseling group sets her on the run in an attempt to save her life from The Bone Cutters. Renee’s book is available on Amazon, Indie Bound, Barnes & Noble, and at Longfellow Books. More stores to come soon. Two reviews for The Bone Cutters are already out, with more to come—one will soon be on the Cemetery Dance Reviews Blog. Here is what reviewers have to say about The Bone Cutters:

  • “It’s actually refreshing to be able to enjoy a book so much that you were miffed when it was over. As [her] debut novella, it’s a fantastic beginning to what could prove to be a career to watch. I’m giving this a solid 4 out of 5 [stars]…Considering that I’ve never read anything which rated a 5, I think The Bone Cutters is doing just fine.” ~Ginger Nuts of Horror
  • “I immediately fell in love with Dory, the writing style, the story…This is a terribly heart-wrenching story with a bit of a haunted house/ghost vibe where you’re also being chased by a bunch of crazy people who want to devour your bones. I didn’t want to put this book down.” ~Kendall Reviews

Renee is also thrilled to announce that Longfellow Books in Portland, Maine is hosting her book launch event on Thursday, September 5th, at 7:00 p.m. In addition to Renee’s reading and Q&A, there will also be live music to set the mood, performed by local guitarist Shaun Church Reehl. Elizabeth Searle will also be there as Renee’s MC.

September 12-14, Josh Gauthier‘s (Popular Fiction, S’17) 10-minute play “Expedition 3487-B” will be featured as part of the King of Crows play festival held at the St. Lawrence Arts Center in Portland, Maine. The festival is produced by the Crowbait Club, and you can find them on Facebook for more information.

Veda Boyd Jones (Fiction, S’17) has an essay, “Nice People,” in the summer issue of eMerge magazine.

Kristin Leonard (Fiction, S’18) has been selected to receive the Phi Kappa Phi Love of Learning Award to present at the 2019 Historic Writers of America Conference in Colonial Williamsburg, Virginia. She will be presenting a revised version of her third-semester presentation, “Discovery Through Multigenre Writing: How to Use Poetry and Playwriting to Develop Characterization, Conflict, & Plot in Fiction.”

Gregory Martin’s (Popular Fiction, W’17) short story “Inside” was recently published in Dark Moon Digest #36.

Mary Heather Noble (Creative Nonfiction, W’14) received news from the editors of Narrative Magazine that her personal essay “Plume: An Investigation” was selected as a finalist in this year’s Spring Story Contest. She is currently working on a new collection that explores the complexities and ambiguities of family.

Renée Olander (Poetry, W’05) will read from her new collection, American Dangerous, at the Old Dominion University 42nd Annual Literary Festival in Norfolk, Virginia, Thursday October 10, 4:00 p.m., free and open to the public.  The entire festival schedule is available here.

Bruce Pratt‘s (Fiction, S’04) poem “Dead Bodies and Declaratory Judgments” is forthcoming in Main Street Rag’s anthology Show us Your Papers, “The First Cold Rain Since Spring” will appear in the next Connecticut River Review, and “Lunar Eclipse” will be included in the special “Cosmos” edition of The Poeming Pigeon.

“Visionquest,” a prose poem by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the fall issue of Cimarron Review.

Lisa Romeo (Creative Nonfiction S’08) recently judged the nonfiction entries for Tiferet Journal’s annual writing contest and her flash piece “A Grave Duty,” was published in the August issue of Flash Glass, part of Glassworks Magazine. She will be a keynote speaker at NJ Women Who Write’s one-day conference in Madison, NJ, on September 21, and on November 23, Lisa will speak on “Revising the Memoir Manuscript” at the Philadelphia Writing Workshop. A fun piece, “A Beautiful Day in the Neighborhood,” is out in Chicken Soup: Angels All Around. Lisa’s editing role for Cleaver Magazine has expanded; she’s now handling craft essays on both fiction and nonfiction for their “Writer to Writer” column (pitch/submit here). In late August at the HippoCamp Conference for Creative Nonfiction, Lisa presented “Become a Writer who Reads Like a Writer” and was on a parenting/writing panel; earlier in the month, she led a week-long memoir workshop in New Hampshire for Murphy Writing.

Morgan Talty (Fiction, W’19) was included in Narrative Magazine‘s 30 Below 30 list for 2019. His short story “The Name Means Thunder” will appear in the Fall 2019 issue of The Georgia Review. 

 

 

 

 

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Community News & Updates August 2019

ANNOUNCEMENTS

It’s Boston Poetry Marathon time again! This year’s Boston Poetry Marathon is Friday-Sunday, August 16, 17, and 18, and …WE HAVE REALLY EXCITING NEWS! *We will be in a NEW LOCATION this year!* We are having this year’s Marathon at The Community Church of Boston at 565 Boylston St in Copley Square. This year’s event times are Friday, August 16th, from 6:00-10:30 p.m., Saturday, August 17th, from 12:00-10:30 p.m. (with a dinner break around 5:30, starting up again at 7:00 p.m.), and Sunday, August 18th, from 12:00-6:00 p.m. As always: every reader gets eight minutes each. For the third year running, Bridget Eileen (Poetry, W’09) is an organizer of this 20+ year-old Boston-area poetry festival tradition. This year’s lineup is TBD, but past years’ Stonecoast participants include alums Florine Melnyk, Carol Berg, Christine Tierney, and Vanesa Pacheco, and faculty Richard Hoffman and D. Nurkse. Admission is free but donations are welcome and appreciated. We are collecting donations ahead of time to help us with this year’s event at the new location. Learn more here. Event details are can be found here.

FACULTY

Breena Clarke (Fiction), co-founder and co-organizer of The Hobart Festival of Women Writers, is hosting a stunning lineup of women writers for the seventh consecutive year in the small New York town of Hobart, the Book Village of The Catskills. The Festival offers three days of readings and workshops in every genre. The Festival will also present a Public Conversation that is free and open to all, “In These Times: Writing. Terror. Possibility.” Hobart Festival of Women Writers 2019 will be held on Friday, Saturday, and Sunday, September 6th, 7th, & 8th. For information and registration, click here. For Spotlights of all of the 2019 Participating Writers, go here.

Aaron Hamburger (Fiction, Creative Nonfiction) will be reading from his novel Nirvana Is Here at the annual Out Write Literary Festival in Washington, DC, Saturday, August 3rd, from 1:00-2:00 p.m. at the Reeves Center at 14th St. NW and U St. Aaron is also please to announce that the audio rights to Nirvana Is Here have just been sold.

Elizabeth Hand (Popular Fiction, Fiction) was an instructor at The Writers Hotel in New York City in early June and then later in the month was lead instructor at the Clarion West Writers Workshop in Seattle. Her forthcoming novel Curious Toys was reviewed in Publishers Weekly, which called it “a phantasmagoric time trip tailor made for fans of The Devil in the White City.” Recent reviews are Kate Mosse’s The Burning Chambers for The Washington Post and Paul Tremblay’s story collection Growing Things for The Los Angeles Times. Elizabeth was profiled and interviewed by Michael Fournier in punk zine Razorcake, talking about her involvement in the nascent NYC and DC punk scenes in the 1970s.

Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) feature film script A Four-Sided Bed, and the short film based on her novel, Four-Sided, have both been accepted at the upcoming Massachusetts Independent Film Festival in September. Elizabeth’s script is one of five finalists for Best Feature Film Script and the film Four-Sided will make its USA premiere at the festival, having screened previously in Cannes and been a Finalist at ShanghaiPRIDE festival. Elizabeth will be attending the festival with one of her feature film project producers, Amy Carpenter Scott of Creatrix Films. In other recent film news, Elizabeth’s script for A Four-Sided Bed won a Feature Film ‘Diamond’ Script prize in the International Independent Film Awards, was a Finalist in the California Women’s Film Awards, and was an Official Selection at Austin Revolution Film Festival. In July, her script was performed as a full Staged Reading at ReelHeART International Film and Script Festival in Toronto and as a Best Scenes reading at the film festival LGBT Toronto. Visit: www.afoursidedbedfilm.com 

Elizabeth and the ReelHeART Film Festival cast of A Four-Sided Bed in Toronto

Cazenovia University Professor Grazyna J. Kozaczka writes about Suzanne Strempek Shea’s (Creative Nonfiction, Fiction) four Polish-American-set novels in her new book, Writing the Polish American Woman in Postwar Ethnic Fiction (Ohio University Press). The book examines seven decades of writing by North American-born and immigrant authors representing the Polish-American Catholic tradition. The chapter “Suzanne Strempek Shea’s Gendered Ethnicity in the 1970s and 1980s” begins with this observation: “In constructing a female perspective, fiction writers such as the Chinese Americans Gish Jen, Maxine Hong Kingston, and Amy Tan, the Native American Louise Erdrich,the Puerto Rican Judith Ortiz Cofer, the Dominican American Julia Alvarerz and the Polish American Suzanne Strempek Shea have forced many of their characters into a process of reinventing both their gender and ethnic identities within a class-conscious environment.”

ALUMS

Emma Galvin will be voicing the audiobook for Lindsey Barlow‘s (Popular Fiction, W’19) Pivot, the first novel of the Jack Harper trilogy. Galvin has voiced an incredible number of audiobooks, which include Winter’s Bone and the Divergent series.

Peter Adrian Behravesh (Popular Fiction, W’18) will be appearing at Worldcon 77 in Dublin. He will be presenting his paper “Mischief in Her Heart: Women’s Empowerment in the Persian Fantastic” on Friday, August 16th, at 11:30 a.m. He will also be appearing on the following panels:

  • Writing from Non-Western Cultures (Thursday, August 15, 11:00 a.m.)
  • Fuzzy Lines: Decategorising Creative Work (Thursday, August 15, 2:00 p.m.)
  • Muslim SFF (Saturday, August 17, 1:00 p.m.)
  • Using Science in Fantasy Writing (Sunday, August 18, 4:00 p.m.)

See the Worldcon website for full details. In addition, PodCastle, the fantasy fiction podcast Peter produces, had been nominated for the British Fantasy Award for Best Audio.Ryan Brod (Creative Nonfiction, S’17) has accepted an adjunct teaching offer from University of New England’s English department, starting this fall. He has a short essay in the recently released summer issue (10.4) of The Flyfish Journal, and he continues to contribute regularly to the popular website MeatEater.

In continuing to break barriers, Debbie Smith Daughetee’s (Popular Fiction, S’06) comic book company, Kymera Press, just filled an order by the Smithsonian National Natural History Museum for the comic Ivory Ghosts, a murder mystery set against the illegal ivory trade.

Renee S. DeCamillis (Popular Fiction, W’14) is excited to announce that her debut book, The Bone Cutters, is set for publication on September 1st through Eraserhead Press. It’s a “bizarro” horror novella set in a dysfunctional psychiatric hospital. The story follows a troubled young woman named Dory who encounters a seriously strange and brutal group of psychiatric patients. Her introduction to this group of patients sets Dory on the run to save her life. The book will be available, as of right now, through Amazon, Barnes and Noble, and Longfellow Books. Renee is also very excited to announce that a book launch event for The Bone Cutters is being hosted by Longfellow Books in Portland, ME, on Thursday, September 5th at 7:00 p.m. at their 1 Monument Square bookstore location. Along with her reading, there will also be live music to help set the mood, performed by local guitarist Shaun Church Reehl, and the amazing Elizabeth Searle will be Renee’s Introduction Queen. Renee is also thrilled to announce that there are two great reviews out already for The Bone Cutters: one on Ginger Nuts of Horror and one on Kendall Reviews. A third review is coming out soon in Cemetery Dance, the date of which is not yet known, though it should be available before the September 1st publication of the book. Here are snippets of what reviewers are saying about The Bone Cutters:

“It’s actually refreshing to be able to enjoy a book so much that you were miffed when it was over. … As the debut novella from Renee S. DeCamillis it’s a fantastic beginning to what could prove to be a career to watch. … I’m giving this a solid 4 out of 5 [stars]. … Considering that I’ve never read anything which rated a 5 I think The Bone Cutters is doing just fine.” ~Joe X. Young, reviewer for Ginger Nuts of Horror.

“I immediately fell in love with Dory, the writing style, the story… This is a terribly heart-wrenching story with a bit of a haunted house/ghost vibe where you’re also being chased by a bunch of crazy people who want to devour your bones. I didn’t want to put this book down.” ~Miranda Crites, reviewer for Kendall Reviews

Kendall Reviews also published a piece Renee wrote on the subject of “Why Do You Write Horror?” For those of you who are interested, here is the link. Also, on Friday, August 2nd, Ginger Nuts of Horror is releasing an interview with Renee. From their home page you can click on the “Interviews” link on the left hand side of the screen to find the interview. Here is their link.

Jess Flarity (Popular Fiction, S’18) has published his academic essay “The Commodification of Transcendence: Absurdism and Existentialism in The Three Stigmata of Palmer Eldritch” in PKD Otaku #39 (a zine celebrating the work of Philip K. Dick), available here. Also, Jess has accepted an advancement from the University of New Hampshire and will now be attending graduate school as a candidate for a PhD in Literature.

Florence Grende‘s (Creative Nonfiction, S’07) book The Butcher’s Daughter: A Memoir has been shortlisted for the Rubery Book Award (2019). Along with the Kindle Book Award NonFiction (2018), the book has garnered yearly awards since its publication in late 2016.

Clifford Royal Johns (Popular Fiction, W’18) will be giving a short presentation at HippoCamp 2019, a conference for creative nonfiction writers (August 23-25, Lancaster, PA). The presentation is derived from his third semester project and graduating presentation about reducing the number of sentences that start with “I.” This is important to avoid sounding egotistical in memoir and to reduce sentence structure repetition.

Veda Boyd Jones (Fiction, S’17) will be speaking at the White County Creative Writers annual conference in Searcy, AR, on August 31st on “Researching Fiction.” She’ll use examples from her work: attending the citizen’s police academy for a policewoman character, spending two days at a TV station watching the news being put together for a news anchor character, going behind the bar to wash beer mugs for a bartender character, etc.

Lissa Kiernan (Poetry, S11) is pleased to announce that the legendary aerialist, creativity expert, and award-winning writer Philippe Petit has joined Catskill LIT Writing Retreat as Artist-in-Residence. Mr. Petit will lead a workshop in ekphrastic writing.

Cynthia Kraack (Fiction, W’10) and Joseph Tachovsky’s 40 Thieves: Saipan, the World War II story of the Sixth Marine Regiment’s Scout Sniper Platoon—precursors to Navy Seals—was sold to Regnery History for publication in spring 2020. Stories for this narrative non-fiction book were gathered through hours of interviews with surviving men, their letters, photos, and historical Marine materials.

Kristin Leonard‘s (Fiction, S’18) historical short story “El Camino Real” is the featured fiction in the open-access academic journal Postcolonial Text (Vol. 14, No. 1).

Ellen Meeropol (Fiction, W’06) will be presenting at the Hobart Festival of Women Writers September 6-8, 2019, in Hobart, NY. She’ll be reading on Friday, September 6th; on Saturday she’ll teach a workshop, “In It for the Long Haul: Writing the Novel.”

Catharine H. Murray (Creative Nonfiction, S’17) will be teaching a workshop on Memoir at the 79th Annual Writers’ Conference at Ocean Park (Maine) on August 13th at 9:30 a.m.

On August 16th at 6:00 p.m., Dave Patterson (Fiction, W’13) discusses his novelSoon the Light Will Be Perfect, at The Briar Patch in Bangor.

Lisa Romeo (Creative Nonfiction S’08) interviewed fiction writer Lisa Lenzo for The Rumpus, about Lenzo’s new short story collection, Unblinking. Romeo’s essay “Playing Along with My Dad’s Alzheimer’s Confusion,” which enlarges on a scene/idea in her memoir, Starting With Goodbye, appeared this month in Human Parts.

Gina Troisi‘s (Creative Nonfiction, W’09) essay “Buried Beneath Her Skin Like Slivers” was recently published in Under the Sun. Her flash essay “The Release” was published in the most recent issue of Pembroke MagazineHer short story “Spiraling Through the Sky” was a finalist for the 2019 New Letters Publication Award in Fiction.

Marco Wilkinson (Creative Nonfiction, S’13) has had his memoir/essay collection, Madder, taken by Coffee House Press. It will appear in 2021.

 

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Community News & Updates July 2019

ANNOUNCEMENTS

It’s Boston Poetry Marathon time again! This year’s Boston Poetry Marathon is Friday-Sunday, August 16, 17, and 18, and …WE HAVE REALLY EXCITING NEWS! *We will be in a NEW LOCATION this year!* We are having this year’s Marathon at The Community Church of Boston at 565 Boylston St in Copley Square. This year’s event times are Friday, August 16th, from 6:00-10:30 p.m., Saturday, August 17th, from 12:00-10:30 p.m. (with a dinner break around 5:30, starting up again at 7:00 p.m.), and Sunday, August 18th, from 12:00-6:00 p.m. As always: every reader gets eight minutes each. For the third year running, Bridget Eileen (Poetry, W’09) is an organizer of this 20+ year-old Boston-area poetry festival tradition. This year’s lineup is TBD, but past years’ Stonecoast participants include alums Florine Melnyk, Carol Berg, Christine Tierney, and Vanesa Pacheco, and faculty Richard Hoffman and D. Nurkse. Admission is free but donations are welcome and appreciated. We are collecting donations ahead of time to help us with this year’s event at the new location. Learn more here. Event details are can be found here.

FACULTY

Candor Arts, in collaboration with Illinois Humanities and their #IllinoisTurns200, produced a risograph broadside of Tara Betts‘ (Poetry, Creative Nonfiction, Writing for Social Change) Illinois Bicentennial poem. The broadside also features illustrations by Kiki Dupont. Betts’ poem nods at the sesquicentennial Gwendolyn Brooks wrote in ’68 to mark 150 years of statehood. Betts’ broadside will be given to the winners of the Gwendolyn Brooks Youth Poetry Awards (#GWBYPA19) on August 10th, 2019.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) has agreed to a two-book deal with Macmillan Children’s Publishing Group. His first young-adult book, War in the Ring: Joe Louis, Max Schmeling, and the Fight between America and Hitler, was released in June. In its review, Booklist calls the book “a knockout.” School Library Journal says it “reads as smoothly as a novel” and recommends it for “all public and school libraries.” Last week, John and his writing partner (and wife), Ouisie Shapiro, discussed the book’s themes on ESPN radio; you can hear the interview here.

Aaron Hamburger (Fiction, Creative Nonfiction) was interviewed by novelist Kris Jansma for Electric Literature, which called his novel Nirvana Is Here “a pure joy to read on every page.” The Rupture also published a glowing review of Nirvana, calling it “an expertly written, bold, funny, serious novel.” DC fans, take note: on July 3rd, Aaron will be on a panel at the legendary Ask Rayceen Show doors opening at 6:00 p.m. He’ll also be teaching Publishing 101 at the Writer’s Center on July 10th, 7:00-9:00 p.m., as well as a special class on the novel Landfall by Thomas Mallon at Politics and Prose on July 14th, 2:00-4:00 p.m.

Nancy Holder (Popular Fiction) will accept the Grand Master Award, presented by the International Association of Media Tie-In Writers, at San Diego Comic-Con on July 19 at 2:00 p.m. in Room 32 AB. There will be an autograph session afterwards with a panel of tie-in writers in the Sails Pavilion. Here is the press release from the association:

Not many women get to play in over ten different universes, let alone create several of their own. Yet that is exactly what Nancy Holder makes look so very—and deceptively—easy to her myriad and devoted fans.

Every year, the International Association of Media Tie-In writers selects a grandmaster of tie-in writing to receive the Faust, IAMTW’s lifetime achievement award. For 2019, it is the IAMTW’s great pleasure to present the Faust to Nancy Holder. Her tie-in work runs the gamut from Firefly to Saving Grace. She’s written Angel in the Buffyverse, and Zorro in the seventeenth century. She novelized the Wonder Woman, Crimson Peak, and Ghostbusters movies, and wrote about a Feline Felon, and a pup in Wishbone. Above and beyond her media work, she’s co-created the YA series Wicked and Crusade.

Of the Bram Stoker award-winning and NYT bestselling author, IAMTW president Jonathan Maberry says, “Nancy is not only a superb writer and a smart businesswoman, but also a kind and compassionate member of the writing community.”

The IAMTW congratulates Grandmaster Nancy Holder on receiving the 2019 Faust Award.

More film news for Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting): her screenplay A Four-Sided Bed won Best Dramatic Screenplay at Hollywood Boulevard Film Festival in June, as well as Best First Time Feature Screenplay at Festivious Film Festival-LA, and was a Finalist at the Filmatic Drama Screenplay Awards. Over a dozen contests and festivals have given award recognition to Elizabeth’s script this year. The script will be featured in a full Staged Reading performance at the 15th Annual ReelHeART International Film and Screenplay Festival on July 5th in Toronto; Elizabeth will attend the film festival and do a Q/A after the staged reading. Later in July, Elizabeth’s script will be featured in a Best Scenes short read at the festival LGBT Toronto. Please see the updated website: http://www.afoursidedbedfilm.com

ALUMS

Jillian Abbott (Popular Fiction, S’04) has been invited to participate on a panel on the Ethics of Storytelling at Mix Digital, an international conference of digital writing at Bath Spa University in the UK on Monday, July 1, 2019; she also received a grant from the PSC_CUNY to attend the conference. The panel is moderated by writer Nikesh Shukladescribed by Foreign Affairs Magazine as one of the top 100 thinkers in the world and by The Bookseller as one of the 100 most influential people in publishing. Also on the panel is Digital Curator from the British Museum, Stella Wisdom, and British novelist Rosie Garland. More details can be found here.

The short-film adaptation of Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) memoir, The Sound of a Wild Snail Eating, has three launches in July. The film’s Australian launch is at the Revelation Perth International Film Festival July 4-17. Two New England launches follow at the Maine International Film Festival at Railroad Square (July 12-21) and then the Woods Hole Film Festival (July 27-August 3). Bailey wrote and directed the film. For more details see wildsnailfilm.org. Also, The Sound of a Wild Snail Eating has just been published in Spain in both Catalan (Més Libres) and Spanish (Capitán Swing) and the Spanish edition will have distribution in Mexico, Colombia, Peru, Costa Rica, Chile, Uruguay, and Argentina.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Derek Lubangakene’s story “Origami Angels” for the June 13th episode of Escape Pod. You can listen to it here.

Julie C. Day (Popular Fiction, S’12) is thrilled that her novella, The Rampant, now has both a cover and release date! The Rampant will be released by Aqueduct Press on October 1st, 2019, in both an ebook and paperback edition as part of their Conversation Pieces series.

It’s ten years since the hordes of old-world Sumerian gods arrived in Southern Indiana to kick off the end of the world, but things have not gone to plan. A principal player decided not to show. Now humanity is stuck in a seemingly never-ending apocalypse. Sixteen-year-old Emelia Bareilles and Gillian Halkey are determined to travel into the lands of the dead and force a change.

“I loved the epic journey of our two teenaged lesbian he­roes, Gillian and Emelia, through the sprawling horrors of the Sumerian afterworld. The clash of their modern feminist sensibilities with the cruel and rigid theocracy of the very oldest gods out-weirds much of the New Weird. In The Rampant, Julie Day calls us to visit a fan­tastical landscape in a voice that is hers alone.” ~James Patrick Kelly, winner of the Hugo, Nebula, and Locus awards

The Rampant was so much fun to read! Is that the right way to blurb a horror novel? I don’t know, but it’s the truth. Julie Day’s novel is smart, playful, sly and, yes, hor­rifying too. A short gem of a book.” ~Victor LaValle, author of The Changeling. Winner of the World Fantasy, Shirley Jackson, and British Fantasy awards.

“The girl-powered post-apocalyptic Sumerian under­world quest I didn’t know I needed.” ~Sarah Pinsker, winner of the Nebula and the Theodore Sturgeon Memorial Award

The Rampant is one of the most original Apocalypse tales I’ve read in ages. Julie C. Day avoids cliché and gives the reader the end-times by way of Sumerian myth—except this particular end-of-the-world stalls when one of its principal players decides not to show up. What unfolds is a journey into the underworld filled with joy and hor­ror, hope and loss. It’s a wise and lovely story—exactly what I’ve come to expect from Day.” ~Nathan Ballingrud, winner of the Shirley Jackson Award; shortlisted for the World Fan­tasy, British Fantasy, and Bram Stoker Awards.

Terri Glass’s (Poetry/Creative Nonfiction, S’13) poem “Waiting for the Lazuli Bunting” was published in the Spring 2019 issue of Birdland Journal, and her poem “Spirit Bear” will be published in the upcoming Marin Poetry Center Anthology. Terri also taught a workshop on the history of haiku for the summer residency of the MFA program at Dominican University in June 2019.

Lissa Kiernan (Poetry, S’11) is pleased to announce Catskill Lit: Words & Music Revivala generative writing retreat.

Alan King (Poetry, W’13) started his production company, Alan W. King Productions, which specializes in audio, video, literary services, marketing and content management. For authors, his services include book trailerssocial media banner designs to help promote your book, and media outreach for reviews. Alan marketed his second book, Point Blank, which was named among the “Ten Best Poetry Books for 2016” by Beltway Poetry Journal. It was also listed among “The Best Poetry Books of the New Year 2017” by Washington Independent Review of Books and was reviewed in publications such as the Washington City Paper and the Best American Poetry blog. Learn more here.

Kristin Leonard (Fiction, S’18) received the 2019 Maine Literary Award for Drama.

Jeanette Lynes‘ (Poetry/Fiction, S’05) second novel, The Small Things that End the World, won the Muslims for Peace and Justice Fiction Award at the 2019 Saskatchewan Book Awards, Canada.

John Christopher Nelson‘s (Fiction, S’15) flash-fiction piece, “A Miracle Shy of Martyrdom,” is forthcoming in Necessary Fiction. John is currently in residency as a Teaching Apprentice at Stonecoast.

Ellie O’Leary (Poetry, W’17) is organizing the first annual Fall Writerfest at the Pyramid Life Center in Paradox, NY, Sunday, September 22nd, through Friday September 27th, 2019. Fee is $300 inclusive of lodging, all meals, workshops, and seminars. Stonecoaster Clif Travers (Popular Fiction, S’17) will be teaching fiction, Ellie will be teaching a multi-genre workshop, and there will also be workshops in poetry and CNF along with seminars on publishing, Tai Chi, writing through grief, and more to be added.

Erin Roberts (Popular Fiction, W’18) is thrilled to have been recently awarded a 2019 Individual Artist Award from the Maryland State Arts Council and plans to use the grant to spend more time writing. She’s also deeply proud to have her story “Sour Milk Girls,” which was previously selected to be in The Best Science Fiction of the Year, Vol. 4, also selected to be in The Year’s Best Dark Fantasy and Horror 2019. Finally, her 2018 short story “The Grays of Cestus V,” originally in Asimov’s, is now available free to the masses through its inclusion in the short story podcast Tales from A Black Universe—links here (Spotify) and here (Apple).

Lisa Romeo (Creative Nonfiction, S ’08), will lead a one-day workshop, “Dialogue and Scene for Prose Writers,” with Cedar Ridge Writers Series, in Bedminster, NJ, on Saturday, July 20th. Details here.

Tamie (Harkins) Parker Song (Creative Nonfiction, S’12) invites writers of all stripes who are looking for a good editor to contact her. For the last five years she has worked as a developmental editor on a number of wonderful books that have been published by the University of California Press, focusing mostly on race and gender studies. She’s also edited half a dozen creative nonfiction books, a couple YA novels, and poetry. Authors she’s worked with include Michael Kimmel, Khaled Beydoun, Deepak Singh, Julie Bettie, Barbara Owen, and Robert Wyrod. She works on a generous sliding scale, and is especially interested in working with artists who are isolated socially or geographically, and with intellectuals whose work centers on social justice. She is happy to work with clients for just an hour or two, or for a year, or on an as-needed basis. Please contact her at tamieparkersong@gmail.com.

Tamra Wilson (Fiction, S’11) won a $500 Merit Scholarship to attend Tinker Mountain Writers Workshop held recently at Hollins University. The award was based on an excerpt from a novel in progress.

 

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Community News & Updates June 2019

ANNOUNCEMENTS

Public Events for the Summer 2019 Stonecoast Residency

You are invited to join the Stonecoast MFA community for a week of inspiring readings and discussions with Stonecoast’s award-winning faculty and guest writers, June 24-26 and June 28-July 1, at the historic Harraseeket Inn in downtown Freeport, Maine. See the full list of events HERE.

FACULTY

Tom Coash’s (Playwriting, Dramatic Arts) play Veils will be at the Daylesford Theatre in Hamilton, Bermuda, May 30-June 8, 2019.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana Is Here is here! Aaron’s currently on book tour, and so excited to see Stonecoasters at every stop along the way. (Thanks for all the support!) Check out his full tour schedule for June, when he’ll be hitting Seattle; San Francisco; Portland, OR; Washington, DC; the St. John’s Writing Intensive in Annapolis; and of course Portland, ME—where he’ll be teaming up with alum Dave Patterson at Print Bookstore on June 26th at 7:00 p.m. Be there or be square! Nirvana received a rave review from Foreword Reviews, which featured it as their book of the day. In non-Nirvana news, Aaron published a viral memoir essay in Tablet (“Day School Bullies”) as well as a new short story (“Kimono Story”) in The Maine Review.

Amanda Johnston (Poetry, Writing for Social Change) has two events in June:

  • June 2 at 7:30 p.m. — Amanda will read at A Womb of One’s Own, a literary rally and fundraiser in support of reproduction rights at Spider House Ballroom in Austin, TX.
  • June 15 at 6:30 p.m. — The Center for African American Poetry and Poetics presents Won’t You Celebrate with Me: Poetry and Prose from the Director’s ChairJoin award-winning poets and writers Dawn Lundy Martin (Center for African American Poetry and Poetics Director), Nicole Sealey (Cave Canem Executive Director), Salamishah Tillet (Founding Director at New Arts Justice Initiative at Express Newark), and Mahogany L. Browne (Artistic Director at Urban Word NYC), who will share their work and engage in a discussion moderated by Amanda Johnston (Executive Director at Torch Literary Arts). Presented in partnership with the Kelly Strayhorn Theater in Pittsburgh, PA.

The Governor of the State of Iowa appointed Debra Marquart (Creative Nonfiction, Poetry, Writing for Social Change) Iowa’s Poet Laureate in May of 2019.  Marquart was interviewed about the honor on Iowa Public Radio on May 23. Debra delivered a paper, “Looking for Dylan,” on the invited panel “Poets & Professors: Poets Talking Back to Bob” at the 2019 World of Bob Dylan Symposium held by Tulsa University’s Institute for Bob Dylan Studies (30 May–2 June 2019). On May 11th, she taught a Creative Jumpstart Workshop at the Elbow Lake Arts Council in Elbow Lake, MN. During the North American Review 50th Anniversary Conference at the University of Northern Iowa, 19-21 April 2019, Debra read her poem “Kablooey is the Sound You’ll Hear” at the Bullets into Bells Anthology Reading. She also participated in an invited panel, “What We Write About When We Write About Environment.” And on April 5th, Debra performed with her performance poetry band, The Bone People, for Coffeehouse Night at Lowe Park, Marion Arts Council, Marion, IA.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) has film news. Four-Sided, a short film based on Elizabeth’s novel and feature film script, premiered May 17th in Cannes, France. Four-Sided screened as an Official Selection at the 2019 That Film Festival-Cannes. This competition—funded by several major film companies and running concurrently with the Cannes Film Festival—screens short films with potential to be Feature Films. Four-Sided was also an official selection at Independent Shorts competition where it won three prizes: Gold Awards as Best Romance and Best Experimental short and a Silver Award as Best LGBT short. It is a Semi-Finalist at the 2019 Shanghai PRIDE film festival. Attached as star and co-producer to the potential feature film, and starring in the short film, is actress and activist in the Transgender community Rain Valdez (Transparent; Lopez; Razor Tongue). Four-Sided was produced by David Ball (producer on over thirty films) and Amy Carpenter Scott/CreatrixFilms as part of their ongoing development of A Four-Sided Bed as a feature film. Elizabeth’s feature script of A Four-Sided Bed has been selected for two full staged readings at the 15th annual ReelHeART Film and Screenplay Festival in Toronto in July, starring Rain Valdez. Elizabeth’s feature script was also selected for a ‘Best Scene’ reading in mid-July at the festival LGBT TORONTO. And the script is an official selection at the Top Indie Films Festival, among eight recent festivals recognizing the script. Visit the new website for both the short film and the feature film project.

ALUMS

The book trailer for Lindsey Barlow’s (Popular Fiction, W’19) first novel, Pivot, is available. Pivot will be published in October of this year.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Vajra Chandrasekera’s story “When Leopard’s-Bane Came to the Door of Third Heaven” for the May 28th episode of PodCastle. You can listen to it here.

Julie C. Day‘s (Popular Fiction, S’12) piece “Flight Aids Minus the Wings and Fuselage” can be found in the web journal Necessary FictionShort, visceral, and experimental, it doubles as an unofficial advisory from the US Department of Internal Disarmament.

Renee S. DeCamillis (Popular Fiction, W’14) is thrilled to announce that she is now a part of the Crystal Lake Publishing team, working as an editorial intern. She is also excited to announce her book launch event for her debut book The Bone Cutters. This event is scheduled for Thursday, September 5th at 7:00 p.m. at Longfellow Books in Portland, Maine. Not only will Renee do a reading from her horror novella, but there will also be original artwork inspired by her book—art created by Emily Strickland and Jasin Chapman, artists and owner of Leviathan Tattoo in Scarborough, Maine—on display and for sale, as well as on some free giveaways. Live music will help set the mood, performed by the extremely talented local guitarist Shaun Reehl. Stonecoast’s own Elizabeth Searle will also take part in the event as Renee’s MC/Introduction Queen. The release date for Renee’s debut book, The Bone Cutters, a bizarro horror novella published through Eraserhead Press, is September 1, 2019, though pre-orders have begun at Barnes & Noble and on Amazon. And for those interested, you can check out the first book review by Miranda Crites on Kendall Reviews. Here is the synopsis for The Bone Cutters:

Dory wakes up in the padded room of a psychiatric hospital with no recollection of how she wound up there. She soon finds out she’s been Blued-Papered—involuntarily committed. When she is sent to the wrong counseling group, she discovers a whole new world of drug addicts she’d never known existed. When she learns that those grotesque scars they all have are from cutting into their own bodies, it makes her skin itch. Why do they do it?—They get high off bone dust.  They carve down to the bone, then chisel and scrape until they get that free drug. When they realize Dory’s never been “dusted”, she becomes their target. After all, dust from a “Freshie” is the most intense high, and pain free—for the carver.

By the end of that first meeting Dory is running scared, afraid of being “dusted”, though the psych. hospital staff doesn’t believe a word she says.  She’s delusional—at least that’s what they tell her.  They end up sending her to that same counseling group every day, though Dory knows that all those junkie cutters want is what’s inside of her, and they won’t give up until they get what they’re after.

Like Girl Interrupted and “The Yellow Wallpaper,” The Bone Cutters is one woman’s dark and surreal experience with a madness that is not necessarily her own.

Elizabeth Garber (Creative Nonfiction, W’10) placed in the Eric Hoffer Awards, which honor the memory of the great American philosopher Eric Hoffer by highlighting salient writing, as well as the independent spirit of small publishers. Her memoir Implosion: A Memoir of an Architect’s Daughter has been named a Finalist in the 2019 Eric Hoffer Book Awards.

Cindy Williams Gutiérrez’s (Poetry, W’08) second poetry collection, Inlay with Nacre: The Names of Forgotten Women, was released by Aquarius Press/Willow Books on April 1st. The collection was awarded the 2018 Willow Books Editor’s Choice Poetry Selection and the 2016 Oregon Literary Fellowship for Writers of Color. Cindy’s new verse play, In the Name of Forgotten Women (based on her new collection), was performed at Wellspring, a ceremonial gathering space in Twisp, WA, to sold-out audiences in Washington’s Methow Valley on May 15th and 16th.

Veda Boyd Jones (Fiction, S’17) has sold an essay about her first time sailing on their used boat Wrinkle in Time to Good Old Boat, a magazine for hands-on sailboat owners.

Michael L. Joy’s (Popular Fiction, S’13) short story “Nick Break” is available now at Tough Crime.

Alan King (Poetry, W’13) created a short video on how he marketed his manuscript without an agent and without book contests. You can watch it here.

Linda Lambert (Creative Nonfiction, W’16) features Aaron Hamburger‘s visit to Seattle’s Third Place Books where he will be talking about his new novel Nirvana Is Here.

Kristin Leonard (Fiction, S’18) has been named Lit Fest’s 2019 Dramatic Writing Fellow for Emerging Writers. She is also presenting her research “First-Person Fictional Storytellers & Virginia Tufte’s Artful Sentences: Syntax as Style” at the Pennsylvania College English Association at Bloomsburg University.

Adam Mills (Popular Fiction, W’12) has accepted the position of Visiting Assistant Professor in English at Brevard College in Brevard, NC, started in Fall 2019. Mills’s full position is Coordinator of First-Year Writing and Writing Services and he will also serve as Coordinator of the Common Read. Mills also recently graduated from the University of Kansas with a Doctor of Philosophy degree in English (Spring 2019).

Julia McKenzie Munemo (Creative Nonfiction, S’16) is thrilled to announce the publication of The Book Keeper: A Memoir of Race, Love, and Legacy, available now for pre-order. The book chronicles a time decades after Julia’s father committed suicide, when she learned about his secret career during the pulp fiction boom of the ’60s and ’70s as a writer of interracial pornographic novels. After hiding that stack of old paperbacks from her Zimbabwean husband, their mixed-race children, and herself for years, she realized her obligation to face them if she was ever going to understand her legacy, her country’s treasonous history, and her whiteness.

Jenny O’Connell (Creative Nonfiction, S’17) is a finalist for a 2019 Maine Literary Award (short works, nonfiction) from Maine Writers & Publishers Alliance. Her debut flash nonfiction piece,“How to Sleep in an Airport,” was published last month in Hippocampus Magazine.

Mary Heather Noble (Creative Nonfiction, W’14) is pleased to announce the inclusion of her essay “Things I (Shouldn’t) Have to Tell My Daughters” in the new anthology Feminine Rising: Voices of Power & Invisibility, edited by Andrea Fekete and Lara Lillibridge. The anthology brings together women of all races, nationalities, and sexual orientations to reflect on the unique experience of womanhood. Feminine Rising was released by Cynren Press in May 2019 and is available at Cynren Press, Amazon, and select independent booksellers.

On June 26th, Dave Patterson (Fiction, W’13) and Aaron Hamburger are doing an event together at Print in Portland to celebrate the release of their new novels.

Bruce Pratt‘s (Fiction, S’04) poem “The First Cold Rain Since Spring” will appear in the next issue of The Connecticut River Review, and his short story “Ariel in LOve Summer 1999” has just been published by Valparaiso Fiction Review.

Shannon Ratliff (Creative Nonfiction, S’16) is celebrating her first anniversary as Director of Editorial and Growth at Wide Open Media Group in Austin, TX. She’s used her Stonecoast skills, from analyzing creative work to building educational seminars, to develop a team of 20+ writers and editors, growing readership from 8M to 23M monthly readers.

Morgan Talty’s (Fiction, W’19) short-short story “In a Jar” was published in Narrative Magazine as a Story of the Week.

Christopher Watkins (Poetry, W’08) has accepted the role of Senior Creative Writer for Silicon Valley-based artificial intelligence company DataVisor. The company focuses on the application of advanced AI and machine learning capabilities to the challenges of modern digital fraud and crime. Watkins’ move follows a nearly four-year tenure as Senior Writer and Chief Words Officer for online learning company Udacity.

Faculty member Elizabeth Searle and alumna Tamra Wilson (Fiction, S’11) are pleased that the teen idols anthology they co-edited is a finalist for the 2019 Eric Hoffer Book Award for Short Story/Anthology. Idol Talk: Women Writers on the Teenage Infatuations that Changed Their Lives was published last year by McFarland & Company. Hoffer Awards honor freethinking writers and independent books of exceptional merit. On May 10-11, several Idol Talk contributors converged in Newburyport, MA for a dance-enhanced reading at the Firehouse Center for the Arts. “Idol Talk: A Magical Memory Tour of Teen Idols” was emceed by writer/actress Marianne Leone. The two-night collaboration featured Exit Dance Company performers as well as readings of work by Stonecoast faculty member Suzanne Strempek Shea and alumnae Lee J. Kahrs, Kate Kastelein, Michelle Soucy, Darlene Taylor and Tamra Wilson. Joining them were New England authors B. A. Shapiro, Mary Granfield, Caitlyn McCarthy, and Mary Sullivan.

Stonecoast “Idol Talkers” (from left): Lee J. Kahrs, Michelle Soucy, Tamra Wilson, Elizabeth Searle, Darlene Taylor, and Suzanne Strempek Shea

 

 

 

 

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