Tag Archives: Alan King

Community News & Updates August 2018

ALUMS

Elizabeth Beechwood (Popular Fiction, S’14) is pleased to announce that her short story “The Painted Ponies of Wiley Creek” was featured by Not a Pipe Publishing for their Year of Publishing Women’s Short Stories series. Ted Deppe and others at the January ’18 Ireland Residency might recognize it—thanks for all your suggestions and encouragement!

Peter Adrian Behravesh (Popular Fiction, W’18) will be presenting his award-winning essay “The Vault of Heaven: Science Fictions’s Perso-Arabic Origins” at Worldcon 76 in San Jose as part of an academic panel titled “Lowriders and Flying Horses: Expanding SF’s Definitions.” The panel will take place on Friday, August 17th, at 10:00 a.m. in Room 211D of the San Jose Convention Center.

Carina Bissett (Popular Fiction, S’18) placed her poem “Blood Works” in the HWA Poetry Showcase: Vol. 5. She also sold her story “Tyger, Burning Bright” for inclusion in the anthology Gorgon: Stories of Emergence, which is scheduled for publication by Pantheon Magazine this fall. “Blood Works” was written under the mentorship of Cate Marvin, and “Tyger, Burning Bright” was originally written under the mentorship of Liz Hand and was later workshopped under the direction of Cara Hoffman. Carina wants to thank all of the Stonecoasters who helped her shape these pieces for publication.

Melody Fuller (Creative Nonfiction, S’12), President and Founder of The Oakland Wine Festival, published two articles in The SOMM Journal recently: “A Call to Action” (page 80; April/May 2018) looks at the state of diversity in the multi-billion dollar wine industry and sparked an ongoing narrative about race and wine and “Fine-Wining While Black” (page 26; June/July 2018) provides an inspirational personal narrative.

Alan King‘s (Poetry, W’13) Point Blank was among the seven books briefly reviewed and recommended by The Best American Poetry blog. Here’s an excerpt: “[In] Alan King’s second collection of poetry, Point Blank…each poem [is] charged with an undeniable exuberance, willing to hold forth on the unvarnished injustice so visible in the American grain, and to compose a music from this framework as mellifluous as any Luther Vandross track and as rough and ready as Raekwon’s Only Built 4 Cuban Linx.” Read the full review.

Paul Kirsch (Popular Fiction, W’11) was one of the writers on Pillars of Eternity 2: Deadfire‘s first DLC, the Beast of Winter, which launches on August 2nd. This adventure takes the player to a frozen island populated by a doomsday cult, an ancient dragon, and gods only know what else.

Andrea Lani (Fiction, W’14) had two essays published in online journals last month: “The Sparrow’s Song” was featured on The Sunlight Press, and “The World in their Hands,” which appeared last year in The Maine Review, was reprinted at Nature Writing.

Roxanne Ocasio’s (Popular Fiction, W’15) short story “The Chupacabra Next Door” will be published in an upcoming anthology called The Latinx Archive: Speculative Fiction for Dreamers. She first workshopped this story at the Voice of Our Nation Arts Foundation Workshop for writers of color in 2014. Roxanne credits Stonecoast for introducing her to Marjorie Liu, who mentored her during her second semester and encouraged her to write characters of color.

Jenny O’Connell (Creative Nonfiction, S’17) is thrilled to come full-circle as a Stonecoaster with her essay about art modeling, “Still Life,” in Issue No. 9 of the Stonecoast Review. She has a forthcoming piece about her walking journey across Finland in the upcoming “Flight” issue of Slice, as well as a craft article on vulnerability—based on her third semester project at Stonecoast—appearing in the fall “Risk” issue of Creative Nonfiction.

Suri Parmar (Popular Fiction, W’17) has joyfully accepted a visiting assistant professorship at Ryerson University’s School of Image Arts with the Faculty of Communication and Design, where she will preside over script development and film productions in the undergraduate film program, and teach screenwriting, directing, and creative leadership. Additionally, her short script Skin Deep has been adapted into a film.

Bruce Pratt‘s (Fiction, S’04) chapbook, Shades and Forms, has been accepted for fall publication by Clare Songbirds Publishing, and his short story collection The Trash Detail will also come out this fall from New Rivers Press.

Shannon Ratliff‘s (Creative Nonfiction, S’16) essay “Perennial” appears in the Summer ’18 issue of Pleiadescurrently available here.

Erin Roberts (Popular Fiction, W ’18) is the proud co-editor (alongside World Fantasy Award winner Sheree Renée Thomas and poet & artist Rasha Abdulhadi) of a special issue of Strange Horizons featuring stories, poems, and non-fiction from writers of color from the Southeastern USA. You can read Erin’s editorial and an introduction to the six amazing stories in the issue here.

Sean Robinson (Popular Fiction, W’14) had a short story, “Tide Child,” recently published by On Spec. It’s about the relationships between fathers and sons, and the day you realize your dad has a story of his own. Also, Selkies. It’s currently only available in print, and can be found here.  This also marks his first international publication. He also just returned from a month-long course in Ireland at NUI-Galway looking at Education in Ireland. If you’re a teacher, or interested in education, check it out here.

Lisa Romeo by David Wilson for The Boston Globe

Lisa Romeo (Creative Nonfiction, S’08), and her new memoir, Starting with Goodbye, were featured in the “Story Behind the Book Column” in The Boston Globe in early July, just ahead of appearances at several bookstores in Massachusetts and New Hampshire. Lisa was also featured on an episode of the podcast The Ish (Grieving-Ish, part 2). In early August, she will present a session on getting published and will read during Western Connecticut State University’s MFA residency.

Nikki Sambitsky (Creative Nonfiction, W’18) will be teaching a one-day workshop on grief and hybrid, experimental, and lyric essays this fall (Saturday, December 1st from 1:00-5:00 p.m.) at Pioneer Valley Writers’ Workshop! Check out the link to sign up and RSVP your spot! Another head’s up: Nikki is also teaching an Open Community Writing Session on November 16th from 6:00-8:00 p.m. at Pioneer Valley Writers’ Workshop. The session is free and open to the public! Come, sit, write, commune with fellow writers!

Bonnie Jo Stufflebeam (Popular Fiction, S’13) was interviewed on her local NPR station, KERA, about Spiderweb Salon, an arts collective in Denton, Texas, that she’s involved with. Her Nebula-nominated novelette “The Orangery” appears in the Nebula Awards Showcase 2018 anthology. Paula Guran chose her Nightmare story “Secret Keeper” for Guran’s Year’s Best Dark Fantasy & Horror 2018.

Lisa C. Taylor‘s (Poetry ’04) new short story collection, Impossibly Small Spaces was published by Arlen House/Syracuse University Press on July 27th in Ireland. Stonecoasters attending the launch at Merriman’s in Kinvara/County Galway included Ted and Annie Deppe and Teresa Scollon. It will come out in the US in early October (though you can obtain an early copy from Lisa). The price is $20 with $2.00 of each sale going to the ACLU. lisactaylor22@gmail.com

Adrienne S. Wallner’s (Poetry, W ’09) poem “Ticket Stub” will appear in the Fall 2018 issue of Stoneboat Literary Journal.

FACULTY

JJ Amaworo Wilson (Fiction, Popular Fiction, Writing for Social Change) launched his 2016 novel Damnificados in Caxias do Sul, Brazil, in July 2018 and had smaller events in Sao Paulo, Brasilia, Belo Horizonte, and Natal. The novel, based on a true story that took place in Caracas, Venezuela, has a distinctly Latin American flavor. Damnificados won three awards and will be translated into German and French in 2019.

JJ Amaworo Wilson Damnificados Brazil July 2018

John Florio (Fiction/Popular Fiction, S’07) writes about race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece, When Joe Louis fought Schmeling, White America Enthusiastically Rooted for a Black Man, was a June feature story for ESPN’s The Undefeated. His upcoming YA book, War in the Ring, is also about the historic Louis-Schmeling fight; it will be released by Macmillan’s Children’s Group in Spring 2019.

Aaron Hamburger‘s (Fiction, Creative Non fiction) short story “Refugees,” which he read from at the last residency, is out in the newest issue of Bennington Review.

Elizabeth Hand (Popular Fiction, Fiction) was a special guest at San Diego Comic-Con, where she received the prestigious Inkpot Award for her fiction. In early August, she’ll be teaching a workshop for young writers at the Fine Arts Workshop in Provincetown.

Jim Kelly’s (Popular Fiction) novella “The Wreck of the Godspeed” has been reprinted in The Final Frontier, edited by Neil Clarke from Night Shade Books. He has sold reprint rights to the original story “Yukui” from his new collection The Promise Of Space to Clarkesworld; it will appear later this year. He contributed an essay on the importance of short stories in science fiction to the blog Whatever.  Jim moderated a reading of Stonecoast alums at the Readercon science fiction and fantasy convention in Quincy on July 14.

Stonecoast alum reading at Readercon 2018

Debra Marquart’s (Creative Nonfiction, Poetry, Writing for Social Change) short fictions “This New Quiet” and “Dylan’s Lost Years” were included in New Micro: Exceptionally Short Fiction, co-edited by James Thomas and Robert Scotellaro and published by WW Norton, available in August 2018. Her poem “Even on a Sunday Drive” was a finalist in the 2017 Steve Kowit Poetry Prize and was published in the San Diego Poetry Anthology in March 2018. Also, Debra’s video poetry performance, “Small Buried Things: A Poet’s Response to Extraction,” was part of the Bedrock Lecture Series, organized by Oregon State University. The eighteen-part video lecture series was submitted as evidence to the Permanent Peoples’ Tribunal on Human Rights, Fracking, and Climate Change, an international tribunal that, in May of 2018, deliberated the global effects of fracking on human rights, the environment, and climate change.

Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) and Tamra Wilson’s (Fiction, S’11) anthology Idol Talk has received new media coverage and has multiple readings, including some newly added, in August:

  • Readings with Elizabeth Searle: August 8th at KGB in New York City at 7:00 p.m., including SCers Breena Clarke (Fiction) and new alum Lee J. Kahrs; (http://kgbbar.com/calendar/events/kgb_nyc_area_readers_from_idol_talk/) and August 30th at Harvard General Store 6:00-8:00 p.m. in Harvard, MA (including alum Michelle Soucy (Fiction, S’10, who created the fab. flyer).
  • On August 25th, Lee J Kahrs and Kate Kastelein will read from Idol Talk at 2:00 p.m. at Toadstool Books in Keene, NH.
  • More New England readings coming in September.
  • Readings and Talks in North Carolina with SC alum and Idol Talk co-editor Tamra Wilson: August 12th, Maine St Books in Davidson NC; August 13th Gaston County Library in Gastonia, NC; and August 21st at Morrison Branch Library in Charlotte, NC

Recent media includes Breena Clarke featuring Idol Talk on her blog,  Tammy’s radio interview in Hickory, NC, and the Boston Book Launch coverage on MetroWest Daily. Check the Idol Talk Facebook page for updates.

 

ANNOUNCEMENTS

YAAK VALLEY FOREST COUNCIL JOB OPENING: COMMUNITY OUTREACH/CONSERVATION ORGANIZER
Rick Bass
(Creative Nonfiction, Fiction, Writing for Social Change Faculty) and the Yaak Valley Forest Council are looking for a community outreach/conservation organizer to hire for a permanent position in northwest Montana’s Yaak Valley. Pay starts at $35-40K, depending on experience, and has growth potential. Insurance and vacation included, and the new hire will be able to work from home (in the community). Artistic inspiration in northwest Montana an added perk! (How is perk spelled? From what Latin root does it derive?) Sweet country and a valiant non-profit working for ecological and social justice.

BOSTON POETRY MARATHON SET FOR AUGUST 10-12 IN CAMBRIDGE
Bridget Eileen (Poetry, W’09), along with poets Suzanne Mercury, Darren Black, and Gillian Devereux, are this year’s Boston Poetry Marathon festival organizers. They are all published poets and veteran Marathon readers from the area. The poetry festival is entirely volunteer run. The Boston Poetry Marathon will be held August 10th – 12th, at Outpost 186 in Cambridge’s Inman Square. Throughout three days, over 100 local and out-of-town poets will read and perform their poems. Several Stonecoast Community members will be reading in this year’s marathon. The Marathon presents a diverse range of poetry styles; academics, slam poets, students from local creative writing programs, and everyone in between rub elbows during approximately 20 hours of poetry programming. Each poet is given a brief time slot to share their work with the audience. Attendance is free (donations accepted), and all ages are welcome.

“The Boston Poetry Marathon is a joyful, hopeful, and strengthening event, something vital during these dire times. We have poets, the poetry community, and poems to keep us going,” said co-organizer Bridget Eileen. “ Whether we go to poetry for escape, solace, empathy, or illumination, it fortifies us. When so many people come together to celebrate poetry, that certainly fortifies us. Bringing this event to so many people who treasure it is, of course, a lot of work–but it’s also energizing. All that creativity coming together in one place is really powerful. ”

“With so much political and social uncertainty right now, we feel it’s urgent to create a welcoming space for poets to share their poems and talk with one another,” said co-organizer Suzanne Mercury. “Poetry is a life-giving force, a deep and vital source of creative empathy. The world needs much more of it, especially now. The Boston Poetry Marathon offers more poetry—a lot more! Every year I come away exhausted, inspired, and ready to write.”

Gillian Devereux outlined the festival’s goals for maintaining inclusiveness. “We’re committed to finding new voices who may not have read here in the past to add to our roster. We want to hear from poets who represent the many diverse, vibrant poetic communities in the Greater Boston area.”

“The Marathon has a great base of dedicated followers—poets who share their work year after year,” said Darren Black. “It’s encouraging to see the developmental arcs of talented writers in our city. Whether you’re an established poet who has published many books, or you have never read your work in front of people before, the audience is so supportive. You never know what you’re going to hear. Every year is fresh, and a little unpredictable. But the basic formula is simple: We listen to a bunch of poems. We hang out. We have fun. We hope you’ll join us!”

For media inquiries, please contact the organizers at: bostonpoetrymarathon2018@gmail.com.

Event Details

What:  Boston Poetry Marathon
Where: Outpost 186 – 186 ½ Hampshire Street, Cambridge MA
When:  Friday, August 10th: 6:00-10:30 p.m.; Saturday, August 11th: 12:00 p.m.-10:30 p.m.; Sunday, August 12th: 11:00 a.m.-6:30 p.m.

Online at

bostonpoetrymarathon.wordpress.com
https://www.facebook.com/groups/bonstonpoetrymarathon/
http://instagram.com/bostonpoetrymarathon

 

 

 

 

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Community News & Updates June 2018

ANNOUNCEMENTS

Poetic Voices of Social Justice: A Reading with Martín Espada and Lauren Schmidt
Thursday July 12th, 7:00 pm
SPACE Gallery, Portland Maine

Please join Stonecoast MFA for a reading and discussion with poetry faculty Martín Espada, recent winner of the prestigious Ruth Lilly Poetry Prize, and award-winning poet Lauren Schmidt. There will be live music, and a chance to share thoughts and inspiration as a community. The $10-20 suggested donation will directly benefit the Stonecoast MFA Writing for Social Justice Scholarship Fund.

 

Pitch 2018

Maine Writers and Publishers Alliance (MWPA) Pitch 2018 offers writers the chance to pitch their manuscripts or book proposals to agents from leading NYC-based literary agencies and editors from some of Maine’s largest publishers. Pitch 2018 provides the rare opportunity to make a literary pitch face-to-face in Maine, to make connections with agents, editors, and other writers, and to gain insider knowledge on the publishing industry. MWPA is proud to offer a three-pitch scholarship to a writer who is from an underrepresented community currently living in Maine and who can demonstrate financial need, sponsored by participating agent Saba Sulaiman. Applications are due in the MWPA office on July 2nd at 9:00 a.m. MORE INFORMATION → Pitch will be held Saturday, September 29th from 9:00 a.m. to 3:30 p.m. at the Glickman Library on the University of Southern Maine campus in Portland. Registration opens on June 12th. More information is here.

ALUMS

Patricia Barletta (Popular Fiction, W’12) is excited to announce that her paranormal historical romance Moon Shadow, Book #2 (The Auriano Curse Series) won the Readers’ Choice Award. Part of the manuscript was workshopped at Stonecoast and mentored by the fabulous and inimitable Mike Kimball. Thank you to everyone who had a hand in making this book a winner.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated the May 3rd episode of Escape Pod, featuring the story “Fire Rode The Cold Wind” by Aimee Ogden. You can listen to it here.

Carina Bissett (Popular Fiction, S’18) published her mermaid-inspired story “The Landscape of Lacrimation” in the second issue of the online literary magazine The Hunger. She also has recently placed her poem “C8: A Tessellation of Faces, Wings, and other Obscure Things,” which will be featured in forthcoming issue of the NonBinary Review Issue 17: A Wrinkle in Time.

Karen Bovenmyer (Popular Fiction, S’13) was happy to learn her LGBTQ+ historical romance novel Swift for the Sun was selected as a finalist for the Eric Hoffer award.

After ten years of work, Elizabeth Garber‘s (Creative Nonfiction, ‘10) book, Implosion: A Memoir of an Architect’s Daughter, will be released June 12th from She Writes Press. Her memoir focuses on how her family was caught in a collision between modern architecture, radical social change, and madness in the turbulent 1960s and 1970s in Cincinnati. Her book tour takes her from New York City, Boston, Maine, Cincinnati, and Vermont. The book has received a starred Kirkus review (“poetic and incisive”) and Library Journal calls it “an extraordinary debut memoir.” Implosion has a contract to be released by a large-print press as well. For more details and dates to join her for a reading/presentation, go to www.elizabethgarber.com

Terri Glass’s (Poetry/Creative Nonfiction, S’13)  poem “Wind Turbines of Altamont Pass” will be published in the anthology Fire and Rain: Ecopoetry of California. Her poem “Puma” was accepted for publication in The Marin Poetry Center Anthology 2018. Her poem, “Where Did it Go?” and four animal haiku were printed in Poem in Your Pocket Day by Berkeley Public Library.

Penny Guisinger‘s (Creative Nonfiction, S’13) essay “Looking for Luke Skywalker,” first published in Hippocampus, is a finalist for a Maine Literary Award in the short works category. This would be her second MLA. Winners will be announced at an event on June 14th, so cross some fingers for her!

Michael L. Joy (Popular Fiction, S’13) was offered a full-time Professorship in the English Department at Florida SouthWestern State College starting this Fall.

Lissa Kiernan (Poetry, S’11), is happy to announce Poetry Barn’s Peak Color Retreat, October 6-9​, an inspiring weekend of poetry steeped in the vibrance of fall in the Catskills. Judith Vollmer (MFA faculty, Drew University) will offer a master workshop titled: The Living Object: Image & Movement. Visit the website for full details.

Alan King (Poetry, W’13) posted a new blog post, “No Country for Old Books…Or So It Seems,” which explores the challenges of marketing a book over a year old. The post highlights advantages that “older” books have over “newly-released” ones. Read it here.

Sean Robinson (Popular Fiction, W’14) recently completed a writing retreat at the University of Washington’s Whiteley Center on San Juan Island, Washington. He has had two recent non-fiction publications: his essay “Parable of the Cascade” was published by About Place Journal (as Ryan Patrick Gannon) as well as an article called “Open and Closed: The Class That Sank” in the Open Pedagogy Notebook. He presented an essay “She Has Always Been Here: Mystique, Destiny, and Female LGBT Representation in Marvel Comics” at the Dartmouth College conference on Illustration, Comics, and Animation. Later this month, he will be heading back to Ireland to participate in NUI-Galway’s Summer School program on Teaching in Ireland, where he will also hopefully complete that book of poems he started during the SCI 2017 residency in Howth.

Ruthie Rohde’s (Creative Nonfiction, W’12) essay “Wild Abandon” was recently published in The Palgrave International Handbook of Women and Outdoor Learning, edited by Tonia Gray and Denise Mitten (Palgrave Macmillan, 2018). Ruthie and Stonecoast alumnus Anthony D’Aries (Creative Nonfiction, W’09) presented together with Dr. Ann Murphy on a panel at the Western Connecticut Trauma Conference at Western Connecticut State University. The panel was titled: “Write Where you Are: Building and Fostering Writing Workshops in Prisons, Homeless Shelters, Hospitals and Other Medical and Community Settings.”

Lisa Romeo (Creative Nonfiction, S’08) is pleased to note that her new book, Starting with Goodbye: A Daughter’s Memoir of Love after Loss, published May 1st, has been reviewed at Brevity and in Publishers Weekly, where she’s also been featured in a Spotlight interview. Lisa is also interviewed on the Shelf Awareness “Reading with…” series; contributed to the LargeHearted Boy’s “Playlist;” and appears on the Creative Nonfiction podcast . Her craft article and excerpts, on adding humor to a grief memoir, appears on The Memoir Project, and an essay in Books by Women, “If You Give a Writer a Book Contract, She’s Going to Want…Everything,” takes a look at author envy. Lisa appeared with Suzanne Strempek Shea at Amherst Books (MA) recently, and is interested in partnering with other Stonecoast folks who have new(ish) books out, for bookstore appearances, conference panels, reading, and/or other events. Contact her here. In June, she’s making many book tour stops in New Jersey and in July, in Massachusetts and New Hampshire.

Catherine Schmitt (Creative Nonfiction, W’12) has managed to publish creative work while continuing her full-time job as a science writer for the University of Maine: a lyric essay, “The New Diving Duck Blues,” is in the Spring issue of Cold Mountain Review. She also co-authored the cover story about coastal storms in the spring issue of UMaine Today, wrote an article about alewives in lakes in the May issue of Maine Boats, Homes & Harbors Magazine, and published a short reflection on “Communicating about rare and common species” in The Plainspoken Scientist.

Marco Wilkinson (Creative Nonfiction, S’13) has been awarded an Individual Excellence Award and a $5000 grant for his writing by the Ohio Arts Council.

FACULTY

On May 31st, Elizabeth Hand (Popular Fiction, Fiction) spoke at the Lewiston Public Library about her forthcoming novel, Curious Toys, and the work and influences of noted outsider artist Henry Darger, the book’s inspiration.  On June 2nd she will one of the featured writers at the Maine Crime Wave Festival in Portland. On Tuesday, June 5th, she’ll be part of a panel honoring the legacy of writer Thomas M. Disch at Brooklyn Common, in Brooklyn, NY.  On Wednesday, June 6th, she’ll be reading at the Kinokuniya Bookstore in New York City as part of the group faculty reading for the Writer’s Hotel Writers Conference, where she’s an instructor June 6-11. On June 21-22, she’ll be guest instructor at the Odyssey Writers Workshop in Manchester, NH. Forthcoming book reviews include A True History of the Vampire Uprising for The Washington Post.

Jim Kelly’s (Popular Fiction) new existential starship novelette, “Grace’s Family,” was published last month on Tor.com.  Also in May, Jim had the honor of introducing his friend and longtime editor, Sheila Williams, at the Science Fiction Writers of America’s Nebula Awards Ceremony. Sheila won the Solstice Award, which acknowledges “individuals who have had a significant impact on the science fiction landscape.” In reprint news, not only did Jim write the introduction and the afterword to the just published anthology A Fistful of Dinosaurs, but he contributed the oft-reprinted “Think Like A Dinosaur” to the table of contents. His novelette “Men Are Trouble” will appear in the forthcoming aliens-on-Earth anthology Not One Of Us from Prime Books. His Hugo-Award-winning “Ten to the Sixteenth to One” will appear soon in the international digital magazine The Short Story Project based in Israel. His story “The Promise of Space” will be published in China by Guangzhou Blue Ocean Press in an as-yet unnamed anthology aimed at the high school and university market.

Jim Kelly and Sheila Williams at the Nebula Awards ceremony.

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Community News & Updates May 2018

ANNOUNCEMENTS

Thank you to all who supported the One Month, One Voice campaign to benefit Stonecoast’s new Writing for Social Justice Scholarship. Together, we raised over $20,000! If you missed the campaign but would still like to be part of the movement, you can email stonecoastcommunity@maine.edu for information on donating or hosting an event. Thank you for being part of Stonecoast’s commitment to social justice.

Acclaimed Irish Fiction Writer Claire Keegan will be presenting a four-day Fiction Workshop in Winter Harbor, Maine, September 13-16, 2018!  Please contact Kathryn Balteff (current Fiction student) at info@FeatheredInk.org or Kathryn.balteff@maine.edu for details and registration information. Registration must be completed by June 1st. There are a limited number of spots available for this wonderful opportunity—don’t wait!

ALUM NEWS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) natural history memoir, The Sound of a Wild Snail Eating (Algonquin Books, 2010), has been adapted for stage in Switzerland. Produced by the theater company FRADS Fruhstuck auf der Szene Buchholzstrasse, the performance involves one actor and one dancer. A video trailer for the production can be viewed here. Performances dates are April 25th, 27th, and 28th at the Theater Tuchlaube in Aarau, Switzerland, and May 26th at the Kelelrteater in Bremgarten, Switzerland. More information is available here.

Set photo: The Sound of a Wild Snail Eating

Michael Beeman (Fiction, S’09) published his short story “The Witnesses” in the spring 2018 issue of The Superstition Review. His short story “The Dream” has been accepted for an upcoming issue of EPOCH magazine.

Peter Adrian Behravesh (Popular Fiction, W’18) has accepted a position as the audio producer for PodCastle, a weekly podcast that publishes fantastical short fiction.

Karen Bovenmyer (Popular Fiction, S’13) is chuffed her 200-word flash “Cadaver Feet” will be reprinted in The Binge Watching Cure II: Horror anthology. This short was written for alumna Bonnie Jo Stufflebeam’s Art & Words show and art created for it can be viewed here. Karen is super excited that she will be participating in this year’s Art & Words show and artwork will be created for her Rhysling award-nominated poem “Syncing Minefields.” She’s honored her novel Swift For The Sun won a silver medal in the LGBT category of the IBPA Benjamin Franklin Award. Her article about what to consider while selling your fiction to podcast markets, “One Story, Told Well,” is available for reading on Writespace. Karen will be presenting on panels at Writespace Houston, May 4-5: “The Good, the Bad, and the Slushy: How to Save Your Story from the Slush Pile Neverland,” “Submission Tools for New Writers,” “The Future of LGBTQ Publishing: New Stories, New Voices,” and “Metal and Speculative Fiction.” At the end of the month, May 25-27, Karen will be presenting on two panels at Comicpalooza Houston—“Speculative Poetry Deathmatch” and “Finding Writing Inspiration”—as well as participating in “Poetry of the Imagination: A Science Fiction and Fantasy Poetry Reading” at Kaboom Books. She was interviewed on KHOI radio’s community bookshelf (April 17) about her work and the effects of divorce and dating on her writing. Her short story about divorce, “From Now Until Infinity” published in Factor Four Magazine, has been receiving a lot of buzz and was reviewed by Maria Haskins in “10 extra excellent stories I read in March.” Karen can be heard narrating work by Llewellyn, Schow, Cushing, Barker, and Gifune on Cemetery Pod. Stonecoast continues to be the single most influential experience on Karen’s career and she is grateful for it every day!

On May 13 the collaborative sound art project Soundtrack becomes available for download. This is a work presented by the Queens Museum as part of the Mel Chin: All Over the Place exhibit with project curator Jace Clayton (aka DJ /rupture), which will include Jennifer Marie Brissett (Popular Fiction, S’11 ) reading from her novel Elysium.

KT Bryski (Popular Fiction, W’16) has a play premiering soon! A Canticle of Light will run May 30th-June 2nd in Toronto, produced by indie theatre company Missed Metaphor Productions.

Linda Buckmaster (Creative Nonfiction, S’11) now has her first-ever writer’s website lindabuckmaster.com. It includes her live blog “Field Notes,” her current “Audio Essays,” and all kinds of other great stuff. She’s also nailed the date for the launch of her hybrid memoir, Space Heart: A Memoir in Stages, for November 4 at Waterfall Arts in Belfast, Maine. If you’re in the neighborhood, stop by.

John Florio (Fiction/Popular Fiction, S’07) has written about the intersection of race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece, “When Martin Luther King Died, Major League Baseball Struck Out,” was an April feature story for ESPN’s The Undefeated. His YA book, War in the Ring: Joe Louis, Max Schmeling, and the Fight Between Hitler and America, will be released by Macmillan’s Children’s Group in Spring 2019.

Hank Garfield‘s (Fiction, S’04) short-short story “The Pickup Artist” appears in the May issue of Portland Magazine. Hank also has a nonfiction piece, “An Old Boat Gets a New Waterline,” in the May issue of Points East, a boating magazine covering the entire New England coast.

Alan King (Poetry, W’13) was the featured guest on WPFW 89.3 FM’s On The Margin with E. Ethelbert Miller. He discussed his latest book, Point Blank, talked fatherhood, and more. Listen to the recording here.

Paul Kirsch (Popular Fiction, W’11)—Pillars of Eternity 2: Deadfire will be released on May 8th for PC/Mac/Linux! The game is fully voiced and features the cast of Critical Role, a popular D&D podcast where talented gaming industry voice actors play a tabletop adventure together. All of the actors play prominent roles in Deadfire. Enjoy the trailer below for some of the action, and enjoy the writing on May 8th!

Will Ludwigsen‘s (Popular Fiction, W’11) latest collection Acres of Perhaps, featuring his work from Asimov’s Science Fiction Magazine and Nightmare Magazine plus several new stories, is now available from Amazon or your favorite online independent bookseller. If you enjoy alternate history crime, cursed toys, sky-gazing psychopaths, or creepy 60s TV shows, it may be just what you need for your nightstand.

Jeanette Lynes’ (Poetry/Fiction, ‘05) second novel, The Small Things That End The World, will appear in May 2018, published by Coteau Books, Regina, Canada. Jeanette is currently a Visiting Fellow at the University of Edinburgh’s Institute for Advanced Studies in the Humanities (IASH).

Both of Alison McMahan‘s (Popular Fiction, W’10) short mysteries, “The New Score” (Fish Out of Water Anthology, Wildside Press 4/17) and “The Drive By” (Busted! Arresting Stories from the Beat Anthology, LevelBest Books 4/17), have been nominated for Derringer Awards by the members of the Short Mystery Fiction Society. Winners will be announced on May 15th. Her short horror story “Kamikaze Iguanas” will appear in the MWA anthology for middle-grade readers entitled Scream and Scream Again (HarperCollins, 2018), edited by R. L. Stine, which is now available for pre-order.

John Christopher Nelson‘s (Fiction, S’15) flash piece “Chrysalis” is featured in Melanie Faith’s In a Flash! Writing & Publishing Dynamic Flash Prose, available now through Vine Leaves Press. Nelson’s work appears alongside other Stonecoast alumni in this collection.

“Unseen Canyon,” Jenny O’Connell‘s (Creative Nonfiction, S’17) essay about rafting the Grand Canyon with blind students, will appear in the summer edition of Camas, released this month. A second essay based on Finding Petronella, Jenny’s book project tracing her solo trek across Finland in the footsteps of Lappish legend Petronella van der Moer, is forthcoming from Slice Magazine in September.

American Dangerous, Renée Olander‘s (Poetry, W’05) first full-length collection of poems, will be published by Backlash Press in September 2018. She also has poetry and prose forthcoming in the anthology Feminine Rising, edited by Andrea Fekete and Lara Lillibridge, due in early 2019.

Anne Britting Oleson‘s (Poetry, W’05) third poetry chapbook, Alley of Dreams, has been published by Clare Songbirds Publishing of Auburn, NY.

Suri Parmar‘s (Popular Fiction, W’17) short film The Bakebook was selected by Female Eye Film Festival to screen in a curated exhibition at De Montfort University on April 13, 2018, in association with the Cinema and Television History (CATH) centre. Her short story “Forty Whacks” has also been published in Vague Visages.

Steve Rhodes (Poetry, W’11) has two ekphrastic poems that recently appeared in The Ekphrastic Review (April 10, based on a painting by Oldilon Redon; April 17, based on a painting by George Bellows). His poem “Aubade” will appear in Tahoma Literary Review in August.

Lisa Romeo (Creative Nonfiction, S’08) proudly announces the May 1 publication of Starting with Goodbye: A Daughter’s Memoir of Love after Loss (University of Nevada Press). She’d like to express her gratitude and appreciation to all of her Stonecoast faculty and mentors, workshop leaders, and fellow students/alumni for the help and support!

Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “Angry Kings” appeared in the recent issue of Beneath Ceaseless Skies. 

Melanie Viets (Creative Nonfiction, W’17) has an essay in About Place Journal: “A Humbling Place” appears in the new ‘Rewilding’ issue.

Tamra Wilson (Fiction, S’11) is co-editing a teen-idols anthology with Elizabeth Searle (Fiction, Popular Fiction, Scriptwriting) to be released June 15th from McFarland Publishers. Idol Talk will include work by Ann Hood, B. A. Shapiro, Susan Straight, Jill McCorkle, Lesléa Newman, Stephanie Powell Watts, and a host of others. The collection showcases a variety of female authors who share—most for the very first time—their teenage crush and the impact the experience had on their lives. Idol Talk will be the first book of teen-idol essays ever written entirely by female writers. Its focus is a topic that’s rarely discussed and seldom studied: the coming-of-age bridge in which girls intensely project themselves into a world beyond themselves. Both co-editors will be at Stonecoast in July to share excerpts and discuss writing about pop culture along with Nancy Holder (Popular Fiction).

STUDENT NEWS

Lindsey Barlow (Popular Fiction) has been offered a three book deal by California Coldblood Books, an imprint of Rare Bird Books, for a trilogy she has been working on for the past five years. She is over the moon for this wonderful opportunity, and she is so happy to be part of the CCB family.

FACULTY NEWS

Tom Coash’s (Playwriting) short play Quit Stalling will be produced in May as part of the 1:One Festival in Dubai, United Arab Emirates. Shortly thereafter, the short film The R Word (for which he wrote the screenplay) will premiere at the White River Indie Festival, June 3, in White River Junction, VT.

Ted Deppe (Poetry) and Annie Deppe will be reading at the Linen Hall Library in Belfast, Northern Ireland, at 1:00 p.m. on 18 May. Ted will give a poetry masterclass/workshop from 10:00 a.m. to 12:00 noon before the reading. As of this writing, there are still a few spots left for the workshop.

Jim Kelly’s (Popular Fiction) 2005 Nebula-winning novella, Burn, has just had its first ebook edition. Particle Books, a new electronic imprint from Tachyon Publications, launched Burn on April 24; it includes a new afterword by Jim. He talks about the writing of the book as well as his forthcoming short-story collection The Promise of Space in an interview with Paul Semel. In other reprint news, Jim is the only author from the U.S. included in the just-published anthology Future Fiction: New Dimensions in International Science Fiction, edited by Bill Campbell and Francesco Verso, from Rosarium Publishing. Also represented in the table of contents are India, Greece, Zimbabwe, China, Italy, the Canada, the U.K., Russia, Mexico, Nigeria, and Cuba. Jim’s novelette “Bernardo’s House” was first published in 2003.

 

 

 

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Community News & Updates January 2018

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) essay “Biophilia at my Bedside” was just published in the anthology Nature, Love, Medicine. The anthology, edited by Thomas Lowe Fleischner and published by Torrey House Press, includes essays by twenty-three writers including Robin Wall Kimmerer, Jane Hirschfield, and thich Nhat Hanh.

Karen Bovenmyer (Popular Fiction, S’13) is excited her story “The Scarlet Cloak” was reprinted in Like A Woman, a domestic violence benefit anthology. Her short story “Snow as White as Skin as White as Snow” was published in December’s issue of Gamut Magazine—classmates will recognize this story as inspired by her thesis novel-in-progess The Sleeping Boy. This just in: Factor Four Magazine will be publishing Karen’s science fiction short story “To Infinity and Beyond” in their inaugural issue. With this sale, Karen’s happy to announce she is applying to SFWA. She’s serving as a guest editor for Pseudopod Podcast for March 2018 and hope you all tune in to listen to the five awesome stories she selected (with the associate editing help of fellow ‘coasters Shawna Borman, Erin Roberts, and Cecelia Dockins). Her poem “Fire Lover” will appear in February’s Heroic Fantasy Quarterly, with an accompanying narration. Karen also has been narrating stories by others. Karen has created a recording of Penelope Evans’ “Wasps Make Honey” for a forthcoming episode of Escape Pod and Evan Dicken’s “The Taking Tree” for Pseudopod.

Illustration for Karen’s story “Snow as White as Skin as White as Snow”

Jennifer Marie Brissett (Popular Fiction, S’11) puts her memories of being a bookseller to use in a flash fiction story for the anthology Welcome to Dystopia edited by Gordon Van Gelder from OR Books. (Shh, most of the story I didn’t have to make up!)

Julie C. Day‘s (Popular Fiction, S’12) short story “Re-stitched” can be found in the January edition of Split Lip magazine. “Re-stitched” is about two sisters, Alicia and Stephanie, their family dysfunction, and the impurity of human flesh. It’s about as creepy as you’d expect…

Terri Glass’s (Poetry/Creative Nonfiction, S’13) Terri’s poem, “Violet Green Swallows” was published in Young Raven’s Review, Issue 6. Her poem “Cow Tipping Tuesday” will be published in the 2018 San Diego Poetry Annual and her haiku in the Spring Issue of The Fourth River.

Cindy Williams Gutiérrez (Poetry, W’08) received the 2017 Oregon Book Award for Drama for her play Words That Burn. The play dramatizes the WWII experiences of conscientious-objector William Stafford, Japanese-American internee Lawson Inada, and Chicano Marine Guy Gabaldón in their own words. The play premiered at Milagro Theatre in Portland, Oregon, in September of 2014 in commemoration of the William Stafford Centennial, Hispanic Heritage Month, and the 70th anniversary of the rescindment of Executive Order 9066 (incarcerating Japanese-Americans). Words That Burn was also produced in 2017 at the Merc Playhouse in Twisp, Washington, and the Linkville Playhouse in Klamath Falls, Oregon.

Alan King’s (Poetry, W’13) Point Blank was reviewed in The Washington City Paper, Auburn Avenue, and Run Tell That Magazine.

Will Ludwigsen‘s (Popular Fiction, W’11) third collection of short fiction tinged with crime and the supernatural, Acres of Perhaps, will be appearing in April 2018. It is available now for preorder from Lethe Press if you would like to support the small press.

Carolyn O’Doherty‘s (Popular Fiction, W’11) debut novel, Rewind, will be released April 10, 2018. The novel, published by Boyds Mills Press, tells the story of a group of teenagers with the ability to freeze time. The sequel will be published in Spring 2019.

Alexandra Oliver (Poetry, W’12) recently attended Continuum Music’s Urgent Voices multimedia performance in Toronto, featuring the debut of From the Diaries of William Lyon Mackenzie King, an operatic work for which she write the libretto. The Birmingham-based composer, Scott Wilson, was also in attendance. The Canada Council for the Arts has provided Oliver, Wilson, and Continuum director Ryan Scott with funding to develop the project.

Bruce Pratt‘s (Fiction, S’04) play Radio Silent has won the 2017 Meeting House Theatre Arts Lab’s annual new play contest and will receive a staged reading on January 20 at Schoodic Arts for All in Winterport, Maine. Pratt also won the award last year for his play The King of France. Several of his plays are among those being considered for full production next spring.

In addition to winning one of the South Carolina State Poetry Society contests, Steve Rhodes’s (Poetry, W’11) poem “Inheritance” won First Prize in Still: The Journal’s annual poetry contest.  He and his wife, Ann, moved to Charleston, South Carolina, three years ago. Steve recently completed his third poetry collection, What You Don’t See, and is looking for a publisher. He is currently working on a prose and poetry memoir. This past summer and fall he was invited to give poetry readings as part of hikes in the Great Smoky Mountains National Park led by the singer/song-writer Doug Peters. Great fun.

Tamie (Harkins) Parker Song’s (Creative Nonfiction, S’12) poem “Thirteen Ways of Killing the Captain’s Son” was published in Selkie Zine, issue 5. You can find it here.

Kathleen Saville (Creative Nonfiction, S’13) has been invited as a speaker to the Match 2018 Virginia Festival of the Book to share her memoir Rowing for My Life: Two Oceans, Two Lives, One Journey, published by Skyhorse/Arcade Publishing in February 2017. Information on how to attend the Festival is here.

Olive L. Sullivan‘s (Fiction/Poetry, S’15) poetry collection Wandering Bone is now available on Amazon or directly from the publisher, Meadowlark Books. Several of the poems in this book were written as part of her second semester project with Jeanne Marie Beaumount.

Karrie Waarala (Poetry, S’11) has three poems—“Memory of Museum of Memory,” “How to Remember,” and “The Morning After”—in the current issue of Blackbird. Her poem “Death Spends Halloween at the Country Bar” was recently nominated for a Pushcart Prize by Escape into Life, where her work was featured in July. And her short story “High Side” appeared in Five on the Fifth earlier this year; this was her first fiction publication.

Marco Wilkinson’s (Creative Nonfiction, S’13) essay, “Hidden Light, Wooden Ladder, Bucket of Clay, Pillar of Water,” will appear in issue four of the Bennington Review. His nonfiction manuscript, Madder, was the first runner-up in the 2017 Red Hen Press Non-Fiction Prize, judged by Mark Doty.

Tamra Wilson (Fiction, S’11) was published in Vol. VI of The New Guard. “Dearest Mum” is part of The Dream Letters, an ongoing feature of the journal. Wilson’s fictional letter is excerpted from a novel-in-progress based on her great-grandmother, an orphan train.

CURRENT STUDENTS

Sarah Mack (Popular Fiction), publishing under S.M. Mack, won first place for the Katherine Patterson Prize for Young Adult Writing for her short story “The Carrying Beam.” The story was published online in Hunger Mountain, The VCFA Journal for the Arts, and is available here.

Illustration for Sarah’s story “The Carrying Beam”

FACULTY

David Anthony Durham (Fiction, Popular Fiction) just renewed the film option for Gabriel’s Story with Redwave Films, as well as the film/TV option for Pride of Carthage with Sonar Entertainment. His short story “All the Girls Love Michael Stein” will be republished in The Stonecoast Review and was recently published in translation in the Polish SFF magazine Nowa Fantastyka. He’s also signed on as one of the judges for the 2018 World Fantasy Awards. Details here via Locus.

Elizabeth Searle’s (Fiction, Popular Fiction, Scriptwriting) novel We Got Him (New Rivers Press) is forthcoming as an AudioBook in 2018, recorded by Stonecoast alum Tanya Eby and her Blunder Woman Productions. Both Elizabeth’s opera and her rock opera about Tonya Harding and Nancy Kerrigan will be produced in early 2018, at the time of the Winter Olympics. In January, the operetta group Mixed Precipitation in Minneapolis, Minnesota, will present Tonya and Nancy: The Opera—a one-act opera with libretto by Elizabeth and music by Abigail Al-Doory Cross—on Lake Harriet for the Art Shanties. Meanwhile, in New York City at 54Below on February 13th, Broadway stars sing a concert version of Tonya & Nancy: The Rock Opera, a show which will be recorded as a CD from Broadway Records and which has recently received coverage from Playbill and Broadway World (you can read the Broadway World article here). For updates, see: www.elizabethsearle.net

 

 

 

 

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Community News & Updates February 2017

ALUMS

swift-for-the-sunKaren Bovenmyer’s (Popular Fiction, S’13) thrilled to announce her first novel, an LGBT romantic pirate adventure set in 1822 Caribbean, Swift for the Sun, now has a cover (by the amazing Anna Sikorska) and a release date: March 27, 2017, from Dreamspinner Press. Karen’s also sold a 300-word prose poem featuring marooned interstellar spies called “Save Our Souls” to Silver Blade Magazine for their February issue and created an audio recording of the poem as a companion piece. She’s excited to announce that her zombies vs robots 1500-word story “We Are Still Feeling” earned a Finalist for 4th Quarter 2016 in L Ron Hubbard’s Writers of the Future contest. Her 15,000-word Dickensien fairytale novella, “The Beaded Slipper,” will appear in Crimson Edge Press’s Maidens and Magic maidens-magicanthology, February 14, 2017; she’s thrilled that her character Sasha is on the cover (the blonde woman holding the red slipper). Karen is also chuffed her unrequited astronaut love poem “The Blind Elephants of Io” (which you can hear read by British actress Patsy Prince) has been nominated for a Rhysling award by members of the Science Fiction Poetry Association. Two other flash stories “Samuel Alexander’s Storm Angel” (Roane Publishing’s Flash Fiction Fridays) and a reprint “Like a Soul” (Creepy Campfire Quarterly: Science Fiction Issue) will be published in February. STONECOAST REPRESENT!

Two new stories by Julie C. Day (Popular Fiction, S’12) are out this month. “Everyone Gets a Happy Ending” concerns itself with female friendships, national fertility, and the desert Southwest; it’s available in the January/February issue of Interzone. Julie’s second story, “One Thousand Paper Cranes,” melds ideas about the neurobiology of memory, restricted-environmental-stimulation therapy, and part selves; you can find it online in the Winter 2017 issue of Kaleidotrope. On the podcasting front, both episode 135 of Far-Fetched Fables and episode 433 of Podcastle are now available. The first podcast features Julie’s narration of Sharon Shinn’s “The Double-Edged Sword.” The second contains Julie’s reading of Sandra O’Dell’s fabulous and fabulously funny “Telling Stories.” You can also find Julie—live and in person!—on various panels at Boskone 54, February 17-19 at the Westin Waterfront Hotel in Boston, MA. Stop by and checkout her reading on Saturday, February 18th, at 1:30 p.m. in the Independence room.

juliecday_interzone

Alan King’s (Poetry, W’13) book Point Blank was named among the “Best New Poetry of the New Year 2017” by the Washington Independent Review of Books! Learn more here.

Paul Kirsch (Popular Fiction, W’11) is writing for Obsidian Entertainment’s upcoming game—Pillars of Eternity 2: Deadfire—which has recently launched a crowdfunding campaign through Fig. You can learn more about the game and the campaign here. Fig is similar to Kickstarter in many respects, but also incorporates opportunities for financial investment in the game’s success. (Whether you’re a backer, an investor, or just an enthusiastic gamer with a taste for isometric D&D-esque PC games, I can’t recommend Deadfire enough. This is going to be a fun ride, and thanks for reading this deep into my ramblings. ~PK)

pillars2

Ellen Meeropol (Fiction, W’06) will be on a panel at AWP titled “Second Blooming: Women Authors Debuting after Fifty” on Friday, February 10, 10:30 a.m. She will also be reading from her third novel, Kinship of Clover, at Politics and Prose Bookstore on Friday, February 10, at 6:00 p.m.

red-hen-press

rowing-for-my-lifeBruce Pratt‘s (Fiction, S’04) short-story collection The Trash Detail has been selected for publication by New Rivers Press. His full-length play The King of France, which won the Meetinghouse Theatre Lab’s annual new play contest, received a staged reading on January 21 in Winter Harbor Main.

Kathleen Saville‘s (Creative Nonfiction, W’13) memoir Rowing for My Life: Two Oceans, Two Lives, One Journey has recently been published by Arcade Publishing, an imprint of Skyhorse Publishing; read about it here. She teaches creative writing at the American University in Cairo, Egypt.

incendiary-artPatricia Smith‘s (Poetry, S’08) 8th book of poetry, Incendiary Art, will be released on February 17 from Northwestern University Press. Her last two books were Gotta Go, Gotta Flow (City Files Press, 2015), a collaboration with award-winning Chicago photographer Michael Abramson, and Shoulda Been Jimi Savannah, winner of the Lenore Marshall Poetry Prize for the best U.S. poetry book of 2012. Patricia has also been chosen as a 2018 Civitella Rainieri fellow—this summer, she will be in residence for six weeks in a 15th-century castle in rural Umbria, Italy.

Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) short story “The Maneaters” appears in the January issue of Black Static. This was the first story Bonnie brought to Stonecoast workshop.

FACULTY

On Friday, February 3, 2017, Jeanne Marie Beaumont (Poetry) will be visiting Syracuse to read in the Visiting Author Reading Series at the Downtown Writers Center at the YMCA, 340 Montgomery St., Syracuse, NY. The reading starts at 7:00 p.m. and is free. Later in the month, Jeanne Marie will be traveling to the AWP Conference in Washington, DC. If you are there, please stop by the CavanKerry Press Bookfair booth #330 on Friday, February 10th from 11:00-11:30 a.m., where she will be signing copies of Letters from Limbo.

David Anthony Durham (Fiction, Popular Fiction) is going to be the Genre Fiction Keynote speaker at this year’s Writing the Rockies Conference at Western Colorado University. He’ll be flying out there right after the Stonecoast summer residency to deliver an address he’s calling “The Virtues of the Multi-Genre Toolbox.”

Aaron Hamburger‘s (Creative Nonfiction, Fiction, Popular Fiction) flash fiction “The House Husband” was a runner-up for DC’s City Paper‘s fiction issue. It’s his first foray into Washington, DC-themed fiction, and given the current political situation, he’s expecting to write quite a bit more!

fireFire, a collection of interviews, essays, and short fiction by Elizabeth Hand (Fiction, Popular Fiction), has just been published by PM Press. In January, she was the subject of a profile at Literary Hub by Adrian Van Young, and her 2014 Salon essay on the Affordable Care Act was picked up by the Dept. of Health and Human Services as part of the effort to encourage people to enroll in the ACA. Recent reviews include Simon Reynolds’ Shock and Awe: Glam Rock and Its Legacy and Al Ridenour’s Krampus and the Old, Dark Christmas for The Los Angeles Times, and Anne Rice’s Prince Lestat and the Realms of Atlantis for The Washington Post.

Elizabeth Searle (Fiction, Popular Fiction, Scriptwriting) hopes to see fellow Stonecoasters at AWP February 8-11 in DC! She has had two events accepted at AWP 2017: she will read in the event “Written on a (Woman’s) Body: A Cross Genre Reading of Bold Writings about Women and Their Bodies”—which also features Dolen Perkins-Valdez—and Elizabeth will moderate “Adaptation in Three Acts: Adventures in Adapting Material for Scripts” (featuring Suzanne Strempek Shea as well as Danny Eaton and David Shields). Elizabeth will also give a brief reading at a New Rivers Press/Fairfield University party at Mandu restaurant February 9th at 6:00 p.m. Back home in Boston, on March 3rd at 7:00 p.m., Elizabeth will read from her novel We Got Him at the Dire Reading Series in Cambridge, MA, at The Out of the Blue Gallery. At 7:00 p.m. on March 24th, Elizabeth will read at Falmouth Public Library on Cape Cod. Finally, check out this new piece on Elizabeth and We Got Him by bestselling author Caroline Leavitt.

soap-opera-confidentialElizabeth Searle and Suzanne Strempek Shea (Creative Nonfiction, Fiction) soon will be reading proofs of Soap Opera Confidential: Writers and Soap Insiders on Why We’ll Tune in Tomorrow as the World Turns Restlessly to the Guiding Light of Our Lives (McFarland). The life-long soap fans are delighted to have so many Stonecoast voices—current and past—in this collection of essays. In order of appearance in the book, past and present contributors from our community include Aaron Hamburger, Brenda Sparks Prescott, Ann Hood, Lesléa Newman, Shara McCallum, Nancy Holder, Ted Deppe, Marie Hannan-Mandel, Tigh Rickman, Erin Roberts, Susan Lilley, and Jamie Cat Callan. Stay tuned for the exact publication date and a schedule of readings… Suzanne is looking forward to being on two panels at AWP in DC this month, and thanks the hosts for including her. On Thursday, February 9, find her on Washington Convention Center Level 2, Room 209 ABC, from 10:30-11:45 a.m. as a panelist on Elizabeth Searle’s “Adaptation in Three Acts: Adventures in Adapting Material for Scripts.” Other panelists will include Danny Eaton, who wrote the one-woman play Mags: A Conversation With an Audience, based on Suzanne’s book This Is Paradise: An Irish Mother’s Grief, an African Village’s Plight and the Medical Clinic That Brought Fresh Hope to Both (PFP). From 4:30 to 5:45 p.m., find her again on Level Two, this time in Room 203 AB, for Helen Peppe’s panel “Juggling from Within: The Art of Voice,” also featuring Sue William Silverman, Alice Cohen, and Melanie Brooks. Speaking of Melanie Brooks, Suzanne is looking forward to the launch of Melanie’s first book, Writing Hard Stories (Beacon), at AWP, and also to introducing her when Melanie reads from her book Wed., February 15, at 7:00 p.m. at Broadside Bookshop, 247 Main St., Northampton, MA. Any Stonecoasters in the Western New England area are invited to meet up at the Broadside and cheer Melanie on as she begins to get this vital title into the world.

 

 

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Community News & Updates January 2017

Stonecoast Rocks Manhattan….

Calling all Stonecoasters past and present in the New York City area—please join us on Wednesday, January 4th, 2017, for a special Stonecoast Night at the KGB Bar in Manhattan, 85 E. 4th St. from 7:00 to 9:00 pm. Featured faculty readers will be Jeanne Marie Beaumont, Elizabeth Searle, and Breena Clarke. Joining in with flash readings will be students and alums Daniel Ball, Peter Behravesh, Anthony D’Aries, Jessica de Koninck, Gro Flatebo, Lissa Kiernan, Erin Roberts, and Alex Sherman. Please come to cheer and toast the New Year. We hope to see many of you there!

ALUMS

Elisabeth Tova Bailey (Creative Nonfiction, S’15) received a 2016 Jane Morrison Film Fund grant and a 2017 Fellowship in Literature from the Maine Arts Commission.

boundaries-withoutKaren Bovenmyer (Popular Fiction, S’13) is thrilled her story “What the Dollhouse Said” is scheduled to air on the Pseudopod Podcast on January 13, 2017. Her zombie masters vs robot apocalypse flash fiction “We Are Still Feeling,” originally published in alumni Cynthia Kraack’s Boundaries Without: The Calumet Editions 2017 Anthology of Speculative Fiction on October 29, 2016, will be reprinted in Sockdolager magazine’s Women of War Special Issue, Winter 2017. MK Gibson’s interview Karen Bovenmyer – Drop and Give me 20! 20 Hard Questions for Hard Authors was published on November 30, 2016, revealing Karen’s biggest failure, greatest shame and what Frankenstein, a bunch of grapes, and a broken closet door have to do with it. She also goes on and on about how wonderful you all are in the Stonecoast program. Another interview promoting her forthcoming fantasy novella “The Beaded Slipper” in Crimson Edge Press’s Maidens and Magic anthology went live on December 11. In her role as nonfiction editor for Mothership Zeta Magazine, Karen is assisting alumna Mur Lafferty in preparing the January issue (#6), which will include an awesome story from alumna Jennifer Castello and a Story Doctor article from faculty member James Patrick Kelly.

Amy Burroughs (Creative Nonfiction, W’16) received a Pushcart Prize nomination for her essay “Two Strangers on a Train,” published in Jabberwock Review.

Michael L Joy (Popular Fiction, S’13) has been voted to the board of the Florida chapter of the Mystery Writers of America for 2017.

Alan King’s (Poetry, W’13) book Point Blank was named among the “Ten Best Poetry Books of 2016” by Beltway Poetry. He also just finished a new trailer for the book, which you can watch here.kinship-of-clover

Joe M. McDermott‘s (Popular Fiction, S’11) new novel, The Fortress at the End of Time, about clones on a military listening station in deep space, comes out on January 17 from Tor.com.

Ellen Meeropol (Fiction, W ’06) is delighted to share the cover of her third novel, Kinship Of Clover. She will be signing copies at the Red Hen Press booth at AWP and reading at Politics & Prose on February 10, 6:00 p.m.

midsummer-magickHarlequin has picked up all three books in The Magick Trilogy by Laura Navarre (Popular Fiction, W’11) for its paranormal romance DTC program. Midsummer Magick, a sexy Tudor fallen angel romance about the son of Lucifer and a secret Tudor princess, is a January 2017 release.

Bruce Pratt‘s (Fiction, S’04) full length play The King of France has won this year’s Meetinghouse Theatre Lab’s play competition and will receive a staged reading in Winter Harbor on January 21 at 7:00 p.m. at Hammond Hall, 427 Main Street, Winter Harbor, ME 04693. The event is free and open to the public and will feature a talk back with the playwright and actors following the performance. The play set in the fictional town of Hopton Maine in Aroostock County examines both the deep pull of that region on its inhabitants and its serious limitations for young people, as well as the devastating effects of isolation and abuse. For information please call 207-963-2569 or contact Schoodic Arts for All at info@schoodicartsforall.org.

cold_heart_coverKaren Pullen‘s (Popular Fiction, S’08) second mystery novel, Cold Heart, will be released by Five Star Cengage on January 18. The series features an undercover drug agent who is pulled into a homicide investigation. In November, her story “No Falling Ribbons” was included in an anthology, Stuck in the Middle (Main Street Rag).

STUDENTS

Brenda Cooper‘s (Fiction) novel, Edge of Dark , won the 2016 Endeavour Award, which was presented ay Orycon in November, 2016.  The Endeavour award is “…for a edge-of-darkdistinguished Science Fiction or Fantasy Book written by a Pacific Northwest author or authors and published in the previous year.” Edge of Dark, edited by Rene Sears, was published by Prometheus Books in 2015. The award includes a $1,000 cash award and a glass trophy.

FACULTY

Jim Kelly’s (Popular Fiction) story “One Sister, Two Sisters, Three” published in October in Clarkesworld (read and/or listen to it online here).  has been selected for The Year’s Best Science Fiction: Thirty-Fourth Annual Collection, edited by Gardner Dozois. This will be Jim’s sixteenth appearance in this anthology series.

we-got-himIn addition to the January 4th KGB reading in New York City, Elizabeth Searle (Fiction, Popular Fiction, Scriptwriting) will read from her new novel We Got Him at the Brookline Booksmith in Brookline, MA, on Jan. 23rd at 7:00 p.m. Elizabeth’s show Tonya & Nancy: The Rock Opera completed its six-week run in Chicago, fully produced by Underscore Theater. The show was listed as one of the Top Five Musicals of 2016 by New City, which had written in its review: “The play radiates like strobe light hitting a disco ball.  Tonya and Nancy’ relates a cautionary tale of ambition, manipulation, competition and the appalling way men and women treat girls.”  For quotes, pictures, and film clips from Chicago, see: www.tonyaandnancytherockopera.com

 

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Community News & Updates September 2016

ALUMS

Bailey_SoundofWildSnail_pbk_jkt_rgb_HRThe paperback edition of Elisabeth Tova Bailey’s (Creative Nonfiction, S‘15) book, The Sound of a Wild Snail Eating, launches September 6th.

Karen Bovenmyer (Popular Fiction, S’13) has been selected as the 2016 recipient of the Mary Wollstonecraft Shelley Scholarship ($2500 professional development funds) by the Horror Writers Association. She owes her Stonecoast mentors and classmates so very much and is extremely grateful for this honor and opportunity. Her retelling of murderous little-red-riding-hood, “The Scarlet Cloak,” will be reprinted in Burning Willow Press’s Crossroads in the Dark II: Urban Legends anthology this fall and her dark sci-fi novella tribute to Aliens, “Failsafe,” will be reprinted in Manawaker Studio’s Starward Tales II anthology next year. Her undead-grandmother-farm-guardian flash “On Rising One Snowy Evening” appeared in Parsec Inc’s Triangulation: Beneath the Surface Triangulationanthology and is now available for purchase.  Her first novel, a historical piratical romantic LGBT adventure, titled Swift for the Sun, is on schedule for a first quarter 2017 release from DSP Publications. She’s also very excited to announce that she’s sold a flash piece titled “Skin as White as Snow as White as Skin” to Gamut neo-noir magazine some ‘coasters may recognize as inspired by her novel-in-progress The Sleeping Boy, which they helped workshop at residency. She’s thrilled to announce the sale of her poem “Lady of Gold” to Remixt Magazine, especially since it was inspired by a drawing of the same title by Jackson Zorn, a fellow contributor to Stonecoast alumni Bonnie Jo Stufflebeam’s Art and Words show. Her lesbian zombie puppeteers vs. terminator robots flash fiction “We Are Still Feeling” will appear in a forthcoming science fiction anthology edited by Stonecoast alumni Cynthia Kraack for Calumet Editions. LONG LIVE STONECOAST!

Julie C. Day‘s (Popular Fiction, S’12) “A Pinhole of Light”—which concerns itself with ghost hordes, photography, and transformation—is out in the September/October issue of Black Static. On the podcasting front, episode 116 of Far Fetched Fables and episode 438 of StarshipSofa came out this summer. The first podcast features Julie’s narration of Paul Jessups’s story “Sun Sorrow”; the second includes Julie’s reading of Sunil Patel’s “The Attic of Memories.”

Pinhole

Paula Treick DeBoard (Fiction, S’10) has been promoting her novel The Drowning Girls (Mira, 2016) and will be appearing on a thriller writing panel with Kimberly McCreight, Catherine McKenzie, and Emily Bleeker at the Mohegan Sun as part of its Winning Author series on September 30. This summer, Paula spoke on a horror/thriller panel called “Sweet Dreams Aren’t Made of These” at Comic Con with writers Jonathon Maberry and Paul Tremblay. She’ll be featured as part of San Francisco’s LitQuake literary festival on October 15. This fall, she accepted a full-time position as a writing lecturer at the University of California, Merced. More information can be found on her website.

Mohegan Sun advertisement

John Florio (Fiction/Popular Fiction, S’07) is a contributor to The New Yorker and The Atlantic. His latest piece examines post-Olympic depression, and you can read it here. His next book, One Nation Under Baseball: How the 1960s Collided with the National Pastime, will be published by the University of Nebraska Press in Spring 2017; Bob Costas has written the foreword. John is now putting the finishing touches on his latest crime novel, “The Curiously Confounding Case of Revus Apollo.”

Point Blank by Alan KingAlan King’s (Poetry, W’13) book, Point Blank, which he worked on at Stonecoast with Tim Seibles and Joy Harjo, found a publisher: Silver Birch Press, who will publish it November 2016. Folks can learn more about the book at http://bit.do/PointBlank.

Jessica de Koninck (Poetry, W’11) is thrilled to announce that Terrapin Books has released  her full-length poetry collection, Cutting Room. For information on ordering or to see a list of places where she will be reading, go to her website: www.jessicadekoninck.com. Cutting RoomShe’d also love to read at a venue near you and welcomes any suggestions.

Ellen Meeropol (Fiction, W ’06) is pleased to have her essay “Smoke Signals” published in Guernica.

Janet Passehl (Poetry, S’10) will be reading a new as-yet untitled ekphrastic poem as part of Imagistic: 7 Artists, 7 Writers, 7 New Stories, at Hillyer Art Space in Washington, DC, on September 9 at 7:30 p.m. Passehl’s poem is a response to “STC_0002-2 2016-06-08 PFVA” an ethereal infrared photograph of a deer seen in silhouette, by artist Allyson Salomon. The poem interweaves the formal implications of the photograph with imagery, language, and proper names relating to the James River Park area of Virginia, where the photo was taken. In Passehl’s poem, discussion of the meaning, presence or absence of God is bracketed by a brief history of the Charles City County born missionary Lott Cary, and rumination on the fate of the deer. Also: Imagistic is the brainchild of Wales-based writer Carole Burns and artist Paul Edwards, and Passehl participated in a previous Imagistic as a visual artist. This is the first time that she will be one of the featured writers. For more information go the Facebook Event page  or contact Janet at janetpassehl@gmail.com

H is for Hoosier: A State Alphabet, written by Cynthia Furlong Reynolds (Fiction, W’12has been chosen as the official picture book for Indiana schools during the state’s bicentennial year. The book won a Young Hoosier Book Award. Reynolds has completed The Purple Rose of Chelsea, a history chronicling actor Jeff Daniels’ life and the 25th anniversary of the theater he founded in Chelsea, MI, named for the movie he considers his breakthrough from theater to movies. This book is under consideration for a 2016 Michigan Notable Book Award.

Lisa Romeo (Creative Nonfiction, S’08), is pleased that Brevity has accepted a narrative essay for its upcoming special issue on race. (Folks, it took six tries to break into this bucket-list pub!) Lisa’s three linked CNF flash pieces, “Funereal,” appear in Issue 2.2 of Change Seven. In July, Hippocampus Magazine ran her narrative essay “The Amazing Technicolor Horse Dream” in their themed issue on “firsts.” Lisa was recently interviewed on the MFA Director’s Blog for Bay Path University, where she teaches in the all-online, all-CNF program.

Richard Squires (Fiction, S’14) is excited to share that a story of his placed second in the Gemini Magazine 2016 Short Story Contest. In addition to publication in the online journal, he won the $100 prize, which officially makes him a Professional Fiction Writer! Thanks to a number of mentors who helped him with this story: Suzanne Strempek Shea, Rick Bass, and Sarah Braunstein. You can read the story here.

Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) short story “Everything Beneath You” has been reprinted in The Best of Beneath Ceaseless Skies, Year Seven. “He Came From a Place of Openness and Truth,” originally in Lightspeed, has been reprinted in Wilde Stories 2016.

CURRENT STUDENTS

Clifford Royal Johns’ (Popular Fiction) storyThe Shooting Gallery will appear as the cover story in the September issue of Mystery Weekly Magazine (which publishes monthly).

Erin Roberts (Popular Fiction) has a short story, “Wolfy Things,” out in audio fantasy magazine PodCastle. The story was workshopped in Erin’s very first residency (thanks Nancy & co!) and can be either listened to or read online. It is her debut publication and bonus story notes can be found on her website.

FACULTY

Harvard ReviewSarah Braunstein (Fiction, Writing for Social Change) has a short story in the current issue of The Harvard Review.

Ted Deppe (Poetry, Coordinator of Stonecoast in Ireland) has three new poems in the online journal Número Cinq. They are included in his new book, Liminal Blue, most easily ordered from Kenny’s Bookshop in Galway, which offers free shipping worldwide.

David Anthony Durham‘s (Fiction, Popular Fiction) short story “Drop City” has just been accepted for publication in a forthcoming Wild Cards mosaic novel, Texas Hold ‘Em, edited by George RR Martin. Publication date is yet to be announced.

Aaron Hamburger‘s (Creative Nonfiction, Fiction, Popular Fiction) short story “Blue Points” will be published in volume five of ImageOutWrite Magazine this fall.

King of Crows IVFor the second time, Mike Kimball (Popular Fiction, Scriptwriting) has the honor of having written the best “Worst Play,” a precious adaptation of his literary masterpiece about a drug-addled squirrel and chipmunk in mating season, a 10-minute play so egregious that only one producer in the state of Maine would dare breathe life into it. The play, No One Named Johanna, is only one of a full evening of theatre presented in tasty 10-minute servings that run the gamut from serious drama, to farce, to outrageous comedy, to some that can’t be classified. Each has won the monthly Crowbait Club competition in order to be served up here for you. “King of Crows IV: All Hail The King” will be held at the St Lawrence Arts Center, 76 Congress St, Portland, ME, on September 8-10 at 7:30 p.m.; and Sunday Sept 11 at 5:00 p.m. Tickets are $15 at the door or ordered online.

Eléna Rivera (Poetry, Translation) interviewed on Rob Mclennan’s blog.

Elizabeth Searle‘s (Fiction, Popular Fiction, Scriptwriting) Tonya & Nancy: The Rock Opera will have a six-week run in Chicago, produced by Underscore Theater, starting November 25, 2016; the run was announced in Broadway World, The Chicago Tribune, and more. The Boston Herald featured an interview with Elizabeth in August about Tonya & Nancy as well as her upcoming novel We Got Him (coming out in November) and the feature film development project on her first novel, A Four-Sided Bed.

Tonya & Nancy

 

 

 

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