Tag Archives: Carina Bissett

Community News & Updates September 2019

FACULTY

The podcast of Tom Coash’s (Playwriting, Dramatic Arts) play Raghead has been added to the American Playbook Series. Raghead will also be produced in September at the Short & Sweet Festival in Auckland, New Zealand, and the Write About Now Festival in London, UK.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about the intersection of race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece was an August feature story for ESPN’s The UndefeatedToni Harris Made History by Getting a Football Scholarship. Now She Needs to Make Tackles. His YA book, War in the Ring: Joe Louis, Max Schmeling, and the Fight Between Hitler and America, was released by Macmillan’s Children’s Group in June 2019.

Aaron Hamburger (Fiction, Creative Nonfiction) will be reading from his novel Nirvana Is Here at KGB on 85 E. 4th St. in New York on Sunday, September 8 at 7:00 p.m. He’ll also be signing books at the Brooklyn Book Festival, Sunday September 22 at his publisher’s booth in the afternoon. Also, a new mini-documentary (two and a half minutes) about Aaron and the novel directed by Ender Emre is now available online here. Check out Aaron’s Nirvana events in October (including appearances at Literati Bookstore in Ann Arbor, The Fall for the Book festival at George Mason University, the Detroit Public Library, and the National Press Club…) here.

Four-Sided, the short film based on Elizabeth Searle‘s (Fiction, Playwriting, Popular Fiction, Scriptwriting) novel, is now an Official Selection at two more festivals this fall: Chi-Town Multicultural Film Festival in Chicago and Reel Q: Pittsburgh LGBTQ+ Film Festival! First, the film will have its USA debut at Massachusetts Independent Film Festival. For updates see www.afoursidedbedfilm.com

ALUMS

Elisabeth Tova Bailey (Creative Nonfiction, S’15) received the New England Director’s Award from the academy accredited Flickers’ Rhode Island International Film Festival for her film short The Sound of a Wild Snail Eating. She is director and screenwriter for the film, which she adapted from her CNF memoir of the same title (Algonquin Books). The film is also a double finalist for the international Jackson Wild Media Awards in the categories of Audioscape and Education. A slate of 20 festivals spring through fall included summer premiers in Italy, Australia, and Poland, with many upcoming fall screenings including premiers in Canada and Germany. For more information please see wildsnailfilm.org

Lindsey Barlow‘s (Popular Fiction, W’19) debut novel Pivot, the first of the Jack Harper trilogy, received a rave review in Publishers Weekly: “Barlow’s gorgeous writing will easily propel readers through the rest of the series.” You can read the entire review here.

Peter Adrian Behravesh (Popular Fiction, W’18) appeared at Worldcon 77 in Dublin, where he presented a paper, “Mischief in Her Heart: Women’s Empowerment in the Persian Fantastic,” and appeared on the panels “Muslim SFF” and “Using Science in Fantasy Writing.” In addition, Peter narrated Premee Mohamed’s story “Willing” for the August 20 episode of PodCastle. You can listen to it here.

Carina Bissett (Popular Fiction, S’18) placed her poem “The Perils of Invisibility” in Nonbinary Review #21 The Works of H .G. Wells (Zoetic Press, June 2019). In other news, her short story “The Gravity of Grace” was a finalist in the first quarter of Writers of the Future, May 2019. This story was one of the first pieces she workshopped at Stonecoast.

Renee S. DeCamillis (Popular Fiction, W’14) is excited to announce that her debut book, The Bone Cutters, is set for publication on Sunday, September 1st through Eraserhead Press. It’s a bizarro horror novella set in a dysfunctional psychiatric hospital, where you’ll meet a troubled young woman named Dory who encounters a peculiar and brutal group of patients when she’s sent to the wrong counseling group over and over again. Dory’s introduction to this counseling group sets her on the run in an attempt to save her life from The Bone Cutters. Renee’s book is available on Amazon, Indie Bound, Barnes & Noble, and at Longfellow Books. More stores to come soon. Two reviews for The Bone Cutters are already out, with more to come—one will soon be on the Cemetery Dance Reviews Blog. Here is what reviewers have to say about The Bone Cutters:

  • “It’s actually refreshing to be able to enjoy a book so much that you were miffed when it was over. As [her] debut novella, it’s a fantastic beginning to what could prove to be a career to watch. I’m giving this a solid 4 out of 5 [stars]…Considering that I’ve never read anything which rated a 5, I think The Bone Cutters is doing just fine.” ~Ginger Nuts of Horror
  • “I immediately fell in love with Dory, the writing style, the story…This is a terribly heart-wrenching story with a bit of a haunted house/ghost vibe where you’re also being chased by a bunch of crazy people who want to devour your bones. I didn’t want to put this book down.” ~Kendall Reviews

Renee is also thrilled to announce that Longfellow Books in Portland, Maine is hosting her book launch event on Thursday, September 5th, at 7:00 p.m. In addition to Renee’s reading and Q&A, there will also be live music to set the mood, performed by local guitarist Shaun Church Reehl. Elizabeth Searle will also be there as Renee’s MC.

September 12-14, Josh Gauthier‘s (Popular Fiction, S’17) 10-minute play “Expedition 3487-B” will be featured as part of the King of Crows play festival held at the St. Lawrence Arts Center in Portland, Maine. The festival is produced by the Crowbait Club, and you can find them on Facebook for more information.

Veda Boyd Jones (Fiction, S’17) has an essay, “Nice People,” in the summer issue of eMerge magazine.

Kristin Leonard (Fiction, S’18) has been selected to receive the Phi Kappa Phi Love of Learning Award to present at the 2019 Historic Writers of America Conference in Colonial Williamsburg, Virginia. She will be presenting a revised version of her third-semester presentation, “Discovery Through Multigenre Writing: How to Use Poetry and Playwriting to Develop Characterization, Conflict, & Plot in Fiction.”

Gregory Martin’s (Popular Fiction, W’17) short story “Inside” was recently published in Dark Moon Digest #36.

Mary Heather Noble (Creative Nonfiction, W’14) received news from the editors of Narrative Magazine that her personal essay “Plume: An Investigation” was selected as a finalist in this year’s Spring Story Contest. She is currently working on a new collection that explores the complexities and ambiguities of family.

Renée Olander (Poetry, W’05) will read from her new collection, American Dangerous, at the Old Dominion University 42nd Annual Literary Festival in Norfolk, Virginia, Thursday October 10, 4:00 p.m., free and open to the public.  The entire festival schedule is available here.

Bruce Pratt‘s (Fiction, S’04) poem “Dead Bodies and Declaratory Judgments” is forthcoming in Main Street Rag’s anthology Show us Your Papers, “The First Cold Rain Since Spring” will appear in the next Connecticut River Review, and “Lunar Eclipse” will be included in the special “Cosmos” edition of The Poeming Pigeon.

“Visionquest,” a prose poem by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the fall issue of Cimarron Review.

Lisa Romeo (Creative Nonfiction S’08) recently judged the nonfiction entries for Tiferet Journal’s annual writing contest and her flash piece “A Grave Duty,” was published in the August issue of Flash Glass, part of Glassworks Magazine. She will be a keynote speaker at NJ Women Who Write’s one-day conference in Madison, NJ, on September 21, and on November 23, Lisa will speak on “Revising the Memoir Manuscript” at the Philadelphia Writing Workshop. A fun piece, “A Beautiful Day in the Neighborhood,” is out in Chicken Soup: Angels All Around. Lisa’s editing role for Cleaver Magazine has expanded; she’s now handling craft essays on both fiction and nonfiction for their “Writer to Writer” column (pitch/submit here). In late August at the HippoCamp Conference for Creative Nonfiction, Lisa presented “Become a Writer who Reads Like a Writer” and was on a parenting/writing panel; earlier in the month, she led a week-long memoir workshop in New Hampshire for Murphy Writing.

Morgan Talty (Fiction, W’19) was included in Narrative Magazine‘s 30 Below 30 list for 2019. His short story “The Name Means Thunder” will appear in the Fall 2019 issue of The Georgia Review. 

 

 

 

 

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Community News & Updates April 2019

ANNOUNCEMENTS

Call for Submissions: Climate Anthology
Now it is up to the artists. The scientists have warned us. They have been warning us for fifty years. But we have only 12 years to dramatically reduce our current carbon use before we cross the line into unprecedented climate catastrophe. We—Meghan Sterling and Kathleen Sullivan (Poetry, ’06)—are editing an anthology of Maine poets and essayists whose writing will, we hope, wake us, stir our imaginations both for our global future and our way of life here in Maine. We are looking for writing which helps find language for the fear, guilt, and grief of this moment, and, perhaps, for the hope. Published and unpublished work sought. Littoral Press has agreed to publish the book which we hope will be in Fall, 2019. The voices of youth most welcome. Send one essay (max 1,000 words) or up to three poems to: climateanthology@gmail.com Include a short bio. Deadline is May 31. Kathleen notes that Stonecoast alums are encouraged to submit even if they don’t live in Maine now.

CURRENT STUDENTS

Lauren Erin O’Brien‘s (Fiction) story “Atrophy,” recipient of the 2018 Goldenberg Prize for Fiction from Bellevue Literary Review, has been nominated by the board of contributing editors for a Pushcart Prize. The story originally appeared in the Spring 2018 issue of Bellevue Literary Review and can be read online here.

FACULTY

Tom Coash’s (Playwriting, Dramatic Arts) full-length play Cry Havoc will have its European Premiere at the Park Theatre in London, March 27-April 20. His short play Kamasutra is included in The Best Ten Minute Plays of 2019 anthology (Smith & Kraus)—available now!

Audiophile named Susan Conley’s (Fiction, Creative Nonfiction, Writing for Social Change) Elsey Come Home an Audiofile “Earphone Award Winner,” given to truly exceptional titles that excel in narrative voice and style, characterizations, suitability to audio, and enhancement of the text:  “At once urgent and contemplative, this new work focuses on Elsey, a painter and married mother living in China who has taken to drinking instead of creating art. Urged by her husband to find help, she attends a yoga retreat and discovers many truths, not the least of which about herself.” Also, Read it Forward named Elsey Come Home one of the best novels with “Characters Who Drink Too Much”: “Elsey has to face the ghosts of her past and figure out what alcohol is keeping her from confronting.” Finally, Elsey Come Home was Maine’s WERU-FM’s Book Worm’s March Book Club Pick. The live, in-studio interview, with call-ins was March 14. In their March 17th review, The Portland Press Herald called the narrator of Susan’s new novel Elsey Come Home “a feisty blur of a woman, caught in the grip of her many demons, hellbent on pushing everyone, and everything, away. Elsey is that rare creation that evokes real life, defies predictability and disarms us at every turn. Conley has taken a jittery pile of loose ends and made a thing of beauty.”

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about the intersection of race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece, “The Jackie Robinson of Pool, Cisero Murphy Hustled His Way to the Top,” was a March feature story for ESPN’s The Undefeated. His book One Nation Under Baseball: How the 1960s Collided with the National Pastime will be re-issued in paperback on April 1. His YA book, War in the Ring: Joe Louis, Max Schmeling, and the Fight Between Hitler and America, will be released by Macmillan’s Children’s Group on May 21, and just received this review from Kirkus.

More advance praise for Aaron Hamburger‘s (Fiction, Creative Nonfiction) Nirvana Is Here, due out May 14th! Brando Skyhorse calls the book “A yearning, generous, coming-of-age journey… funny, painful, heartbreaking.” Louis Bayard says, “A touching, finely wrought portrait of secrets lying like buried ordinance beneath ordinary lives.” The review by Amos Lassen raves, “Every once in a while, a book comes along that blows me away and Nirvana Is Here is one such book…” and I Like To Read says, “Almost impossible for me to put this book down, which is rare for me these days… a beautiful, sad, coming-of-age story that is a heartily welcome addition to the LGBTQ literature pantheon.” Also, a couple new tour dates added, including a stop at Word Bookstore in Jersey City on May 15th and the Fall for the Book Festival at George Mason University in October. Click here for the updated schedule to see if Aaron’s coming to your hometown!

Elizabeth Hand’s recent reviews include Niklas Natt och Dag’s The Wolf and the Watchman for The Washington Post; Mallory O’Meara’s The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Millicent Patrick for The Los Angeles Times; and Folk Horror Revival: Field Studies, The Devil’s Highway by Gregory Norminton, Ghost Wall by Sarah Moss, and Your Favorite Band Cannot Save You by Scotto Moore for The Magazine of Fantasy & Science Fiction.

Nancy Holder (Popular Fiction) is happy to announce the Crossroad Press reissue of Witch-Light and Making Love, two books she originally co-wrote with the late Melanie Tem for the groundbreaking horror imprint, Dell Abyss. Making Love is a retelling of Frankenstein, and the book is dedicated in part to Mary Shelley.

Elizabeth Searle and alumna Tamra Wilson (Fiction, S’11) are bringing Idol Talk to the stage! Idol Talk: A Magical Memory Tour of Teen Idols is premiering as a theatrical event produced by Firehouse Center for the Performing Arts and Exit Dance Company as a special fundraiser. The show stars actress and author Marianne Leone (The Sopranos) and will alternate short monologue-style readings from the book Idol Talk (co-edited by Elizabeth And Tammy) with dance numbers paying tribute to idols like The Beatles, Bob Dylan, The Monkees, and more. The show features Stonecoast alum readers/performers Lee J. Kahrs, Kate Kastelein (whose work will be performed by Marianne Leone), Michelle Soucy, and Darlene Taylor, along with Stonecoast faculty Suzanne Strempek Shea. Performances are May 10 & 11 at 8:00 p.m. at Firehouse Center for Performing Arts in Newburyport, MA; tickets on sale soon here.

It’s almost time for our 18th Writers’ Day at Bay Path University in Longmeadow, MA. Suzanne Strempek Shea (Creative Nonfiction, Fiction), the university’s writer in residence, is delighted to have booked speakers Jane Yolen, author of over 350 books for children and adults, discussing Writing for Younger Readers; C Flanagan Flynn, former managing editor of Brain, Child Magazine, discussing Writing and Publishing in Literary Magazines & Journals; and author and Bay Path MFA faculty member Shahnaz Habib, speaking about Writing Home, where you’re from and who your are. The event will be held Sunday, April 14, at the Philip H. Ryan Center in East Longmeadow, MA. For more information or to register, go here.

Jane Yolen

ALUMS

The short-film adaptation of Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) memoir The Sound of a Wild Snail Eating has launched. The film next screens in April at the International Wildlife Film Festival in Missoula, MT, and then will screen in late May/early June at CinemAmbiente Environmental Film Festival in Turin, Italy.

Michael Beeman (Fiction, S’09) published two short stories recently: “The Shift” in Eclectica Magazine and “The Maelstrom” in Failbetter.com.

Peter Adrian Behravesh (Popular Fiction, W’18) presented his paper “Mischief in Her Heart: Female Empowerment in the Persian Fantastic” at the 40th International Conference on the Fantastic in the Arts. He will be presenting the paper again at Worldcon 77 in Dublin in August. Peter also sold his story “The Moon and Mahasti” to the Holy C.O.W. anthology, which will be published this summer.

Carina Bissett (Popular Fiction, S’18) placed her poems “A Disappearing Act,” ”Snow White, Rose Red,” and “Persephone’s Promise” in the Spring issue of The Horror ‘Zine.

Karen Bovenmyer (Popular Fiction, S’13) has a short story coming out in Bill Adler Jr. and Sarah Doebereiner’s The Binge Watching Cure: Horror Edition anthology in October 2019—a reprint of “Cadaver Feet” which was featured in alumna Bonnie Jo Stufflebeam’s Art and Words show. Jose Gonzalez Lanza’s amazing artwork interpreting this piece is available for viewing at this link. This summer, Karen is teaching a 12-week online creative writing class May-August for Western Technical College—registration is now open and participants will earn transferrable college-level English credits. New or experienced poets/fiction writers world-wide are welcome in this online asynchronous class.

Jess Flarity (Popular Fiction, S’18) sold his short story about drug-fueled time traveling, “A Second’s Labour,” to The London ReaderThis piece was workshopped during his first semester at Stonecoast with Nancy Holder. Also, he has accepted a full-tuition scholarship to the University of New Hampshire’s Masters in English Studies program, where he will begin attending this fall.

Veda Boyd Jones (Fiction, S’17) will be speaking at the Authors’ Fair at Crowder College in Missouri on April 27. Her topic is research for fiction, and she’ll use examples from her own fiction as illustrations (spending two days at a TV station researching for a news anchor character in A Sense of Place, attending 14 Thursday nights of the Citizens’ Police Academy for a policewoman character for Here’s Your Trouble).

In March, The Last Woman in the Forest, the newest novel of Diane Les Becquets (Fiction, S’05), was released by Penguin Random House. Publishers Weekly said that the novel is “[an] elegantly written thriller…the story revs up, providing more than enough tension and suspense as Marian inches closer to the dangerous and disturbing truth. Eloquent, detailed descriptions of nature and of rescue dog training, survival techniques, and the peripatetic life of conservationists enrich the narrative.” Diane is on a book tour, including a visit to Water Street Bookstore in Exeter, NH, at 7:00 p.m. on April 11th (see below for more April dates).

Susan Lilley’s (Poetry, S’08) collection Venus in Retrograde comes out April 30 from Burrow Press. She is looking for a good excuse to come to New England and do some readings this summer. Reach her at susan.lilley@icloud.com. Check it out here: https://burrowpress.com/venus

On April 6, Alison McMahan (Popular Fiction, W’10) will be teaching a class, “The How-to of Deep Point of View,” for the Alvin Sherman Library at Nova Southeastern University, in Fort Lauderdale, FL, 2:00-3:30. Details here. Alison’s short story “King Hanuman” is now available in the the new Sisters in Crime/LA anthology Fatally Haunted (Down and Out Books, Spring 2019), edited by Rachel Howzell Hall, Sheila Lowe, and Laurie Stevens.

Ellie O’Leary (Poetry, W17) has two books accepted for publication. North County Press will publish both her memoir, Up Home Again, and her poetry manuscript, Breathe Here.

Alexandra Oliver (Poetry, W’12) is in the third year of her PhD at McMaster University in Hamilton, Ontario. She has just completed an interview with CBC’s The Sunday Edition (hosted by Michael Enright) concerning her work and, in particular, her most recent chapbook, On the Oven Sits a Maiden (Frog Hollow Press, 2018).

Lisa Panepinto‘s (Poetry, W’13) book where i come from the fish have souls was published by Spuyten Duyvil.

Bruce Pratt‘s (Fiction, S’04) short story “Ariel in LOve Summer” 1999 [sic] will appear in the summer 2019 edition of Valpariso Fiction Review; his poem “Looking” will appear in Gyroscope Review. Bruce will be reading from and signing copies of The Trash Detail, his new story collection from New Rivers Press, and Forms and Shades, his new poetry chapbook from Clare Songbirds Publishing, at The Bangor Public Library on Saturday, April 20, beginning at 2:30 p.m.; a Q&A will follow the reading, which is free and open to the public. For more information please call 207-947-8336. He will also be part of the annual Poets Speak event at the library that will take place on April 25; dozens of poets will read throughout the afternoon and early evening. On April 27, Bruce will join songwriters Cormac McCarthy, Stan Sullivan, and Jim Mercik for an evening of songs, stories, and a musical tribute to the late Bill Morrissey at The Roaring Brook Nature Center in Canton, CT. For reservations and directions please see the venues website or call 860-693-0263; the show, primarily a music event, begins at 7:30 p.m.—doors open at 7:00 and tickets are $20.00. Finally, on April 30, Bruce will join Anne Britting Oleson at the Belfast Public Library, 106 High Street, Belfast, ME, for a joint reading, book signing, and Q&A. The event is free, open to all and begins at 6:30 p.m.; additional info may be had by calling 207-338-3884.

Erin Roberts (Popular Fiction W ’18) is thrilled to have two of her short stories (“Sour Milk Girls” & “Snake Season”) on the 2018 Locus Recommended Reading List, which helps to determine the winners of the annual Locus Awards. She also recently had the opportunity to chat about her work as a whole on a Signal Boost episode of the Skiffy and Fanty podcast and hopefully didn’t say anything too incriminating! Note: The Locus list is packed with amazing stories, books, and collections (including work by Jim Kelly and Dora Goss)—read and vote for your favorites (voting open to all, whether a Locus subscriber or not, and write-ins are allowed!).

Lisa Romeo‘s (Creative Nonfiction, S’08) article “Yes, You Can Write Memoir, Even if Your Memory Isn’t Great” appears at the blog of The Open Center NYC, where she’ll be teaching a day-long workshop on the intersection of memory and memoir writing on April 13. Her essay “Forgiving the Bully in the Pulpit” appeared recently in The Moon Magazine. In August, Lisa will lead a week-long memoir workshop at the Live Free and Write Retreat in Sunapee, NH. Closer to her home in NJ, Lisa recently marked six years teaching with The Writers Circle.

Bonnie Jo Stufflebeam‘s (Popular fiction, S’13) story “Every Song Must End” appeared in the latest issue of Uncanny Magazine.

Kathleen Sullivan (Poetry, ’06) has a poem coming out in next volume of Poet Lore and has had an essay accepted for publication this summer in The Stonecoast Review.

Morgan Talty’s (Fiction, W’19) short story “Safe Harbor” was published in Narrative Magazine‘s Winter 2019 issue.

Adrienne S. Wallner’s (Poetry, W ’09) poem “Hydrangea” will appear in the Spring/Summer 2019 issue of The Aurorean.

 

 

 

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Community News & Updates March 2019

CURRENT STUDENTS

After some winter residency prepping growing pains (read trauma), and mixed-genre “Extreme Workshop” epiphany, Nina B. Lichtenstein (Creative Nonfiction) wrote about the importance of reading outside our genre instead of doing her qualitative residency response. Happily for her, Brevity picked it up for their blog on the craft of writing.

FACULTY

The film version of Tom Coash‘s (Playwriting, Dramatic Arts) short play Raghead, directed by award-winning Vermont filmmaker Nora Jacobson, will be shown at the Bermuda International Film Festival in March 2019. Coash founded the popular Famous For 15 Minutes New Play Festival in Bermuda and continues to be an active part of the Bermuda Arts community.

Ted Deppe‘s (Poetry, Coordinator of Stonecoast in Ireland) seventh book of poems, Riverlight, has just appeared from Arlen House in Ireland. It will take six months or so before Syracuse University Press assumes distribution rights in the US. Until then, anyone wanting a copy can send $20 to Ted and receive a signed copy. Mailing address until 1 May 2019 is Ted Deppe, PO Box 914, Trinidad, CA 95570.

David Anthony Durham’s (Fiction, Popular Fiction) Roman vampire story, “Kneeling Before Jupiter,” is included in the anthology Unfettered III: New Tales from Masters of Fantasy, from Grim Oak Press, edited by Shawn Speakman (March 19). David appears in the anthology beside authors such as Terry Brooks, Lev Grossman, Brian Herbert & Kevin J. Anderson, Robert Jordan & Brandon Sanderson, Robin Hobb, Mark Lawrence, Seanan McGuire, Naomi Novik, Robert V.S. Redick, Carrie Vaughn, and Tad Williams.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) has two books due out. War in the Ring: Joe Louis, Max Schmeling, and the Fight Between America and Hitler will be released by Macmillan Children’s Group on May 1, 2019. One Nation Under Baseball: How the 1960s Collided with the National Pastime will be re-released in paperback on April 1, 2019. Also, his essay on the first African-American world billiards champion, Cisero Murphy, will be published by ESPN on its website The Undefeated on March 6, 2019.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana Is Here has received a glowing review in Foreward Reviews: “A nostalgic, wrenching depiction of a youth in crisis whose sensitive, unsparing movements spark with realism… A tender self-reckoning, Nirvana Is Here brings the past full circle. Hamburger deftly reveals how incidents recede—even if they leave their mark—to bring new hopes into focus.” Check out the full schedule of his 10-city book tour here. Also, on Saturday, June 8, Aaron will be teaching a workshop on “Going to Extremes: How to Handle Scenes of Sex, Violence, Drugs, Ecstasy, and Other Intense Experiences” at the Fifth Annual Spring Writing Intensive at St. John’s in Annapolis.

Nancy Holder (Popular Fiction) will be a guest at two Australian Supanova comic conventions in April: Melbourne from April 5-7 and Gold Coast from April 12-14. She will be representing the new Sherlock Holmes anthology Sherlock Holmes and Dr. Was Not with her editor Christopher Sequeira, as well as other authors, for IFWG Publishing. The link is here.

Amanda Johnston (Poetry, Writing for Social Change) was recently elected to serve as interim president of the Cave Canem Foundation Board of Directors effective March 31, 2019. A 501-c-3 non-profit literary service organization with administrative and programming headquarters in Brooklyn, NY, Cave Canem has grown from a gathering of 26 poets to become an influential movement with a renowned faculty, high-achieving national fellowship of over 400 and a workshop community of 900. Read the full announcement here. On March 2, 2019, Amanda will facilitate her workshop Empathy in Craft as part of the Sunstar Festival in Pittsburgh, PA, at Kelly Strayhorn Theatre. Amanda will be at the following panels and readings during the 2019 AWP Conference in Portland, OR:

  • March 28 – 6:30 p.m.: Women Writers in Bloom Reading with Amanda Johnston, Naa Akua, Lauren K. Alleyne, Keisha-Gaye Anderson, Wendy Angulo, Nívea Castro, JP Howard, Anastacia Renee, Kimberly Reyes, Alberta Abbey, 126 NE Alberta St, Portland, Oregon 97211
  • March 28 – 7:00 p.m.: Affrilachians at the Heathman with Amanda Johnston, Frank X Walker, Ellen Hagan, Shayla Lawson, Randall Horton, Crystal Good, and Mitchell L. H. Douglas, Heathman Hotel, 1001 SW Broadway, Portland, OR 97205
  • March 29 – 6:30 p.m.: The Resistance is Femme (AF) Reading with Amanda Johnston, Patricia Smith, Ada Limón, Denice Frohman, and Anastacia Renée, Powell’s Books, Inc. (Powell’s City of Books) 1005 W Burnside ST, Portland, Oregon 97209
  • March 30 – 6:00 p.m.: Argus House Press Reading with Amanda Johnston, Teneice Durrant, Anastacia Renée, JR Toriseva, Angst Gallery, 1015 Main Street, Vancouver, WA 98663
  • March 30 – 3:00 p.m.: Panel: 21st Century Innovations in Poetic Form with Amanda Johnston, Jaimee Hills, Dora Malech, Kimberly Ann Southwick, Jaimie Gusman, E146, Oregon Convention Center, Level 1

Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) Tonya & Nancy: The Rock Opera was performed in concert version to a full house at the Lucille Lortel Theater in New York City on February 4, produced in association with Abingdon Theatre Company, drawing coverage in three features in Broadway World, including a “Photo Flash” feature of the show, as well in a feature plus a photo slideshow of the performance in Playbill.

Elizabeth and Tonya & Nancy composer Michael Teoli

Becca Kotte as ‘Tonya’ and Sara Jean Ford as ‘Nancy’ onstage at the Lortel Theater in NYC

Suzanne Strempek Shea (Creative Nonfiction, Fiction) is delighted to have booked Stonecoast alum Melanie Brooks for “Four Wednesdays of Writing” at Bay Path University in Longmeadow, MA. The four weekly sessions (March 20, 27, April 3 and 10 from 6:00 to 9:15 p.m.) will focus on Melanie’s essential book, Writing Hard Stories, and will provide a compassionate and supportive space for participants to engage in reading and writing exercises that begin peeling back the layers of their experiences and will help them uncover the powerful stories they have to tell. To register, click here. Also, Suzanne was honored to have her literary fairy godmother, Elinor Lipman, author of the newly released novel Good Riddance, include Suzanne’s first novel, Selling the Lite of Heaven, in this piece on books with happy endings.

Robert V.S. Redick’s (Popular Fiction) new story, “Thasha’s Cure for Cabin Fever,” will be published March 19, 2019, in the anthology Unfettered III from Grim Oak Press. The story is a return (for the first time in seven years) to the world of Robert’s Chathrand Voyage Quartet epic fantasy series.

ALUMS

On March 16, Lew Andrada (Popular Fiction, W’17) will present his academic paper “Nick Joaquín and the Tropical Gothic: How Magical Realism Explores Philippine Family Politics and Legacies” at the 40th Annual International Conference for the Fantastic in the Arts (ICFA) in Orlando. He’s looking forward to hanging out with fellow Stonecoasters at the conference!

Peter Adrian Behravesh (Popular Fiction, W’18) will be presenting his paper “Mischief in Her Heart: Female Empowerment in the Persian Fantastic” at 4:30 p.m. on Wednesday, March 13, at the 40th International Conference on the Fantastic in the Arts. He will also be chairing an academic panel, “Global Canons and Mythologies,” at 8:30 a.m. on Thursday, March 14.

Anthony D’Aries (Creative Nonfiction, W’09) was invited to present two seminars on memoir and dialogue at the 2019 Cape Cod Writers Conference, August 1-4. Anthony will also meet with participants in one-on-one manuscript consultations.

Julie C. Day‘s (Popular Fiction, S’12) story “Bluebeard’s Surrender” can be found in the anthology Gorgon: Stories of Emergence alongside fellow Stonecoaster Carina Bissett (Popular Fiction, S’18) and many other other fantastic writers. “Bluebeard’s Surrender” is about snakes, disastrous friendships, and the dreams of teenage girls.  Looking toward the future, in a exciting turn of events, Julie’s standalone novella, The Rampant, will be released this fall as a paperback and ebook by Aqueduct Press:

The Rampant is a queer-girls-in-love, coming-of-age short novel that involves a Sumerian Rapture in Southern Indiana. It’s also an intense narrative ride that is, by turns, harrowing, heartbreaking, and darkly funny.

Christianity it turns out got a whole lot of things wrong. It’s ten years since the hordes of old-world Sumerian gods, the Anunna and Anunnaki, arrived to kick off the end of the world. Massive tornadoes, tsunamis, government collapse: it all started out so strong, but the Rampant, the final herald of the apocalypse, failed to show. Both people and gods have had to adjust.

Sixteen-year-old friends Emelia Bareilles and Gillian Halkey have spent most of their childhood in a world filled with the echoes of lost friends, eviscerated family members, and dwindling hope. The world is an ugly broken place. Their only option is to travel to the Netherworld, collect the Rampant, and finally kick off the Rapture.

Riffing on fragments of historical text, including the Epic of GilgameshThe Rampant uses and refutes the known details and rules of the Sumerian underworld. As they travel through the lands of the dead, Emelia and Gillian meet loved ones and strangers trapped in a system they didn’t create. Each step makes them more determined to help create a better, godless world. In the end this is a story about the inequities of power, human self-determination, and the various ways in which we love each other.

Terri Glass (Poetry & Creative Nonfiction, S’13) will be reading with others at a reception for the anthology Fire and Rain: EcoPoetry of California at AWP in Portland, OR, on Friday, March 29, 6:30-8:00 p.m. Morrison Room, Level 1, Portland DoubleTree Hotel. She would love to see any faculty or fellow alum there.

C-SPAN’s BookTV featured the Black Author Breakfast Party on its channel. Alan King (Poetry, W’13) was among those who presented at the event on February 1. This event kicked off the African-American Read In series for Black History Month. Here’s a clip of Alan reading his poemHere’s the full video.

Ellen Meeropol (Fiction, W’06) is pleased to announce that she has sold her fourth novel, tentatively titled Her Sister’s Tattoo, and expects publication in spring 2020. She will be moderating a panel at AWP in Portland titled “Better Later? Success and the Late Blooming Woman Author.”

On March 22, Catharine H. Murray (Creative Nonfiction, S’17) will speak at the Virginia Festival of the Book in Charlottesville. In their workshop “Lives in Upheaval,” she and author Judy Goldman (Together) will discuss lives overturned by illness, mishap, grief, and how one survives and continues to live and love. In February, Catharine’s memoir, Now You See the Sky, was at the top the Portland Press Herald’s Best-seller list for Nonfiction.

You are invited to join Jenny O’Connell (Creative Nonfiction, S’17) as she reads from Book One of Finding Petronella, her nonfiction book about walking across Finland in the footsteps of Lappish legend Petronella van der Moer, on March 29 at Lincoln Street Center in Rockland, ME. The reading marks the culmination of Jenny’s six-month artist residency with the Ellis-Beauregard Foundation, and will be featured alongside the art and performances of three fellow artists. Free and open to the public! Details here.

Anne Britting Oleson (Poetry, W ’05) will have her third novel, Tapiser, published on March 1 by B Ink Publishing. B Ink also published The Book of the Mandolin Player in 2016 and Dovecote in 2017. Tapiser is also dedicated in part to Rebecca Bearden Welsh (Creative Nonfiction, W ’05).

Kelsey Olesen (Popular Fiction, W’17) will present her academic paper, titled “Demon Husbands and Magic Kings: Controlling Relationships in Uprooted and Spinning Silver,” on Saturday, March 16, at 2:00 p.m. as part of the International Conference on the Fantastic in the Arts in Orlando, Florida. Her paper will examine authorial responsibility and analyze the romantic relationships in both novels through a feminist lens.

Much news from Bruce Pratt (Fiction, S’04):

  • On Saturday, April 20, at 2:00 p.m. at The Bangor Public Library, Bruce will be reading from and signing copies of his new short story collection The Trash Detail and new poetry chapbook Forms and Shades. This event is free and open to the public—no reservations are necessary.
  • On Thursday, April 25, he will be part of the afternoon and evening-long Poet/Speak at The Bangor Public Library. This yearly gathering of dozens of poets and many more dozens of fans is also free and open to the public. Curated with care by Kathleen Ellis, this event includes established poets, emerging poets, student poets and, when available, the local Poetry Out Loud winners. Light refreshments, too. Always a fun and friendly gathering. Contact the library for exact times and details.
  • On Saturday, April 27, Bruce will join friends and fellow songwriters Cormac McCarthy, Stan Sullivan, and Jim Mercik for a very special reunion concert and tribute at The Roaring Brook Nature Center in Canton CT. In addition to playing their own songs and reading from books and manuscripts, each will perform a song by their late friend and fellow musician Bill Morrissey. The show starts at 7:30 p.m. and reservations may be made by calling 860.693.0263 during regular business hours. Expect surprise musical guests and perhaps a writer and a poet or two.
  • On May 25, Bruce returns to The Busy Bee333 Ocean House Road in Cape Elizabeth, for the wonderful series managed by former Portland Poet Laureate Marcia Brown (Poetry, S’04), where he will read from The Trash Detail. The program begins at 4:00 p.m. and will also feature a poet. Great place to grab some food and a beverage to enhance the experience.

Lisa Romeo (Creative Nonfiction, S’08) developed a new course, “Reading as a Writer,” she’s now teaching for Bay Path University’s MFA program, where she’s been Thesis Director for several years. Lisa will present a workshop on revision during the Montclair (NJ) Literary Festival on March 24. Her essay “How to Keep Loving Your Spouse: 30 Years of Small Gestures and Good Sex” was published on Valentine’s Day in Together Magazine.

Nikki Sambitsky (Creative Nonfiction, W’18) is back teaching again at the amazing Storyteller’s Cottage in Simsbury, CT! This time, she will be teaching writers how to be fearless in their writing. The workshop will go over some beautiful, strong, powerful essays by Genevieve Hudson, Mary Ruefle, Marcos Santiago Gonsalez, Julia A. Cohen, Michele Filgate, and others, and discuss what makes both the essays and the writers fearless, ways in which these writers approached difficult subjects, how they wrote about the topics they did, as well as literary devices, forms, and structures that enabled the writers to gain emotional depth and power in their writing. During the second half of the workshop, students will use what they’ve learned from studying these essays to craft fearless work of their own. This workshop is recommended for any writer who has been having trouble getting to the heart of an issue and is finding that they’ve been writing around a difficult situation. “Unapologetically Fearless” will run on Saturday, March 16, from 12:00-4:00 p.m. For more information, click this link.

Gina Troisi‘s (Creative Nonfiction, W’09) memoir The Angle of Flickering Light was a finalist for the 2018 Autumn House Press Full-Length Contest in Nonfiction. Her flash nonfiction piece, “Suicide Note,” was published in Iron Horse Literary Review‘s NewsFlash Series. Her essay “Nowhere Else But Here” recently received an Honorable Mention for American Literary Review‘s 2018 Nonfiction Contest.

Tamra Wilson (Fiction S’11) has a short story, “Church Camp,” accepted for the Spring 2020 issue of Trajectory, a Kentucky-based journal. On March 8 in Raleigh, she is keynote speaker at the NC State Conference of Colonial Dames XVII Century, sharing excerpts from Idol Talk: Women Writers on the Teenage Infatuations That Changed Their Lives, an anthology that she co-edited with Elizabeth Searle in 2018.

 

 

 

 

 

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Community News & Updates February 2019

ANNOUNCEMENTS

Iota: Short Prose Conference is now open to students and alumni of Stonecoast MFA. (Applications don’t open for everyone else until February 8!) The creation of Stonecoast graduate Penny Guisinger (Creative Nonfiction, S’13), Iota will stage on Campobello Island from August 16-19, 2019, with faculty Arielle Greenberg and Richard Blanco. Iota is also thrilled to partner with Stonecoast again this year on offering a full scholarship to one writer from rural Washington County, Maine.

FACULTY

The French edition of JJ Amaworo Wilson‘s (Fiction, Popular Fiction, Writing for Social Change) novel Damnificados (Les Dévastés), translated by Camille Nivelle, was published in January by Les Editions de l’Observatoire. The book was reviewed the same week by Le Monde, which described it as “extraordinary … and magical.”

Tom Coash (Playwriting, Dramatic Arts) recently recorded a podcast of his short play Raghead for The American Playbook library to be released later in 2019. Coash has also recently received a Johnny Mercer Foundation fellowship to work on a new musical, entitled Wild Sound, at the Johnny Mercer Writers Colony at Goodspeed Musicals, February 2019.

Susan Conley’s (Fiction, Creative Nonfiction, Writing for Social Change) new novel Elsey Come Home (Knopf, January 2019) is an Oprah Magazine “Ten Best Winter Reads,” an Amazon Books “Best Book of the Month,” a Marie Claire Magazine “Best Women’s Fiction of 2019,” a Huffington Post “61 Books We’re Looking Forward to for 2019,” a Southern Living Magazine’s “Best New Books Coming Out Winter 2019,” Washington Independent Review of Books “Sixteen Titles We’re Watching,” a Read it Forward’s “Best Books of the first-half of 2019,” and a Fodors Travel “Best Travel Books for 2018.” The book was also recommended by Publishers Weekly, Kirkus, Library Journal’s “Pre-Pub Pick,” Shelf-Awareness, Book Page, Read It ForwardThe Millions, Hello Giggles, and others.

Advance praise is rolling in for Aaron Hamburger‘s (Fiction, Creative Nonfiction) new novel Nirvana Is HereAuthor Elisa Albert calls the book “compulsively readable, charming, and suffused with deep humanity. The title is truth in advertising, folks: this novel is nirvana indeed.” Lesléa Newman says, “This is a drop-everything, stay-up-way-too-late, unputdownable novel… an absolutely necessary read.” And Tova Mirvis says, “Nirvana Is Here is tender, wise and deeply affecting.” Book tour dates are in the works, with stops already booked for New York; Washington, DC; Baltimore; Detroit; Annapolis; and Portland, Maine, a joint reading with Stonecoast alum Dave Patterson, who’ll be reading from his debut novel Soon the Light Will Be Perfect, at Print Bookstore, June 26. Mark your calendars! If you’re interested in having Aaron come to read at your town or Skyping with your book group, let him know directly at aaronhamburger@gmail.com

Amanda Johnston (Poetry, Writing for Social Change) has a new poem in Thalia Magazine. Check out “forgive me, but another black woman has been killed and I’m shook” along with two poems from Another Way to Say Enter, “Crossing In” and “History Repeating Repeating.”

Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) Tonya & Nancy: The Rock Opera returns to New York City February 4 at 7:30 p.m. at the Lucille Lortel Theater for a special concert event produced in a association with the Abingdon Theatre Company under Tony-Award-winning Executive Producer Jim Kierstead (Kinky Boots, Pretty Woman, Be More Chill). Media coverage for the event includes a feature article in Broadway World. Updates at http://www.tonyaandnancytherockopera.com

ALUMS

Carina Bissett (Popular Fiction, S’18) has a poem, “O Mad Arachne: A Folle in Three Acts,” included in NonBinary Review #19: Dante’s Infernopublished by Zoetic Press in December 2018.

Ryan Brod (Creative Nonfiction/Fiction, S’17) recently won the AFFTA’s (American Fly Fishing Trade Association’s) first ever guide-only essay contest, along with a $1,000 prize. The piece (about complicated water issues facing south Florida/the Everglades region) will appear in the spring issue of The Drake magazine.

KT Bryski (Popular Fiction, W’16) is thrilled to announce that she is now represented by Kim-Mei Kirtland of the Howard Morhaim Literary Agency. Her story “Ti-Jean’s Last Adventure, as Told to Raccoon” also appears in Lightspeed this month.

Julie C. Day‘s (Popular Fiction, S’12) flash piece “Stone Memories” can be found online at the Jellyfish Review. Her piece “City Magic” can be found online as part of the Cincinnati Review’s miCRo series. A few reprints have also made their way out into the world. Her story “Raising Babies” is now available on the podcast Tales to Terrify, while her story “A Pinhole of Light” was reprinted online in The Dark and in translation as part of the French anthology Ténèbres 2018. Finally, Julie’s debut collection Uncommon Miraclesreleased in October 2018, is now available in hardcover, signed limited edition, and e-edition! Here are a few recent accolades…

“In many of her stories, Day lulls readers into a false sense of familiarity with people, places and events before hitting a literary switch that snatches all certainties away…Day’s prose is spare but vivid and she has an impressive facility with a range of forms and voices.” ~Morning Star, Best of 2018: Fiction

“It’s hard to describe any one of the 18 stories collected here as characteristic of Day’s approach to fiction, since she demonstrates such an impressive range of tones and topics, but we can see here what will become a few recurring elements: a fascination with American landscapes as psychic spaces (with occasional side trips to Paris or the Azores), an almost playful manipulation of genres tropes and protocols, a fondness for subtitles that segment tales into discreet scenes, a resolute focus on characters haunted by memory and sometimes by grief, and an almost casual disinterest in linear plotting…her capacity for engaging bizarre ideas in the exploration of deeply felt and deeply damaged characters can be stunning.” ~Locus Magazine, Collection Review

Renee S. DeCamillis (Popular Fiction, W’ 14) is excited to share the release date and cover reveal for her debut book, The Bone Cutters—a bizarro horror novella about the hell of mental illness, the evil hands of drug addiction, and the horror of psych. hospitals. The book is set for publication on September 1, 2019, through Eraserhead Press. A book release event and local readings will be sure to follow. Stay tuned for those location and date announcements. Preorders for the book will be possible soon. Until then, here is the synopsis: Dory wakes up in the padded room of a psychiatric hospital with no recollection of how she wound up there. She soon finds out she’s been Blue-Papered–involuntarily committed. When she is sent to the wrong counseling group, she finds a whole new group of drug addicts that make her skin crawl. By the end of that first meeting she is running scared, afraid of being “dusted,” though the psych. hospital staff doesn’t believe a word she says; after all, she’s delusional—at least that’s what they tell her. They end up sending her to that same counseling group every day, though Dory knows that all those junkies want is what’s inside of her—she’s fresh, and she holds the most intense high. Like Girl, Interrupted and “The Yellow Wallpaper,” The Bone Cutters is one woman’s dark and surreal experience with a madness that is not necessarily her own.

March 3-5, Gail Hovey (Creative Nonfiction, S ’11) will be attending a Masters Workshop in Tucson. She is eligible for this event as a finalist in the Tucson Festival of Books Literary Awards Competition. Her submission for the competition was an excerpt from her memoir manuscript What Goes by the Name of Love.

Veda Boyd Jones (Fiction, S’17) has a couple articles in the 2019 Harris’ Farmer’s Almanac on newsstands now.

Little Patuxent Review honored Alan King (Poetry, W’13) with the 2018 Michael J. Clark Award, which is given annually to an outstanding work of literature published the previous year in LPR. The 2018 award, which was presented at the Winter 2019 Issue launch, was for his poem “The Journey.”  Video highlight from the reading below:

Paul Kirsch (Popular Fiction, W’11) has been nominated for a Writers Guild Award for Videogame Writing. Pillars of Eternity II: Deadfire is up against Assassin’s Creed Odyssey, Batman: The Enemy Within, God of War, and Marvel’s Spider-Man. You can peruse the other nominees here.

Andrea Lani‘s (Fiction, W’14) short story “Confluence” appears in the collection This Side of the Divide: Stories of the American West, which comes out on February 12. Her profile of author Caitlin Shetterly appeared in the January issue of Literary Mama, and you can read her editor’s letter from that issue here.

Kristin Leonard (Fiction, S’18) is the 2019 recipient of the Meetinghouse Theatre Lab’s Maine Playwright Award. Her one-act play, Crash, is based on a quartet of ten-minute plays she wrote at Stonecoast. It received its first staged reading on January 19th.

Ellen Meeropol (Fiction, W’06) will be teaching two workshops on using multiple narrators in the novel at the San Miguel Writers Conference and Literary Festival February 13-17 in San Miguel de Allende, Mexico. She will also be moderating a panel (“Better Later? Success and the Late Blooming Woman Author”) at the AWP Annual Conference on Thursday, March 28, at 4:30 p.m.

Jenny O’Connell (Creative Nonfiction, S’17) is thrilled to be invited to join the North American Review’s 50th Anniversary conference lineup, which features Stonecoast faculty Debra Marquart and keynote speaker Martín Espada. Jenny’s seminar, based on her recent article in Creative Nonfiction and her third semester project at Stonecoast, uses a study of songwriting to explore vulnerability in creative writing.

Carolyn O’Doherty (Popular Fiction, W’11) is pleased to announce that her second novel, Unleashed, will be published on September 10, 2019. Unleashed continues the story that began with Rewind (April 2018) about a group of teenagers with the ability to freeze and rewind time. Both books are published by Boyds Mills Press. Rewind was recently named a 2019 YALSA Quick Pick for Reluctant Readers.

Bruce Pratt‘s (Fiction, S’04) new poetry chapbook Forms and Shades is available from Clare Songbirds Publishing with a ship date of February 1, 2019 (today!). His short-fiction collection The Trash Detail from New Rivers Press is currently at number 17 on the Small Press Distribution sales list.

Lisa Romeo (Creative Nonfiction, S’08) will lead a one-day workshop, “Memoir Writing and the Gift of Incomplete Memories,” at The Open Center in New York City on Saturday, April 13. She’ll also be the lunchtime speaker at the Longform Narrative Workshop (featuring Narratively memoir editor Lilly Dancyger) hosted by Cedar Ridge Writers Series, March 2, in Bedminster, New Jersey. Lisa’s recent essay publications include  “Hands off the Black Jack,” for The Inquisitive Eater (a publication of The New School), and a micro excerpt, “Upstairs,” in the anthology The Walls Between Us: Essays in Search of Truth, edited by Beth Kephart. In Winter and Spring 2019, Lisa will continue a series of memoir writing tip programs at libraries around New Jersey, as part of promoting her memoir, Starting with Goodbye.

The LeVar Burton Reads podcast featuring Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “In the City of Martyrs” went live in January and is available for listening here.

Lisa C. Taylor’s (Poetry, S’04) latest collection of short stories, Impossibly Small Spaces, received a new review. Her collaborative collection of poetry published in 2011, The Other Side of Longing (with Irish writer Geraldine Mills), will be adopted by an Irish literature class at University of Connecticut for the spring semester. Both of them are invited to speak to the class in April.

Melanie Viets (Creative Nonfiction, W’17) had an essay featured in Narrative. “Strata” ran as the Story of the Week through February 1st. Thanks to Rick Bass and T Fleischmann for their help and encouragement, and thanks to Susan Conley for the workshop writing prompt that inspired the piece.

 

 

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Community News & Updates December 2018

CURRENT STUDENTS

S.M. Mack (Popular Fiction) has published her award-winning short story “The Carrying Beam” and Dan McMinn (Popular Fiction) has published his short story “Public Awareness” alongside original stories and poems by the rest of the Clarion class of 2012 in their fifth collection. Titled The Blue Volume, this collection will help support The Clarion Foundation’s essential work. In The Blue Volume, a Nepalese witch tempts her daughter to black magic, sinister (but cute) robots hound a homeless squatter, one man fights reconciliation to the end of the world and another reaches reconciliation with The Thing, a medieval barber bleeds female patients to feed his monstrous creation, and a princess emerges scarred from the test of the pea. The Blue Volume is available on a PAY-WHAT-YOU-WANT basis. Pay nothing. Pay everything. It’s up to you. All proceeds, after hosting fees, will benefit The Clarion Foundation.

FACULTY

David Anthony Durham (Fiction, Popular Fiction) has a new story in the Wild Cards collaborative novel Texas Hold ‘Em, edited by George RR Martin. He’s also very pleased that his yearlong stint as a World Fantasy Award judge concluded last month with the announcement of the winners at the World Fantasy Convention in Baltimore.

Aaron Hamburger (Fiction, Creative Nonfiction) will be teaching a class on Andre Aciman’s novel Call Me By Your Name at Politics & Prose bookstore, January 7th, 6:00-8:00 pm. We’ll do a deep read of this contemporary classic and compare it to the film version.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) and Tamra Wilson‘s (Fiction, S’11) Idol Talk anthology has events forthcoming in NC, including on December 1st when Idol Talk readers perform in High Point, NC, and then attend a concert by Peter Noone (Herman of Herman’s Hermits), the iconic rock star who wrote the introduction to Idol Talk. In February, Elizabeth and Boston area Idol Talk readers including Suzanne Strempek Shea (Creative Nonfiction, Fiction) will perform at a reading-and-music fundraiser for Women’s Lunch Place, a Boston day shelter for homeless women. Also in February, a new performance of the concert version of Elizabeth’s Tonya & Nancy: the Rock Opera will take place in New York City. For details and updates, see http://www.elizabethsearle.net.

Elizabeth Searle, Caitlin McCarthy, Lisa Borders, and Suzanne Strempek Shea read from Idol Talk at Worcester Public Library in Worcester, MA, on November 3rd.

ALUMS

Michael Beeman (Fiction, S’09) published his short story “The Dream” in the fall issue of Cornell University’s EPOCH Magazine.

Peter Adrian Behravesh (Popular Fiction, W’18) appeared on the November 20th episode of PodCastle as Fixer, in Natalia Theodoridou’s story, “Fixer, Worker, Singer” (available here). In addition, his paper “Mischief in Their Hearts: Female Empowerment in the Persian Fantastic” was accepted for presentation at the 40th International Conference on the Fantastic in the Arts in March 2019.

Carina Bissett (Popular Fiction, S’18) is pleased to announce that her essay “Mapping the Collective Body of Frankenstein’s Brides” was included in the collection Birthing Monsters: Frankenstein’s Cabinet of Curiosities and Cruelties. This essay came out of her third semester project, which she worked on under the direction of Cate Marvin. Parts of this paper were originally presented at the 2018 International Conference for the Fantastic Arts, and it was also recently accepted for presentation at StokerCon in May 2019!

Karen Bovenmyer (Popular Fiction, S’13) narrated “Prerogative of the Gods” by Nathaniel Green and “Between Battles” by Mary Soon Lee for Heroic Fantasy Quarterly #38. She enjoys narrating and has found opportunities to do so many different ways—she’s happy to chat with you if you’d like to learn more about narrating. Also, Karen is thrilled to have been included in a Speculative Poetry Reading at University of Northern Iowa on November 12th. The reading celebrated Speculative Poetry Month (November) and featured the Science Fiction and Fantasy Poetry Association president Bryan Thao Worra’s amazing poems. You will enjoy his hilarious quotes in this article about the event. Also, Karen’s voice can be heard narrating Corey Mallonee’s Oz-inspired story “Radio Free Heartland” on the Cast of Wonders young adult podcast. Viva Stonecoast!

Karen at the Speculative Poetry Reading at University of Northern Iowa on November 12th.

Debbie Lynn Smith’s (Popular Fiction, S’08) graphic novel Gates of Midnight: Warrior of the Gate was awarded Best Graphic Novel by the Book Publicists of Southern California.

Terri Glass’s (Poetry & Creative Nonfiction, S’13) essay “Tiger Lilies” will be published in issue 9 of Young Raven’s Literary Review and a haiku has been published in 50 Haikus, Issue 14. She will also read at Book Passage in Corte Madera, CA, January 27th, 2019, from the anthology Fire and Rain: Ecopoetry of California.

Veda Boyd Jones (Fiction, S’17) has sold a short story to weekly magazine Woman’s World. Her story will be in the issue to hit newsstands the first week of January.

Rebecca Kightlinger‘s (Fiction, W’14) debut novel, Megge of Bury Down, published by Zumaya in paperback and ebook versions, is now available as an audiobook on Audible.com.

Paul Kirsch (Popular Fiction, W’11) co-wrote The Forgotten Sanctum, which releases on December 13th; this is the last planned major DLC for Pillars of Eternity 2: Deadfire: “When a violent tremor shatters the islands of the Deadfire, the greatest wizards in Eora seek out the aid of the Watcher. The archmage Maura has vanished into the depths of a newly opened dungeon located in the Black Isles and threatens to awaken what lies forgotten there. Follow Maura’s trail and determine the fate of one of the Deadfire Archipelago’s most closely-held secrets.” You can read more about The Forgotten Sanctum here.

Andrea Lani (Fiction, W’14) was thrilled to be nominated for a Pushcart Prize for her essay “The Sparrow’s Song,” which appeared in The Sunlight Press in July. She has another essay, “Memento Vivere,” slated for publication on December 1st in the Winter 2018 issue of Still Point Arts Quarterly.

Danielle Letourneau (Popular Fiction, S’15) is thrilled to announce that her paper “Pejorative and Polarizing Perceptions: The Fight for the Abolition of Genre Prejudice” has been accepted for presentation at the 2019 conference of the International Association for the Fantastic in the Arts. The paper was her third-semester project, worked on with the wonderful Liz Hand.

More than a hundred people attended the book launching of Tom MacDonald‘s (Fiction, W’09) fourth crime novel Murder in the Charlestown Bricks. The event took place at the Navy Yard Bistro in Charlestown, kickstarting the publication. Tom’s December appearances are listed below. The books are $15.

Saturday, December 1
Nahant Golf Club
1 Willow Road
Nahant, MA
12:00- 3:00 p.m.

Tuesday, December 11
John Curtis Free Library
534 Hanover Street
Hanover, MA
7:00 p.m.

Monday, December 17
Adams Street Library
690 Adams Street
Dorchester, MA
6:30 p.m.

This month Catharine H. Murray (Creative Nonfiction, S’17) will be joining poet Elizabeth Austen at Elliott Bay Books in Seattle on December 5th at 7:00 p.m. for a reading and discussion of her new memoir Now You See the Sky. On December 6th at 8:00 a.m., she will lecture at Seattle Children’s Hospital for the doctors and staff at Grand Rounds on using writing as a tool for healing.

R.M. Romero‘s (Popular Fiction, S’15) novel, The Dollmaker of Kraków, has been nominated for the Carnegie Award in the United Kingdom.

Robert E. Stutts (Popular Fiction, S’10) has a story in the October issue of See the Elephant, “The Unreal World Too Strangely Near” (one of his thesis stories, with thanks to Nancy Holder and Jim Kelly for their mentorship)—and, yes, he forgot to include his own news in the November post!

Lisa C. Taylor‘s (Poetry, S’04) short story “Consorts” was nominated for a Pushcart Prize by The New Southern Fugitives. This story was included in her recent collection, Impossibly Small Spaces, published in early November 2018. Lisa will be reading at libraries and venues in New England. For information, visit www.lisactaylor.com.

Adrienne S. Wallner’s (Poetry, W ’09) poem “Ticket Stub” has been nominated for a Pushcart Prize by Stoneboat Literary Journal.

 

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Community News & Updates August 2018

ALUMS

Elizabeth Beechwood (Popular Fiction, S’14) is pleased to announce that her short story “The Painted Ponies of Wiley Creek” was featured by Not a Pipe Publishing for their Year of Publishing Women’s Short Stories series. Ted Deppe and others at the January ’18 Ireland Residency might recognize it—thanks for all your suggestions and encouragement!

Peter Adrian Behravesh (Popular Fiction, W’18) will be presenting his award-winning essay “The Vault of Heaven: Science Fictions’s Perso-Arabic Origins” at Worldcon 76 in San Jose as part of an academic panel titled “Lowriders and Flying Horses: Expanding SF’s Definitions.” The panel will take place on Friday, August 17th, at 10:00 a.m. in Room 211D of the San Jose Convention Center.

Carina Bissett (Popular Fiction, S’18) placed her poem “Blood Works” in the HWA Poetry Showcase: Vol. 5. She also sold her story “Tyger, Burning Bright” for inclusion in the anthology Gorgon: Stories of Emergence, which is scheduled for publication by Pantheon Magazine this fall. “Blood Works” was written under the mentorship of Cate Marvin, and “Tyger, Burning Bright” was originally written under the mentorship of Liz Hand and was later workshopped under the direction of Cara Hoffman. Carina wants to thank all of the Stonecoasters who helped her shape these pieces for publication.

Melody Fuller (Creative Nonfiction, S’12), President and Founder of The Oakland Wine Festival, published two articles in The SOMM Journal recently: “A Call to Action” (page 80; April/May 2018) looks at the state of diversity in the multi-billion dollar wine industry and sparked an ongoing narrative about race and wine and “Fine-Wining While Black” (page 26; June/July 2018) provides an inspirational personal narrative.

Alan King‘s (Poetry, W’13) Point Blank was among the seven books briefly reviewed and recommended by The Best American Poetry blog. Here’s an excerpt: “[In] Alan King’s second collection of poetry, Point Blank…each poem [is] charged with an undeniable exuberance, willing to hold forth on the unvarnished injustice so visible in the American grain, and to compose a music from this framework as mellifluous as any Luther Vandross track and as rough and ready as Raekwon’s Only Built 4 Cuban Linx.” Read the full review.

Paul Kirsch (Popular Fiction, W’11) was one of the writers on Pillars of Eternity 2: Deadfire‘s first DLC, the Beast of Winter, which launches on August 2nd. This adventure takes the player to a frozen island populated by a doomsday cult, an ancient dragon, and gods only know what else.

Andrea Lani (Fiction, W’14) had two essays published in online journals last month: “The Sparrow’s Song” was featured on The Sunlight Press, and “The World in their Hands,” which appeared last year in The Maine Review, was reprinted at Nature Writing.

Roxanne Ocasio’s (Popular Fiction, W’15) short story “The Chupacabra Next Door” will be published in an upcoming anthology called The Latinx Archive: Speculative Fiction for Dreamers. She first workshopped this story at the Voice of Our Nation Arts Foundation Workshop for writers of color in 2014. Roxanne credits Stonecoast for introducing her to Marjorie Liu, who mentored her during her second semester and encouraged her to write characters of color.

Jenny O’Connell (Creative Nonfiction, S’17) is thrilled to come full-circle as a Stonecoaster with her essay about art modeling, “Still Life,” in Issue No. 9 of the Stonecoast Review. She has a forthcoming piece about her walking journey across Finland in the upcoming “Flight” issue of Slice, as well as a craft article on vulnerability—based on her third semester project at Stonecoast—appearing in the fall “Risk” issue of Creative Nonfiction.

Suri Parmar (Popular Fiction, W’17) has joyfully accepted a visiting assistant professorship at Ryerson University’s School of Image Arts with the Faculty of Communication and Design, where she will preside over script development and film productions in the undergraduate film program, and teach screenwriting, directing, and creative leadership. Additionally, her short script Skin Deep has been adapted into a film.

Bruce Pratt‘s (Fiction, S’04) chapbook, Shades and Forms, has been accepted for fall publication by Clare Songbirds Publishing, and his short story collection The Trash Detail will also come out this fall from New Rivers Press.

Shannon Ratliff‘s (Creative Nonfiction, S’16) essay “Perennial” appears in the Summer ’18 issue of Pleiadescurrently available here.

Erin Roberts (Popular Fiction, W ’18) is the proud co-editor (alongside World Fantasy Award winner Sheree Renée Thomas and poet & artist Rasha Abdulhadi) of a special issue of Strange Horizons featuring stories, poems, and non-fiction from writers of color from the Southeastern USA. You can read Erin’s editorial and an introduction to the six amazing stories in the issue here.

Sean Robinson (Popular Fiction, W’14) had a short story, “Tide Child,” recently published by On Spec. It’s about the relationships between fathers and sons, and the day you realize your dad has a story of his own. Also, Selkies. It’s currently only available in print, and can be found here.  This also marks his first international publication. He also just returned from a month-long course in Ireland at NUI-Galway looking at Education in Ireland. If you’re a teacher, or interested in education, check it out here.

Lisa Romeo by David Wilson for The Boston Globe

Lisa Romeo (Creative Nonfiction, S’08), and her new memoir, Starting with Goodbye, were featured in the “Story Behind the Book Column” in The Boston Globe in early July, just ahead of appearances at several bookstores in Massachusetts and New Hampshire. Lisa was also featured on an episode of the podcast The Ish (Grieving-Ish, part 2). In early August, she will present a session on getting published and will read during Western Connecticut State University’s MFA residency.

Nikki Sambitsky (Creative Nonfiction, W’18) will be teaching a one-day workshop on grief and hybrid, experimental, and lyric essays this fall (Saturday, December 1st from 1:00-5:00 p.m.) at Pioneer Valley Writers’ Workshop! Check out the link to sign up and RSVP your spot! Another head’s up: Nikki is also teaching an Open Community Writing Session on November 16th from 6:00-8:00 p.m. at Pioneer Valley Writers’ Workshop. The session is free and open to the public! Come, sit, write, commune with fellow writers!

Bonnie Jo Stufflebeam (Popular Fiction, S’13) was interviewed on her local NPR station, KERA, about Spiderweb Salon, an arts collective in Denton, Texas, that she’s involved with. Her Nebula-nominated novelette “The Orangery” appears in the Nebula Awards Showcase 2018 anthology. Paula Guran chose her Nightmare story “Secret Keeper” for Guran’s Year’s Best Dark Fantasy & Horror 2018.

Lisa C. Taylor‘s (Poetry ’04) new short story collection, Impossibly Small Spaces was published by Arlen House/Syracuse University Press on July 27th in Ireland. Stonecoasters attending the launch at Merriman’s in Kinvara/County Galway included Ted and Annie Deppe and Teresa Scollon. It will come out in the US in early October (though you can obtain an early copy from Lisa). The price is $20 with $2.00 of each sale going to the ACLU. lisactaylor22@gmail.com

Adrienne S. Wallner’s (Poetry, W ’09) poem “Ticket Stub” will appear in the Fall 2018 issue of Stoneboat Literary Journal.

FACULTY

JJ Amaworo Wilson (Fiction, Popular Fiction, Writing for Social Change) launched his 2016 novel Damnificados in Caxias do Sul, Brazil, in July 2018 and had smaller events in Sao Paulo, Brasilia, Belo Horizonte, and Natal. The novel, based on a true story that took place in Caracas, Venezuela, has a distinctly Latin American flavor. Damnificados won three awards and will be translated into German and French in 2019.

JJ Amaworo Wilson Damnificados Brazil July 2018

John Florio (Fiction/Popular Fiction, S’07) writes about race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece, When Joe Louis fought Schmeling, White America Enthusiastically Rooted for a Black Man, was a June feature story for ESPN’s The Undefeated. His upcoming YA book, War in the Ring, is also about the historic Louis-Schmeling fight; it will be released by Macmillan’s Children’s Group in Spring 2019.

Aaron Hamburger‘s (Fiction, Creative Non fiction) short story “Refugees,” which he read from at the last residency, is out in the newest issue of Bennington Review.

Elizabeth Hand (Popular Fiction, Fiction) was a special guest at San Diego Comic-Con, where she received the prestigious Inkpot Award for her fiction. In early August, she’ll be teaching a workshop for young writers at the Fine Arts Workshop in Provincetown.

Jim Kelly’s (Popular Fiction) novella “The Wreck of the Godspeed” has been reprinted in The Final Frontier, edited by Neil Clarke from Night Shade Books. He has sold reprint rights to the original story “Yukui” from his new collection The Promise Of Space to Clarkesworld; it will appear later this year. He contributed an essay on the importance of short stories in science fiction to the blog Whatever.  Jim moderated a reading of Stonecoast alums at the Readercon science fiction and fantasy convention in Quincy on July 14.

Stonecoast alum reading at Readercon 2018

Debra Marquart’s (Creative Nonfiction, Poetry, Writing for Social Change) short fictions “This New Quiet” and “Dylan’s Lost Years” were included in New Micro: Exceptionally Short Fiction, co-edited by James Thomas and Robert Scotellaro and published by WW Norton, available in August 2018. Her poem “Even on a Sunday Drive” was a finalist in the 2017 Steve Kowit Poetry Prize and was published in the San Diego Poetry Anthology in March 2018. Also, Debra’s video poetry performance, “Small Buried Things: A Poet’s Response to Extraction,” was part of the Bedrock Lecture Series, organized by Oregon State University. The eighteen-part video lecture series was submitted as evidence to the Permanent Peoples’ Tribunal on Human Rights, Fracking, and Climate Change, an international tribunal that, in May of 2018, deliberated the global effects of fracking on human rights, the environment, and climate change.

Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) and Tamra Wilson’s (Fiction, S’11) anthology Idol Talk has received new media coverage and has multiple readings, including some newly added, in August:

  • Readings with Elizabeth Searle: August 8th at KGB in New York City at 7:00 p.m., including SCers Breena Clarke (Fiction) and new alum Lee J. Kahrs; (http://kgbbar.com/calendar/events/kgb_nyc_area_readers_from_idol_talk/) and August 30th at Harvard General Store 6:00-8:00 p.m. in Harvard, MA (including alum Michelle Soucy (Fiction, S’10, who created the fab. flyer).
  • On August 25th, Lee J Kahrs and Kate Kastelein will read from Idol Talk at 2:00 p.m. at Toadstool Books in Keene, NH.
  • More New England readings coming in September.
  • Readings and Talks in North Carolina with SC alum and Idol Talk co-editor Tamra Wilson: August 12th, Maine St Books in Davidson NC; August 13th Gaston County Library in Gastonia, NC; and August 21st at Morrison Branch Library in Charlotte, NC

Recent media includes Breena Clarke featuring Idol Talk on her blog,  Tammy’s radio interview in Hickory, NC, and the Boston Book Launch coverage on MetroWest Daily. Check the Idol Talk Facebook page for updates.

 

ANNOUNCEMENTS

YAAK VALLEY FOREST COUNCIL JOB OPENING: COMMUNITY OUTREACH/CONSERVATION ORGANIZER
Rick Bass
(Creative Nonfiction, Fiction, Writing for Social Change Faculty) and the Yaak Valley Forest Council are looking for a community outreach/conservation organizer to hire for a permanent position in northwest Montana’s Yaak Valley. Pay starts at $35-40K, depending on experience, and has growth potential. Insurance and vacation included, and the new hire will be able to work from home (in the community). Artistic inspiration in northwest Montana an added perk! (How is perk spelled? From what Latin root does it derive?) Sweet country and a valiant non-profit working for ecological and social justice.

BOSTON POETRY MARATHON SET FOR AUGUST 10-12 IN CAMBRIDGE
Bridget Eileen (Poetry, W’09), along with poets Suzanne Mercury, Darren Black, and Gillian Devereux, are this year’s Boston Poetry Marathon festival organizers. They are all published poets and veteran Marathon readers from the area. The poetry festival is entirely volunteer run. The Boston Poetry Marathon will be held August 10th – 12th, at Outpost 186 in Cambridge’s Inman Square. Throughout three days, over 100 local and out-of-town poets will read and perform their poems. Several Stonecoast Community members will be reading in this year’s marathon. The Marathon presents a diverse range of poetry styles; academics, slam poets, students from local creative writing programs, and everyone in between rub elbows during approximately 20 hours of poetry programming. Each poet is given a brief time slot to share their work with the audience. Attendance is free (donations accepted), and all ages are welcome.

“The Boston Poetry Marathon is a joyful, hopeful, and strengthening event, something vital during these dire times. We have poets, the poetry community, and poems to keep us going,” said co-organizer Bridget Eileen. “ Whether we go to poetry for escape, solace, empathy, or illumination, it fortifies us. When so many people come together to celebrate poetry, that certainly fortifies us. Bringing this event to so many people who treasure it is, of course, a lot of work–but it’s also energizing. All that creativity coming together in one place is really powerful. ”

“With so much political and social uncertainty right now, we feel it’s urgent to create a welcoming space for poets to share their poems and talk with one another,” said co-organizer Suzanne Mercury. “Poetry is a life-giving force, a deep and vital source of creative empathy. The world needs much more of it, especially now. The Boston Poetry Marathon offers more poetry—a lot more! Every year I come away exhausted, inspired, and ready to write.”

Gillian Devereux outlined the festival’s goals for maintaining inclusiveness. “We’re committed to finding new voices who may not have read here in the past to add to our roster. We want to hear from poets who represent the many diverse, vibrant poetic communities in the Greater Boston area.”

“The Marathon has a great base of dedicated followers—poets who share their work year after year,” said Darren Black. “It’s encouraging to see the developmental arcs of talented writers in our city. Whether you’re an established poet who has published many books, or you have never read your work in front of people before, the audience is so supportive. You never know what you’re going to hear. Every year is fresh, and a little unpredictable. But the basic formula is simple: We listen to a bunch of poems. We hang out. We have fun. We hope you’ll join us!”

For media inquiries, please contact the organizers at: bostonpoetrymarathon2018@gmail.com.

Event Details

What:  Boston Poetry Marathon
Where: Outpost 186 – 186 ½ Hampshire Street, Cambridge MA
When:  Friday, August 10th: 6:00-10:30 p.m.; Saturday, August 11th: 12:00 p.m.-10:30 p.m.; Sunday, August 12th: 11:00 a.m.-6:30 p.m.

Online at

bostonpoetrymarathon.wordpress.com
https://www.facebook.com/groups/bonstonpoetrymarathon/
http://instagram.com/bostonpoetrymarathon

 

 

 

 

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Community News & Updates June 2018

ANNOUNCEMENTS

Poetic Voices of Social Justice: A Reading with Martín Espada and Lauren Schmidt
Thursday July 12th, 7:00 pm
SPACE Gallery, Portland Maine

Please join Stonecoast MFA for a reading and discussion with poetry faculty Martín Espada, recent winner of the prestigious Ruth Lilly Poetry Prize, and award-winning poet Lauren Schmidt. There will be live music, and a chance to share thoughts and inspiration as a community. The $10-20 suggested donation will directly benefit the Stonecoast MFA Writing for Social Justice Scholarship Fund.

 

Pitch 2018

Maine Writers and Publishers Alliance (MWPA) Pitch 2018 offers writers the chance to pitch their manuscripts or book proposals to agents from leading NYC-based literary agencies and editors from some of Maine’s largest publishers. Pitch 2018 provides the rare opportunity to make a literary pitch face-to-face in Maine, to make connections with agents, editors, and other writers, and to gain insider knowledge on the publishing industry. MWPA is proud to offer a three-pitch scholarship to a writer who is from an underrepresented community currently living in Maine and who can demonstrate financial need, sponsored by participating agent Saba Sulaiman. Applications are due in the MWPA office on July 2nd at 9:00 a.m. MORE INFORMATION → Pitch will be held Saturday, September 29th from 9:00 a.m. to 3:30 p.m. at the Glickman Library on the University of Southern Maine campus in Portland. Registration opens on June 12th. More information is here.

ALUMS

Patricia Barletta (Popular Fiction, W’12) is excited to announce that her paranormal historical romance Moon Shadow, Book #2 (The Auriano Curse Series) won the Readers’ Choice Award. Part of the manuscript was workshopped at Stonecoast and mentored by the fabulous and inimitable Mike Kimball. Thank you to everyone who had a hand in making this book a winner.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated the May 3rd episode of Escape Pod, featuring the story “Fire Rode The Cold Wind” by Aimee Ogden. You can listen to it here.

Carina Bissett (Popular Fiction, S’18) published her mermaid-inspired story “The Landscape of Lacrimation” in the second issue of the online literary magazine The Hunger. She also has recently placed her poem “C8: A Tessellation of Faces, Wings, and other Obscure Things,” which will be featured in forthcoming issue of the NonBinary Review Issue 17: A Wrinkle in Time.

Karen Bovenmyer (Popular Fiction, S’13) was happy to learn her LGBTQ+ historical romance novel Swift for the Sun was selected as a finalist for the Eric Hoffer award.

After ten years of work, Elizabeth Garber‘s (Creative Nonfiction, ‘10) book, Implosion: A Memoir of an Architect’s Daughter, will be released June 12th from She Writes Press. Her memoir focuses on how her family was caught in a collision between modern architecture, radical social change, and madness in the turbulent 1960s and 1970s in Cincinnati. Her book tour takes her from New York City, Boston, Maine, Cincinnati, and Vermont. The book has received a starred Kirkus review (“poetic and incisive”) and Library Journal calls it “an extraordinary debut memoir.” Implosion has a contract to be released by a large-print press as well. For more details and dates to join her for a reading/presentation, go to www.elizabethgarber.com

Terri Glass’s (Poetry/Creative Nonfiction, S’13)  poem “Wind Turbines of Altamont Pass” will be published in the anthology Fire and Rain: Ecopoetry of California. Her poem “Puma” was accepted for publication in The Marin Poetry Center Anthology 2018. Her poem, “Where Did it Go?” and four animal haiku were printed in Poem in Your Pocket Day by Berkeley Public Library.

Penny Guisinger‘s (Creative Nonfiction, S’13) essay “Looking for Luke Skywalker,” first published in Hippocampus, is a finalist for a Maine Literary Award in the short works category. This would be her second MLA. Winners will be announced at an event on June 14th, so cross some fingers for her!

Michael L. Joy (Popular Fiction, S’13) was offered a full-time Professorship in the English Department at Florida SouthWestern State College starting this Fall.

Lissa Kiernan (Poetry, S’11), is happy to announce Poetry Barn’s Peak Color Retreat, October 6-9​, an inspiring weekend of poetry steeped in the vibrance of fall in the Catskills. Judith Vollmer (MFA faculty, Drew University) will offer a master workshop titled: The Living Object: Image & Movement. Visit the website for full details.

Alan King (Poetry, W’13) posted a new blog post, “No Country for Old Books…Or So It Seems,” which explores the challenges of marketing a book over a year old. The post highlights advantages that “older” books have over “newly-released” ones. Read it here.

Sean Robinson (Popular Fiction, W’14) recently completed a writing retreat at the University of Washington’s Whiteley Center on San Juan Island, Washington. He has had two recent non-fiction publications: his essay “Parable of the Cascade” was published by About Place Journal (as Ryan Patrick Gannon) as well as an article called “Open and Closed: The Class That Sank” in the Open Pedagogy Notebook. He presented an essay “She Has Always Been Here: Mystique, Destiny, and Female LGBT Representation in Marvel Comics” at the Dartmouth College conference on Illustration, Comics, and Animation. Later this month, he will be heading back to Ireland to participate in NUI-Galway’s Summer School program on Teaching in Ireland, where he will also hopefully complete that book of poems he started during the SCI 2017 residency in Howth.

Ruthie Rohde’s (Creative Nonfiction, W’12) essay “Wild Abandon” was recently published in The Palgrave International Handbook of Women and Outdoor Learning, edited by Tonia Gray and Denise Mitten (Palgrave Macmillan, 2018). Ruthie and Stonecoast alumnus Anthony D’Aries (Creative Nonfiction, W’09) presented together with Dr. Ann Murphy on a panel at the Western Connecticut Trauma Conference at Western Connecticut State University. The panel was titled: “Write Where you Are: Building and Fostering Writing Workshops in Prisons, Homeless Shelters, Hospitals and Other Medical and Community Settings.”

Lisa Romeo (Creative Nonfiction, S’08) is pleased to note that her new book, Starting with Goodbye: A Daughter’s Memoir of Love after Loss, published May 1st, has been reviewed at Brevity and in Publishers Weekly, where she’s also been featured in a Spotlight interview. Lisa is also interviewed on the Shelf Awareness “Reading with…” series; contributed to the LargeHearted Boy’s “Playlist;” and appears on the Creative Nonfiction podcast . Her craft article and excerpts, on adding humor to a grief memoir, appears on The Memoir Project, and an essay in Books by Women, “If You Give a Writer a Book Contract, She’s Going to Want…Everything,” takes a look at author envy. Lisa appeared with Suzanne Strempek Shea at Amherst Books (MA) recently, and is interested in partnering with other Stonecoast folks who have new(ish) books out, for bookstore appearances, conference panels, reading, and/or other events. Contact her here. In June, she’s making many book tour stops in New Jersey and in July, in Massachusetts and New Hampshire.

Catherine Schmitt (Creative Nonfiction, W’12) has managed to publish creative work while continuing her full-time job as a science writer for the University of Maine: a lyric essay, “The New Diving Duck Blues,” is in the Spring issue of Cold Mountain Review. She also co-authored the cover story about coastal storms in the spring issue of UMaine Today, wrote an article about alewives in lakes in the May issue of Maine Boats, Homes & Harbors Magazine, and published a short reflection on “Communicating about rare and common species” in The Plainspoken Scientist.

Marco Wilkinson (Creative Nonfiction, S’13) has been awarded an Individual Excellence Award and a $5000 grant for his writing by the Ohio Arts Council.

FACULTY

On May 31st, Elizabeth Hand (Popular Fiction, Fiction) spoke at the Lewiston Public Library about her forthcoming novel, Curious Toys, and the work and influences of noted outsider artist Henry Darger, the book’s inspiration.  On June 2nd she will one of the featured writers at the Maine Crime Wave Festival in Portland. On Tuesday, June 5th, she’ll be part of a panel honoring the legacy of writer Thomas M. Disch at Brooklyn Common, in Brooklyn, NY.  On Wednesday, June 6th, she’ll be reading at the Kinokuniya Bookstore in New York City as part of the group faculty reading for the Writer’s Hotel Writers Conference, where she’s an instructor June 6-11. On June 21-22, she’ll be guest instructor at the Odyssey Writers Workshop in Manchester, NH. Forthcoming book reviews include A True History of the Vampire Uprising for The Washington Post.

Jim Kelly’s (Popular Fiction) new existential starship novelette, “Grace’s Family,” was published last month on Tor.com.  Also in May, Jim had the honor of introducing his friend and longtime editor, Sheila Williams, at the Science Fiction Writers of America’s Nebula Awards Ceremony. Sheila won the Solstice Award, which acknowledges “individuals who have had a significant impact on the science fiction landscape.” In reprint news, not only did Jim write the introduction and the afterword to the just published anthology A Fistful of Dinosaurs, but he contributed the oft-reprinted “Think Like A Dinosaur” to the table of contents. His novelette “Men Are Trouble” will appear in the forthcoming aliens-on-Earth anthology Not One Of Us from Prime Books. His Hugo-Award-winning “Ten to the Sixteenth to One” will appear soon in the international digital magazine The Short Story Project based in Israel. His story “The Promise of Space” will be published in China by Guangzhou Blue Ocean Press in an as-yet unnamed anthology aimed at the high school and university market.

Jim Kelly and Sheila Williams at the Nebula Awards ceremony.

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