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Community News & Updates April 2020

Hope everyone is staying safe!

CURRENT STUDENTS

Natalie Harris-Spencer’s (Fiction) short story “Labor Day Weekend” will be published on April 21st in Volume 2 of Allegory Ridge‘s fiction anthology, Archipelago. Allegory Ridge is a magazine for open-minded millennials that publishes travel writing, short stories, poetry, artwork, photography, and personal essays.

FACULTY

The German edition of JJ Amaworo Wilson‘s (Fiction, Popular Fiction, Writing for Social Change) novel Damnificados, translated by Connie Lösch, was published by Editions Nautilus on March 2nd. The book was positively reviewed in Der Spiegel, Europe’s largest weekly news magazine, the same week.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana Is Here is nominated as a 2019 Indie Book of the Year (LGBTQ fiction) from Foreward Reviews!

Elizabeth Hand (Popular Fiction, Fiction) will be leading a free online workshop focused on building resilience through writing for teens, sponsored by the Clarion West Writers Workshop; Stonecoast faculty member emeritus James Patrick Kelly (Popular Fiction) and current Stonecoast faculty member Tobias Buckell (Popular Fiction) are also instructors.  Recent reviews include N.K. Jemisin’s The City We Became and Megan Campisi’s Sin Eater, both for The Washington Post.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) published “Soundstage Musicals: Capturing Theater on Film” in the March 2020 issue of Imagine, the print and online magazine for the New England film community. Her article addresses the filming and streaming of musicals as one way to keep theater alive in these dark times.

ALUMS

Check out Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) current online radio and podcast interviews regarding her book, The Sound of a Wild Snail Eating. In addition to a lot of quirky snail science, the book relates to the pandemic experience, as it includes reflections on isolation and illness. Recent interviews include the following links: interviewed by Indira Naidoo for ABC Nightlife Radio in Sydney, Australia, and interviewed by Emily Kwong for NPR Science Podcast Short Wave.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Amit Gupta’s story “How Did It Feel to Be Eaten?” for the March 12th episode of Escape Pod. You can listen to it here. He also hosted the March 24th episode of PodCastle, featuring Sofia Samatar’s retelling of “The Tale of Mahliya and Mauhub and the White-Footed Gazelle,” available here.

Carina Bissett (Popular Fiction, S’18) has a Snow White retelling coming out in the anthology Arterial Bloom, edited by Mercedes M. Yardley. “Rotten” was the story she submitted with her application to Stonecoast, so she’s happy that is has finally found a home at Crystal Lake Publishing.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce that her novella The Rampant (Aqueduct Press) is a nominated finalist for the 2019 Lambda Literary Award in Science Fiction, Fantasy, and HorrorPublishers Weekly says, “Equal parts playful and heartbreaking, this apocalyptic novella offers one-of-a-kind answers about the end of the world….This clever and surprisingly fun take on the rapture is the perfect theological horror story.” The novella is available in both paperback and as an ebook.

Jess Flarity (Popular Fiction, S’18), PhD candidate in Literature, has been awarded a summer research grant from the University of New Hampshire to continue his work on the erasure of women in science fiction. He is excited to write an article on feminism related to Jesuit philosophy and the universe of Warhammer 40k as his entry point into the world of academic publishing.

 

David A. Hewitt’s (Popular Fiction, S’09) novelette The Great Wall of America, published by Mithila Press, is now available in both Kindle and paperback editions, and his short story “Donald Q. Haute, Gentleman Inquisitator, and the Peril of the Pythogator” will be appearing in the April 2020 issue of Metaphorosis.

Lissa Kiernan (Poetry, S’11) is happy to announce that her second full-length poetry collection has been selected as a semifinalist in Tupelo Press’s 2020 Dorset Prize.

Alison McMahan‘s (Popular Fiction, W’10) short story “Harlem in Havana” will be released April 7, 2020, in the anthology The Beat of Black Wings: Crime Fiction Inspired by the Songs of Joni Mitchell, edited by Josh Pachter, published by Untreed Reads. Alison will appear with fellow anthology authors Alan Orloff and Elaine Viets for a panel and signing on April 18th at Murder on the Beach Bookstore in Delray Beach, 6:00 p.m.

What a moment to launch a new novel! Ellen Meeropol (Fiction, W’06) is delighted that her fourth novel, Her Sister’s Tattoo, will be published on April 7th. She is working hard to convert her book tour to virtual events—live-streamed readings and Zoom book parties and curated series like A Mighty Blaze and Reading with Robin. Links to Internet events will be posted on her website as they’re set. Interesting times, no?

John Christopher Nelson‘s (Fiction, S’15) creative nonfiction piece, “Things You Gave Me When You Left” is forthcoming in The Real Story. John will have a solo author event—barring further quarantine—at Paper Boat Booksellers in West Seattle on the evening of May 1st.

dg nanouk okpik’s (Poetry, W’10) poem “When White Hawks Come” was published in the Academy of American Poets’ Poem-a-Day email on March 30, 2020 (the link also includes an audio recording of the poem).

Sean Robinson (Popular Fiction, W’14) is pleased to share that his short story “Soovien Hungered in the City of Spiders” is out at StarShipSofa. It’s a story about poetry-driven spider gladiatorial matches, and other stuff.

Catherine Schmitt (Creative Nonfiction, W’12) had a streak of publication right before everything changed: an article on wood construction and the future of Maine forests in Northern Woodlands magazine, a “Plant Love Story” about salt marsh grass, an essay on the striped skunk for Natural Resources Council of Maine, and an update on wild Atlantic salmon for The Working Waterfront. Her book, The President’s Salmon, was featured in several new podcasts and cited by Mark Kurlansky in his new book on salmon. And a lyric essay has been accepted by Waterwheel Review.

Kevin St. Jarre (Popular Fiction, S’10) recently participated in a six-author online showcase, hosted and broadcast via Zoom by publisher Encircle Publications. His novel Aliens, Drywall, and a Unicycle is now available for pre-order here.

Eugenio Volpe (Fiction, W’05) has an essay coming out in the summer issue of Massachusetts Review entitled “Jesus Kicks His Oedipus Complex.”

“Steve’s Ashes,” a story by Tamra Wilson (Fiction, S’11), appears in the Summer 2020 issue of Evening Street Review, a journal of Evening Street Press of Sacramento.

 

 

 

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Community News & Updates February 2020

ANNOUNCEMENTS

Alumnus Jacob Strunk (Fiction, W’07) has undergone heart surgery in January and some Stonecoasters are among those supporting a GoFundMe effort right now to help with expenses. If you’d like to donate, visit Jacob’s Big Dumb Heart.

BOSKONE 2020

This year’s Boskone—New England’s longest running science fiction convention—features many Stonecoast faculty and alumni on the program participant list, including: KT Bryski (Popular Fiction, W’16), Julie C Day (Popular Fiction, S’12), David Anthony Durham (Fiction, Popular Fiction faculty), Theodora Goss (Popular Fiction faculty), James Patrick Kelly (Popular Fiction, Playwriting faculty), Mur Lafferty (Popular Fiction, W’14), Robert V. S. Redick (Popular Fiction faculty), Erin Roberts (Popular Fiction, W’18), and (of course!) Erin Underwood (Popular Fiction, S’09). Word is that many other Stonecoasters will be in attendance as well. Feel free to join us! Boskone – February 14th to 11th at the Westin Waterfront Hotel, Boston.

FACULTY

Aaron Hamburger (Fiction, Creative Nonfiction) interviewed novelist Garth Greenwell about his new novel Cleanness for Electric Literature.

In 2021, New Rivers Press will publish Debra Marquart’s (Creative Nonfiction, Poetry, Writing for Social Change) next poetry collection, Gratitude with Dogs Under Stars: New & Collected Poems. Her poems have recently been included in three anthologies: “Come November” in Dear America: Letters of Hope, Habitat, Defiance, and Democracy, edited by Elizabeth Dodd, Simmons Buntin, and Derek Sheffield (Trinity University Press, 2020); “Dylan’s Lost Years” in Stone Gathering: A Reader 1.1 (Summer 2019); and “How Bad News Comes” in Send My Roots Rain: 52 Weeks of Poetry to Heal Your Grief, edited by Kim Langley (Paraklete Press, 2019). She published an essay, “The Unhappy Hour,” in Ascent Magazine in November 2019. Debra received a small grant ($4000) from Iowa Arts Council to complete a Poet-Laureate-in-the-Schools initiative in the 2019-2020 school year, and she was interviewed by Frontier Poetry in May 2019. In addition to writing, Debra did quite a lot of speaking:

Cate Marvin (Poetry) received the 2020 Maine Artist Fellowship Award in Literature (in this case, poetry) from the Maine Arts Commission.

More recent-vintage Stonecoasters might remember the collaboration seminar Suzanne Strempek Shea (Creative Nonfiction, Fiction) and painter pal Susan Tilton Pecora gave at a winter residency a few years back on a book project to benefit their neighbor, Blue Star Equiculture. The draft horse rescue will be closing in a few months due to a lack of donations and volunteers so Suzanne and Susan have turned their work into a series of notecards (each featuring painting and essay) to more quickly help pay final bills at the 11-year-old draft horse rescue. The set of ten blank notecards, priced at $25, includes five different signed images and essays from throughout the rescue’s history. Checks should be made out to Susan Tilton Pecora and sent to her at PO Box 195, Thorndike, MA, 01079; pay via PayPal at sess7@comcast.net. All donations are tax-deductible and will be acknowledged by Blue Star Equiculture, a registered nonprofit. Please note on checks or on PayPal payment how many sets of cards you’d like. The horses and their humans, including these two longtime friends and neighbors of Blue Star, thank you.

ALUMS

Peter Adrian Behravesh (Popular Fiction, W’18) joined a full voice cast to narrate Kyle Kirrin’s story “Yo, Rapunzel!” for the January 28th episode of PodCastle. You can listen to it here.

Karen Bovenmyer (Popular Fiction, S’13) is pleased to announce a new story, “Nightmare Spinner,” in Way of the Laser: Future Crime Stories, edited by Eric Bosarge (Popular Fiction, W’12) and Joe McDermott (Popular Fiction, S’11) (Vernacular Books) and two reprints: “Snow as White as Skin as White as Snow,” in Weird Dream Society, edited by Carina Bissett (Popular Fiction, S’18), Julie C. Day (Popular Fiction, S’12), Chip Houser, and Steve Toase (The Post-Apocalyptic Writers Society); and “Cadaver Feet,” in The Binge-Watching Cure II: An Anthology of Horror Stories, edited by Bill Adler, Jr., and Sarah Doebereiner (Claren Books, October 2019).

Sunspot Literary Journal chose the opening to one of J Brooke’s (Poetry, S’19) essays, “Before and After,” as finalist for their Inception Contest (voted one of 2019’s Best Writing Contests by Reedsy) and published eir essay in the most recent issue. Of possible interest is J worked on this piece second semester at Stonecoast and received editorial suggestions from Stonecoast Director Justin Tussing on it, which e incorporated.

Susan Casey’s (Fiction, W’10) book Rock On: Mining for Joy in the Deep River of Sibling Grief is being released on February 14, 2020. The book launch is at the Frontier Café on February 15th from 6:00-8:00 p.m. Links to register here and here.

Renee S. DeCamillis (Popular Fiction, W’ 14) will be reading from her horror/psychological thriller novella The Bone Cutters on Saturday, February 22nd, from 2:00-3:30 p.m. at the Lewiston Public Library. The event is free to the public and will conclude with book sales and signing. Renee is also thrilled to announce that she has signed a comic book deal with Phi3 Comics. She has been commissioned to write the book #4 finale, “Gateway of Destruction,” for the current Spiralmind storyline of “Muses’ Rise.” Publication date is TBD.

teri elam’s (Poetry, S’19) poem “High School Dancerettes at Half-Time” was published in the Winter 2019 issue of Prairie Schooner. teri’s poem “Butterflies” (a reflection on the criminalization of school-age black girls) was chosen as part of 2020’s Visible Poetry Project and will be brought to the screen by filmmaker Christina Sloan Stoddard.

Gail Hovey (Creative Nonfiction, S ’11) is delighted to announce that her memoir, worked on at Stonecoast and beyond, will be published this fall by Exposit/McFarland. The title for this story of the long reach of childhood sexual abuse by a seminary-trained woman is still being worked on, as the publisher says it’s a hard book to title. Watch this space.

Clifford Royal Johns (Popular Fiction, W’18) will be conducting a writing workshop on writing in first person on February 15th at 2:30 p.m. at the Capricon science fiction convention (February 13-16, 2020). He will also be a panelist at the convention on the following panels:

  • Detectives in the Wild – Thursday, 5:00 p.m.
  • Nonfiction for Fiction Writers – Friday, 10:00 a.m.
  • Lessons I Learned as a First-Time Novelist – Friday, 8:30 p.m.
  • How Not to Kill Yourself over a Deadline – Saturday, 5:30 p.m.
  • A Funny Thing Happened on the Way to the Publisher – Saturday, 8:30 p.m.

Veda Boyd Jones (Fiction, S’17) sold a mini-mystery, “Who’s That Valentine?”, to Woman’s World magazine, which is in the issue that hits your grocery/drugstore checkout lines on February 6th.

Rebecca Kightlinger (Fiction, W ’14) announces that a new, enhanced edition of Megge of Bury Down: Book One of the Bury Down Chronicles will be released by Rowan Moon on February 1, 2020, in advance of publication of Book Two of the series this summer. The book’s epigraph is from a poem by Annie Finch.

Fiona Lehn (Popular Fiction W’15) has a new speculative novel, Transformation Junkies, published by Wicked Publishing. Click here to read more about the project, and here to view the book trailer.

Joe M. McDermott (Popular Fiction, S’11) sold the short story “Wind Gets Her Own Place” to Analog Science Fiction and Fact.

Matthew Quinn Martin (Popular Fiction, S’10)’s film (co-written with director Doug C. Williams) Being is now available on DVD and Blu-Ray nationwide, exclusively at Wal-Mart (with more big box stores and streaming to follow). The film starts Ben Browder (Farscape, Stargate SG-1), Lance Henriksen (Aliens, Millennium), Ahd Kamel (Collateral), Robert Burke (BlacKkKlansman), Jason Iannacone (The Irishman), and James St. Vincent (The Price). The trailer can be viewed here.

Ellen Meeropol (Fiction, W’06) is pleased to be a featured presenter at AWP in San Antonio. She will read from her forthcoming novel Her Sister’s Tattoo and talk with Donna Hemans, Aimee Liu, and Kristen Young, about themes of families torn apart by history and war. Ellen’s recent New England ARC tour was featured in Shelf Awareness on January 10.

On February 22nd from 10:30 to 12:30, Catharine H. Murray (Creative Nonfiction, S’17) will be at the Belfast Free Library teaching Memoir 101 through the Maine Writers and Publishers’ Alliance. The workshop is free to MWPA members and $5 for non-members.

Anne Britting Oleson (Poetry, W’05) will have her fourth novel, Cow Palace, published by B Ink Publishing in March of this year. She is also gratified to have had her fourth poetry chapbook, Magic Somewhere Else, contracted by Clare Songbirds Publishing, to appear at the end of the summer.

Tamie Parker Song (Creative Nonfiction, S’12) was invited to the Arrowmont School of Arts and Crafts, in Gatlinburg, Tennessee, for a residency in writing. There, nested in the Great Smoky Mountains, she worked on a long essay she is composing about commercial fishing in Bristol Bay, what that experience gives her to understand about gendered violence, and how we might alchemize it into something transformative and new.

Kevin St. Jarre‘s (Popular Fiction, S’10) has signed a new book deal for his novel Aliens, Drywall, and a Unicycle with Encircle Publications, with a publication date of November 6, 2020.

Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “Where You Linger” appears in the January/February issue of Uncanny Magazine and is available to read free online later this month.

 

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Community News & Updates January 2020

HAPPY NEW YEAR!

ANNOUNCEMENTS

News from Stonecoast
Join the Stonecoast MFA community for a week of inspiring readings and discussions with Stonecoast’s award-winning faculty and guest writers, January 10-13th and 15-18th at the historic Harraseeket Inn in downtown Freeport, Maine.

The weeklong series includes flash faculty and guest readings, a conversation on the possibilities and perils of adapting one’s work for the stage, and a discussion of the inaugural WISE common text. The residency concludes with the Winter 2020 graduation ceremony.

A detailed schedule of the week’s events and readers can be found here.

CURRENT STUDENTS

In November, Nina B. Lichtenstein (Creative Nonfiction) was invited to Ottawa, Canada, to give a book talk on the occasion of the International Memorial Day for Jewish Refugees from Arab Lands. It was in connection with the recent publication of her translation from French to English of the novel For the Love of the Father by French-Tunisian-Jewish writer Chochana Boukhobza. Nina is also happy to share that her essay “Ink Stains and Blood Stains: The Spring of My Becoming” has been accepted for publication in the forthcoming Hippocampus anthology tentatively titled “INK” due out in 2020.

FACULTY

Tom Coash‘s (Playwriting, Dramatic Arts) play Raghead will be produced in North Hollywood by Actors Workout Studio, as part of their terrific TABOO Festival January 10 – February 8, 2020.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana Is Here is now available as an audio book!

Elizabeth Hand (Popular Fiction, Fiction) sold a stand-alone psychological thriller, Baby Go Bang, to Mulholland Books/Little, Brown. Her novel Generation Loss has been optioned by British production company Fremantle.

Cara Hoffman‘s (Fiction, Popular Fiction) children’s novel Bernard Pepperlin was a Kirkus Best Book of 2019 and Audiofile’s Best Audio Book of the Year.

Broadway icon Andrea McArdle (the original Annie) will star in a new 2020 production of Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) Tonya & Nancy: The Rock Opera. The production is being fully produced by longstanding Equity theater TheaterZone and is opening on February 6, 2020; it was featured in two recent articles in Broadway World. Further productions and a possible tour are in the works for 2020/2021; see the website for updates.

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) film short adaptation of her memoir The Sound of a Wild Snail Eating heads next to the Wild & Scenic Film Festival (CA), Victoria Film Festival (BC), and Kinofilm 16th Manchester International Short Film Fest (UK). The film also received a Jury’s Choice Award from the Thomas Edison Black Maria Film Festival, which tours throughout 2020.

Carina Bissett (Popular Fiction, S’18) is a finalist for the NESFA Short Story Contest. The story she submitted was one of the first pieces workshopped at Stonecoast with David Anthony Durham. The winners will be announced at BOSKONE 57 in February.

Linda Buckmaster (Creative Nonfiction, S’11) has had her essay “Alibi Bar, 1968” published in Atticus Review‘s “Super Unknown. Stories About Songs” series. Two of her poems have appeared in The Comstock Review, one in the Spring/Summer issue and one in the Fall/Winter. She has been awarded a writing residency in May at NES in Skagastrond, Iceland, to work on her current project—a literary journey across the North Atlantic. From there, she will go on to the Hebrides. She and Elizabeth Garber (Creative Nonfiction, ‘10) were on a panel at the WORD Conference in Blue Hill, Maine, with Jaed Coffin discussing the ethics of memoir.

Julie C. Day‘s (Popular Fiction, S’12) piece “Flyover Country” can be found in the January/February issue of InterzoneFirst lines: “Lovers are like flash floods, car collisions, aneurysms: always a possibility but never exactly expected. A small-plane pilot for AeroFix Corp, Sam arrived in my bed via a tray of purple pansies and a convoy of trucks intent on invading the Verona Municipal Airport.” Richard Wagner created the amazing illustration. This will be Julie’s 7th story with Interzone and her 8th with TTA Press.

Lesley Heiser (Fiction, S’11) was thrilled to see her essay “Rose” up on Diagram this past year. She wishes all Stonecoasters the very best for 2020.

Veda Boyd Jones (Fiction, S17) has an essay in the January-February issue of Good Old Boat, available at newsstands now.

Mike Langworthy (Creative Nonfiction, W’11) is co-writing dialogue and lyrics for Take The High Road, a musical produced in Denver during 2020. The show will combine repurposed melodies from musical theater and popular music with an original story of a real estate developer who locks horns with, and falls for, a community activist fighting his attempts to build a resort in her idyllic mountain town. The show is being produced by Magic Moments, a company that for over thirty-five years has created large-cast, high-quality musical productions that give performers with a broad range of special needs, both physical and developmental, opportunities to work alongside seasoned professionals. Rehearsals begin in January for performances in late March 2020.

Fiona Lehn (Popular Fiction W’15) has a new speculative novella, Lift-Off, published by Devine Destinies. Click here to read more about the project and here to view the book trailer.

Kristin Leonard‘s (Fiction, S’18) poetry was published in Maine’s Best Emerging Poets 2019 anthology. Her short story, “Jason’s Daddy,” was published in The Showbear Family Circus.

The Thomas Memorial Library in Cape Elizabeth, Maine, will host Catharine H. Murray (Creative Nonfiction, S’17) on January 11th from 1:00-3:00 p.m. for Writing the Stories of Your Life, a free workshop on writing memoir. Catharine will then offer a Six-Week Series for Women at the Good Medicine Collective from January 13th to February 17th; Writing to Heal will incorporate small group support, instruction and practice for using writing as a way to move through loss. On January 26th from 9:00 a.m. to noon, Catharine will join with Deb Cook to offer Winter’s Deep Peace Practice: Yoga Nidra and Writing, a morning of deep rest and integration. Participants will move from Yoga Nidra into a quiet hour of meditative journaling supported by prompts and guidance.

Mary Heather Noble (Creative Nonfiction, W’14) is pleased to share that her long-form essay, “Plume: An Investigation,” will be published in the January 2020 issue of True Story. The essay was started during her time at Stonecoast and has been modified from her Stonecoast thesis.

Jenny O’Connell’s (Creative Nonfiction, S’17) flash nonfiction piece “How to Sleep in an Airport,” published last spring in Hippocampus, has been nominated for a Pushcart Prize! This November, she spoke about positive risk-taking and her 2014 solo trek across Finland to a packed Camden Opera House at Midcoast Pecha Kucha night. You can watch her speech here.

Bruce Pratt (Fiction, S’04) has poetry in or forthcoming from The Cafe Review, Coal City Review, and Connecticut River Review and anthologies from Main Street Rag and Flying Ketchup Press. On January 25, Bruce will be offering a seminar entitled “Creating Your Novel in Ninety Minutes” at the Blue Hill Library; this is open to the public but limited to twelve participants. Contact Hannah Cyrus at the library for more information. Bruce will also be teaching a seminar for Maine Writers and Publishers Alliance at the Cobscook Community Learning Center in Trescott on February 29 from 10:00 a.m.-4:00 p.m. on learning to inhabit your fictional characters. Contact Hannah Perry at MWPA for details.

Sean Robinson (Popular Fiction, W‘14) doesn’t have much on the writing front, but just completed a Certificate of Graduate Studies in Educational Leadership and is now certifiable (exactly) as a school principal. He was also recently accepted into the Harvard Principal’s Center for a Certificate in School Management and Leadership. He has also, also, been accepted to a residency at the University of Washington’s Olympic Natural Resources Center this April. While he’s delighted, it all sounds way fancier than it is, he promises.

Patricia Smith, former faculty member and member of the Stonecoast 2008 class in poetry, has been named a Distinguished Professor for the City University of New York, the highest rank in the state’s university system.

Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “Where You Linger” will appear in the January/February issue of Uncanny Magazine.

Morgan Talty‘s (Fiction, W ’19) short story “The Blessing Tobacco” will be published this January in TriQuarterly. The story will also be excerpted in Literary Hub: The Best of the Literary Internet. 

Darlene Taylor (Fiction, W’17) received an award for a fellowship grant as an individual artist in literary arts from the DC Commission on Arts and the Humanities. She is completing research and writing that expands her short story “Piper’s March” into a novel (“Piper’s March” was published in Kweli Journal in 2018). In other news, Darlene will moderate a panel during the 2020 AWP Conference in San Antonio, Texas. The panel also features Breena Clarke of Stonecoast and authors Rion Amilcar Scott, Jacinda Townsend, and Crystal Wilkerson. The authors will discuss how fiction writers use historical imagination to create characters from little-known histories. “They Must Have Felt: Imagining Emotional Landscape and Place” is scheduled for Friday, March 6, 2020, from 12:10-1:25 p.m. in Room 205, Henry B. González Convention Center, Meeting Room Level.

Lisa C. Taylor (Poetry, S’04) was honored to be a part of a holiday reading in Orleans, MA, on December 27th with Tom Daley, Christine Jones, and J. Barrett Wolf, music by Jordan Renzi, sponsored by Voices of Poetry. Lisa has officially named her workshop offerings Whitewater Writing. She will offer an all-day writing retreat with a catered lunch on January 4th in Connecticut—snow date: January 11. This retreat is nearly full but contact Lisa if you are interested. Lisa is a fiction editor and interviewer for Wordpeace, an online magazine created by Lori Desrosier (the founder of Naugatuck Review). In the upcoming issue, Lisa interviewed Maida McKenna, founder of Word Scientists, a literacy organization in Nepal; and Kevin Brodie, an award-winning playwright who is currently working on a play about American Indian Schools directly related to time spent on a Shoshone reservation with his grandfather. This issue should be out in late February or early March. Lisa also writes book reviews; her latest review was on Look Look Look by Calista Buchen (Black Lawrence Press) and appeared in the Mom Egg Review in December. Western Stonecoasters: Lisa and her husband Russ will be moving to Colorado (near Durango) in late summer 2020. She would love to organize some readings and make contact with writers who live in that area. Finally, Lisa will be at AWP in San Antonio March 4-8 and would also like to meet up with Stonecoasters.

Melanie Viets (Creative Nonfiction, W’17) is pleased to share some of her efforts guest editing “Root Mapping” at The Learned Pig. Published features include new work from Rick Bass (Faculty: Creative Nonfiction, Fiction, Writing for Social Change) and in January, a new essay by Catharine Murray (Creative Nonfiction, S’17). Submissions are welcome as the journal series continues in 2020.

 

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Community News & Updates December 2019

FACULTY

The French translation of JJ Amaworo Wilson‘s (Fiction, Popular Fiction, Writing for Social Change) novel Damnificados, entitled Les Dévastés and translated by Camille Nivelle, has won the Prix Révélation de Traduction from Société des Gens de Lettres. The ceremony takes place in Paris on December 3rd, 2019.

Stonecoast faculty member Tobias S. Buckell (Popular Fiction) and co-author Paolo Bacigalupi won the World Fantasy Award for Best Collection with The Tangled Lands, a fantasy novel told in four novella-length parts about a land crippled by the use of magic. Buckell also sold new novel The Musketress to Audible Originals: in a far-future world where reading has been forbidden by mechanical archangels a general’s daughter and fugitive librarian search for world-changing secrets found in ancient, lost books.

Tom Coash‘s (Playwriting, Dramatic Arts) monologue, “Blind Dog,” was produced in New York City by The Playground Experiment as part of the Faces of America Monologue Festival in support of the ACLU. “Blind Dog” has also been published in the Faces of America Anthology.

The paperback edition of Susan Conley‘s (Fiction, Creative Nonfiction, Writing for Social Change) novel Elsey Come Home has been published by Vintage. Susan’s forthcoming novel Landslide will be published by Knopf in February of 2021.

Martín Espada (Poetry, Writing for Social Change) has edited and published a new anthology entitled What Saves Us: Poems of Empathy and Outrage in the Age of Trump from Northwestern University Press.

Aaron Hamburger (Fiction, Creative Nonfiction) received two special mentions, in both fiction and creative non-fiction, in the 2020 Pushcart Prizes: his short story “Refugees” (published in The Bennington Review) and his essay “Sweetness Mattered” (published in Tin House) were both honored.

Elizabeth Hand (Popular Fiction, Fiction) profiled Blondie frontwoman Debbie Harry for the pop culture site Please Kill Me. Her novel Curious Toys was named one of autumn’s best reads by Real Simple Magazine, as well as one of 2019’s best books by the Chicago Library, and was featured in Maine Women Magazine. Forthcoming reviews include Priya Sharma’s Ormeshadow, Tade Thompson’s The Survival of Molly Southborne, and Craig Laurance Gidney’s A Spectral Hue for The Magazine of Fantasy & Science Fiction.

Several chapters for Lauren Marie Schmidt‘s (Poetry, Writing for Social Justice) YA novel-in-progress, The Players, are forthcoming in the following journals: North American ReviewMobius: The Journal for Social Change, and The MacGuffinClick here to learn more about the project and here to read samples.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) has a new short film, produced via LGBT Toronto Film Festival. The five-minute short, Sister Kin, is based on a studio recording of a single scene by Elizabeth. The ‘Screenplay Short’ film will screen at LGBT Toronto Film Festival in 2020. A longer short film, Four-Sided, also based on Elizabeth’s novel, has been an official selection at nine festivals so far this year and will screen next in Chicago. Elizabeth’s feature-film script has been recognized at 20 festivals or competitions. Elizabeth looks forward to leading Stonecoast’s first hands-on Screen Your Short seminar for students wanting to write and shoot a short film. For updates on Elizabeth’s film projects, see www.afoursidedbedfilm.com

 

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) film short adaptation of her memoir, The Sound of a Wild Snail Eating, won the Best International Short Award at the Kerry International Film Festival in Kerry, Ireland.

Carina Bissett (Popular Fiction, S’18) placed her poem “Lepus antilocapra” in HWA Poetry Showcase Vol. VI, edited by Stephanie Wytovich. This piece found its final form under the guidance of Cate Marvin. In other news, her short story “Gaze with Undimmed Eyes and the World Drops Dead” is featured in the anthology Terror at 5280′. This piece originated from a ghost story prompt in workshop with Liz Hand.

KT Bryski (Popular Fiction, W’16) has a story in Lightspeed Magazine this month: “The Path of Pins, the Path of Needles” is available from December 5th. Her flash piece “By Jingly Bell, By Velvet Mouse” also came out from PodCastle recently.

Jessica de Koninck (Poetry, S’11) has a poem, “Good Humor”, in the most recent edition of Glassworks. Its online segment, “Looking Glass,” includes her reflections on the poem. Her poem “Crazy Eights” appears in the most recent edition of Presence. “Lullaby Ghazal” is in Southword (Munster Literary Center), and her poem “Revisiting the Psalms” is included in the anthology A Constellation of Kisses from Terrapin Books. Finally, her poem, “Pastoral”, was the daily poem on SWIMM on Friday, November 29, 2019.

Jess Flarity (Popular Fiction, S’18) was featured on the literary journal Barnstorm‘s website; you can read the tale of how he sold his first short story here.

Terri Glass’s (Poetry & Creative Nonfiction, S’13) poems “The Girl Who Became So Still” and “The God Hour” will be published in the New Rivers anthology Wild Gods: The Ecstatic in Contemporary Poetry and Prose.

Andrea Lani (Fiction, W’14) was honored to have her essay “Persistence Is the Thing with Fins” selected for inclusion in A Dangerous New World: Maine Voices on the Climate Crisis, which comes out this month from Littoral Books. A book launch party will be held on Sunday, December 8th, from 2:00 to 4:00 p.m. at Space Gallery in Portland, Maine. Also, Andrea was also thrilled that her short story “The Quilt” was short-listed for the Peaceful Dumpling Environmental Writing Prize.

Ellen Meeropol (Fiction, W ‘06) has recent essays published in Ms Magazine“No More Coat Hangers”—and Lilith Magazine“When Life Imitates Your Own Art.”

John Christopher Nelson‘s (Fiction, S’15) short-fiction pieces “Avoidance,” “Meaning As Use,” and “Sola Fide” (the last of which was originally published in Able Muse, summer 2016) will be featured in Pleasure Boat Studio’s first biannual zine this December. Additionally, John will read “Sola Fide” at a Soul Food Coffee House event this December 19th.

Suri Parmar (Popular Fiction, W’17) is elated to announce that her live-action/animated film Rialia (2019) is an official selection at the National Screen Institute of Canada’s Online Short Film Festival and was their weekly featured film. Her short film The Bakebook (2017) will also be screening in Italy at the CineCiok Festival.

Dave Patterson (Fiction, W’13) had his novel, Soon the Light Will be Perfect, recently reviewed in The Portland Press Herald. The reviewer noted that the novel is “a beautiful exploration of what it means to come of age in difficult circumstances.”

Linda K. Sienkiewicz (Fiction, S’09) was selected to participate in the third annual Poets and Artists in Dialogue at The Grosse Pointe Congregational Church in Michigan. Two of Linda’s poems are published with accompanying art in the full-color book. The reading is January 9th, 2020.

Mary Katherine Spain (Fiction, S’16) has been awarded semi-finalist status in the Machigonne Fiction Contest sponsored by The New Guard Literary Review. Her short story “Collision” will be published in Volume IX of The New Guard Literary Review in 2020.

An anthology of poems and essays on the climate threat by Maine Writers, A Dangerous New World: Maine Voices on the Climate Crisis, edited by Kathleen Sullivan (Poetry, ’13) and Meghan Sterling, has been published by Littoral Books and can be purchased online here—or at the publication party at Space Gallery on December 8th in Portland. All Stonecoasters and their friends are invited! Also, The Portland Phoenix recently published an article about the anthology.

Morgan Talty‘s (Fiction, W’19) short story “Earth, Speak” will be published this December in Shenandoah‘s winter issue; the editors of Shenandoah have also nominated the story for a Pushcart.

Allister Timms (Popular Fiction, ‘13) has published his novel The Killing Moon with PS Publishing, the UK’s foremost specialist genre publisher of horror, sci-fi, and fantasy. The artwork for the novel is by Italian artist Daniele Serra, winner of the 2017 British Fantasy Award for Best Artist. The Washington Post has included The Killing Moon in its “Best Horror Fiction of the Year.” Allister Timms is from Wales and now lives in Belfast, Maine, and teaches Literature at Husson University in Bangor. Allister can be found at https://allistertimms16.wixsite.com/home

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Community News & Updates October 2019

ANNOUNCEMENTS

SUBMISSIONS OPEN: The Learned Pig

Melanie Viets (Creative Nonfiction, W’17) is currently a guest editor at the UK magazine The Learned Pig. Her “Root Mapping” section is an exploration of mapping place instead of space. What is sparked when today’s mapping is guided by a desire for connection and beauty instead of domination, when maps are living creations that arise from engagement and attention? Submissions of poetry, literary nonfiction, photo essays, and interviews are all welcome through October 31st.

CALL FOR SUBMISSIONS: The Way of the Laser: Future Crime

Vernacular Books, an indie press venture created by Joe McDermott (Popular Fiction, S’11) and Eric Bosarge (Popular Fiction, W’12) is pleased to announce they are accepting submissions for the anthology The Way of the Laser: Future Crime stories.

What we’re looking for: 

Crime stories that take place in the future. Preferably these stories will go beyond simple murders or capers to reveal something about how technology and the powers that wield it have changed our world. Is poisoning the nanobots responsible for programming the ads in your neural feed a crime? Is organized crime society’s only hope or responsible for its downfall? Consider what will constitute a crime and what unique problems it poses for your characters.

Keep in mind what is criminal behavior one day may be legal the next and vice versa. We want to see people caught up in the pitfalls of society ruled by corporations, ideologies, and demagogues and what lengths they will go to when there simply is no other choice.

Wow us with your original idea and blow us away with your writing.

Length: 4,000-8,000 words

Payment: $.05/word advance + royalties.

For SUBMISSION GUIDELINES visit www.vernacularbooks.com/submissions/

To support this project via Kickstarter, visit https://www.kickstarter.com/projects/vernacularbooks/the-way-of-the-laser-future-crime-stories 

CURRENT STUDENTS

Jac Evans’ (Popular Fiction) short story “Scales” appeared in Issue 30 of Three-Lobed Burning Eye, published on August 30! This story was workshopped in her very first Stonecoast residency.

FACULTY

David Anthony Durham (Fiction, Popular Fiction) has signed a new book deal with Tu Books for his middle-grade solar-punk fantasy novel, The Shadow Prince. It won’t enter the world until some time in 2021, but he’s happy. In November, he’ll be a guest at the first Reno Pop Culture Con.

Aaron Hamburger‘s tour for Nirvana Is Here rolls on, with stops at Literati Bookstore in Ann Arbor, at 7:00 p.m., Thursday, October 3rd; a reading and conversation at the Fall for the Book Festival at George Mason University at noon on Friday, October 11th; an appearance at the Rainbow Book Fair in New York on Saturday, October 12th; and a stop in Arlington, VA, for the Readings on the Pike reading series, Wednesday, October 15th at 7:30 p.m. Aaron will also be featured as part of the Detroit Public Library Author Series on Sunday, October 27th at 2:30 p.m., and will participate in the National Press Club Book Festival On Friday, November 1st. Keep up with all of Aaron’s latest events here.

Elizabeth Hand’s (Popular Fiction) novel Curious Toys, out October 15th, has received glowing early reviews, including raves from Publishers Weekly and Kirkus and starred reviews in Booklist and Library Journal, as well as advance praise from Audrey Niffenegger, Sarah Weinman, Peter Straub, and Bradford Morrow, among others. Liz will be appearing at the Strand Bookstore in New York City on October 16th, in conversation about the book with Benjamin Dreyer; at Solid State Books in D.C. with Michael Dirda on October 17th; at Anderson’s Bookstore in Chicago with Sarah Weinman on October 24th; and at the WORD Festival in Blue Hill, Maine, on October 26th, where she’ll be in conversation with Joe Hill and Laura Miller. Her forthcoming reviews include Rene Denfeld’s The Butterfly Girl in The Washington Post.

Cara Hoffman‘s (Fiction, Popular Fiction) debut children’s novel Bernard Pepperlin, out this fall from Harper Collins, was a Jr. Library Guild Selection, received a starred review in Kirkus, and earned glowing reviews in Publishers Weekly and School Library Journal which compared Bernard Pepperlin to books by Roald Dahl and E.B. White.

Robert Levy‘s (Popular Fiction) novella Anaïs Nin at the Grand Guignol is out this month from Lethe Press. Kirkus Reviews says, “Readers looking for a concentrated cocktail of Années folles splendor will find that this short erotic novel quenches their thirst. A finely crafted, Anaïs Nin–centered fantasy with unexpected depths,” while Publishers Weekly in a Starred Review writes, “Levy’s disquieting erotic imagery masterfully evokes Nin’s original prose. This sensual confection will enthrall readers looking for an intimate, disturbing thrill.”

Cate Marvin (Poetry) is this year’s editor of Best New Poets: 50 Poems from Emerging Writers, a series curated by Jed Livingood.

At the 2019 Massachusetts Independent Film Festival in September, Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) won Best Feature Film Screenplay and the short film Four-Sided, based on Elizabeth’s novel, was screened on the Festival’s closing night, September 7th. Elizabeth attended the Festival with Amy Carpenter Scott, one of the producers developing Elizabeth’s script, A Four-Sided Bed, as a feature film. Also in September, Elizabeth’s script was named a Finalist at the Northeast Film Festival and the short film Four-Sided was a Finalist at Moondance International Film Festival. See updates here.

Elizabeth and A Four-Sided Bed producer Amy Carpenter Scott at the 2019 Massachusetts Independent Film Festival

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) film short adaptation of her memoir The Sound of a Wild Snail Eating won the international Jackson Wild Media Award in the Education category. The film has an upcoming Canadian premier at the Edmunton International Film Festival and was recently reviewed in the San Francisco Examiner.  

Michael Beeman (Fiction, S’09) published two short stories recently: “Better” in The Saturday Evening Post and “The Escape Artists” in The Normal School.

Carina Bissett (Popular Fiction, S’18) was awarded the inaugural Ladies of Horror Fiction (LOHF) Writers Grant, which was funded by indie author Steve Stred.

KT Bryski (Popular Fiction, W’16) and PodCastle co-editor Jen R. Albert are pleased to announce their creation of a new speculative fiction reading series. Funded by the Ontario Arts Council, ephemera will feature literary speculative fiction with a focus on emerging and underrepresented voices. Starting in November, it will run the first Wednesday of every month at the Glad Day Bookshop, Toronto.  Follow ephemera on Twitter and Instagram @ephemeraseries.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce that Aqueduct Press has just released her 140-page novella, The Rampant, as a paperback and ebook:

Christianity it turns out got a whole lot of things wrong. It’s ten years since the hordes of old-world Sumerian gods arrived in Southern Indiana ready to kick off the end of the world. Massive tornadoes, tsunamis, government collapse: it all started out so strong, but the Rampant, the final herald of the apocalypse, failed to show. Both people and gods have had to adjust. Sixteen-year-old Emelia Bareilles and Gillian Halkey have spent most of their childhood stuck in this seemingly never-ending apocalypse. Now the two friends are resolute: they will travel into the lands of the dead and force a change.

Paperback:  Amazon | Publisher

eBook:  Amazon | Publisher

Goodreads list.

What others are saying

“Equal parts playful and heartbreaking, this apocalyptic novella offers one-of-a-kind answers about the end of the world….This clever and surprisingly fun take on the rapture is the perfect theological horror story.” ~Publishers Weekly

“Day perfectly balances dark and light in The Rampant, and offers up a fresh take on apocalyptic fiction that draws on ancient mythology and literature to create something that feels completely original and new.” ~The Book Smugglers Women to Read

Josh Gauthier’s (Popular Fiction, S’17) debut full-length play Of Murder and Madness opens in early October at Footlights Theatre in Falmouth, Maine. The show runs from October 10-26, and tickets are on sale now. Visit the Footlights Theatre website for full details.

Nancy Hayden (Fiction S’12) and her husband John Hayden are excited about the September release of their new book, Farming on the Wild Side: The Evolution of a Regenerative Organic Farm and Nursery from Chelsea Green Publishing. The book explores growing fruit and perennial vegetables, enhancing native biodiversity for pollinators, beneficial insects, and birds, and increasing resilience in the face of climate change. Its hopeful message is combined with the authors’ color photographs of their Vermont farm.

Veda Boyd Jones (Fiction, S’17) has been elected president of Ozarks Writers League, which is headquartered in Branson, Missouri, but includes Arkansas as well. She will preside over a spring and a fall conference with national speakers.

Alan King‘s (Poetry, W’13) Drift, the audiobook, is now available on Audible. Learn more here.

Paul Kirsch (Popular Fiction, W’11) co-wrote a game called The Outer Worlds, which launches October 25th on PC and consoles. The Outer Worlds is a dark sci-fi satire about consumerism and corporate greed in space, full of fun shooty combat and opportunities for creative roleplay. You can find the latest trailer here (and below).

Ellen Meeropol (Fiction, W’06) is delighted to reveal the cover of her fourth novel, Her Sister’s Tattoo, coming in April from Red Hen Press. Angela Davis blurbed the book with this quote: “The elegant restraint of Ellen Meeropol’s prose and the painstaking precision of her vision offer us discerning glimpses over decades and generations into the complexities of political engagement—its big questions and especially its intimacies. At a time when radical movements are on the rise, we find in Her Sister’s Tattoo exactly what we now need: both caution and hope.” Elli will be doing an ARC-drop road trip to New England indie bookstores this fall, so if you have suggestions about bookstores likely to be interested in a political novel, please let her know.

Catharine H. Murray (Creative Nonfiction, S’17) will be at the Lewiston Public Library October 5th from 3:00-4:30 p.m. to discuss Memoirs and Loss with Suzanne Farrell Smith. Murray will be back at the Lewiston Public Library on October 26th teaching a Memoir Workshop from 1:30 to 3:30 in the afternoon. Both events are free and open to the public.

John Christopher Nelson‘s (Fiction, S’15) story “Beth Garland Realizes Her Date is a Serial Killer” will be featured online in Parhelion Literary Magazine this October. John read this same piece at a Stonecoast Faculty & Guest event during his summer Teaching Apprenticeship.

Carolyn O’Doherty (Popular Fiction, W’11) is delighted to announce that her debut novel, Rewind, won the 2018 Oregon Spirit Book Award from the Oregon Council of Teachers of English. The award is given annually to the author of a distinguished contribution to young adult literature that engages and encourages readers’ imagination, discovery, and understanding, reflecting the spirit and values held by Oregonians. Carolyn’s second novel, Unleashed, the sequel to Rewind, was released in September 2019.

Ellie O’Leary (Poetry W’17) will be the featured poet at Amesbury (Massachusetts) Public Library’s Fall Poetry Series on Tuesday, October 22nd, at 6:00 p.m.

Anne Britting Oleson (Poetry, W’05) has contracted her latest novel, Cow Palace, with B Ink Publishing; the book will be published in 2021. She will be reading from her most recently published book, Tapiser, at the Boothbay Public Library on Saturday, October 12th, at 2:00 p.m.; she will also be the guest at Union’s Vose Library for their annual “Soup & Suspense” fundraiser on Thursday, October 17th, at 6:30 p.m.

“On the Ridge,” a poem about the search for a man lost in the Great Smoky Mountains National Park, by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the forthcoming issue of The American Journal of Poetry.

An essay, “Upstairs Love,” by Lisa Romeo (Creative Nonfiction, S’08) appears in the fall issue of Ovunque Siamo: New Italian-American Writing. Upcoming: Lisa and fellow Stonecoaster Anthony D’Aries will read together at I AM Books in Boston (November 9th); she will present two sessions at the Philadelphia Writing Workshop (November 23rd); and lead a three-day memoir workshop (January 17-20) at the Winter Poetry & Prose Getaway in Atlantic City, NJ, presented by Murphy Writing/Stockton University.

Catherine Schmitt (Creative Nonfiction, W’12) has an essay on the importance of Maine, and wonder, to Rachel Carson, in Maine Boats, Homes & Harbors Magazine,  and another about the monuments of oyster shells made by Wabanaki ancestors, in Island Journal. She wrote the cover story on Atlantic salmon for Maine Audubon’s Habitat magazine Summer Issue,  and she will be talking about salmon and signing copies of The President’s Salmon at Maine Audubon on October 3rd. Schmitt will be moderating a Maine Writers and Publishers Alliance discussion on “Finding a Publisher” at the Bangor Public Library on October 19th.

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Community News & Updates September 2019

FACULTY

The podcast of Tom Coash’s (Playwriting, Dramatic Arts) play Raghead has been added to the American Playbook Series. Raghead will also be produced in September at the Short & Sweet Festival in Auckland, New Zealand, and the Write About Now Festival in London, UK.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about the intersection of race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece was an August feature story for ESPN’s The UndefeatedToni Harris Made History by Getting a Football Scholarship. Now She Needs to Make Tackles. His YA book, War in the Ring: Joe Louis, Max Schmeling, and the Fight Between Hitler and America, was released by Macmillan’s Children’s Group in June 2019.

Aaron Hamburger (Fiction, Creative Nonfiction) will be reading from his novel Nirvana Is Here at KGB on 85 E. 4th St. in New York on Sunday, September 8 at 7:00 p.m. He’ll also be signing books at the Brooklyn Book Festival, Sunday September 22 at his publisher’s booth in the afternoon. Also, a new mini-documentary (two and a half minutes) about Aaron and the novel directed by Ender Emre is now available online here. Check out Aaron’s Nirvana events in October (including appearances at Literati Bookstore in Ann Arbor, The Fall for the Book festival at George Mason University, the Detroit Public Library, and the National Press Club…) here.

Four-Sided, the short film based on Elizabeth Searle‘s (Fiction, Playwriting, Popular Fiction, Scriptwriting) novel, is now an Official Selection at two more festivals this fall: Chi-Town Multicultural Film Festival in Chicago and Reel Q: Pittsburgh LGBTQ+ Film Festival! First, the film will have its USA debut at Massachusetts Independent Film Festival. For updates see www.afoursidedbedfilm.com

ALUMS

Elisabeth Tova Bailey (Creative Nonfiction, S’15) received the New England Director’s Award from the academy accredited Flickers’ Rhode Island International Film Festival for her film short The Sound of a Wild Snail Eating. She is director and screenwriter for the film, which she adapted from her CNF memoir of the same title (Algonquin Books). The film is also a double finalist for the international Jackson Wild Media Awards in the categories of Audioscape and Education. A slate of 20 festivals spring through fall included summer premiers in Italy, Australia, and Poland, with many upcoming fall screenings including premiers in Canada and Germany. For more information please see wildsnailfilm.org

Lindsey Barlow‘s (Popular Fiction, W’19) debut novel Pivot, the first of the Jack Harper trilogy, received a rave review in Publishers Weekly: “Barlow’s gorgeous writing will easily propel readers through the rest of the series.” You can read the entire review here.

Peter Adrian Behravesh (Popular Fiction, W’18) appeared at Worldcon 77 in Dublin, where he presented a paper, “Mischief in Her Heart: Women’s Empowerment in the Persian Fantastic,” and appeared on the panels “Muslim SFF” and “Using Science in Fantasy Writing.” In addition, Peter narrated Premee Mohamed’s story “Willing” for the August 20 episode of PodCastle. You can listen to it here.

Carina Bissett (Popular Fiction, S’18) placed her poem “The Perils of Invisibility” in Nonbinary Review #21 The Works of H .G. Wells (Zoetic Press, June 2019). In other news, her short story “The Gravity of Grace” was a finalist in the first quarter of Writers of the Future, May 2019. This story was one of the first pieces she workshopped at Stonecoast.

Renee S. DeCamillis (Popular Fiction, W’14) is excited to announce that her debut book, The Bone Cutters, is set for publication on Sunday, September 1st through Eraserhead Press. It’s a bizarro horror novella set in a dysfunctional psychiatric hospital, where you’ll meet a troubled young woman named Dory who encounters a peculiar and brutal group of patients when she’s sent to the wrong counseling group over and over again. Dory’s introduction to this counseling group sets her on the run in an attempt to save her life from The Bone Cutters. Renee’s book is available on Amazon, Indie Bound, Barnes & Noble, and at Longfellow Books. More stores to come soon. Two reviews for The Bone Cutters are already out, with more to come—one will soon be on the Cemetery Dance Reviews Blog. Here is what reviewers have to say about The Bone Cutters:

  • “It’s actually refreshing to be able to enjoy a book so much that you were miffed when it was over. As [her] debut novella, it’s a fantastic beginning to what could prove to be a career to watch. I’m giving this a solid 4 out of 5 [stars]…Considering that I’ve never read anything which rated a 5, I think The Bone Cutters is doing just fine.” ~Ginger Nuts of Horror
  • “I immediately fell in love with Dory, the writing style, the story…This is a terribly heart-wrenching story with a bit of a haunted house/ghost vibe where you’re also being chased by a bunch of crazy people who want to devour your bones. I didn’t want to put this book down.” ~Kendall Reviews

Renee is also thrilled to announce that Longfellow Books in Portland, Maine is hosting her book launch event on Thursday, September 5th, at 7:00 p.m. In addition to Renee’s reading and Q&A, there will also be live music to set the mood, performed by local guitarist Shaun Church Reehl. Elizabeth Searle will also be there as Renee’s MC.

September 12-14, Josh Gauthier‘s (Popular Fiction, S’17) 10-minute play “Expedition 3487-B” will be featured as part of the King of Crows play festival held at the St. Lawrence Arts Center in Portland, Maine. The festival is produced by the Crowbait Club, and you can find them on Facebook for more information.

Veda Boyd Jones (Fiction, S’17) has an essay, “Nice People,” in the summer issue of eMerge magazine.

Kristin Leonard (Fiction, S’18) has been selected to receive the Phi Kappa Phi Love of Learning Award to present at the 2019 Historic Writers of America Conference in Colonial Williamsburg, Virginia. She will be presenting a revised version of her third-semester presentation, “Discovery Through Multigenre Writing: How to Use Poetry and Playwriting to Develop Characterization, Conflict, & Plot in Fiction.”

Gregory Martin’s (Popular Fiction, W’17) short story “Inside” was recently published in Dark Moon Digest #36.

Mary Heather Noble (Creative Nonfiction, W’14) received news from the editors of Narrative Magazine that her personal essay “Plume: An Investigation” was selected as a finalist in this year’s Spring Story Contest. She is currently working on a new collection that explores the complexities and ambiguities of family.

Renée Olander (Poetry, W’05) will read from her new collection, American Dangerous, at the Old Dominion University 42nd Annual Literary Festival in Norfolk, Virginia, Thursday October 10, 4:00 p.m., free and open to the public.  The entire festival schedule is available here.

Bruce Pratt‘s (Fiction, S’04) poem “Dead Bodies and Declaratory Judgments” is forthcoming in Main Street Rag’s anthology Show us Your Papers, “The First Cold Rain Since Spring” will appear in the next Connecticut River Review, and “Lunar Eclipse” will be included in the special “Cosmos” edition of The Poeming Pigeon.

“Visionquest,” a prose poem by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the fall issue of Cimarron Review.

Lisa Romeo (Creative Nonfiction S’08) recently judged the nonfiction entries for Tiferet Journal’s annual writing contest and her flash piece “A Grave Duty,” was published in the August issue of Flash Glass, part of Glassworks Magazine. She will be a keynote speaker at NJ Women Who Write’s one-day conference in Madison, NJ, on September 21, and on November 23, Lisa will speak on “Revising the Memoir Manuscript” at the Philadelphia Writing Workshop. A fun piece, “A Beautiful Day in the Neighborhood,” is out in Chicken Soup: Angels All Around. Lisa’s editing role for Cleaver Magazine has expanded; she’s now handling craft essays on both fiction and nonfiction for their “Writer to Writer” column (pitch/submit here). In late August at the HippoCamp Conference for Creative Nonfiction, Lisa presented “Become a Writer who Reads Like a Writer” and was on a parenting/writing panel; earlier in the month, she led a week-long memoir workshop in New Hampshire for Murphy Writing.

Morgan Talty (Fiction, W’19) was included in Narrative Magazine‘s 30 Below 30 list for 2019. His short story “The Name Means Thunder” will appear in the Fall 2019 issue of The Georgia Review. 

 

 

 

 

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Community News & Updates April 2019

ANNOUNCEMENTS

Call for Submissions: Climate Anthology
Now it is up to the artists. The scientists have warned us. They have been warning us for fifty years. But we have only 12 years to dramatically reduce our current carbon use before we cross the line into unprecedented climate catastrophe. We—Meghan Sterling and Kathleen Sullivan (Poetry, ’06)—are editing an anthology of Maine poets and essayists whose writing will, we hope, wake us, stir our imaginations both for our global future and our way of life here in Maine. We are looking for writing which helps find language for the fear, guilt, and grief of this moment, and, perhaps, for the hope. Published and unpublished work sought. Littoral Press has agreed to publish the book which we hope will be in Fall, 2019. The voices of youth most welcome. Send one essay (max 1,000 words) or up to three poems to: climateanthology@gmail.com Include a short bio. Deadline is May 31. Kathleen notes that Stonecoast alums are encouraged to submit even if they don’t live in Maine now.

CURRENT STUDENTS

Lauren Erin O’Brien‘s (Fiction) story “Atrophy,” recipient of the 2018 Goldenberg Prize for Fiction from Bellevue Literary Review, has been nominated by the board of contributing editors for a Pushcart Prize. The story originally appeared in the Spring 2018 issue of Bellevue Literary Review and can be read online here.

FACULTY

Tom Coash’s (Playwriting, Dramatic Arts) full-length play Cry Havoc will have its European Premiere at the Park Theatre in London, March 27-April 20. His short play Kamasutra is included in The Best Ten Minute Plays of 2019 anthology (Smith & Kraus)—available now!

Audiophile named Susan Conley’s (Fiction, Creative Nonfiction, Writing for Social Change) Elsey Come Home an Audiofile “Earphone Award Winner,” given to truly exceptional titles that excel in narrative voice and style, characterizations, suitability to audio, and enhancement of the text:  “At once urgent and contemplative, this new work focuses on Elsey, a painter and married mother living in China who has taken to drinking instead of creating art. Urged by her husband to find help, she attends a yoga retreat and discovers many truths, not the least of which about herself.” Also, Read it Forward named Elsey Come Home one of the best novels with “Characters Who Drink Too Much”: “Elsey has to face the ghosts of her past and figure out what alcohol is keeping her from confronting.” Finally, Elsey Come Home was Maine’s WERU-FM’s Book Worm’s March Book Club Pick. The live, in-studio interview, with call-ins was March 14. In their March 17th review, The Portland Press Herald called the narrator of Susan’s new novel Elsey Come Home “a feisty blur of a woman, caught in the grip of her many demons, hellbent on pushing everyone, and everything, away. Elsey is that rare creation that evokes real life, defies predictability and disarms us at every turn. Conley has taken a jittery pile of loose ends and made a thing of beauty.”

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about the intersection of race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece, “The Jackie Robinson of Pool, Cisero Murphy Hustled His Way to the Top,” was a March feature story for ESPN’s The Undefeated. His book One Nation Under Baseball: How the 1960s Collided with the National Pastime will be re-issued in paperback on April 1. His YA book, War in the Ring: Joe Louis, Max Schmeling, and the Fight Between Hitler and America, will be released by Macmillan’s Children’s Group on May 21, and just received this review from Kirkus.

More advance praise for Aaron Hamburger‘s (Fiction, Creative Nonfiction) Nirvana Is Here, due out May 14th! Brando Skyhorse calls the book “A yearning, generous, coming-of-age journey… funny, painful, heartbreaking.” Louis Bayard says, “A touching, finely wrought portrait of secrets lying like buried ordinance beneath ordinary lives.” The review by Amos Lassen raves, “Every once in a while, a book comes along that blows me away and Nirvana Is Here is one such book…” and I Like To Read says, “Almost impossible for me to put this book down, which is rare for me these days… a beautiful, sad, coming-of-age story that is a heartily welcome addition to the LGBTQ literature pantheon.” Also, a couple new tour dates added, including a stop at Word Bookstore in Jersey City on May 15th and the Fall for the Book Festival at George Mason University in October. Click here for the updated schedule to see if Aaron’s coming to your hometown!

Elizabeth Hand’s recent reviews include Niklas Natt och Dag’s The Wolf and the Watchman for The Washington Post; Mallory O’Meara’s The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Millicent Patrick for The Los Angeles Times; and Folk Horror Revival: Field Studies, The Devil’s Highway by Gregory Norminton, Ghost Wall by Sarah Moss, and Your Favorite Band Cannot Save You by Scotto Moore for The Magazine of Fantasy & Science Fiction.

Nancy Holder (Popular Fiction) is happy to announce the Crossroad Press reissue of Witch-Light and Making Love, two books she originally co-wrote with the late Melanie Tem for the groundbreaking horror imprint, Dell Abyss. Making Love is a retelling of Frankenstein, and the book is dedicated in part to Mary Shelley.

Elizabeth Searle and alumna Tamra Wilson (Fiction, S’11) are bringing Idol Talk to the stage! Idol Talk: A Magical Memory Tour of Teen Idols is premiering as a theatrical event produced by Firehouse Center for the Performing Arts and Exit Dance Company as a special fundraiser. The show stars actress and author Marianne Leone (The Sopranos) and will alternate short monologue-style readings from the book Idol Talk (co-edited by Elizabeth And Tammy) with dance numbers paying tribute to idols like The Beatles, Bob Dylan, The Monkees, and more. The show features Stonecoast alum readers/performers Lee J. Kahrs, Kate Kastelein (whose work will be performed by Marianne Leone), Michelle Soucy, and Darlene Taylor, along with Stonecoast faculty Suzanne Strempek Shea. Performances are May 10 & 11 at 8:00 p.m. at Firehouse Center for Performing Arts in Newburyport, MA; tickets on sale soon here.

It’s almost time for our 18th Writers’ Day at Bay Path University in Longmeadow, MA. Suzanne Strempek Shea (Creative Nonfiction, Fiction), the university’s writer in residence, is delighted to have booked speakers Jane Yolen, author of over 350 books for children and adults, discussing Writing for Younger Readers; C Flanagan Flynn, former managing editor of Brain, Child Magazine, discussing Writing and Publishing in Literary Magazines & Journals; and author and Bay Path MFA faculty member Shahnaz Habib, speaking about Writing Home, where you’re from and who your are. The event will be held Sunday, April 14, at the Philip H. Ryan Center in East Longmeadow, MA. For more information or to register, go here.

Jane Yolen

ALUMS

The short-film adaptation of Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) memoir The Sound of a Wild Snail Eating has launched. The film next screens in April at the International Wildlife Film Festival in Missoula, MT, and then will screen in late May/early June at CinemAmbiente Environmental Film Festival in Turin, Italy.

Michael Beeman (Fiction, S’09) published two short stories recently: “The Shift” in Eclectica Magazine and “The Maelstrom” in Failbetter.com.

Peter Adrian Behravesh (Popular Fiction, W’18) presented his paper “Mischief in Her Heart: Female Empowerment in the Persian Fantastic” at the 40th International Conference on the Fantastic in the Arts. He will be presenting the paper again at Worldcon 77 in Dublin in August. Peter also sold his story “The Moon and Mahasti” to the Holy C.O.W. anthology, which will be published this summer.

Carina Bissett (Popular Fiction, S’18) placed her poems “A Disappearing Act,” ”Snow White, Rose Red,” and “Persephone’s Promise” in the Spring issue of The Horror ‘Zine.

Karen Bovenmyer (Popular Fiction, S’13) has a short story coming out in Bill Adler Jr. and Sarah Doebereiner’s The Binge Watching Cure: Horror Edition anthology in October 2019—a reprint of “Cadaver Feet” which was featured in alumna Bonnie Jo Stufflebeam’s Art and Words show. Jose Gonzalez Lanza’s amazing artwork interpreting this piece is available for viewing at this link. This summer, Karen is teaching a 12-week online creative writing class May-August for Western Technical College—registration is now open and participants will earn transferrable college-level English credits. New or experienced poets/fiction writers world-wide are welcome in this online asynchronous class.

Jess Flarity (Popular Fiction, S’18) sold his short story about drug-fueled time traveling, “A Second’s Labour,” to The London ReaderThis piece was workshopped during his first semester at Stonecoast with Nancy Holder. Also, he has accepted a full-tuition scholarship to the University of New Hampshire’s Masters in English Studies program, where he will begin attending this fall.

Veda Boyd Jones (Fiction, S’17) will be speaking at the Authors’ Fair at Crowder College in Missouri on April 27. Her topic is research for fiction, and she’ll use examples from her own fiction as illustrations (spending two days at a TV station researching for a news anchor character in A Sense of Place, attending 14 Thursday nights of the Citizens’ Police Academy for a policewoman character for Here’s Your Trouble).

In March, The Last Woman in the Forest, the newest novel of Diane Les Becquets (Fiction, S’05), was released by Penguin Random House. Publishers Weekly said that the novel is “[an] elegantly written thriller…the story revs up, providing more than enough tension and suspense as Marian inches closer to the dangerous and disturbing truth. Eloquent, detailed descriptions of nature and of rescue dog training, survival techniques, and the peripatetic life of conservationists enrich the narrative.” Diane is on a book tour, including a visit to Water Street Bookstore in Exeter, NH, at 7:00 p.m. on April 11th (see below for more April dates).

Susan Lilley’s (Poetry, S’08) collection Venus in Retrograde comes out April 30 from Burrow Press. She is looking for a good excuse to come to New England and do some readings this summer. Reach her at susan.lilley@icloud.com. Check it out here: https://burrowpress.com/venus

On April 6, Alison McMahan (Popular Fiction, W’10) will be teaching a class, “The How-to of Deep Point of View,” for the Alvin Sherman Library at Nova Southeastern University, in Fort Lauderdale, FL, 2:00-3:30. Details here. Alison’s short story “King Hanuman” is now available in the the new Sisters in Crime/LA anthology Fatally Haunted (Down and Out Books, Spring 2019), edited by Rachel Howzell Hall, Sheila Lowe, and Laurie Stevens.

Ellie O’Leary (Poetry, W17) has two books accepted for publication. North County Press will publish both her memoir, Up Home Again, and her poetry manuscript, Breathe Here.

Alexandra Oliver (Poetry, W’12) is in the third year of her PhD at McMaster University in Hamilton, Ontario. She has just completed an interview with CBC’s The Sunday Edition (hosted by Michael Enright) concerning her work and, in particular, her most recent chapbook, On the Oven Sits a Maiden (Frog Hollow Press, 2018).

Lisa Panepinto‘s (Poetry, W’13) book where i come from the fish have souls was published by Spuyten Duyvil.

Bruce Pratt‘s (Fiction, S’04) short story “Ariel in LOve Summer” 1999 [sic] will appear in the summer 2019 edition of Valpariso Fiction Review; his poem “Looking” will appear in Gyroscope Review. Bruce will be reading from and signing copies of The Trash Detail, his new story collection from New Rivers Press, and Forms and Shades, his new poetry chapbook from Clare Songbirds Publishing, at The Bangor Public Library on Saturday, April 20, beginning at 2:30 p.m.; a Q&A will follow the reading, which is free and open to the public. For more information please call 207-947-8336. He will also be part of the annual Poets Speak event at the library that will take place on April 25; dozens of poets will read throughout the afternoon and early evening. On April 27, Bruce will join songwriters Cormac McCarthy, Stan Sullivan, and Jim Mercik for an evening of songs, stories, and a musical tribute to the late Bill Morrissey at The Roaring Brook Nature Center in Canton, CT. For reservations and directions please see the venues website or call 860-693-0263; the show, primarily a music event, begins at 7:30 p.m.—doors open at 7:00 and tickets are $20.00. Finally, on April 30, Bruce will join Anne Britting Oleson at the Belfast Public Library, 106 High Street, Belfast, ME, for a joint reading, book signing, and Q&A. The event is free, open to all and begins at 6:30 p.m.; additional info may be had by calling 207-338-3884.

Erin Roberts (Popular Fiction W ’18) is thrilled to have two of her short stories (“Sour Milk Girls” & “Snake Season”) on the 2018 Locus Recommended Reading List, which helps to determine the winners of the annual Locus Awards. She also recently had the opportunity to chat about her work as a whole on a Signal Boost episode of the Skiffy and Fanty podcast and hopefully didn’t say anything too incriminating! Note: The Locus list is packed with amazing stories, books, and collections (including work by Jim Kelly and Dora Goss)—read and vote for your favorites (voting open to all, whether a Locus subscriber or not, and write-ins are allowed!).

Lisa Romeo‘s (Creative Nonfiction, S’08) article “Yes, You Can Write Memoir, Even if Your Memory Isn’t Great” appears at the blog of The Open Center NYC, where she’ll be teaching a day-long workshop on the intersection of memory and memoir writing on April 13. Her essay “Forgiving the Bully in the Pulpit” appeared recently in The Moon Magazine. In August, Lisa will lead a week-long memoir workshop at the Live Free and Write Retreat in Sunapee, NH. Closer to her home in NJ, Lisa recently marked six years teaching with The Writers Circle.

Bonnie Jo Stufflebeam‘s (Popular fiction, S’13) story “Every Song Must End” appeared in the latest issue of Uncanny Magazine.

Kathleen Sullivan (Poetry, ’06) has a poem coming out in next volume of Poet Lore and has had an essay accepted for publication this summer in The Stonecoast Review.

Morgan Talty’s (Fiction, W’19) short story “Safe Harbor” was published in Narrative Magazine‘s Winter 2019 issue.

Adrienne S. Wallner’s (Poetry, W ’09) poem “Hydrangea” will appear in the Spring/Summer 2019 issue of The Aurorean.

 

 

 

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