Tag Archives: Elisabeth Tova Bailey

Community News & Updates June 2020

ANNOUNCEMENTS

THE STONECOAST MFA VIRTUAL WRITING SERIES
Join us Monday, June 8th, 6:00-7:00 p.m. for “Rolled in Sugar: Food as an Entry into a Moment” with Stonecoast Director Justin Tussing. Like Proust’s madeleine, we’ll talk about food and writing and where both can take us. Link to join is here. The Stonecoast Virtual Writing Series is an effort to connect our community and continue learning together from afar. Led by a faculty member or guest instructor, sessions are held monthly.

 

CURRENT STUDENTS

Lauren Erin O’Brien‘s (Fiction, S’20) poem “After She Reads the Court Records” is forthcoming in the Fall/Winter 2020 issue of Witness.

 

FACULTY

Martín Espada‘s (Poetry, Writing for Social Change) new collection of poems, called Floaters, is forthcoming from W.W. Norton in January 2021.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about sports, crime, and social issues. In May, he wrote a feature about baseball for ESPN’s The Undefeated: J.L. Wilkinson Stood Out as the Only White Owner in the First Official Negro League. His next young-adult book is due out in 2021. Doomed: The Tragic Story of Sacco & Vanzetti tells the controversial story of two Italian anarchists wrongly convicted of murder and later executed in Boston, MA.

Elizabeth Hand’s (Popular Fiction, Fiction) forthcoming Cass Neary novel, The Book of Lamps and Banners, was named one of fall’s most anticipated titles by CrimeReads/LitHub. She was interviewed by The Coode Street Podcast, discussing pandemic reading. Her recent reviews include Megan Capisi’s Sin Eater and N.K. Jemisin’s The City We Became, both for The Washington Post.

Nancy Holder (Popular Fiction) was profiled in The San Diego Union Tribune on Saturday, May 24.

Authors Ryan Craig Bradford and Nancy Holder

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) and her theater cohorts are finding ways for the Shows to Go On in these challenging times: Michael Teoli, composer and “co-conspirator” with Elizabeth on Tonya & Nancy: The Rock Opera, performed two of his and Elizabeth’s songs from their rock opera in May on the Los Angeles-based Stealing Focus Digital Cabaret.
In a new May interview, the stars of the 2020 TheatreZone production of Tonya & Nancy—Whitney Winfield and Nikki Miller—discuss their “joyous” experience doing the rock opera in February and also the new realities of the theater world since then, on ZoomIntoTheZone.

Elizabeth and composer Michael Teoli, who did the music on Tonya & Nancy: The Rock Opera, with book & lyrics by Elizabeth

Join Suzanne Strempek Shea (Creative Nonfiction, Fiction) online June 1 at 1:00 p.m. for a conversation with Meredith O’Brien, author of the newly released Uncomfortably Numb, her memoir on the life-altering diagnosis of multiple sclerosis and on the practice of narrative medicine. The free event will include some details about Bay Path University’s upcoming Narrative Medicine Certificate. Please register for the webinar here.

 

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) book, The Sound of a Wild Snail Eating, was mentioned in a recent New York Times essay by Helen Macdonald, author of H is for Hawk. Macdonald’s essay on pandemic quarantine and birdwatching is available at this link.

Lindsey Barlow (Popular Fiction, W’19) was interviewed on episode 92 of a podcast called Thrill Seekers Radio with Alex Dolan to help advertise The Jack Harper Trilogy (Pivot, Perish, and Peak).

Peter Adrian Behravesh (Popular Fiction, W’18) appeared at the 2020 SFWA Nebula Conference on the “Finishing What You Didn’t Start: Editors Making Projects Their Own” panel.

Jennifer Marie Brissett (Popular Fiction, S’11) had a short story published in the May-June issue of Uncanny Magazine called “Through the Veil.”

J Brooke’s (Poetry, S’19) essay “Kaden has Covid” was a winner of Beyond Words Literary Magazine’s Dream Challenge and appears in the June issue online and in hard copy (essay can also be read in eir website jbrookewrites.com).

The ephemera reading series has gone virtual! Co-chaired by KT Bryski (Popular Fiction, W’16) and editor Jen R. Albert, ephemera is a monthly reading series showcasing diverse SFF. Catch the next event on June 17th, 7:00 p.m. ET, live on YouTube. ephemera was also recently nominated for an Aurora Award in the Best Fan Organizational category. It is funded by the Ontario Arts Council.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce the charity anthology Weird Dream Society: An Anthology of the Possible & Unsubstantiated in Support of RAICES is now available as both a paperback and ebook! This book is a culmination of a long year of work and a lot of help from some amazing creatives with Julie at the helm as Editor-in-Chief. Playful, whimsical, or dark, but always thoughtful and tinged with the inexplicably weird, the Weird Dream Society brings together twenty-three stories from the most innovative creators in speculative fiction, including Nathan Ballingrud, Carina Bissett (Popular Fiction, S’18), Gregory Norman Bossert, Karen Bovenmyer (Popular Fiction, S’13), Christopher Brown, Emily Cataneo, Julie C. Day, Michael J Deluca, Gemma Files, A.T. Greenblatt, Nin Harris, Chip Houser, James Patrick Kelly (Popular Fiction faculty), Marianne Kirby, Kathrin Köhler, Matthew Kressel, Jordan Kurella, Premee Mohamed, Sarah Read, Sofia Samatar, Bonnie Jo Stufflebeam (Popular Fiction, S’13), Steve Toase, and A.C. Wise. All proceeds from the anthology go to RAICES, which envisions a compassionate society where all people have the right to migrate and human rights are guaranteed.
Paperback: Amazon | Barnes&Noble | IndieBound.org
eBook: Amazon | Kobo | B&N Nook | Weightless Books
What Others Are Saying

  • “I adore it…These stories are what weird should be. Each one is a different subgenre and [yet] its own beast all together…I’m just feeling electrified by the stories in this collection…they are all connected in the places that matter. They are weird, they are genre, and they contain fantastic prose I’ll keep coming back to over and over again.” ~Paul Jessup, Vernacular Books Guest Review
  • “..the dream-like quality of the stories delivers on the promise of the title….the collection as a whole weaves in moments of profound strangeness, places where the rules of the universe seem to bend and buckle….There are ghosts of a shopping mall, and little girls with superpowers, and a man who can change skins….For fans of dark fantasy and science fiction, there’s a whole lot to like….And there are still moments of hope and clarity, tucked in among the shattered dreams the collection catalogs.” ~Charles Payseur, Quick Sip Reviews  

In addition to the anthology, Julie’s story “After the Apocalypse There Will Be Memory Poems” can now be found in the May 3rd issue of Vol.1 Brooklyn as part of their Sunday Stories series. This is a redrafted version of a piece from Julie’s thesis and a story that demanded a home. Julie’s story “Speculative Execution” is out this month in the anthology The Way of the Laser: Future Crime Stories, edited Stonecoast alums Eric M. Bosarge (Popular Fiction, W’12) and Joe M. McDermott (Popular Fiction, S’11). It’s a story about A.I.-infused glass, theft, and friendship in a networked city where no one is entirely alone.

Jessica de Koninck‘s (Poetry, S’11) poem “Virtual Seder” was a winner in the Writer’s Almanac Pandemic Poetry Contest. In an interview, Garrison Keillor discussed the poem with her as well as reading her poem “Repairs.” The full Zoom interview can be seen on the Writer’s Almanac website.

Jess Flarity (Popular Fiction, S’18) published a flash creative nonfiction piece, “The Simplest Recipe,” in Hippocampus.

Paul Kirsch (Popular Fiction, W’11) won a Nebula Award in the category of Game Writing for his work on The Outer Worlds, a spacefaring RPG that values player agency, player choice, and tells a story as morbid as it is fun. This is Paul’s first nomination, his first award, and as of writing this he’s celebrating with his cat. He’s currently working on an expansion to the game, launch date TBD.

Nylah Carpenter Lyman (Poetry, S’10) has had a poem titled “Making a Field” selected for Poetic License, a written word and visual arts exhibition, managed in collaboration by The Poetry Barn and the Arts Society of Kingston, NY. The process first involved having her poem chosen by the editorial team at Poetic License as a finalist.  Those poems were then forwarded on to visual artists at ASK. Once there, her poem was one of those selected by a visual artist, and so it will be mounted with the artist’s interpretation in an exhibition to be held in August 2020 at ASK’s gallery. If possible, the poets will be invited to come and read at the exhibition’s opening. The poems, and the paintings that were inspired by them, will be posted in a special issue on our sister site, The Poetry Distillery. While the gallery has been closed due to the COVID-19 crisis, they plan to reopen in June.

The Next Generation Indie Book Awards picked Tom MacDonald’s (Fiction, W’09) Dermot Sparhawk crime series—The Charlestown Connection (2011), Beyond the Bridge (2103), The Revenge of Liam McGrew (2015), Murder in the Charlestown Bricks (2018)—as a finalist in the series category. Also, the crime anthology Coast to Coast: Noir will publish a Dermot Sparhawk short story called “Nashua River Floater” in its 2020 edition, due out in June.

Daily Science Fiction published Dan McMinn’s (Popular Fiction, W’20) short story “Advice for Newbies at WoodCon” on May 5th.

Ellen Meeropol (Fiction, W‘06) is pleased to have her short story “Gridlock” in the spring 2020 issue of Solstice Magazine. It was wonderful working with Lee Hope again!

Starting Saturday, June 6th, Catharine H. Murray (Creative Nonfiction, S’17) will be teaching Memoir 101: Writing the Stories of Your Life, a weekly live Zoom class for five Saturdays, 10:00-11:30 a.m. EDT. For more information, click here.

John Christopher Nelson‘s (Fiction, S’15) creative nonfiction piece, “Things You Gave Me When You Left,” is online at The Real Story. Also, John was recently interviewed for a quarantine podcast by the folks at DUM DUM Zine, where it will be featured online shortly.

The concrete poem “Tree,” by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the next issue of The Comstock Review.

Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “Barking Dog Nocturnal” appeared in The Offing.

Gina Troisi‘s (Creative Nonfiction, W’09) short story “What Remains” was recently published in Volume 26 of Quarter After Eight. Her short story “Eve” was named a finalist for Iron Horse Review‘s Trifecta Award in Fiction. Her memoir, The Angle of Flickering Light, has been accepted by Vine Leaves Press and is forthcoming in April 2021.

“Church Camp,” a story by Tamra Wilson (Fiction, S’11), appears in the Spring 2020 issue of Trajectory, a journal based in Frankfort, KY.

 

 

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Community News & Updates May 2020

ANNOUNCEMENTS

STONECOAST MFA VIRTUAL WRITING SERIES
In an effort to connect our community and continue learning together from afar, Stonecoast is launching a monthly writing session led by a faculty member or guest instructor! Aaron Hamburger (Fiction, Creative Nonfiction) kicked off our first session in April with a fantastic Mindfulness and Creative Writing class. We are thrilled to present Susan Conley (Fiction, Creative Nonfiction, Writing for Social Change) on Monday, May 18th, with “Voice Across Genre: Tone and Pitch and How to Really Say What You Are Feeling,” followed by Justin Tussing (Stonecoast Director) on Monday, June 8th, with a pre-residency generative writing session.

Information and Zoom links will be distributed to current students and faculty via email, and to the greater community via the Stonecoast Portland Meetup group and the Friends of Stonecoast MFA Facebook Group. If you are unable to access any of these platforms, email Special Projects Coordinator Jenny O’Connell (jennifer.a.oconnell@maine.edu) to be added to the list.

You can also receive weekly writing prompts from faculty on the Stonecoast Facebook Page.

 

CURRENT STUDENTS

Natalie Harris-Spencer (Fiction) has been selected by Oyster River Pages for publication under their “Emerging Fiction Voices” category, established to showcase new writers who are just beginning to submit their work to journals. Her short story “Fish Out of Water” will be published in the Fourth Annual Issue of Oyster River Pages, due Summer 2020 (publication details to follow). ORP is a literary journal that embraces the reality that the personal has become the political and actively seeks to publish those who bring balance and diversity to historical institutions of power.

Nina Lichtenstein (Creative Nonfiction) recently had another piece up on the Brevity blog about how the lockdown has provided her with a much welcomed focus on writing, stripped of the otherwise regular and non-essential diversions. She has also embarked on a new project and is looking for contributors: If you know someone who is a Jew by choice, the planned anthology Our Stories, Our Tribe: Personal Essays by Converts to Judaism is looking for diverse voices in essays between 1500-4000 words. Email Nina (nblichtenstein@gmail.com) if you would like a copy of the Call for Submissions to share.

 

FACULTY

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) was happy that her novel We Got Him was chosen to be featured in April on Snowflakes in a Blizzard, which highlights books by Indie press writers. As noted in this piece, We Got Him, which was published by New Rivers Press, is also out in a 2018 audiobook version—published and narrated by star Stonecoast alumna Tanya Eby and her audiobook company, Blunder Woman Productions.

 

ALUMS

The film short The Sound of a Wild Snail Eating, adapted by Elisabeth Tova Bailey (Creative Nonfiction, S’15) from her memoir of the same title, won a Special Jury Mention from the ÉCU—The European Independent Film Festival in Paris, and an Honorable Mention from the USA Film Festival’s International Short Film & Video Competition in Dallas, Texas.

Jennifer Marie Brissett (Popular Fiction, S’11) made a guest post called “The Sophomore Book” about writing her next book on Fantasy Cafe for Women in SF&F Month. She also had a new poem published by The Free Library of the Internet Void called “Remember.” And AAWW Radio posted Breaking into Speculative Fiction, a panel discussion with Jenn and Malka Older, moderated by Tim O’Connell.

j brooke’s (Poetry, S’19) essay “Hybrid” was the Nonfiction Winner for Columbia Journal’s Womxn’s History Month Special Issue.

Renee S. DeCamillis (Popular Fiction, W’14) is excited to announce that she has found a means to get out and share her book The Bone Cutters during this pandemic. From May 11 to June 11, Renee is doing an online book tour, where her work will be featured on 50+ blogs. There will be a video reading, an interview, an excerpt or two, as well as free giveaways. Here is the link to find out how and where to check it all out. Stay safe, everyone!

teri elam’s (Poetry, S19) poetry manuscript was recently named a semi-finalist for the Two Sylvias Press Wilder Prize. During April, a film based on her poem “Butterflies” premiered during Visual Poetry Project’s online film celebration of National Poetry Month.

Andrea Lani (Fiction, W’14) was thrilled to have her essay “Faith in a Seed,” about motherhood and the extinction and rebirth of the American chestnut tree, published in the current issue of Spire: The Maine Journal of Conservation and Sustainability.

Alison McMahan‘s (Popular Fiction, W’10) short story “Harlem in Havana” was released April 7, 2020, in the anthology The Beat of Black Wings: Crime Fiction Inspired by the Songs of Joni Mitchelledited by Josh Pachter, published by Untreed Reads. Anthology authors Alison, Alan Orloff, and Elaine Viets taught a class on Writing Suspense via Zoom on April 26, 2020.

Ellen Meeropol (Fiction, W’06) and Robin Talbot (Stonecoast Associate Director) invite the Stonecoast community to a Virtual Book Event at PRINT Bookstore in Portland on May 13, 2020, at 7:00 pm. Co-hosted by Maine Writers and Publishers Alliance (MWPA) via Zoom, Ellen will read from her new novel, Her Sister’s Tattoo, and talk with Robin. To register, visit here or here.

John Christopher Nelson‘s (Fiction, S’15) stories “Sola Fide” (originally featured in the summer 2016 issue of Able Muse), “Avoidance,” and “Meaning As Use” are all featured as the fiction portion of Lights, the inaugural issue of Pleasure Boat Studio‘s new zine, available as a free PDF. John also read his story “Good Friday,” originally featured in Volume VI of The New Guard, on Good Friday for West Seattle’s own Pegasus Book Exchange.

Jenny O’Connell‘s (Creative Nonfiction, S’17) recent tribute to the late, great Ryan West—which doubles as an ode to the ultimate frisbee community—was published in Ultiworld magazine. Her essay “Valley of the Bulls” won the 2019 Appalachia Journal Humor in the Wild Contest, and is now available in print. An outdoor contributor for Maine Magazine, Jenny’s profile on camp owner and adventurer Chloë Rowse was published in March, and she has a forthcoming feature on ice climbing in Maine later this year. In April, Jenny signed with agents Jamie Chambliss and Steve Troha of Folio Literary Management, who will represent her book project, Finding Petronella

Suri Parmar (Popular Fiction, W’17) was recently awarded a media grant from the Ontario Arts Council for her experimental short You’re Smart, her first foray into non-narrative filmmaking. While production is presently on hold due to the ongoing COVID-19 pandemic, she hopes to complete her film in the following year.

Three short pieces from sid sibo’s (Fiction, W’19) in-process collection Familiar: Stories have been awarded the Neltje Blanchan Memorial award from the Wyoming Arts Council for best writing “informed by a relationship with the natural world.” Two other stories from the collection have earned Honorable Mentions, one of which, “Bull,” will be published online in Cutthroat magazine. The pen name can be traced to Stonecoast 2019 alum sidney woods.

Patricia Smith’s (Poetry, S’08; former faculty member) poem “Now He’s an Etching” appeared in The Academy of American Poets’ Poem-a-Day email for Thursday, April 16th.; the poem can be read and heard on the poets.org website.

Jacob Strunk (Fiction, W’07) was featured in April’s Voyage LA, an online magazine celebrating the artists and eccentrics that define Los Angeles. The profile features no revelatory bombshells, but there are some fun photos.

Lisa C. Taylor (Poetry, S’04) will have upcoming poetry published in Lily Poetry Review and Soul-Lit. Her book review of Rebecca Foust’s The Unexploded Ordnance Bin was published in Mom Egg Review in April. Lisa’s short story “Lucky” was shortlisted in the 2020 Fish Short Fiction contest, judged by Colum McCann. She has been a mentor through the AWP W2W program this spring, working with a fiction writer from Georgia. And Lisa will have a new collection of poetry published by Arlen House/Syracuse University Press in the spring of 2021.

Rhiannon J. Taylor’s (Popular Fiction, S’19, writing as R. J. Howell) dark fantasy/horror story “What You Lost in the Wildermere” has been published by Arsenika in their sixth issue. Additionally, her story “Parasites” is forthcoming from Frozen Wavelets.

As reported by Locus, Erin Underwood (Popular Fiction, S’09) won the 2020 Down Under Fan Fund (DUFF), which sends a fan from North America to CoNZealand, the 78th Worldcon. Paul Weimer, the North American DUFF administrator, said, “With ConZealand being a virtual Worldcon this year and Corvid-19, Erin will not be traveling to New Zealand this year, but hopes to travel to Australasia in the DUFF tradition in 2021, health and world events permitting.” Erin will also take over from Weimer as the new North American administrator.

Marco Wilkinson (Creative Nonfiction, S’13) is now the nonfiction editor at The Los Angeles Review. He is looking for fresh, engaging essays; in particular at this moment, he’d love to read about life during COVID-19. You can submit here.

 

 

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Community News & Updates April 2020

Hope everyone is staying safe!

CURRENT STUDENTS

Natalie Harris-Spencer’s (Fiction) short story “Labor Day Weekend” will be published on April 21st in Volume 2 of Allegory Ridge‘s fiction anthology, Archipelago. Allegory Ridge is a magazine for open-minded millennials that publishes travel writing, short stories, poetry, artwork, photography, and personal essays.

FACULTY

The German edition of JJ Amaworo Wilson‘s (Fiction, Popular Fiction, Writing for Social Change) novel Damnificados, translated by Connie Lösch, was published by Editions Nautilus on March 2nd. The book was positively reviewed in Der Spiegel, Europe’s largest weekly news magazine, the same week.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana Is Here is nominated as a 2019 Indie Book of the Year (LGBTQ fiction) from Foreward Reviews!

Elizabeth Hand (Popular Fiction, Fiction) will be leading a free online workshop focused on building resilience through writing for teens, sponsored by the Clarion West Writers Workshop; Stonecoast faculty member emeritus James Patrick Kelly (Popular Fiction) and current Stonecoast faculty member Tobias Buckell (Popular Fiction) are also instructors.  Recent reviews include N.K. Jemisin’s The City We Became and Megan Campisi’s Sin Eater, both for The Washington Post.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) published “Soundstage Musicals: Capturing Theater on Film” in the March 2020 issue of Imagine, the print and online magazine for the New England film community. Her article addresses the filming and streaming of musicals as one way to keep theater alive in these dark times.

ALUMS

Check out Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) current online radio and podcast interviews regarding her book, The Sound of a Wild Snail Eating. In addition to a lot of quirky snail science, the book relates to the pandemic experience, as it includes reflections on isolation and illness. Recent interviews include the following links: interviewed by Indira Naidoo for ABC Nightlife Radio in Sydney, Australia, and interviewed by Emily Kwong for NPR Science Podcast Short Wave.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Amit Gupta’s story “How Did It Feel to Be Eaten?” for the March 12th episode of Escape Pod. You can listen to it here. He also hosted the March 24th episode of PodCastle, featuring Sofia Samatar’s retelling of “The Tale of Mahliya and Mauhub and the White-Footed Gazelle,” available here.

Carina Bissett (Popular Fiction, S’18) has a Snow White retelling coming out in the anthology Arterial Bloom, edited by Mercedes M. Yardley. “Rotten” was the story she submitted with her application to Stonecoast, so she’s happy that is has finally found a home at Crystal Lake Publishing.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce that her novella The Rampant (Aqueduct Press) is a nominated finalist for the 2019 Lambda Literary Award in Science Fiction, Fantasy, and HorrorPublishers Weekly says, “Equal parts playful and heartbreaking, this apocalyptic novella offers one-of-a-kind answers about the end of the world….This clever and surprisingly fun take on the rapture is the perfect theological horror story.” The novella is available in both paperback and as an ebook.

Jess Flarity (Popular Fiction, S’18), PhD candidate in Literature, has been awarded a summer research grant from the University of New Hampshire to continue his work on the erasure of women in science fiction. He is excited to write an article on feminism related to Jesuit philosophy and the universe of Warhammer 40k as his entry point into the world of academic publishing.

 

David A. Hewitt’s (Popular Fiction, S’09) novelette The Great Wall of America, published by Mithila Press, is now available in both Kindle and paperback editions, and his short story “Donald Q. Haute, Gentleman Inquisitator, and the Peril of the Pythogator” will be appearing in the April 2020 issue of Metaphorosis.

Lissa Kiernan (Poetry, S’11) is happy to announce that her second full-length poetry collection has been selected as a semifinalist in Tupelo Press’s 2020 Dorset Prize.

Alison McMahan‘s (Popular Fiction, W’10) short story “Harlem in Havana” will be released April 7, 2020, in the anthology The Beat of Black Wings: Crime Fiction Inspired by the Songs of Joni Mitchell, edited by Josh Pachter, published by Untreed Reads. Alison will appear with fellow anthology authors Alan Orloff and Elaine Viets for a panel and signing on April 18th at Murder on the Beach Bookstore in Delray Beach, 6:00 p.m.

What a moment to launch a new novel! Ellen Meeropol (Fiction, W’06) is delighted that her fourth novel, Her Sister’s Tattoo, will be published on April 7th. She is working hard to convert her book tour to virtual events—live-streamed readings and Zoom book parties and curated series like A Mighty Blaze and Reading with Robin. Links to Internet events will be posted on her website as they’re set. Interesting times, no?

John Christopher Nelson‘s (Fiction, S’15) creative nonfiction piece, “Things You Gave Me When You Left” is forthcoming in The Real Story. John will have a solo author event—barring further quarantine—at Paper Boat Booksellers in West Seattle on the evening of May 1st.

dg nanouk okpik’s (Poetry, W’10) poem “When White Hawks Come” was published in the Academy of American Poets’ Poem-a-Day email on March 30, 2020 (the link also includes an audio recording of the poem).

Sean Robinson (Popular Fiction, W’14) is pleased to share that his short story “Soovien Hungered in the City of Spiders” is out at StarShipSofa. It’s a story about poetry-driven spider gladiatorial matches, and other stuff.

Catherine Schmitt (Creative Nonfiction, W’12) had a streak of publication right before everything changed: an article on wood construction and the future of Maine forests in Northern Woodlands magazine, a “Plant Love Story” about salt marsh grass, an essay on the striped skunk for Natural Resources Council of Maine, and an update on wild Atlantic salmon for The Working Waterfront. Her book, The President’s Salmon, was featured in several new podcasts and cited by Mark Kurlansky in his new book on salmon. And a lyric essay has been accepted by Waterwheel Review.

Kevin St. Jarre (Popular Fiction, S’10) recently participated in a six-author online showcase, hosted and broadcast via Zoom by publisher Encircle Publications. His novel Aliens, Drywall, and a Unicycle is now available for pre-order here.

Eugenio Volpe (Fiction, W’05) has an essay coming out in the summer issue of Massachusetts Review entitled “Jesus Kicks His Oedipus Complex.”

“Steve’s Ashes,” a story by Tamra Wilson (Fiction, S’11), appears in the Summer 2020 issue of Evening Street Review, a journal of Evening Street Press of Sacramento.

 

 

 

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Community News & Updates January 2020

HAPPY NEW YEAR!

ANNOUNCEMENTS

News from Stonecoast
Join the Stonecoast MFA community for a week of inspiring readings and discussions with Stonecoast’s award-winning faculty and guest writers, January 10-13th and 15-18th at the historic Harraseeket Inn in downtown Freeport, Maine.

The weeklong series includes flash faculty and guest readings, a conversation on the possibilities and perils of adapting one’s work for the stage, and a discussion of the inaugural WISE common text. The residency concludes with the Winter 2020 graduation ceremony.

A detailed schedule of the week’s events and readers can be found here.

CURRENT STUDENTS

In November, Nina B. Lichtenstein (Creative Nonfiction) was invited to Ottawa, Canada, to give a book talk on the occasion of the International Memorial Day for Jewish Refugees from Arab Lands. It was in connection with the recent publication of her translation from French to English of the novel For the Love of the Father by French-Tunisian-Jewish writer Chochana Boukhobza. Nina is also happy to share that her essay “Ink Stains and Blood Stains: The Spring of My Becoming” has been accepted for publication in the forthcoming Hippocampus anthology tentatively titled “INK” due out in 2020.

FACULTY

Tom Coash‘s (Playwriting, Dramatic Arts) play Raghead will be produced in North Hollywood by Actors Workout Studio, as part of their terrific TABOO Festival January 10 – February 8, 2020.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana Is Here is now available as an audio book!

Elizabeth Hand (Popular Fiction, Fiction) sold a stand-alone psychological thriller, Baby Go Bang, to Mulholland Books/Little, Brown. Her novel Generation Loss has been optioned by British production company Fremantle.

Cara Hoffman‘s (Fiction, Popular Fiction) children’s novel Bernard Pepperlin was a Kirkus Best Book of 2019 and Audiofile’s Best Audio Book of the Year.

Broadway icon Andrea McArdle (the original Annie) will star in a new 2020 production of Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) Tonya & Nancy: The Rock Opera. The production is being fully produced by longstanding Equity theater TheaterZone and is opening on February 6, 2020; it was featured in two recent articles in Broadway World. Further productions and a possible tour are in the works for 2020/2021; see the website for updates.

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) film short adaptation of her memoir The Sound of a Wild Snail Eating heads next to the Wild & Scenic Film Festival (CA), Victoria Film Festival (BC), and Kinofilm 16th Manchester International Short Film Fest (UK). The film also received a Jury’s Choice Award from the Thomas Edison Black Maria Film Festival, which tours throughout 2020.

Carina Bissett (Popular Fiction, S’18) is a finalist for the NESFA Short Story Contest. The story she submitted was one of the first pieces workshopped at Stonecoast with David Anthony Durham. The winners will be announced at BOSKONE 57 in February.

Linda Buckmaster (Creative Nonfiction, S’11) has had her essay “Alibi Bar, 1968” published in Atticus Review‘s “Super Unknown. Stories About Songs” series. Two of her poems have appeared in The Comstock Review, one in the Spring/Summer issue and one in the Fall/Winter. She has been awarded a writing residency in May at NES in Skagastrond, Iceland, to work on her current project—a literary journey across the North Atlantic. From there, she will go on to the Hebrides. She and Elizabeth Garber (Creative Nonfiction, ‘10) were on a panel at the WORD Conference in Blue Hill, Maine, with Jaed Coffin discussing the ethics of memoir.

Julie C. Day‘s (Popular Fiction, S’12) piece “Flyover Country” can be found in the January/February issue of InterzoneFirst lines: “Lovers are like flash floods, car collisions, aneurysms: always a possibility but never exactly expected. A small-plane pilot for AeroFix Corp, Sam arrived in my bed via a tray of purple pansies and a convoy of trucks intent on invading the Verona Municipal Airport.” Richard Wagner created the amazing illustration. This will be Julie’s 7th story with Interzone and her 8th with TTA Press.

Lesley Heiser (Fiction, S’11) was thrilled to see her essay “Rose” up on Diagram this past year. She wishes all Stonecoasters the very best for 2020.

Veda Boyd Jones (Fiction, S17) has an essay in the January-February issue of Good Old Boat, available at newsstands now.

Mike Langworthy (Creative Nonfiction, W’11) is co-writing dialogue and lyrics for Take The High Road, a musical produced in Denver during 2020. The show will combine repurposed melodies from musical theater and popular music with an original story of a real estate developer who locks horns with, and falls for, a community activist fighting his attempts to build a resort in her idyllic mountain town. The show is being produced by Magic Moments, a company that for over thirty-five years has created large-cast, high-quality musical productions that give performers with a broad range of special needs, both physical and developmental, opportunities to work alongside seasoned professionals. Rehearsals begin in January for performances in late March 2020.

Fiona Lehn (Popular Fiction W’15) has a new speculative novella, Lift-Off, published by Devine Destinies. Click here to read more about the project and here to view the book trailer.

Kristin Leonard‘s (Fiction, S’18) poetry was published in Maine’s Best Emerging Poets 2019 anthology. Her short story, “Jason’s Daddy,” was published in The Showbear Family Circus.

The Thomas Memorial Library in Cape Elizabeth, Maine, will host Catharine H. Murray (Creative Nonfiction, S’17) on January 11th from 1:00-3:00 p.m. for Writing the Stories of Your Life, a free workshop on writing memoir. Catharine will then offer a Six-Week Series for Women at the Good Medicine Collective from January 13th to February 17th; Writing to Heal will incorporate small group support, instruction and practice for using writing as a way to move through loss. On January 26th from 9:00 a.m. to noon, Catharine will join with Deb Cook to offer Winter’s Deep Peace Practice: Yoga Nidra and Writing, a morning of deep rest and integration. Participants will move from Yoga Nidra into a quiet hour of meditative journaling supported by prompts and guidance.

Mary Heather Noble (Creative Nonfiction, W’14) is pleased to share that her long-form essay, “Plume: An Investigation,” will be published in the January 2020 issue of True Story. The essay was started during her time at Stonecoast and has been modified from her Stonecoast thesis.

Jenny O’Connell’s (Creative Nonfiction, S’17) flash nonfiction piece “How to Sleep in an Airport,” published last spring in Hippocampus, has been nominated for a Pushcart Prize! This November, she spoke about positive risk-taking and her 2014 solo trek across Finland to a packed Camden Opera House at Midcoast Pecha Kucha night. You can watch her speech here.

Bruce Pratt (Fiction, S’04) has poetry in or forthcoming from The Cafe Review, Coal City Review, and Connecticut River Review and anthologies from Main Street Rag and Flying Ketchup Press. On January 25, Bruce will be offering a seminar entitled “Creating Your Novel in Ninety Minutes” at the Blue Hill Library; this is open to the public but limited to twelve participants. Contact Hannah Cyrus at the library for more information. Bruce will also be teaching a seminar for Maine Writers and Publishers Alliance at the Cobscook Community Learning Center in Trescott on February 29 from 10:00 a.m.-4:00 p.m. on learning to inhabit your fictional characters. Contact Hannah Perry at MWPA for details.

Sean Robinson (Popular Fiction, W‘14) doesn’t have much on the writing front, but just completed a Certificate of Graduate Studies in Educational Leadership and is now certifiable (exactly) as a school principal. He was also recently accepted into the Harvard Principal’s Center for a Certificate in School Management and Leadership. He has also, also, been accepted to a residency at the University of Washington’s Olympic Natural Resources Center this April. While he’s delighted, it all sounds way fancier than it is, he promises.

Patricia Smith, former faculty member and member of the Stonecoast 2008 class in poetry, has been named a Distinguished Professor for the City University of New York, the highest rank in the state’s university system.

Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “Where You Linger” will appear in the January/February issue of Uncanny Magazine.

Morgan Talty‘s (Fiction, W ’19) short story “The Blessing Tobacco” will be published this January in TriQuarterly. The story will also be excerpted in Literary Hub: The Best of the Literary Internet. 

Darlene Taylor (Fiction, W’17) received an award for a fellowship grant as an individual artist in literary arts from the DC Commission on Arts and the Humanities. She is completing research and writing that expands her short story “Piper’s March” into a novel (“Piper’s March” was published in Kweli Journal in 2018). In other news, Darlene will moderate a panel during the 2020 AWP Conference in San Antonio, Texas. The panel also features Breena Clarke of Stonecoast and authors Rion Amilcar Scott, Jacinda Townsend, and Crystal Wilkerson. The authors will discuss how fiction writers use historical imagination to create characters from little-known histories. “They Must Have Felt: Imagining Emotional Landscape and Place” is scheduled for Friday, March 6, 2020, from 12:10-1:25 p.m. in Room 205, Henry B. González Convention Center, Meeting Room Level.

Lisa C. Taylor (Poetry, S’04) was honored to be a part of a holiday reading in Orleans, MA, on December 27th with Tom Daley, Christine Jones, and J. Barrett Wolf, music by Jordan Renzi, sponsored by Voices of Poetry. Lisa has officially named her workshop offerings Whitewater Writing. She will offer an all-day writing retreat with a catered lunch on January 4th in Connecticut—snow date: January 11. This retreat is nearly full but contact Lisa if you are interested. Lisa is a fiction editor and interviewer for Wordpeace, an online magazine created by Lori Desrosier (the founder of Naugatuck Review). In the upcoming issue, Lisa interviewed Maida McKenna, founder of Word Scientists, a literacy organization in Nepal; and Kevin Brodie, an award-winning playwright who is currently working on a play about American Indian Schools directly related to time spent on a Shoshone reservation with his grandfather. This issue should be out in late February or early March. Lisa also writes book reviews; her latest review was on Look Look Look by Calista Buchen (Black Lawrence Press) and appeared in the Mom Egg Review in December. Western Stonecoasters: Lisa and her husband Russ will be moving to Colorado (near Durango) in late summer 2020. She would love to organize some readings and make contact with writers who live in that area. Finally, Lisa will be at AWP in San Antonio March 4-8 and would also like to meet up with Stonecoasters.

Melanie Viets (Creative Nonfiction, W’17) is pleased to share some of her efforts guest editing “Root Mapping” at The Learned Pig. Published features include new work from Rick Bass (Faculty: Creative Nonfiction, Fiction, Writing for Social Change) and in January, a new essay by Catharine Murray (Creative Nonfiction, S’17). Submissions are welcome as the journal series continues in 2020.

 

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Community News & Updates December 2019

FACULTY

The French translation of JJ Amaworo Wilson‘s (Fiction, Popular Fiction, Writing for Social Change) novel Damnificados, entitled Les Dévastés and translated by Camille Nivelle, has won the Prix Révélation de Traduction from Société des Gens de Lettres. The ceremony takes place in Paris on December 3rd, 2019.

Stonecoast faculty member Tobias S. Buckell (Popular Fiction) and co-author Paolo Bacigalupi won the World Fantasy Award for Best Collection with The Tangled Lands, a fantasy novel told in four novella-length parts about a land crippled by the use of magic. Buckell also sold new novel The Musketress to Audible Originals: in a far-future world where reading has been forbidden by mechanical archangels a general’s daughter and fugitive librarian search for world-changing secrets found in ancient, lost books.

Tom Coash‘s (Playwriting, Dramatic Arts) monologue, “Blind Dog,” was produced in New York City by The Playground Experiment as part of the Faces of America Monologue Festival in support of the ACLU. “Blind Dog” has also been published in the Faces of America Anthology.

The paperback edition of Susan Conley‘s (Fiction, Creative Nonfiction, Writing for Social Change) novel Elsey Come Home has been published by Vintage. Susan’s forthcoming novel Landslide will be published by Knopf in February of 2021.

Martín Espada (Poetry, Writing for Social Change) has edited and published a new anthology entitled What Saves Us: Poems of Empathy and Outrage in the Age of Trump from Northwestern University Press.

Aaron Hamburger (Fiction, Creative Nonfiction) received two special mentions, in both fiction and creative non-fiction, in the 2020 Pushcart Prizes: his short story “Refugees” (published in The Bennington Review) and his essay “Sweetness Mattered” (published in Tin House) were both honored.

Elizabeth Hand (Popular Fiction, Fiction) profiled Blondie frontwoman Debbie Harry for the pop culture site Please Kill Me. Her novel Curious Toys was named one of autumn’s best reads by Real Simple Magazine, as well as one of 2019’s best books by the Chicago Library, and was featured in Maine Women Magazine. Forthcoming reviews include Priya Sharma’s Ormeshadow, Tade Thompson’s The Survival of Molly Southborne, and Craig Laurance Gidney’s A Spectral Hue for The Magazine of Fantasy & Science Fiction.

Several chapters for Lauren Marie Schmidt‘s (Poetry, Writing for Social Justice) YA novel-in-progress, The Players, are forthcoming in the following journals: North American ReviewMobius: The Journal for Social Change, and The MacGuffinClick here to learn more about the project and here to read samples.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) has a new short film, produced via LGBT Toronto Film Festival. The five-minute short, Sister Kin, is based on a studio recording of a single scene by Elizabeth. The ‘Screenplay Short’ film will screen at LGBT Toronto Film Festival in 2020. A longer short film, Four-Sided, also based on Elizabeth’s novel, has been an official selection at nine festivals so far this year and will screen next in Chicago. Elizabeth’s feature-film script has been recognized at 20 festivals or competitions. Elizabeth looks forward to leading Stonecoast’s first hands-on Screen Your Short seminar for students wanting to write and shoot a short film. For updates on Elizabeth’s film projects, see www.afoursidedbedfilm.com

 

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) film short adaptation of her memoir, The Sound of a Wild Snail Eating, won the Best International Short Award at the Kerry International Film Festival in Kerry, Ireland.

Carina Bissett (Popular Fiction, S’18) placed her poem “Lepus antilocapra” in HWA Poetry Showcase Vol. VI, edited by Stephanie Wytovich. This piece found its final form under the guidance of Cate Marvin. In other news, her short story “Gaze with Undimmed Eyes and the World Drops Dead” is featured in the anthology Terror at 5280′. This piece originated from a ghost story prompt in workshop with Liz Hand.

KT Bryski (Popular Fiction, W’16) has a story in Lightspeed Magazine this month: “The Path of Pins, the Path of Needles” is available from December 5th. Her flash piece “By Jingly Bell, By Velvet Mouse” also came out from PodCastle recently.

Jessica de Koninck (Poetry, S’11) has a poem, “Good Humor”, in the most recent edition of Glassworks. Its online segment, “Looking Glass,” includes her reflections on the poem. Her poem “Crazy Eights” appears in the most recent edition of Presence. “Lullaby Ghazal” is in Southword (Munster Literary Center), and her poem “Revisiting the Psalms” is included in the anthology A Constellation of Kisses from Terrapin Books. Finally, her poem, “Pastoral”, was the daily poem on SWIMM on Friday, November 29, 2019.

Jess Flarity (Popular Fiction, S’18) was featured on the literary journal Barnstorm‘s website; you can read the tale of how he sold his first short story here.

Terri Glass’s (Poetry & Creative Nonfiction, S’13) poems “The Girl Who Became So Still” and “The God Hour” will be published in the New Rivers anthology Wild Gods: The Ecstatic in Contemporary Poetry and Prose.

Andrea Lani (Fiction, W’14) was honored to have her essay “Persistence Is the Thing with Fins” selected for inclusion in A Dangerous New World: Maine Voices on the Climate Crisis, which comes out this month from Littoral Books. A book launch party will be held on Sunday, December 8th, from 2:00 to 4:00 p.m. at Space Gallery in Portland, Maine. Also, Andrea was also thrilled that her short story “The Quilt” was short-listed for the Peaceful Dumpling Environmental Writing Prize.

Ellen Meeropol (Fiction, W ‘06) has recent essays published in Ms Magazine“No More Coat Hangers”—and Lilith Magazine“When Life Imitates Your Own Art.”

John Christopher Nelson‘s (Fiction, S’15) short-fiction pieces “Avoidance,” “Meaning As Use,” and “Sola Fide” (the last of which was originally published in Able Muse, summer 2016) will be featured in Pleasure Boat Studio’s first biannual zine this December. Additionally, John will read “Sola Fide” at a Soul Food Coffee House event this December 19th.

Suri Parmar (Popular Fiction, W’17) is elated to announce that her live-action/animated film Rialia (2019) is an official selection at the National Screen Institute of Canada’s Online Short Film Festival and was their weekly featured film. Her short film The Bakebook (2017) will also be screening in Italy at the CineCiok Festival.

Dave Patterson (Fiction, W’13) had his novel, Soon the Light Will be Perfect, recently reviewed in The Portland Press Herald. The reviewer noted that the novel is “a beautiful exploration of what it means to come of age in difficult circumstances.”

Linda K. Sienkiewicz (Fiction, S’09) was selected to participate in the third annual Poets and Artists in Dialogue at The Grosse Pointe Congregational Church in Michigan. Two of Linda’s poems are published with accompanying art in the full-color book. The reading is January 9th, 2020.

Mary Katherine Spain (Fiction, S’16) has been awarded semi-finalist status in the Machigonne Fiction Contest sponsored by The New Guard Literary Review. Her short story “Collision” will be published in Volume IX of The New Guard Literary Review in 2020.

An anthology of poems and essays on the climate threat by Maine Writers, A Dangerous New World: Maine Voices on the Climate Crisis, edited by Kathleen Sullivan (Poetry, ’13) and Meghan Sterling, has been published by Littoral Books and can be purchased online here—or at the publication party at Space Gallery on December 8th in Portland. All Stonecoasters and their friends are invited! Also, The Portland Phoenix recently published an article about the anthology.

Morgan Talty‘s (Fiction, W’19) short story “Earth, Speak” will be published this December in Shenandoah‘s winter issue; the editors of Shenandoah have also nominated the story for a Pushcart.

Allister Timms (Popular Fiction, ‘13) has published his novel The Killing Moon with PS Publishing, the UK’s foremost specialist genre publisher of horror, sci-fi, and fantasy. The artwork for the novel is by Italian artist Daniele Serra, winner of the 2017 British Fantasy Award for Best Artist. The Washington Post has included The Killing Moon in its “Best Horror Fiction of the Year.” Allister Timms is from Wales and now lives in Belfast, Maine, and teaches Literature at Husson University in Bangor. Allister can be found at https://allistertimms16.wixsite.com/home

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Community News & Updates October 2019

ANNOUNCEMENTS

SUBMISSIONS OPEN: The Learned Pig

Melanie Viets (Creative Nonfiction, W’17) is currently a guest editor at the UK magazine The Learned Pig. Her “Root Mapping” section is an exploration of mapping place instead of space. What is sparked when today’s mapping is guided by a desire for connection and beauty instead of domination, when maps are living creations that arise from engagement and attention? Submissions of poetry, literary nonfiction, photo essays, and interviews are all welcome through October 31st.

CALL FOR SUBMISSIONS: The Way of the Laser: Future Crime

Vernacular Books, an indie press venture created by Joe McDermott (Popular Fiction, S’11) and Eric Bosarge (Popular Fiction, W’12) is pleased to announce they are accepting submissions for the anthology The Way of the Laser: Future Crime stories.

What we’re looking for: 

Crime stories that take place in the future. Preferably these stories will go beyond simple murders or capers to reveal something about how technology and the powers that wield it have changed our world. Is poisoning the nanobots responsible for programming the ads in your neural feed a crime? Is organized crime society’s only hope or responsible for its downfall? Consider what will constitute a crime and what unique problems it poses for your characters.

Keep in mind what is criminal behavior one day may be legal the next and vice versa. We want to see people caught up in the pitfalls of society ruled by corporations, ideologies, and demagogues and what lengths they will go to when there simply is no other choice.

Wow us with your original idea and blow us away with your writing.

Length: 4,000-8,000 words

Payment: $.05/word advance + royalties.

For SUBMISSION GUIDELINES visit www.vernacularbooks.com/submissions/

To support this project via Kickstarter, visit https://www.kickstarter.com/projects/vernacularbooks/the-way-of-the-laser-future-crime-stories 

CURRENT STUDENTS

Jac Evans’ (Popular Fiction) short story “Scales” appeared in Issue 30 of Three-Lobed Burning Eye, published on August 30! This story was workshopped in her very first Stonecoast residency.

FACULTY

David Anthony Durham (Fiction, Popular Fiction) has signed a new book deal with Tu Books for his middle-grade solar-punk fantasy novel, The Shadow Prince. It won’t enter the world until some time in 2021, but he’s happy. In November, he’ll be a guest at the first Reno Pop Culture Con.

Aaron Hamburger‘s tour for Nirvana Is Here rolls on, with stops at Literati Bookstore in Ann Arbor, at 7:00 p.m., Thursday, October 3rd; a reading and conversation at the Fall for the Book Festival at George Mason University at noon on Friday, October 11th; an appearance at the Rainbow Book Fair in New York on Saturday, October 12th; and a stop in Arlington, VA, for the Readings on the Pike reading series, Wednesday, October 15th at 7:30 p.m. Aaron will also be featured as part of the Detroit Public Library Author Series on Sunday, October 27th at 2:30 p.m., and will participate in the National Press Club Book Festival On Friday, November 1st. Keep up with all of Aaron’s latest events here.

Elizabeth Hand’s (Popular Fiction) novel Curious Toys, out October 15th, has received glowing early reviews, including raves from Publishers Weekly and Kirkus and starred reviews in Booklist and Library Journal, as well as advance praise from Audrey Niffenegger, Sarah Weinman, Peter Straub, and Bradford Morrow, among others. Liz will be appearing at the Strand Bookstore in New York City on October 16th, in conversation about the book with Benjamin Dreyer; at Solid State Books in D.C. with Michael Dirda on October 17th; at Anderson’s Bookstore in Chicago with Sarah Weinman on October 24th; and at the WORD Festival in Blue Hill, Maine, on October 26th, where she’ll be in conversation with Joe Hill and Laura Miller. Her forthcoming reviews include Rene Denfeld’s The Butterfly Girl in The Washington Post.

Cara Hoffman‘s (Fiction, Popular Fiction) debut children’s novel Bernard Pepperlin, out this fall from Harper Collins, was a Jr. Library Guild Selection, received a starred review in Kirkus, and earned glowing reviews in Publishers Weekly and School Library Journal which compared Bernard Pepperlin to books by Roald Dahl and E.B. White.

Robert Levy‘s (Popular Fiction) novella Anaïs Nin at the Grand Guignol is out this month from Lethe Press. Kirkus Reviews says, “Readers looking for a concentrated cocktail of Années folles splendor will find that this short erotic novel quenches their thirst. A finely crafted, Anaïs Nin–centered fantasy with unexpected depths,” while Publishers Weekly in a Starred Review writes, “Levy’s disquieting erotic imagery masterfully evokes Nin’s original prose. This sensual confection will enthrall readers looking for an intimate, disturbing thrill.”

Cate Marvin (Poetry) is this year’s editor of Best New Poets: 50 Poems from Emerging Writers, a series curated by Jed Livingood.

At the 2019 Massachusetts Independent Film Festival in September, Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) won Best Feature Film Screenplay and the short film Four-Sided, based on Elizabeth’s novel, was screened on the Festival’s closing night, September 7th. Elizabeth attended the Festival with Amy Carpenter Scott, one of the producers developing Elizabeth’s script, A Four-Sided Bed, as a feature film. Also in September, Elizabeth’s script was named a Finalist at the Northeast Film Festival and the short film Four-Sided was a Finalist at Moondance International Film Festival. See updates here.

Elizabeth and A Four-Sided Bed producer Amy Carpenter Scott at the 2019 Massachusetts Independent Film Festival

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) film short adaptation of her memoir The Sound of a Wild Snail Eating won the international Jackson Wild Media Award in the Education category. The film has an upcoming Canadian premier at the Edmunton International Film Festival and was recently reviewed in the San Francisco Examiner.  

Michael Beeman (Fiction, S’09) published two short stories recently: “Better” in The Saturday Evening Post and “The Escape Artists” in The Normal School.

Carina Bissett (Popular Fiction, S’18) was awarded the inaugural Ladies of Horror Fiction (LOHF) Writers Grant, which was funded by indie author Steve Stred.

KT Bryski (Popular Fiction, W’16) and PodCastle co-editor Jen R. Albert are pleased to announce their creation of a new speculative fiction reading series. Funded by the Ontario Arts Council, ephemera will feature literary speculative fiction with a focus on emerging and underrepresented voices. Starting in November, it will run the first Wednesday of every month at the Glad Day Bookshop, Toronto.  Follow ephemera on Twitter and Instagram @ephemeraseries.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce that Aqueduct Press has just released her 140-page novella, The Rampant, as a paperback and ebook:

Christianity it turns out got a whole lot of things wrong. It’s ten years since the hordes of old-world Sumerian gods arrived in Southern Indiana ready to kick off the end of the world. Massive tornadoes, tsunamis, government collapse: it all started out so strong, but the Rampant, the final herald of the apocalypse, failed to show. Both people and gods have had to adjust. Sixteen-year-old Emelia Bareilles and Gillian Halkey have spent most of their childhood stuck in this seemingly never-ending apocalypse. Now the two friends are resolute: they will travel into the lands of the dead and force a change.

Paperback:  Amazon | Publisher

eBook:  Amazon | Publisher

Goodreads list.

What others are saying

“Equal parts playful and heartbreaking, this apocalyptic novella offers one-of-a-kind answers about the end of the world….This clever and surprisingly fun take on the rapture is the perfect theological horror story.” ~Publishers Weekly

“Day perfectly balances dark and light in The Rampant, and offers up a fresh take on apocalyptic fiction that draws on ancient mythology and literature to create something that feels completely original and new.” ~The Book Smugglers Women to Read

Josh Gauthier’s (Popular Fiction, S’17) debut full-length play Of Murder and Madness opens in early October at Footlights Theatre in Falmouth, Maine. The show runs from October 10-26, and tickets are on sale now. Visit the Footlights Theatre website for full details.

Nancy Hayden (Fiction S’12) and her husband John Hayden are excited about the September release of their new book, Farming on the Wild Side: The Evolution of a Regenerative Organic Farm and Nursery from Chelsea Green Publishing. The book explores growing fruit and perennial vegetables, enhancing native biodiversity for pollinators, beneficial insects, and birds, and increasing resilience in the face of climate change. Its hopeful message is combined with the authors’ color photographs of their Vermont farm.

Veda Boyd Jones (Fiction, S’17) has been elected president of Ozarks Writers League, which is headquartered in Branson, Missouri, but includes Arkansas as well. She will preside over a spring and a fall conference with national speakers.

Alan King‘s (Poetry, W’13) Drift, the audiobook, is now available on Audible. Learn more here.

Paul Kirsch (Popular Fiction, W’11) co-wrote a game called The Outer Worlds, which launches October 25th on PC and consoles. The Outer Worlds is a dark sci-fi satire about consumerism and corporate greed in space, full of fun shooty combat and opportunities for creative roleplay. You can find the latest trailer here (and below).

Ellen Meeropol (Fiction, W’06) is delighted to reveal the cover of her fourth novel, Her Sister’s Tattoo, coming in April from Red Hen Press. Angela Davis blurbed the book with this quote: “The elegant restraint of Ellen Meeropol’s prose and the painstaking precision of her vision offer us discerning glimpses over decades and generations into the complexities of political engagement—its big questions and especially its intimacies. At a time when radical movements are on the rise, we find in Her Sister’s Tattoo exactly what we now need: both caution and hope.” Elli will be doing an ARC-drop road trip to New England indie bookstores this fall, so if you have suggestions about bookstores likely to be interested in a political novel, please let her know.

Catharine H. Murray (Creative Nonfiction, S’17) will be at the Lewiston Public Library October 5th from 3:00-4:30 p.m. to discuss Memoirs and Loss with Suzanne Farrell Smith. Murray will be back at the Lewiston Public Library on October 26th teaching a Memoir Workshop from 1:30 to 3:30 in the afternoon. Both events are free and open to the public.

John Christopher Nelson‘s (Fiction, S’15) story “Beth Garland Realizes Her Date is a Serial Killer” will be featured online in Parhelion Literary Magazine this October. John read this same piece at a Stonecoast Faculty & Guest event during his summer Teaching Apprenticeship.

Carolyn O’Doherty (Popular Fiction, W’11) is delighted to announce that her debut novel, Rewind, won the 2018 Oregon Spirit Book Award from the Oregon Council of Teachers of English. The award is given annually to the author of a distinguished contribution to young adult literature that engages and encourages readers’ imagination, discovery, and understanding, reflecting the spirit and values held by Oregonians. Carolyn’s second novel, Unleashed, the sequel to Rewind, was released in September 2019.

Ellie O’Leary (Poetry W’17) will be the featured poet at Amesbury (Massachusetts) Public Library’s Fall Poetry Series on Tuesday, October 22nd, at 6:00 p.m.

Anne Britting Oleson (Poetry, W’05) has contracted her latest novel, Cow Palace, with B Ink Publishing; the book will be published in 2021. She will be reading from her most recently published book, Tapiser, at the Boothbay Public Library on Saturday, October 12th, at 2:00 p.m.; she will also be the guest at Union’s Vose Library for their annual “Soup & Suspense” fundraiser on Thursday, October 17th, at 6:30 p.m.

“On the Ridge,” a poem about the search for a man lost in the Great Smoky Mountains National Park, by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the forthcoming issue of The American Journal of Poetry.

An essay, “Upstairs Love,” by Lisa Romeo (Creative Nonfiction, S’08) appears in the fall issue of Ovunque Siamo: New Italian-American Writing. Upcoming: Lisa and fellow Stonecoaster Anthony D’Aries will read together at I AM Books in Boston (November 9th); she will present two sessions at the Philadelphia Writing Workshop (November 23rd); and lead a three-day memoir workshop (January 17-20) at the Winter Poetry & Prose Getaway in Atlantic City, NJ, presented by Murphy Writing/Stockton University.

Catherine Schmitt (Creative Nonfiction, W’12) has an essay on the importance of Maine, and wonder, to Rachel Carson, in Maine Boats, Homes & Harbors Magazine,  and another about the monuments of oyster shells made by Wabanaki ancestors, in Island Journal. She wrote the cover story on Atlantic salmon for Maine Audubon’s Habitat magazine Summer Issue,  and she will be talking about salmon and signing copies of The President’s Salmon at Maine Audubon on October 3rd. Schmitt will be moderating a Maine Writers and Publishers Alliance discussion on “Finding a Publisher” at the Bangor Public Library on October 19th.

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Community News & Updates September 2019

FACULTY

The podcast of Tom Coash’s (Playwriting, Dramatic Arts) play Raghead has been added to the American Playbook Series. Raghead will also be produced in September at the Short & Sweet Festival in Auckland, New Zealand, and the Write About Now Festival in London, UK.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about the intersection of race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece was an August feature story for ESPN’s The UndefeatedToni Harris Made History by Getting a Football Scholarship. Now She Needs to Make Tackles. His YA book, War in the Ring: Joe Louis, Max Schmeling, and the Fight Between Hitler and America, was released by Macmillan’s Children’s Group in June 2019.

Aaron Hamburger (Fiction, Creative Nonfiction) will be reading from his novel Nirvana Is Here at KGB on 85 E. 4th St. in New York on Sunday, September 8 at 7:00 p.m. He’ll also be signing books at the Brooklyn Book Festival, Sunday September 22 at his publisher’s booth in the afternoon. Also, a new mini-documentary (two and a half minutes) about Aaron and the novel directed by Ender Emre is now available online here. Check out Aaron’s Nirvana events in October (including appearances at Literati Bookstore in Ann Arbor, The Fall for the Book festival at George Mason University, the Detroit Public Library, and the National Press Club…) here.

Four-Sided, the short film based on Elizabeth Searle‘s (Fiction, Playwriting, Popular Fiction, Scriptwriting) novel, is now an Official Selection at two more festivals this fall: Chi-Town Multicultural Film Festival in Chicago and Reel Q: Pittsburgh LGBTQ+ Film Festival! First, the film will have its USA debut at Massachusetts Independent Film Festival. For updates see www.afoursidedbedfilm.com

ALUMS

Elisabeth Tova Bailey (Creative Nonfiction, S’15) received the New England Director’s Award from the academy accredited Flickers’ Rhode Island International Film Festival for her film short The Sound of a Wild Snail Eating. She is director and screenwriter for the film, which she adapted from her CNF memoir of the same title (Algonquin Books). The film is also a double finalist for the international Jackson Wild Media Awards in the categories of Audioscape and Education. A slate of 20 festivals spring through fall included summer premiers in Italy, Australia, and Poland, with many upcoming fall screenings including premiers in Canada and Germany. For more information please see wildsnailfilm.org

Lindsey Barlow‘s (Popular Fiction, W’19) debut novel Pivot, the first of the Jack Harper trilogy, received a rave review in Publishers Weekly: “Barlow’s gorgeous writing will easily propel readers through the rest of the series.” You can read the entire review here.

Peter Adrian Behravesh (Popular Fiction, W’18) appeared at Worldcon 77 in Dublin, where he presented a paper, “Mischief in Her Heart: Women’s Empowerment in the Persian Fantastic,” and appeared on the panels “Muslim SFF” and “Using Science in Fantasy Writing.” In addition, Peter narrated Premee Mohamed’s story “Willing” for the August 20 episode of PodCastle. You can listen to it here.

Carina Bissett (Popular Fiction, S’18) placed her poem “The Perils of Invisibility” in Nonbinary Review #21 The Works of H .G. Wells (Zoetic Press, June 2019). In other news, her short story “The Gravity of Grace” was a finalist in the first quarter of Writers of the Future, May 2019. This story was one of the first pieces she workshopped at Stonecoast.

Renee S. DeCamillis (Popular Fiction, W’14) is excited to announce that her debut book, The Bone Cutters, is set for publication on Sunday, September 1st through Eraserhead Press. It’s a bizarro horror novella set in a dysfunctional psychiatric hospital, where you’ll meet a troubled young woman named Dory who encounters a peculiar and brutal group of patients when she’s sent to the wrong counseling group over and over again. Dory’s introduction to this counseling group sets her on the run in an attempt to save her life from The Bone Cutters. Renee’s book is available on Amazon, Indie Bound, Barnes & Noble, and at Longfellow Books. More stores to come soon. Two reviews for The Bone Cutters are already out, with more to come—one will soon be on the Cemetery Dance Reviews Blog. Here is what reviewers have to say about The Bone Cutters:

  • “It’s actually refreshing to be able to enjoy a book so much that you were miffed when it was over. As [her] debut novella, it’s a fantastic beginning to what could prove to be a career to watch. I’m giving this a solid 4 out of 5 [stars]…Considering that I’ve never read anything which rated a 5, I think The Bone Cutters is doing just fine.” ~Ginger Nuts of Horror
  • “I immediately fell in love with Dory, the writing style, the story…This is a terribly heart-wrenching story with a bit of a haunted house/ghost vibe where you’re also being chased by a bunch of crazy people who want to devour your bones. I didn’t want to put this book down.” ~Kendall Reviews

Renee is also thrilled to announce that Longfellow Books in Portland, Maine is hosting her book launch event on Thursday, September 5th, at 7:00 p.m. In addition to Renee’s reading and Q&A, there will also be live music to set the mood, performed by local guitarist Shaun Church Reehl. Elizabeth Searle will also be there as Renee’s MC.

September 12-14, Josh Gauthier‘s (Popular Fiction, S’17) 10-minute play “Expedition 3487-B” will be featured as part of the King of Crows play festival held at the St. Lawrence Arts Center in Portland, Maine. The festival is produced by the Crowbait Club, and you can find them on Facebook for more information.

Veda Boyd Jones (Fiction, S’17) has an essay, “Nice People,” in the summer issue of eMerge magazine.

Kristin Leonard (Fiction, S’18) has been selected to receive the Phi Kappa Phi Love of Learning Award to present at the 2019 Historic Writers of America Conference in Colonial Williamsburg, Virginia. She will be presenting a revised version of her third-semester presentation, “Discovery Through Multigenre Writing: How to Use Poetry and Playwriting to Develop Characterization, Conflict, & Plot in Fiction.”

Gregory Martin’s (Popular Fiction, W’17) short story “Inside” was recently published in Dark Moon Digest #36.

Mary Heather Noble (Creative Nonfiction, W’14) received news from the editors of Narrative Magazine that her personal essay “Plume: An Investigation” was selected as a finalist in this year’s Spring Story Contest. She is currently working on a new collection that explores the complexities and ambiguities of family.

Renée Olander (Poetry, W’05) will read from her new collection, American Dangerous, at the Old Dominion University 42nd Annual Literary Festival in Norfolk, Virginia, Thursday October 10, 4:00 p.m., free and open to the public.  The entire festival schedule is available here.

Bruce Pratt‘s (Fiction, S’04) poem “Dead Bodies and Declaratory Judgments” is forthcoming in Main Street Rag’s anthology Show us Your Papers, “The First Cold Rain Since Spring” will appear in the next Connecticut River Review, and “Lunar Eclipse” will be included in the special “Cosmos” edition of The Poeming Pigeon.

“Visionquest,” a prose poem by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the fall issue of Cimarron Review.

Lisa Romeo (Creative Nonfiction S’08) recently judged the nonfiction entries for Tiferet Journal’s annual writing contest and her flash piece “A Grave Duty,” was published in the August issue of Flash Glass, part of Glassworks Magazine. She will be a keynote speaker at NJ Women Who Write’s one-day conference in Madison, NJ, on September 21, and on November 23, Lisa will speak on “Revising the Memoir Manuscript” at the Philadelphia Writing Workshop. A fun piece, “A Beautiful Day in the Neighborhood,” is out in Chicken Soup: Angels All Around. Lisa’s editing role for Cleaver Magazine has expanded; she’s now handling craft essays on both fiction and nonfiction for their “Writer to Writer” column (pitch/submit here). In late August at the HippoCamp Conference for Creative Nonfiction, Lisa presented “Become a Writer who Reads Like a Writer” and was on a parenting/writing panel; earlier in the month, she led a week-long memoir workshop in New Hampshire for Murphy Writing.

Morgan Talty (Fiction, W’19) was included in Narrative Magazine‘s 30 Below 30 list for 2019. His short story “The Name Means Thunder” will appear in the Fall 2019 issue of The Georgia Review. 

 

 

 

 

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