Tag Archives: Ellen Meeropol

Community News & Updates October 2020

FACULTY

Cara Hoffman‘s (Fiction, Popular Fiction) reporting on the uprising in Exarchia, “Dream of No Nation,” was recently published in The Daily Beast. Her long prose poem “Retouch/Switch,” part of Garth Greenwell’s KINK anthology, was recently translated and published in the polish magazine Femme. Her short story “DeChellis” will be published in the forthcoming issue of Bennington Review. Cara’s second novel for children, The Ballad of Tubs Marshfield, will be published in early November and is now available for pre-order.

Suzanne Strempek Shea (Creative Nonfiction, Fiction) will be among the 20 authors and poets featured at Old Dominion University’s 43rd annual Literary Festival, “Grit and Grace.” The series of virtual programs is free and open to the public October 4-8. Suzanne will read, speak, and do a Q&A October 8 from 12:30 to 1:30 p.m. EST. More information and links to all events are here.

 

ALUMS

Lindsey Barlow‘s (Popular Fiction, W’19) second novel of the Jack Harper Trilogy—Perish—was published October 13, 2020, by California Coldblood Books, an imprint of Rare Bird Books.

Peter Adrian Behravesh (Popular Fiction, W’18) can finally reveal that he sold an interactive novel to Choice of Games, which is set in the same Persian space fantasy universe as his Stonecoast thesis. Barring any unforeseen calamities (and there have been plenty of those lately), The Astralchemist’s Apprentice will be released in 2021. Peter also narrated Aimee Ogden’s story “More Than Simple Steel” for the September 24 episode of Escape Pod. You can listen to it here.

Carina Bissett (Popular Fiction, S’16) has a dinosaur robot story in the anthology Triangulation: Extinction, which was published by Parsec Ink in August. She also takes a look at giraffes as a critically endangered species in the story “An Authentic Experience,” which also came out in August in the anthology WILD: Uncivilized Tales from Rocky Mountain Fiction Writers.

Ed Boyle’s (Fiction, W’09) story “The Keeper of the Marsh” was recently published in Scarlet Leaf Review.

Kathy Briccetti (Creative Nonfiction, W’07) recorded a two-minute Perspective on San Francisco’s KQED public radio about her experiences working on the 2020 Census. She is currently shopping the novel she began after graduation, a story about an American family set in the tumultuous early months of 1968, an electrifying time of riots, political upheaval, protests, sexual revolution, feminism, and rock and roll.

KT Bryski (Popular Fiction, W’16) has a story in this quarter’s Apparition Lit: “The Gorgon’s Epitaphist” will be available to read on October 15. As well, join her on YouTube October 21 for this month’s ephemera reading series. Sarah Pinsker, Waubgeshig Rice, and Khashayar Mohammadi will read works on the theme of “Light.”

Darcy Casey (Fiction, W’19) has a new story in Yemassee‘s monthly spotlight. Her novel-in-progress, Pity-Heart, was long-listed for Retreat West’s Best Opening Page competition in September 2020.

Brenda Cooper‘s (Fiction, S’17) novel The Making War will be out from WordFire Press on October 7th. This the fourth and final book in an award-winning series that begins on a colony planet where six genetically altered children start their lives as spoils of war. Hugo and Nebula award-winning author Nancy Kress said, “The Making War is technologically inventive without ever losing sight of the human heart. A satisfying end to Cooper’s series.”

Anthony D’Aries‘s (Creative Nonfiction, W’09) story “An Honest Pain” was accepted by Flash Fiction Magazine. Anthony also recently signed with the Philip Spitzer Literary Agency for his novel.

Lauren M. Davis (Poetry, S’15) celebrates the publication of her poem “The Flowers You Brought Back from Italy” in Wrath Bearing Tree’s Spring 2021 issue.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce she will be reading alongside Cadwell Turnbull on October 27th at 7:30 p.m. EST as part of the Strange Lights SFF Reading Series. Originally planned to take place at Book Moon, the reading will be a virtual event. Follow the series on Facebook for pre-registration links.

The Lady of the Cliffs, Book Two of The Bury Down Chronicles series by Rebecca Kightlinger (Fiction, W’14), will be released on November 1, 2020, by Rowan Moon.

“The Art of Honorable Grieving” by Cynthia Kraack (Fiction, W’10) ran in the September 19 Saturday Evening Post. In other news, 40 Thieves on Saipan by Joseph Tachovsky and Cynthiareleased June 2 by Regnery History, has sold out its first run.

Under the name S.M. Mack, Sarah Mack’s (Popular Fiction, S’19) essay “On Bearing Witness in Pat Barker’s The Silence of the Girls was published as part of the Sirens conference 2020 summer essay series. It is an examination of the necessity of sitting with painful realities and connects a book that re-centers the Iliad on Briseis, enslaved and abused by Achilles and Agamemnon, to present-day injustices and crises.

Ellen Meeropol (Fiction, W’06) has a new essay about art, fiction, and life, in the inaugural issue of NOW, the journal of the Hobart Festival of Women Writers. And, for those Stonecoasters interested in politically engaged fiction, Ellen will be part of a panel titled The Personal and the Political: Writing the Social Protest Novel on October 29 at 6:30 pm. The event includes Andrew Altschul, Sanderia Faye, and Tina Egnoski. Details and registration link here.

Jenny O’Connell (Creative Nonfiction, S’17) took a leap into the world of libretto writing! “The Sky Where You Are,” commissioned by An Opera Theatre of Minneapolis and composed by Maria Thompson Corley, is an eleven-minute opera that sheds light on advocacy and domestic violence during quarantine. Written in collaboration with Women’s Advocates of Minnesota, the first domestic violence shelter for women in the U.S., it will premiere nationally October 23rd as part of the Decameron Opera Coalition’s “Tales from a Safe Distance.” Get your tickets here! Jenny is glad for this unexpected return to her musical roots, and excited to explore new ways to be a writer for change in the world.

Lisa Panepinto (Poetry, W’13) has two poems in the new Littoral Books anthology: Enough! Poems of Resistance and Protest.

A new essay, “Notes From the Father Field,” by Lisa Romeo (Creative Nonfiction, S’08), appears in the August issue of Adelaide Literary Magazine (published in New York and Lisbon).

Morgan Talty‘s (Fiction, W ’19) short story “The Blessing Tobacco” has been nominated for Best of the Net 2020 by TriQuarterly. “The Blessing Tobacco” was also featured in Literary Hub: The Best of the Literary Internet. His short story “Food for the Common Cold” will be published in the Fall 2020 Issue of Narrative Magazine.

Gina Troisi‘s (Creative Nonfiction, W’09) flash fiction piece, “After the Boston Marathon Bombing,” was just published in Gemini Magazine.

Marco Wilkinson (Creative Nonfiction, S’13) began teaching as a Visiting Assistant Professor at James Madison University in Fall 2020. He will also be a guest faculty member in the Antioch MFA Program for their Winter 2020 session.

 

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Community News & Updates July 2020

FACULTY

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) wrote his latest piece on sports and civil rights for The Nation: “When the KKK Played Against an All-Black Baseball Team.” His next book will be for young adults and is slated for release in 2021. Doomed: The Tragic Story of Sacco & Vanzetti tells the controversial story of two Italian anarchists convicted of murder and later executed in Boston, MA.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana Is Here received a Bronze Medal in the 2019 Foreword Reviews Indie Book Awards!

Elizabeth Hand’s (Fiction, Popular Fiction) novel Curious Toys is a finalist for both the Locus and Shirley Jackson Awards. The Book of Lamps and Banners, the fourth Cass Neary novel (due in September), has received great advance trade reviews, including a starred review from Booklist.  Hand recently wrote about John Garth’s The Worlds of J.R.R. Tolkien: The Places that Inspired Middle-earth for The Washington Post.

Jim Kelly’s (Popular Fiction) story “Faithful Sister” was published in Daily Science Fiction on June 17.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) is one of six writers who formed the group Writers Against Racial Injustice to raise funds for The Equal Justice Initiative. The group started with a goal of raising 10K and have wound up raising over 50K, with help from many supporters including Stonecoasters and coverage in The Boston Globe, Shelf Awareness, and a feature article on June 24 in Publishers Weekly. The fundraiser is running through July 4th; donations are welcome here.

The publication date for Robert V.S. Redick’s (Popular Fiction) new epic fantasy novel, Sidewinders (sequel to Master Assassins), has just been announced: it will be on the shelves on May 4, 2021, from Talos Press.

 

ALUMS

One of Jillian Abbott’s (Popular Fiction, S’04) students, Hastride Eduoard, was profiled for the animation project she submitted for her final project in Jillian’s ENG 384 RC Writing for Electronic Media class (Hastride’s video is at the end of the article).

Carina Bissett (Popular Fiction, S’18) is thrilled to announce that her short story “A Seed Planted” has been translated in Japanese for Night Land Quarterly Vol. 21 “The Fantasy of Sky Realms.” This short story was originally included in the anthology Hath No Fury, edited by Melanie R. Meadors. She also has a reprint of her flash piece “The Landscape of Lacrimation” included in the Weird Dream Society: An Anthology of the Possible & Unsubstantiated in Support of RAICES, edited by Julie C. Day. Both of these stories were originally drafted during her time at Stonecoast.

KT Bryski (Popular Fiction, W’16) has been long-listed for the Sunburst Award for her story “When the White Bird Sings,” published last year in Augur. In addition, the ephemera Reading Series is a finalist for the Aurora Award, under Best Fan Organizational.

Ed Boyle (Fiction, W’09) will have a story, “The Keeper of the Marsh,” published in the July issue of The Scarlet Leaf Review.

Libby Cudmore (Creative Nonfiction/Popular Fiction, S’10) has sold her second story, “A Brief History of Local Warfare,” to Ellery Queen Mystery Magazine. Her first, “All Shook Down,” is scheduled for publication in the September/October issue of EQMM.

teri elam’s (Poetry, S’19) personal essay “On Asking Mama To Pray for Me” will be included in the forthcoming anthology, Alone Together: Love, Grief, and Comfort During the Time of COVID-19 which is raising money for indie bookstores. Stonecoast professor Faith Adiele (Creative Nonfiction) is a contributor as well.

Terri Glass’s (Poetry & Creative Nonfiction, S’13) new book of poems, Being Animal (published by Aldrich Press), is now available for purchase through kelsaybooks.com and Amazon. These poems observe and embody a vast array of animals from the honeybee to the mountain lion in poems that celebrate their beauty, grieve their loss, and reflect on their wisdom. For a signed copy, please visit www.terriglass.com. Derrick Jensen, author of A Language Older than Words and Endgame, says, “A love for wild nature suffuses this beautiful collection. Poetry can serve no more important purpose than to rekindle our love of those who are wild.”

Barbara P. Greenbaum (Fiction, S’05) has had poems published or accepted for publication in Main Street Rag, Clementine Unbound, Green Hills Lantern, and Arcturus. She has also launched a website with co-editor Pit Pinegar dedicated to providing writing exercises for those who need them. The exercises were contributed by writers who teach. Anyone who has published work and teaches and is interested in contributing an exercise can contact her at barbarapgreenbaum@gmail.com for more details.

Gail Hovey (Creative Nonfiction, S’11) is happy to announce that her memoir, She Said God Blessed Us: A Life Marked by Childhood Sexual Abuse in the Church, will be published by Exposit in August. Many people at Stonecoast helped in the writing of this book. Here’s what fellow alum Elliot Long (Creative Nonfiction, S’10), now with the Emmett Till Interpretive Center, has to say about the memoir: “In She Said God Blessed Us, Gail Hovey introduces us to a firebrand who confronts her world with a fierceness and determination to fight for change. As she participates in several of the pivotal social justice movements of our times, from the fight against American racism in the 1960s to the campaign to end South African apartheid in the decades that followed, Hovey grows to recognize how abuse of power also shaped her young life—abuse at the hands of her religious mentor. Wrenching and celebratory, Hovey’s memoir depicts a long struggle to move through guilt and pain toward a peace she can claim as her own.” For more information and to order an advance copy, please visit Gail’s website.

Veda Boyd Jones (Fiction, S’17) has won the Neosho Arts Council’s short story contest for her story “December 1, 1969.” Judge Kevin Dilmore said, “A relatable protagonist and a suspenseful construction make this story a compelling read from the beginning. Backstory is introduced at a great pace just when readers will benefit the most from it. This is an enjoyable and thought-provoking read, and images from this will stay with readers for a long time.”

Alan King (Poetry, W’13) created four new poetry videos. The videos for “Beacon” and “Into the Light,” inspired by the poems of the same names, go into Alan and his wife’s battle with lupus, Alan doing a kidney swap to help his wife, and their surgeries. “Heartbreak is Unavoidable” is inspired by Alan’s poem “This Good”; and “A Poem for My New Born and George Floyd” is inspired by Alan’s new poem “The Land of Innocence,” which he wrote for his one-month-old daughter and George Floyd. You can watch the videos here.

Nina B. Lichtenstein (Creative Nonfiction, S’20) is especially happy to have an essay, “Saying Goodbye to Seafood,” published in Tablet Magazine, where her writing has been rejected several times in the past. This reminded her to never give up and to submit, submit, submit.

Julia Munemo (Creative Nonfiction, S’16) and Ellen Meeropol (Fiction, W’06) will be hosted by World Fellowship Center for a virtual reading and conversation about Writing from a Family Legacy on Monday, July 6, 7:00-8:00 p,m. Julia will read from her debut memoir The Book Keeper and Ellen from her new novel Her Sister’s Tattoo. Details and link here.

An excerpt from Julia McKenzie Munemo‘s (Creative Nonfiction, S’16) memoir The Book Keeper appeared on Public Seminar in June.

dg nanouk okpik’s (Poetry, W’10) poem “If Oil Is Drilled in Bristol Bay” was featured in the Poetry Foundation’s Poem of the Day email on June 5, 2020.

Ellie O’Leary (Poetry, W’17) will have her poem “That Poetry Thing” in the Summer 2020 issue of Ibbetson Street Magazine.

Bruce Pratt‘s (Fiction, S’04) poem “La Ride,” written in French, will appear with his English translation in the forthcoming anthology from Flying Ketchup Press. His poem “Dead Bodies and Declaratory Judgements” is forthcoming in Main Street Rag’s anthology Show Us Your Papers. And his poem  “My Grandfather’s Sky” will appear in North Scene Poetry Press’s anthology of poetry about 9/11.

The prose poem “Mountain” by J. Stephen (Steve) Rhodes (Poetry, W’11) will appear in the Fall/Winter issue of New South.

Sean Robinson (Popular Fiction, W’14) is pleased to share that as of today he is the Assistant Principal at Hinsdale Middle High School in Hinsdale, New Hampshire. In writing news, his essay “Hattery: The Many Roles of a First-Time Teacher” was accepted into Voices of Practice to be published later in 2020.

Kevin St. Jarre‘s (Popular Fiction, S’10) has signed a new book deal for his novel Celestine with Encircle Publications. It’s expected to be in bookstores in May 2021.

Genevieve Williams (Popular Fiction, S’14) has a short story titled “The Sea of Stars” in the new anthology Retellings of the Inland Seas from Candlemark and Gleam, edited by Athena Andreadis; and, an essay titled “Ghosts, Grimoires, and Dealing with Demons: Hellblazer’s Real-World Magic” in the new book From Bayou to Abyss: Examining John Constantine, Hellblazer from Sequart, edited by Lou Tambone and Rich Handley.

 

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Community News & Updates June 2020

ANNOUNCEMENTS

THE STONECOAST MFA VIRTUAL WRITING SERIES
Join us Monday, June 8th, 6:00-7:00 p.m. for “Rolled in Sugar: Food as an Entry into a Moment” with Stonecoast Director Justin Tussing. Like Proust’s madeleine, we’ll talk about food and writing and where both can take us. Link to join is here. The Stonecoast Virtual Writing Series is an effort to connect our community and continue learning together from afar. Led by a faculty member or guest instructor, sessions are held monthly.

 

CURRENT STUDENTS

Lauren Erin O’Brien‘s (Fiction, S’20) poem “After She Reads the Court Records” is forthcoming in the Fall/Winter 2020 issue of Witness.

 

FACULTY

Martín Espada‘s (Poetry, Writing for Social Change) new collection of poems, called Floaters, is forthcoming from W.W. Norton in January 2021.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about sports, crime, and social issues. In May, he wrote a feature about baseball for ESPN’s The Undefeated: J.L. Wilkinson Stood Out as the Only White Owner in the First Official Negro League. His next young-adult book is due out in 2021. Doomed: The Tragic Story of Sacco & Vanzetti tells the controversial story of two Italian anarchists wrongly convicted of murder and later executed in Boston, MA.

Elizabeth Hand’s (Popular Fiction, Fiction) forthcoming Cass Neary novel, The Book of Lamps and Banners, was named one of fall’s most anticipated titles by CrimeReads/LitHub. She was interviewed by The Coode Street Podcast, discussing pandemic reading. Her recent reviews include Megan Capisi’s Sin Eater and N.K. Jemisin’s The City We Became, both for The Washington Post.

Nancy Holder (Popular Fiction) was profiled in The San Diego Union Tribune on Saturday, May 24.

Authors Ryan Craig Bradford and Nancy Holder

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) and her theater cohorts are finding ways for the Shows to Go On in these challenging times: Michael Teoli, composer and “co-conspirator” with Elizabeth on Tonya & Nancy: The Rock Opera, performed two of his and Elizabeth’s songs from their rock opera in May on the Los Angeles-based Stealing Focus Digital Cabaret.
In a new May interview, the stars of the 2020 TheatreZone production of Tonya & Nancy—Whitney Winfield and Nikki Miller—discuss their “joyous” experience doing the rock opera in February and also the new realities of the theater world since then, on ZoomIntoTheZone.

Elizabeth and composer Michael Teoli, who did the music on Tonya & Nancy: The Rock Opera, with book & lyrics by Elizabeth

Join Suzanne Strempek Shea (Creative Nonfiction, Fiction) online June 1 at 1:00 p.m. for a conversation with Meredith O’Brien, author of the newly released Uncomfortably Numb, her memoir on the life-altering diagnosis of multiple sclerosis and on the practice of narrative medicine. The free event will include some details about Bay Path University’s upcoming Narrative Medicine Certificate. Please register for the webinar here.

 

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) book, The Sound of a Wild Snail Eating, was mentioned in a recent New York Times essay by Helen Macdonald, author of H is for Hawk. Macdonald’s essay on pandemic quarantine and birdwatching is available at this link.

Lindsey Barlow (Popular Fiction, W’19) was interviewed on episode 92 of a podcast called Thrill Seekers Radio with Alex Dolan to help advertise The Jack Harper Trilogy (Pivot, Perish, and Peak).

Peter Adrian Behravesh (Popular Fiction, W’18) appeared at the 2020 SFWA Nebula Conference on the “Finishing What You Didn’t Start: Editors Making Projects Their Own” panel.

Jennifer Marie Brissett (Popular Fiction, S’11) had a short story published in the May-June issue of Uncanny Magazine called “Through the Veil.”

J Brooke’s (Poetry, S’19) essay “Kaden has Covid” was a winner of Beyond Words Literary Magazine’s Dream Challenge and appears in the June issue online and in hard copy (essay can also be read in eir website jbrookewrites.com).

The ephemera reading series has gone virtual! Co-chaired by KT Bryski (Popular Fiction, W’16) and editor Jen R. Albert, ephemera is a monthly reading series showcasing diverse SFF. Catch the next event on June 17th, 7:00 p.m. ET, live on YouTube. ephemera was also recently nominated for an Aurora Award in the Best Fan Organizational category. It is funded by the Ontario Arts Council.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce the charity anthology Weird Dream Society: An Anthology of the Possible & Unsubstantiated in Support of RAICES is now available as both a paperback and ebook! This book is a culmination of a long year of work and a lot of help from some amazing creatives with Julie at the helm as Editor-in-Chief. Playful, whimsical, or dark, but always thoughtful and tinged with the inexplicably weird, the Weird Dream Society brings together twenty-three stories from the most innovative creators in speculative fiction, including Nathan Ballingrud, Carina Bissett (Popular Fiction, S’18), Gregory Norman Bossert, Karen Bovenmyer (Popular Fiction, S’13), Christopher Brown, Emily Cataneo, Julie C. Day, Michael J Deluca, Gemma Files, A.T. Greenblatt, Nin Harris, Chip Houser, James Patrick Kelly (Popular Fiction faculty), Marianne Kirby, Kathrin Köhler, Matthew Kressel, Jordan Kurella, Premee Mohamed, Sarah Read, Sofia Samatar, Bonnie Jo Stufflebeam (Popular Fiction, S’13), Steve Toase, and A.C. Wise. All proceeds from the anthology go to RAICES, which envisions a compassionate society where all people have the right to migrate and human rights are guaranteed.
Paperback: Amazon | Barnes&Noble | IndieBound.org
eBook: Amazon | Kobo | B&N Nook | Weightless Books
What Others Are Saying

  • “I adore it…These stories are what weird should be. Each one is a different subgenre and [yet] its own beast all together…I’m just feeling electrified by the stories in this collection…they are all connected in the places that matter. They are weird, they are genre, and they contain fantastic prose I’ll keep coming back to over and over again.” ~Paul Jessup, Vernacular Books Guest Review
  • “..the dream-like quality of the stories delivers on the promise of the title….the collection as a whole weaves in moments of profound strangeness, places where the rules of the universe seem to bend and buckle….There are ghosts of a shopping mall, and little girls with superpowers, and a man who can change skins….For fans of dark fantasy and science fiction, there’s a whole lot to like….And there are still moments of hope and clarity, tucked in among the shattered dreams the collection catalogs.” ~Charles Payseur, Quick Sip Reviews  

In addition to the anthology, Julie’s story “After the Apocalypse There Will Be Memory Poems” can now be found in the May 3rd issue of Vol.1 Brooklyn as part of their Sunday Stories series. This is a redrafted version of a piece from Julie’s thesis and a story that demanded a home. Julie’s story “Speculative Execution” is out this month in the anthology The Way of the Laser: Future Crime Stories, edited Stonecoast alums Eric M. Bosarge (Popular Fiction, W’12) and Joe M. McDermott (Popular Fiction, S’11). It’s a story about A.I.-infused glass, theft, and friendship in a networked city where no one is entirely alone.

Jessica de Koninck‘s (Poetry, S’11) poem “Virtual Seder” was a winner in the Writer’s Almanac Pandemic Poetry Contest. In an interview, Garrison Keillor discussed the poem with her as well as reading her poem “Repairs.” The full Zoom interview can be seen on the Writer’s Almanac website.

Jess Flarity (Popular Fiction, S’18) published a flash creative nonfiction piece, “The Simplest Recipe,” in Hippocampus.

Paul Kirsch (Popular Fiction, W’11) won a Nebula Award in the category of Game Writing for his work on The Outer Worlds, a spacefaring RPG that values player agency, player choice, and tells a story as morbid as it is fun. This is Paul’s first nomination, his first award, and as of writing this he’s celebrating with his cat. He’s currently working on an expansion to the game, launch date TBD.

Nylah Carpenter Lyman (Poetry, S’10) has had a poem titled “Making a Field” selected for Poetic License, a written word and visual arts exhibition, managed in collaboration by The Poetry Barn and the Arts Society of Kingston, NY. The process first involved having her poem chosen by the editorial team at Poetic License as a finalist.  Those poems were then forwarded on to visual artists at ASK. Once there, her poem was one of those selected by a visual artist, and so it will be mounted with the artist’s interpretation in an exhibition to be held in August 2020 at ASK’s gallery. If possible, the poets will be invited to come and read at the exhibition’s opening. The poems, and the paintings that were inspired by them, will be posted in a special issue on our sister site, The Poetry Distillery. While the gallery has been closed due to the COVID-19 crisis, they plan to reopen in June.

The Next Generation Indie Book Awards picked Tom MacDonald’s (Fiction, W’09) Dermot Sparhawk crime series—The Charlestown Connection (2011), Beyond the Bridge (2103), The Revenge of Liam McGrew (2015), Murder in the Charlestown Bricks (2018)—as a finalist in the series category. Also, the crime anthology Coast to Coast: Noir will publish a Dermot Sparhawk short story called “Nashua River Floater” in its 2020 edition, due out in June.

Daily Science Fiction published Dan McMinn’s (Popular Fiction, W’20) short story “Advice for Newbies at WoodCon” on May 5th.

Ellen Meeropol (Fiction, W‘06) is pleased to have her short story “Gridlock” in the spring 2020 issue of Solstice Magazine. It was wonderful working with Lee Hope again!

Starting Saturday, June 6th, Catharine H. Murray (Creative Nonfiction, S’17) will be teaching Memoir 101: Writing the Stories of Your Life, a weekly live Zoom class for five Saturdays, 10:00-11:30 a.m. EDT. For more information, click here.

John Christopher Nelson‘s (Fiction, S’15) creative nonfiction piece, “Things You Gave Me When You Left,” is online at The Real Story. Also, John was recently interviewed for a quarantine podcast by the folks at DUM DUM Zine, where it will be featured online shortly.

The concrete poem “Tree,” by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the next issue of The Comstock Review.

Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “Barking Dog Nocturnal” appeared in The Offing.

Gina Troisi‘s (Creative Nonfiction, W’09) short story “What Remains” was recently published in Volume 26 of Quarter After Eight. Her short story “Eve” was named a finalist for Iron Horse Review‘s Trifecta Award in Fiction. Her memoir, The Angle of Flickering Light, has been accepted by Vine Leaves Press and is forthcoming in April 2021.

“Church Camp,” a story by Tamra Wilson (Fiction, S’11), appears in the Spring 2020 issue of Trajectory, a journal based in Frankfort, KY.

 

 

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Community News & Updates May 2020

ANNOUNCEMENTS

STONECOAST MFA VIRTUAL WRITING SERIES
In an effort to connect our community and continue learning together from afar, Stonecoast is launching a monthly writing session led by a faculty member or guest instructor! Aaron Hamburger (Fiction, Creative Nonfiction) kicked off our first session in April with a fantastic Mindfulness and Creative Writing class. We are thrilled to present Susan Conley (Fiction, Creative Nonfiction, Writing for Social Change) on Monday, May 18th, with “Voice Across Genre: Tone and Pitch and How to Really Say What You Are Feeling,” followed by Justin Tussing (Stonecoast Director) on Monday, June 8th, with a pre-residency generative writing session.

Information and Zoom links will be distributed to current students and faculty via email, and to the greater community via the Stonecoast Portland Meetup group and the Friends of Stonecoast MFA Facebook Group. If you are unable to access any of these platforms, email Special Projects Coordinator Jenny O’Connell (jennifer.a.oconnell@maine.edu) to be added to the list.

You can also receive weekly writing prompts from faculty on the Stonecoast Facebook Page.

 

CURRENT STUDENTS

Natalie Harris-Spencer (Fiction) has been selected by Oyster River Pages for publication under their “Emerging Fiction Voices” category, established to showcase new writers who are just beginning to submit their work to journals. Her short story “Fish Out of Water” will be published in the Fourth Annual Issue of Oyster River Pages, due Summer 2020 (publication details to follow). ORP is a literary journal that embraces the reality that the personal has become the political and actively seeks to publish those who bring balance and diversity to historical institutions of power.

Nina Lichtenstein (Creative Nonfiction) recently had another piece up on the Brevity blog about how the lockdown has provided her with a much welcomed focus on writing, stripped of the otherwise regular and non-essential diversions. She has also embarked on a new project and is looking for contributors: If you know someone who is a Jew by choice, the planned anthology Our Stories, Our Tribe: Personal Essays by Converts to Judaism is looking for diverse voices in essays between 1500-4000 words. Email Nina (nblichtenstein@gmail.com) if you would like a copy of the Call for Submissions to share.

 

FACULTY

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) was happy that her novel We Got Him was chosen to be featured in April on Snowflakes in a Blizzard, which highlights books by Indie press writers. As noted in this piece, We Got Him, which was published by New Rivers Press, is also out in a 2018 audiobook version—published and narrated by star Stonecoast alumna Tanya Eby and her audiobook company, Blunder Woman Productions.

 

ALUMS

The film short The Sound of a Wild Snail Eating, adapted by Elisabeth Tova Bailey (Creative Nonfiction, S’15) from her memoir of the same title, won a Special Jury Mention from the ÉCU—The European Independent Film Festival in Paris, and an Honorable Mention from the USA Film Festival’s International Short Film & Video Competition in Dallas, Texas.

Jennifer Marie Brissett (Popular Fiction, S’11) made a guest post called “The Sophomore Book” about writing her next book on Fantasy Cafe for Women in SF&F Month. She also had a new poem published by The Free Library of the Internet Void called “Remember.” And AAWW Radio posted Breaking into Speculative Fiction, a panel discussion with Jenn and Malka Older, moderated by Tim O’Connell.

j brooke’s (Poetry, S’19) essay “Hybrid” was the Nonfiction Winner for Columbia Journal’s Womxn’s History Month Special Issue.

Renee S. DeCamillis (Popular Fiction, W’14) is excited to announce that she has found a means to get out and share her book The Bone Cutters during this pandemic. From May 11 to June 11, Renee is doing an online book tour, where her work will be featured on 50+ blogs. There will be a video reading, an interview, an excerpt or two, as well as free giveaways. Here is the link to find out how and where to check it all out. Stay safe, everyone!

teri elam’s (Poetry, S19) poetry manuscript was recently named a semi-finalist for the Two Sylvias Press Wilder Prize. During April, a film based on her poem “Butterflies” premiered during Visual Poetry Project’s online film celebration of National Poetry Month.

Andrea Lani (Fiction, W’14) was thrilled to have her essay “Faith in a Seed,” about motherhood and the extinction and rebirth of the American chestnut tree, published in the current issue of Spire: The Maine Journal of Conservation and Sustainability.

Alison McMahan‘s (Popular Fiction, W’10) short story “Harlem in Havana” was released April 7, 2020, in the anthology The Beat of Black Wings: Crime Fiction Inspired by the Songs of Joni Mitchelledited by Josh Pachter, published by Untreed Reads. Anthology authors Alison, Alan Orloff, and Elaine Viets taught a class on Writing Suspense via Zoom on April 26, 2020.

Ellen Meeropol (Fiction, W’06) and Robin Talbot (Stonecoast Associate Director) invite the Stonecoast community to a Virtual Book Event at PRINT Bookstore in Portland on May 13, 2020, at 7:00 pm. Co-hosted by Maine Writers and Publishers Alliance (MWPA) via Zoom, Ellen will read from her new novel, Her Sister’s Tattoo, and talk with Robin. To register, visit here or here.

John Christopher Nelson‘s (Fiction, S’15) stories “Sola Fide” (originally featured in the summer 2016 issue of Able Muse), “Avoidance,” and “Meaning As Use” are all featured as the fiction portion of Lights, the inaugural issue of Pleasure Boat Studio‘s new zine, available as a free PDF. John also read his story “Good Friday,” originally featured in Volume VI of The New Guard, on Good Friday for West Seattle’s own Pegasus Book Exchange.

Jenny O’Connell‘s (Creative Nonfiction, S’17) recent tribute to the late, great Ryan West—which doubles as an ode to the ultimate frisbee community—was published in Ultiworld magazine. Her essay “Valley of the Bulls” won the 2019 Appalachia Journal Humor in the Wild Contest, and is now available in print. An outdoor contributor for Maine Magazine, Jenny’s profile on camp owner and adventurer Chloë Rowse was published in March, and she has a forthcoming feature on ice climbing in Maine later this year. In April, Jenny signed with agents Jamie Chambliss and Steve Troha of Folio Literary Management, who will represent her book project, Finding Petronella

Suri Parmar (Popular Fiction, W’17) was recently awarded a media grant from the Ontario Arts Council for her experimental short You’re Smart, her first foray into non-narrative filmmaking. While production is presently on hold due to the ongoing COVID-19 pandemic, she hopes to complete her film in the following year.

Three short pieces from sid sibo’s (Fiction, W’19) in-process collection Familiar: Stories have been awarded the Neltje Blanchan Memorial award from the Wyoming Arts Council for best writing “informed by a relationship with the natural world.” Two other stories from the collection have earned Honorable Mentions, one of which, “Bull,” will be published online in Cutthroat magazine. The pen name can be traced to Stonecoast 2019 alum sidney woods.

Patricia Smith’s (Poetry, S’08; former faculty member) poem “Now He’s an Etching” appeared in The Academy of American Poets’ Poem-a-Day email for Thursday, April 16th.; the poem can be read and heard on the poets.org website.

Jacob Strunk (Fiction, W’07) was featured in April’s Voyage LA, an online magazine celebrating the artists and eccentrics that define Los Angeles. The profile features no revelatory bombshells, but there are some fun photos.

Lisa C. Taylor (Poetry, S’04) will have upcoming poetry published in Lily Poetry Review and Soul-Lit. Her book review of Rebecca Foust’s The Unexploded Ordnance Bin was published in Mom Egg Review in April. Lisa’s short story “Lucky” was shortlisted in the 2020 Fish Short Fiction contest, judged by Colum McCann. She has been a mentor through the AWP W2W program this spring, working with a fiction writer from Georgia. And Lisa will have a new collection of poetry published by Arlen House/Syracuse University Press in the spring of 2021.

Rhiannon J. Taylor’s (Popular Fiction, S’19, writing as R. J. Howell) dark fantasy/horror story “What You Lost in the Wildermere” has been published by Arsenika in their sixth issue. Additionally, her story “Parasites” is forthcoming from Frozen Wavelets.

As reported by Locus, Erin Underwood (Popular Fiction, S’09) won the 2020 Down Under Fan Fund (DUFF), which sends a fan from North America to CoNZealand, the 78th Worldcon. Paul Weimer, the North American DUFF administrator, said, “With ConZealand being a virtual Worldcon this year and Corvid-19, Erin will not be traveling to New Zealand this year, but hopes to travel to Australasia in the DUFF tradition in 2021, health and world events permitting.” Erin will also take over from Weimer as the new North American administrator.

Marco Wilkinson (Creative Nonfiction, S’13) is now the nonfiction editor at The Los Angeles Review. He is looking for fresh, engaging essays; in particular at this moment, he’d love to read about life during COVID-19. You can submit here.

 

 

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Community News & Updates April 2020

Hope everyone is staying safe!

CURRENT STUDENTS

Natalie Harris-Spencer’s (Fiction) short story “Labor Day Weekend” will be published on April 21st in Volume 2 of Allegory Ridge‘s fiction anthology, Archipelago. Allegory Ridge is a magazine for open-minded millennials that publishes travel writing, short stories, poetry, artwork, photography, and personal essays.

FACULTY

The German edition of JJ Amaworo Wilson‘s (Fiction, Popular Fiction, Writing for Social Change) novel Damnificados, translated by Connie Lösch, was published by Editions Nautilus on March 2nd. The book was positively reviewed in Der Spiegel, Europe’s largest weekly news magazine, the same week.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana Is Here is nominated as a 2019 Indie Book of the Year (LGBTQ fiction) from Foreward Reviews!

Elizabeth Hand (Popular Fiction, Fiction) will be leading a free online workshop focused on building resilience through writing for teens, sponsored by the Clarion West Writers Workshop; Stonecoast faculty member emeritus James Patrick Kelly (Popular Fiction) and current Stonecoast faculty member Tobias Buckell (Popular Fiction) are also instructors.  Recent reviews include N.K. Jemisin’s The City We Became and Megan Campisi’s Sin Eater, both for The Washington Post.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) published “Soundstage Musicals: Capturing Theater on Film” in the March 2020 issue of Imagine, the print and online magazine for the New England film community. Her article addresses the filming and streaming of musicals as one way to keep theater alive in these dark times.

ALUMS

Check out Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) current online radio and podcast interviews regarding her book, The Sound of a Wild Snail Eating. In addition to a lot of quirky snail science, the book relates to the pandemic experience, as it includes reflections on isolation and illness. Recent interviews include the following links: interviewed by Indira Naidoo for ABC Nightlife Radio in Sydney, Australia, and interviewed by Emily Kwong for NPR Science Podcast Short Wave.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Amit Gupta’s story “How Did It Feel to Be Eaten?” for the March 12th episode of Escape Pod. You can listen to it here. He also hosted the March 24th episode of PodCastle, featuring Sofia Samatar’s retelling of “The Tale of Mahliya and Mauhub and the White-Footed Gazelle,” available here.

Carina Bissett (Popular Fiction, S’18) has a Snow White retelling coming out in the anthology Arterial Bloom, edited by Mercedes M. Yardley. “Rotten” was the story she submitted with her application to Stonecoast, so she’s happy that is has finally found a home at Crystal Lake Publishing.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce that her novella The Rampant (Aqueduct Press) is a nominated finalist for the 2019 Lambda Literary Award in Science Fiction, Fantasy, and HorrorPublishers Weekly says, “Equal parts playful and heartbreaking, this apocalyptic novella offers one-of-a-kind answers about the end of the world….This clever and surprisingly fun take on the rapture is the perfect theological horror story.” The novella is available in both paperback and as an ebook.

Jess Flarity (Popular Fiction, S’18), PhD candidate in Literature, has been awarded a summer research grant from the University of New Hampshire to continue his work on the erasure of women in science fiction. He is excited to write an article on feminism related to Jesuit philosophy and the universe of Warhammer 40k as his entry point into the world of academic publishing.

 

David A. Hewitt’s (Popular Fiction, S’09) novelette The Great Wall of America, published by Mithila Press, is now available in both Kindle and paperback editions, and his short story “Donald Q. Haute, Gentleman Inquisitator, and the Peril of the Pythogator” will be appearing in the April 2020 issue of Metaphorosis.

Lissa Kiernan (Poetry, S’11) is happy to announce that her second full-length poetry collection has been selected as a semifinalist in Tupelo Press’s 2020 Dorset Prize.

Alison McMahan‘s (Popular Fiction, W’10) short story “Harlem in Havana” will be released April 7, 2020, in the anthology The Beat of Black Wings: Crime Fiction Inspired by the Songs of Joni Mitchell, edited by Josh Pachter, published by Untreed Reads. Alison will appear with fellow anthology authors Alan Orloff and Elaine Viets for a panel and signing on April 18th at Murder on the Beach Bookstore in Delray Beach, 6:00 p.m.

What a moment to launch a new novel! Ellen Meeropol (Fiction, W’06) is delighted that her fourth novel, Her Sister’s Tattoo, will be published on April 7th. She is working hard to convert her book tour to virtual events—live-streamed readings and Zoom book parties and curated series like A Mighty Blaze and Reading with Robin. Links to Internet events will be posted on her website as they’re set. Interesting times, no?

John Christopher Nelson‘s (Fiction, S’15) creative nonfiction piece, “Things You Gave Me When You Left” is forthcoming in The Real Story. John will have a solo author event—barring further quarantine—at Paper Boat Booksellers in West Seattle on the evening of May 1st.

dg nanouk okpik’s (Poetry, W’10) poem “When White Hawks Come” was published in the Academy of American Poets’ Poem-a-Day email on March 30, 2020 (the link also includes an audio recording of the poem).

Sean Robinson (Popular Fiction, W’14) is pleased to share that his short story “Soovien Hungered in the City of Spiders” is out at StarShipSofa. It’s a story about poetry-driven spider gladiatorial matches, and other stuff.

Catherine Schmitt (Creative Nonfiction, W’12) had a streak of publication right before everything changed: an article on wood construction and the future of Maine forests in Northern Woodlands magazine, a “Plant Love Story” about salt marsh grass, an essay on the striped skunk for Natural Resources Council of Maine, and an update on wild Atlantic salmon for The Working Waterfront. Her book, The President’s Salmon, was featured in several new podcasts and cited by Mark Kurlansky in his new book on salmon. And a lyric essay has been accepted by Waterwheel Review.

Kevin St. Jarre (Popular Fiction, S’10) recently participated in a six-author online showcase, hosted and broadcast via Zoom by publisher Encircle Publications. His novel Aliens, Drywall, and a Unicycle is now available for pre-order here.

Eugenio Volpe (Fiction, W’05) has an essay coming out in the summer issue of Massachusetts Review entitled “Jesus Kicks His Oedipus Complex.”

“Steve’s Ashes,” a story by Tamra Wilson (Fiction, S’11), appears in the Summer 2020 issue of Evening Street Review, a journal of Evening Street Press of Sacramento.

 

 

 

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Community News & Updates March 2020

ANNOUNCEMENTS

STONECOAST AT AWP 2020
Are you attending AWP 2020? Stonecoast MFA will host a gathering from 6:00-7:30 p.m. on Thursday, March 5, at The Rose Bush (2301 San Pedro Ave, San Antonio, Texas 78212). We’ll have free appetizers, a short reading in honor of our new WISE (Writing for Inclusivity and Social Equity) program, and plenty of time to socialize and reconnect. The venue is BYOB. We hope you’ll join us!

ALUMNI WORKSHOP AT THE STONECOAST 2020 SUMMER RESIDENCY
This June, Stonecoast will once again offer a personalized writing experience for our Alumni. Held in conjunction with the Stonecoast summer residency, Elizabeth Hand will lead workshops that get alums to immerse in their writing within a peer setting again. This post MFA workshop is open to fiction writers of all stripes—short stories, novels, mimetic fiction, genre fiction, autofiction, meta-fiction et al. Participants will focus on both old and new work, with an aim towards polishing the former as well generating new ideas and expanding notions of what fiction is and can be in the 2020s. The conference fee includes four 2.5-hour workshop sessions, plus full access to all presentations, seminars, readings, pop-up classes, receptions, and special events. Participants will also have the opportunity for a one-on-one meeting with a literary agent.

  • Dates: June 21-25, 2020
  • Cost: $650.00 workshop fee, plus room and board (~$750 for 4 nights) or commuter fee ($285). Includes daily lunches and afternoon tea at the Harraseeket Inn.
  • Contact Lindsey Vazquez  to reserve your spot! Only 8 slots are available, and we expect this workshop to fill quickly. Once your participation is confirmed, a non-refundable deposit will be required to confirm your place in the workshop.

Testimonials from Susan Conley‘s Winter 2020 Alumni Workshop:

  • “One year post-graduation, Susan Conley’s alumni workshop was just what I needed. The workshop gave me the opportunity to drop into an intensive working environment and hit the ground running. The benefit of working with a seasoned Stonecoast instructor and writers who share a common language of craft and critiquing was invaluable—not mention the amazing support. I will definitely do this again and highly recommend it.”  ~Lee Bodkin
  • “Being back at Stonecoast was such a gift—from the workshops to the seminars, returning to Maine to write and be with ‘my people’ was just the motivation I needed to return to my heart’s work. The writing during those mornings was some of the better writing I have done in months.” ~Heather Wilson

Martha McSweeney Brower (Creative Nonfiction, W’19) shared this information for anyone interested in submitting to Maine Seniors or Maine Women:

CURRENT STUDENTS

Natalie Harris-Spencer’s (Fiction) short story “Labor Day Weekend” is due to be published this Spring in Volume 2 of Allegory Ridge‘s fiction anthology, Archipelago, due out April 21st. Allegory Ridge is a magazine for open-minded millennials that publishes travel writing, short stories, poetry, artwork, photography, and personal essays. More details to follow.

Nina Lichtenstein (Creative Nonfiction), a.k.a. The Viking Jewess, recently had a food essay published in The Canadian Jewish News, which was fun, because when she had originally submitted a version of it to a Maine food pub, they asked her to remove references to her Jewish background, which made her (pissed off) pull the submission. You can read the brief food essay here.

 

FACULTY

Tom Coash‘s (Playwriting, Dramatic Arts, Writing for Social Change) play Bubble, Bubble will be produced in Sydney, Australia, as part of the worldwide Short & Sweet Festival. His short musical Stepping Into Fire will be produced at the National Performing Arts Academy in Johannesburg, South Africa.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about sports, crime, and social issues. In February, he wrote a feature for ESPN’s The Undefeated: Rube Foster was the Big Man Behind the First Successful Negro Baseball League. His next young-adult book is due out in 2021; it will tell the controversial story of Sacco & Vanzetti, two Italian anarchists wrongly convicted of murder and later executed in Boston, MA.

Aaron Hamburger (Fiction, Creative Nonfiction) talks about his novel Nirvana Is Here and all things Nirvana in an interview with Rolf Potts for the podcast Deviate.

The Los Angeles Review of Books and The Boston Review recently profiled Elizabeth Hand (Popular Fiction, Fiction) and her novel Curious Toys. On February 29th, Leap Day, she and bestselling Swedish novelist Niklas Natt och Dag appeared at The English Bookshop in conversation about their fiction (and a mutual fascination with artist Henry Darger). Hand’s new story “The Owl Count” will appear in the forthcoming issue of the literary magazine Conjunctions.

Nancy Holder (Popular Fiction) was invested into the august company of the Baker Street Irregulars, a worldwide literary society whose 300 members devote themselves to the Sacred Writings (Sir Arthur Conan Doyle’s stories of Sherlock Holmes).  Her investiture name is “Beryl Garcia,” a character in the novel The Hound of the Baskervilles. She was invested in January at the annual Baker Street Irregulars Dinner at the Yale Club in New York City. In other news, Kymera Press, Nancy’s comic-book publisher, is holding a Kickstart to create a trade paperback out of four of her comic book adaptations of short stories written by women during the long nineteenth century. Nancy also wrote the introduction for three books:

  • The Phantom of the Opera by Gaston Leroux, which is the debut offering of the Horror Writers Association’s Haunted Library.
  • Across the Universe, edited by Michael A. Ventrella and Randee Dawn. This anthology collects short stories starring versions of the Beatles in alternate universes.
  • Gentlemen Prefer Domino Lady, an anthology featuring short stories about a pulp character from the 1930’s. She has also written short stories and comic books starring Domino Lady in the past, and is currently working on a commissioned DL story for Moonstone Books.

The February 2020 TheatreZone production of Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction Scriptwriting) Tonya & Nancy: The Rock Opera, starring Broadway’s Andrea McArdle, was reviewed as an “exemplary show…Seeing a scandal unfold never felt so good.” Elizabeth received a generous shout-out in the same review: “It all seemed bizarre beyond belief nearly 30 years ago, and someone had the brilliant idea to deliver it in a joyous theater package. We can credit playwright Elizabeth Searle for that and thank you, thank you, thank you.” Elizabeth was thrilled to work with Andrea, the original ANNIE, who earned raves in her dual role as the Mom(s). The show received media coverage in the Naples Daily News, including an interview with Elizabeth, and on the Naples ABC affiliate, Channel 7, featuring an interview with the show’s stars. New productions are in the works; for updates and pictures, see www.tonyaandnancytherockopera.com.

Above: Elizabeth and Broadway great Andrea McArdle as well as Tonya & Nancy leading ladies Whitney Winfield (Nancy) and Nikki Miller (Tonya) and producer Paul Boghosian from the Feb 2020 production of Tonya & Nancy: the Rock Opera

 

ALUMS

Elizabeth Beechwood (Popular Fiction, S’14) is happy to announce that her story “Yes, Yes, Yes, We Remember” was selected for the Third Flatiron Best of 2019 anthology with an illustration of the Rusalka on the cover. You can listen to “Yes, Yes, Yes, We Remember” as a free podcast, too. Also, Elizabeth’s short story “Just Beyond the Shore” was included in the Stoker-nominated anthology Nox Pariedolia. This sale is especially sweet because a long-ago draft was included in Elizabeth’s submission to and workshopped at Stonecoast!

J Brooke (Poetry, S’19) has a fiction essay among the top seven finalists for the North American Review’s 2020 Kurt Vonnegut Prize.

KT Bryski (Popular Fiction, W’16) has a story in the upcoming anthology Invisible Threads, from Apex Publications. Engaging a wide array of marginalized creators, Invisible Threads interrogates and deconstructs the social, cultural, and economic ties that hold us back. The Kickstarter runs until March 18th—see here for more information and backer rewards! She will also be assisting at the PodCastle booth at Toronto ComiCon, March 20-22. Come listen to PodCastle episodes and catch a hilarious live show!

Lauren M Davis (Poetry, S’15) is teaching courses in English writing, creative writing, and philosophy at the University of Saint Francis and Indiana Institute of Technology.

Teacher/Pizza Guy, poetry collection by Jeff Kass (Fiction, S’09), has been named a Michigan Notable Book for 2020. Here is a link to an article about it in MEA Magazine.

Alan King (Poetry, W’13) created two videos for his poems “Beacon” and “Into the Light.” Both poems were inspired by his experience as an organ donor when his wife lost kidney function because of lupus.

Paul Kirsch (Popular Fiction, W’11) has been nominated for a Nebula Award for his writing on The Outer Worlds, a dark sci-fi satire about consumerism and corporate greed in space, full of fun shooty combat and opportunities for creative roleplay. His fellow nominees include Leonard Boyarsky, Kate Dollarhyde, Chris L’Etoile, Daniel McPhee, Carrie Patel, Nitai Poddar, Marc Soskin, and Megan Starks. This is the second year the Nebula has recognized video game writing.

Kristin Leonard (Fiction. S’18) published an academic article, “First-Person Adolescent Storytellers and Virginia Tufte’s Artful Sentences: Syntax as Style. The article is a re-constructed version of her third-semester project. It begins with the opening line: “I first discovered Virginia Tufte’s Artful Sentences: Syntax as Style while preparing for a fiction workshop with Breena Clarke at the University of Southern Maine’s Stonecoast MFA creative writing program…”

Emily Levang’s (Creative Nonfiction, S’19) article “Can We Protect Nature by Giving It Legal Rights?” was recently published in Ensia.

Ellen Meeropol (Fiction, W ’06) will be a featured reader at the upcoming AWP on a panel discussing novels about families torn apart by history and war. Her essay on the same subject, “When They Take the Children,” was recently published in Mom Egg Review. Her fourth novel, Her Sister’s Tattoo, will be published on April 7, 2020.

Bruce Pratt‘s (Fiction, S’04) short story “Last Rites” appears in the February March issue of Portland Monthly Magazine, on newsstands now, and two of his poems, “I Know Why a Man” and “In this year of stingy snow and illness,” appear in the most recent edition of The Maine Edge.

After the Parade, a second book of poetry by Dana Robbins (Poetry, W’13), was published by Moon Pie Press of Westbrook Maine. The book is available for purchase here.

Lisa Romeo (Creative Nonfiction, S’08), has a flash list essay, “Marriage by the Numbers,” in the 10th anniversary issue of The Writers Circle Journal. She has additional essays forthcoming in Tiferet Journal and Flash Nonfiction Food. In late April, Lisa will appear on a panel presentation, “The Borderlands of Grief,” at The Calandra Italian American Institute’s Annual Conference in New York City with authors Nancy Caronia and Joanna Clapps Herman.

Morgan Talty‘s (Fiction, W’19) story “The Citizenship Question: We the People” will be published this spring in The Georgia Review‘s special issue on the 2020 U.S. Census. Talty’s two short craft essays, “Story, Speak” and “One-Edit,” will also appear in Shenandoah.

Gina Troisi‘s (Creative Nonfiction, W’09) essay “A Hunger” was recently published in Sycamore Review (Issue 31.1).

Christopher Watkins‘ (Poetry, W’08) poems “We Take Our Color From The Mines,” “The Sea Was Never A Friend To Us,” and “We Are Forced To Face One Another” have been accepted for publication by The Write Launch and will be included in the March 2020 issue. Additionally, Christopher, under his performance name “Preacher Boy,” has just released his 12th album, entitled See No Evil (Coast Road Records). The album is now available across all digital music platforms. Coast Road Records has published an Enhanced Lyric Booklet to complement the album’s release, which is now available for Kindle or as a free PDF.

 

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Community News & Updates February 2020

ANNOUNCEMENTS

Alumnus Jacob Strunk (Fiction, W’07) has undergone heart surgery in January and some Stonecoasters are among those supporting a GoFundMe effort right now to help with expenses. If you’d like to donate, visit Jacob’s Big Dumb Heart.

BOSKONE 2020

This year’s Boskone—New England’s longest running science fiction convention—features many Stonecoast faculty and alumni on the program participant list, including: KT Bryski (Popular Fiction, W’16), Julie C Day (Popular Fiction, S’12), David Anthony Durham (Fiction, Popular Fiction faculty), Theodora Goss (Popular Fiction faculty), James Patrick Kelly (Popular Fiction, Playwriting faculty), Mur Lafferty (Popular Fiction, W’14), Robert V. S. Redick (Popular Fiction faculty), Erin Roberts (Popular Fiction, W’18), and (of course!) Erin Underwood (Popular Fiction, S’09). Word is that many other Stonecoasters will be in attendance as well. Feel free to join us! Boskone – February 14th to 11th at the Westin Waterfront Hotel, Boston.

FACULTY

Aaron Hamburger (Fiction, Creative Nonfiction) interviewed novelist Garth Greenwell about his new novel Cleanness for Electric Literature.

In 2021, New Rivers Press will publish Debra Marquart’s (Creative Nonfiction, Poetry, Writing for Social Change) next poetry collection, Gratitude with Dogs Under Stars: New & Collected Poems. Her poems have recently been included in three anthologies: “Come November” in Dear America: Letters of Hope, Habitat, Defiance, and Democracy, edited by Elizabeth Dodd, Simmons Buntin, and Derek Sheffield (Trinity University Press, 2020); “Dylan’s Lost Years” in Stone Gathering: A Reader 1.1 (Summer 2019); and “How Bad News Comes” in Send My Roots Rain: 52 Weeks of Poetry to Heal Your Grief, edited by Kim Langley (Paraklete Press, 2019). She published an essay, “The Unhappy Hour,” in Ascent Magazine in November 2019. Debra received a small grant ($4000) from Iowa Arts Council to complete a Poet-Laureate-in-the-Schools initiative in the 2019-2020 school year, and she was interviewed by Frontier Poetry in May 2019. In addition to writing, Debra did quite a lot of speaking:

Cate Marvin (Poetry) received the 2020 Maine Artist Fellowship Award in Literature (in this case, poetry) from the Maine Arts Commission.

More recent-vintage Stonecoasters might remember the collaboration seminar Suzanne Strempek Shea (Creative Nonfiction, Fiction) and painter pal Susan Tilton Pecora gave at a winter residency a few years back on a book project to benefit their neighbor, Blue Star Equiculture. The draft horse rescue will be closing in a few months due to a lack of donations and volunteers so Suzanne and Susan have turned their work into a series of notecards (each featuring painting and essay) to more quickly help pay final bills at the 11-year-old draft horse rescue. The set of ten blank notecards, priced at $25, includes five different signed images and essays from throughout the rescue’s history. Checks should be made out to Susan Tilton Pecora and sent to her at PO Box 195, Thorndike, MA, 01079; pay via PayPal at sess7@comcast.net. All donations are tax-deductible and will be acknowledged by Blue Star Equiculture, a registered nonprofit. Please note on checks or on PayPal payment how many sets of cards you’d like. The horses and their humans, including these two longtime friends and neighbors of Blue Star, thank you.

ALUMS

Peter Adrian Behravesh (Popular Fiction, W’18) joined a full voice cast to narrate Kyle Kirrin’s story “Yo, Rapunzel!” for the January 28th episode of PodCastle. You can listen to it here.

Karen Bovenmyer (Popular Fiction, S’13) is pleased to announce a new story, “Nightmare Spinner,” in Way of the Laser: Future Crime Stories, edited by Eric Bosarge (Popular Fiction, W’12) and Joe McDermott (Popular Fiction, S’11) (Vernacular Books) and two reprints: “Snow as White as Skin as White as Snow,” in Weird Dream Society, edited by Carina Bissett (Popular Fiction, S’18), Julie C. Day (Popular Fiction, S’12), Chip Houser, and Steve Toase (The Post-Apocalyptic Writers Society); and “Cadaver Feet,” in The Binge-Watching Cure II: An Anthology of Horror Stories, edited by Bill Adler, Jr., and Sarah Doebereiner (Claren Books, October 2019).

Sunspot Literary Journal chose the opening to one of J Brooke’s (Poetry, S’19) essays, “Before and After,” as finalist for their Inception Contest (voted one of 2019’s Best Writing Contests by Reedsy) and published eir essay in the most recent issue. Of possible interest is J worked on this piece second semester at Stonecoast and received editorial suggestions from Stonecoast Director Justin Tussing on it, which e incorporated.

Susan Casey’s (Fiction, W’10) book Rock On: Mining for Joy in the Deep River of Sibling Grief is being released on February 14, 2020. The book launch is at the Frontier Café on February 15th from 6:00-8:00 p.m. Links to register here and here.

Renee S. DeCamillis (Popular Fiction, W’ 14) will be reading from her horror/psychological thriller novella The Bone Cutters on Saturday, February 22nd, from 2:00-3:30 p.m. at the Lewiston Public Library. The event is free to the public and will conclude with book sales and signing. Renee is also thrilled to announce that she has signed a comic book deal with Phi3 Comics. She has been commissioned to write the book #4 finale, “Gateway of Destruction,” for the current Spiralmind storyline of “Muses’ Rise.” Publication date is TBD.

teri elam’s (Poetry, S’19) poem “High School Dancerettes at Half-Time” was published in the Winter 2019 issue of Prairie Schooner. teri’s poem “Butterflies” (a reflection on the criminalization of school-age black girls) was chosen as part of 2020’s Visible Poetry Project and will be brought to the screen by filmmaker Christina Sloan Stoddard.

Gail Hovey (Creative Nonfiction, S ’11) is delighted to announce that her memoir, worked on at Stonecoast and beyond, will be published this fall by Exposit/McFarland. The title for this story of the long reach of childhood sexual abuse by a seminary-trained woman is still being worked on, as the publisher says it’s a hard book to title. Watch this space.

Clifford Royal Johns (Popular Fiction, W’18) will be conducting a writing workshop on writing in first person on February 15th at 2:30 p.m. at the Capricon science fiction convention (February 13-16, 2020). He will also be a panelist at the convention on the following panels:

  • Detectives in the Wild – Thursday, 5:00 p.m.
  • Nonfiction for Fiction Writers – Friday, 10:00 a.m.
  • Lessons I Learned as a First-Time Novelist – Friday, 8:30 p.m.
  • How Not to Kill Yourself over a Deadline – Saturday, 5:30 p.m.
  • A Funny Thing Happened on the Way to the Publisher – Saturday, 8:30 p.m.

Veda Boyd Jones (Fiction, S’17) sold a mini-mystery, “Who’s That Valentine?”, to Woman’s World magazine, which is in the issue that hits your grocery/drugstore checkout lines on February 6th.

Rebecca Kightlinger (Fiction, W ’14) announces that a new, enhanced edition of Megge of Bury Down: Book One of the Bury Down Chronicles will be released by Rowan Moon on February 1, 2020, in advance of publication of Book Two of the series this summer. The book’s epigraph is from a poem by Annie Finch.

Fiona Lehn (Popular Fiction W’15) has a new speculative novel, Transformation Junkies, published by Wicked Publishing. Click here to read more about the project, and here to view the book trailer.

Joe M. McDermott (Popular Fiction, S’11) sold the short story “Wind Gets Her Own Place” to Analog Science Fiction and Fact.

Matthew Quinn Martin (Popular Fiction, S’10)’s film (co-written with director Doug C. Williams) Being is now available on DVD and Blu-Ray nationwide, exclusively at Wal-Mart (with more big box stores and streaming to follow). The film starts Ben Browder (Farscape, Stargate SG-1), Lance Henriksen (Aliens, Millennium), Ahd Kamel (Collateral), Robert Burke (BlacKkKlansman), Jason Iannacone (The Irishman), and James St. Vincent (The Price). The trailer can be viewed here.

Ellen Meeropol (Fiction, W’06) is pleased to be a featured presenter at AWP in San Antonio. She will read from her forthcoming novel Her Sister’s Tattoo and talk with Donna Hemans, Aimee Liu, and Kristen Young, about themes of families torn apart by history and war. Ellen’s recent New England ARC tour was featured in Shelf Awareness on January 10.

On February 22nd from 10:30 to 12:30, Catharine H. Murray (Creative Nonfiction, S’17) will be at the Belfast Free Library teaching Memoir 101 through the Maine Writers and Publishers’ Alliance. The workshop is free to MWPA members and $5 for non-members.

Anne Britting Oleson (Poetry, W’05) will have her fourth novel, Cow Palace, published by B Ink Publishing in March of this year. She is also gratified to have had her fourth poetry chapbook, Magic Somewhere Else, contracted by Clare Songbirds Publishing, to appear at the end of the summer.

Tamie Parker Song (Creative Nonfiction, S’12) was invited to the Arrowmont School of Arts and Crafts, in Gatlinburg, Tennessee, for a residency in writing. There, nested in the Great Smoky Mountains, she worked on a long essay she is composing about commercial fishing in Bristol Bay, what that experience gives her to understand about gendered violence, and how we might alchemize it into something transformative and new.

Kevin St. Jarre‘s (Popular Fiction, S’10) has signed a new book deal for his novel Aliens, Drywall, and a Unicycle with Encircle Publications, with a publication date of November 6, 2020.

Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “Where You Linger” appears in the January/February issue of Uncanny Magazine and is available to read free online later this month.

 

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Community News & Updates December 2019

FACULTY

The French translation of JJ Amaworo Wilson‘s (Fiction, Popular Fiction, Writing for Social Change) novel Damnificados, entitled Les Dévastés and translated by Camille Nivelle, has won the Prix Révélation de Traduction from Société des Gens de Lettres. The ceremony takes place in Paris on December 3rd, 2019.

Stonecoast faculty member Tobias S. Buckell (Popular Fiction) and co-author Paolo Bacigalupi won the World Fantasy Award for Best Collection with The Tangled Lands, a fantasy novel told in four novella-length parts about a land crippled by the use of magic. Buckell also sold new novel The Musketress to Audible Originals: in a far-future world where reading has been forbidden by mechanical archangels a general’s daughter and fugitive librarian search for world-changing secrets found in ancient, lost books.

Tom Coash‘s (Playwriting, Dramatic Arts) monologue, “Blind Dog,” was produced in New York City by The Playground Experiment as part of the Faces of America Monologue Festival in support of the ACLU. “Blind Dog” has also been published in the Faces of America Anthology.

The paperback edition of Susan Conley‘s (Fiction, Creative Nonfiction, Writing for Social Change) novel Elsey Come Home has been published by Vintage. Susan’s forthcoming novel Landslide will be published by Knopf in February of 2021.

Martín Espada (Poetry, Writing for Social Change) has edited and published a new anthology entitled What Saves Us: Poems of Empathy and Outrage in the Age of Trump from Northwestern University Press.

Aaron Hamburger (Fiction, Creative Nonfiction) received two special mentions, in both fiction and creative non-fiction, in the 2020 Pushcart Prizes: his short story “Refugees” (published in The Bennington Review) and his essay “Sweetness Mattered” (published in Tin House) were both honored.

Elizabeth Hand (Popular Fiction, Fiction) profiled Blondie frontwoman Debbie Harry for the pop culture site Please Kill Me. Her novel Curious Toys was named one of autumn’s best reads by Real Simple Magazine, as well as one of 2019’s best books by the Chicago Library, and was featured in Maine Women Magazine. Forthcoming reviews include Priya Sharma’s Ormeshadow, Tade Thompson’s The Survival of Molly Southborne, and Craig Laurance Gidney’s A Spectral Hue for The Magazine of Fantasy & Science Fiction.

Several chapters for Lauren Marie Schmidt‘s (Poetry, Writing for Social Justice) YA novel-in-progress, The Players, are forthcoming in the following journals: North American ReviewMobius: The Journal for Social Change, and The MacGuffinClick here to learn more about the project and here to read samples.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) has a new short film, produced via LGBT Toronto Film Festival. The five-minute short, Sister Kin, is based on a studio recording of a single scene by Elizabeth. The ‘Screenplay Short’ film will screen at LGBT Toronto Film Festival in 2020. A longer short film, Four-Sided, also based on Elizabeth’s novel, has been an official selection at nine festivals so far this year and will screen next in Chicago. Elizabeth’s feature-film script has been recognized at 20 festivals or competitions. Elizabeth looks forward to leading Stonecoast’s first hands-on Screen Your Short seminar for students wanting to write and shoot a short film. For updates on Elizabeth’s film projects, see www.afoursidedbedfilm.com

 

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) film short adaptation of her memoir, The Sound of a Wild Snail Eating, won the Best International Short Award at the Kerry International Film Festival in Kerry, Ireland.

Carina Bissett (Popular Fiction, S’18) placed her poem “Lepus antilocapra” in HWA Poetry Showcase Vol. VI, edited by Stephanie Wytovich. This piece found its final form under the guidance of Cate Marvin. In other news, her short story “Gaze with Undimmed Eyes and the World Drops Dead” is featured in the anthology Terror at 5280′. This piece originated from a ghost story prompt in workshop with Liz Hand.

KT Bryski (Popular Fiction, W’16) has a story in Lightspeed Magazine this month: “The Path of Pins, the Path of Needles” is available from December 5th. Her flash piece “By Jingly Bell, By Velvet Mouse” also came out from PodCastle recently.

Jessica de Koninck (Poetry, S’11) has a poem, “Good Humor”, in the most recent edition of Glassworks. Its online segment, “Looking Glass,” includes her reflections on the poem. Her poem “Crazy Eights” appears in the most recent edition of Presence. “Lullaby Ghazal” is in Southword (Munster Literary Center), and her poem “Revisiting the Psalms” is included in the anthology A Constellation of Kisses from Terrapin Books. Finally, her poem, “Pastoral”, was the daily poem on SWIMM on Friday, November 29, 2019.

Jess Flarity (Popular Fiction, S’18) was featured on the literary journal Barnstorm‘s website; you can read the tale of how he sold his first short story here.

Terri Glass’s (Poetry & Creative Nonfiction, S’13) poems “The Girl Who Became So Still” and “The God Hour” will be published in the New Rivers anthology Wild Gods: The Ecstatic in Contemporary Poetry and Prose.

Andrea Lani (Fiction, W’14) was honored to have her essay “Persistence Is the Thing with Fins” selected for inclusion in A Dangerous New World: Maine Voices on the Climate Crisis, which comes out this month from Littoral Books. A book launch party will be held on Sunday, December 8th, from 2:00 to 4:00 p.m. at Space Gallery in Portland, Maine. Also, Andrea was also thrilled that her short story “The Quilt” was short-listed for the Peaceful Dumpling Environmental Writing Prize.

Ellen Meeropol (Fiction, W ‘06) has recent essays published in Ms Magazine“No More Coat Hangers”—and Lilith Magazine“When Life Imitates Your Own Art.”

John Christopher Nelson‘s (Fiction, S’15) short-fiction pieces “Avoidance,” “Meaning As Use,” and “Sola Fide” (the last of which was originally published in Able Muse, summer 2016) will be featured in Pleasure Boat Studio’s first biannual zine this December. Additionally, John will read “Sola Fide” at a Soul Food Coffee House event this December 19th.

Suri Parmar (Popular Fiction, W’17) is elated to announce that her live-action/animated film Rialia (2019) is an official selection at the National Screen Institute of Canada’s Online Short Film Festival and was their weekly featured film. Her short film The Bakebook (2017) will also be screening in Italy at the CineCiok Festival.

Dave Patterson (Fiction, W’13) had his novel, Soon the Light Will be Perfect, recently reviewed in The Portland Press Herald. The reviewer noted that the novel is “a beautiful exploration of what it means to come of age in difficult circumstances.”

Linda K. Sienkiewicz (Fiction, S’09) was selected to participate in the third annual Poets and Artists in Dialogue at The Grosse Pointe Congregational Church in Michigan. Two of Linda’s poems are published with accompanying art in the full-color book. The reading is January 9th, 2020.

Mary Katherine Spain (Fiction, S’16) has been awarded semi-finalist status in the Machigonne Fiction Contest sponsored by The New Guard Literary Review. Her short story “Collision” will be published in Volume IX of The New Guard Literary Review in 2020.

An anthology of poems and essays on the climate threat by Maine Writers, A Dangerous New World: Maine Voices on the Climate Crisis, edited by Kathleen Sullivan (Poetry, ’13) and Meghan Sterling, has been published by Littoral Books and can be purchased online here—or at the publication party at Space Gallery on December 8th in Portland. All Stonecoasters and their friends are invited! Also, The Portland Phoenix recently published an article about the anthology.

Morgan Talty‘s (Fiction, W’19) short story “Earth, Speak” will be published this December in Shenandoah‘s winter issue; the editors of Shenandoah have also nominated the story for a Pushcart.

Allister Timms (Popular Fiction, ‘13) has published his novel The Killing Moon with PS Publishing, the UK’s foremost specialist genre publisher of horror, sci-fi, and fantasy. The artwork for the novel is by Italian artist Daniele Serra, winner of the 2017 British Fantasy Award for Best Artist. The Washington Post has included The Killing Moon in its “Best Horror Fiction of the Year.” Allister Timms is from Wales and now lives in Belfast, Maine, and teaches Literature at Husson University in Bangor. Allister can be found at https://allistertimms16.wixsite.com/home

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Community News & Updates October 2019

ANNOUNCEMENTS

SUBMISSIONS OPEN: The Learned Pig

Melanie Viets (Creative Nonfiction, W’17) is currently a guest editor at the UK magazine The Learned Pig. Her “Root Mapping” section is an exploration of mapping place instead of space. What is sparked when today’s mapping is guided by a desire for connection and beauty instead of domination, when maps are living creations that arise from engagement and attention? Submissions of poetry, literary nonfiction, photo essays, and interviews are all welcome through October 31st.

CALL FOR SUBMISSIONS: The Way of the Laser: Future Crime

Vernacular Books, an indie press venture created by Joe McDermott (Popular Fiction, S’11) and Eric Bosarge (Popular Fiction, W’12) is pleased to announce they are accepting submissions for the anthology The Way of the Laser: Future Crime stories.

What we’re looking for: 

Crime stories that take place in the future. Preferably these stories will go beyond simple murders or capers to reveal something about how technology and the powers that wield it have changed our world. Is poisoning the nanobots responsible for programming the ads in your neural feed a crime? Is organized crime society’s only hope or responsible for its downfall? Consider what will constitute a crime and what unique problems it poses for your characters.

Keep in mind what is criminal behavior one day may be legal the next and vice versa. We want to see people caught up in the pitfalls of society ruled by corporations, ideologies, and demagogues and what lengths they will go to when there simply is no other choice.

Wow us with your original idea and blow us away with your writing.

Length: 4,000-8,000 words

Payment: $.05/word advance + royalties.

For SUBMISSION GUIDELINES visit www.vernacularbooks.com/submissions/

To support this project via Kickstarter, visit https://www.kickstarter.com/projects/vernacularbooks/the-way-of-the-laser-future-crime-stories 

CURRENT STUDENTS

Jac Evans’ (Popular Fiction) short story “Scales” appeared in Issue 30 of Three-Lobed Burning Eye, published on August 30! This story was workshopped in her very first Stonecoast residency.

FACULTY

David Anthony Durham (Fiction, Popular Fiction) has signed a new book deal with Tu Books for his middle-grade solar-punk fantasy novel, The Shadow Prince. It won’t enter the world until some time in 2021, but he’s happy. In November, he’ll be a guest at the first Reno Pop Culture Con.

Aaron Hamburger‘s tour for Nirvana Is Here rolls on, with stops at Literati Bookstore in Ann Arbor, at 7:00 p.m., Thursday, October 3rd; a reading and conversation at the Fall for the Book Festival at George Mason University at noon on Friday, October 11th; an appearance at the Rainbow Book Fair in New York on Saturday, October 12th; and a stop in Arlington, VA, for the Readings on the Pike reading series, Wednesday, October 15th at 7:30 p.m. Aaron will also be featured as part of the Detroit Public Library Author Series on Sunday, October 27th at 2:30 p.m., and will participate in the National Press Club Book Festival On Friday, November 1st. Keep up with all of Aaron’s latest events here.

Elizabeth Hand’s (Popular Fiction) novel Curious Toys, out October 15th, has received glowing early reviews, including raves from Publishers Weekly and Kirkus and starred reviews in Booklist and Library Journal, as well as advance praise from Audrey Niffenegger, Sarah Weinman, Peter Straub, and Bradford Morrow, among others. Liz will be appearing at the Strand Bookstore in New York City on October 16th, in conversation about the book with Benjamin Dreyer; at Solid State Books in D.C. with Michael Dirda on October 17th; at Anderson’s Bookstore in Chicago with Sarah Weinman on October 24th; and at the WORD Festival in Blue Hill, Maine, on October 26th, where she’ll be in conversation with Joe Hill and Laura Miller. Her forthcoming reviews include Rene Denfeld’s The Butterfly Girl in The Washington Post.

Cara Hoffman‘s (Fiction, Popular Fiction) debut children’s novel Bernard Pepperlin, out this fall from Harper Collins, was a Jr. Library Guild Selection, received a starred review in Kirkus, and earned glowing reviews in Publishers Weekly and School Library Journal which compared Bernard Pepperlin to books by Roald Dahl and E.B. White.

Robert Levy‘s (Popular Fiction) novella Anaïs Nin at the Grand Guignol is out this month from Lethe Press. Kirkus Reviews says, “Readers looking for a concentrated cocktail of Années folles splendor will find that this short erotic novel quenches their thirst. A finely crafted, Anaïs Nin–centered fantasy with unexpected depths,” while Publishers Weekly in a Starred Review writes, “Levy’s disquieting erotic imagery masterfully evokes Nin’s original prose. This sensual confection will enthrall readers looking for an intimate, disturbing thrill.”

Cate Marvin (Poetry) is this year’s editor of Best New Poets: 50 Poems from Emerging Writers, a series curated by Jed Livingood.

At the 2019 Massachusetts Independent Film Festival in September, Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) won Best Feature Film Screenplay and the short film Four-Sided, based on Elizabeth’s novel, was screened on the Festival’s closing night, September 7th. Elizabeth attended the Festival with Amy Carpenter Scott, one of the producers developing Elizabeth’s script, A Four-Sided Bed, as a feature film. Also in September, Elizabeth’s script was named a Finalist at the Northeast Film Festival and the short film Four-Sided was a Finalist at Moondance International Film Festival. See updates here.

Elizabeth and A Four-Sided Bed producer Amy Carpenter Scott at the 2019 Massachusetts Independent Film Festival

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) film short adaptation of her memoir The Sound of a Wild Snail Eating won the international Jackson Wild Media Award in the Education category. The film has an upcoming Canadian premier at the Edmunton International Film Festival and was recently reviewed in the San Francisco Examiner.  

Michael Beeman (Fiction, S’09) published two short stories recently: “Better” in The Saturday Evening Post and “The Escape Artists” in The Normal School.

Carina Bissett (Popular Fiction, S’18) was awarded the inaugural Ladies of Horror Fiction (LOHF) Writers Grant, which was funded by indie author Steve Stred.

KT Bryski (Popular Fiction, W’16) and PodCastle co-editor Jen R. Albert are pleased to announce their creation of a new speculative fiction reading series. Funded by the Ontario Arts Council, ephemera will feature literary speculative fiction with a focus on emerging and underrepresented voices. Starting in November, it will run the first Wednesday of every month at the Glad Day Bookshop, Toronto.  Follow ephemera on Twitter and Instagram @ephemeraseries.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce that Aqueduct Press has just released her 140-page novella, The Rampant, as a paperback and ebook:

Christianity it turns out got a whole lot of things wrong. It’s ten years since the hordes of old-world Sumerian gods arrived in Southern Indiana ready to kick off the end of the world. Massive tornadoes, tsunamis, government collapse: it all started out so strong, but the Rampant, the final herald of the apocalypse, failed to show. Both people and gods have had to adjust. Sixteen-year-old Emelia Bareilles and Gillian Halkey have spent most of their childhood stuck in this seemingly never-ending apocalypse. Now the two friends are resolute: they will travel into the lands of the dead and force a change.

Paperback:  Amazon | Publisher

eBook:  Amazon | Publisher

Goodreads list.

What others are saying

“Equal parts playful and heartbreaking, this apocalyptic novella offers one-of-a-kind answers about the end of the world….This clever and surprisingly fun take on the rapture is the perfect theological horror story.” ~Publishers Weekly

“Day perfectly balances dark and light in The Rampant, and offers up a fresh take on apocalyptic fiction that draws on ancient mythology and literature to create something that feels completely original and new.” ~The Book Smugglers Women to Read

Josh Gauthier’s (Popular Fiction, S’17) debut full-length play Of Murder and Madness opens in early October at Footlights Theatre in Falmouth, Maine. The show runs from October 10-26, and tickets are on sale now. Visit the Footlights Theatre website for full details.

Nancy Hayden (Fiction S’12) and her husband John Hayden are excited about the September release of their new book, Farming on the Wild Side: The Evolution of a Regenerative Organic Farm and Nursery from Chelsea Green Publishing. The book explores growing fruit and perennial vegetables, enhancing native biodiversity for pollinators, beneficial insects, and birds, and increasing resilience in the face of climate change. Its hopeful message is combined with the authors’ color photographs of their Vermont farm.

Veda Boyd Jones (Fiction, S’17) has been elected president of Ozarks Writers League, which is headquartered in Branson, Missouri, but includes Arkansas as well. She will preside over a spring and a fall conference with national speakers.

Alan King‘s (Poetry, W’13) Drift, the audiobook, is now available on Audible. Learn more here.

Paul Kirsch (Popular Fiction, W’11) co-wrote a game called The Outer Worlds, which launches October 25th on PC and consoles. The Outer Worlds is a dark sci-fi satire about consumerism and corporate greed in space, full of fun shooty combat and opportunities for creative roleplay. You can find the latest trailer here (and below).

Ellen Meeropol (Fiction, W’06) is delighted to reveal the cover of her fourth novel, Her Sister’s Tattoo, coming in April from Red Hen Press. Angela Davis blurbed the book with this quote: “The elegant restraint of Ellen Meeropol’s prose and the painstaking precision of her vision offer us discerning glimpses over decades and generations into the complexities of political engagement—its big questions and especially its intimacies. At a time when radical movements are on the rise, we find in Her Sister’s Tattoo exactly what we now need: both caution and hope.” Elli will be doing an ARC-drop road trip to New England indie bookstores this fall, so if you have suggestions about bookstores likely to be interested in a political novel, please let her know.

Catharine H. Murray (Creative Nonfiction, S’17) will be at the Lewiston Public Library October 5th from 3:00-4:30 p.m. to discuss Memoirs and Loss with Suzanne Farrell Smith. Murray will be back at the Lewiston Public Library on October 26th teaching a Memoir Workshop from 1:30 to 3:30 in the afternoon. Both events are free and open to the public.

John Christopher Nelson‘s (Fiction, S’15) story “Beth Garland Realizes Her Date is a Serial Killer” will be featured online in Parhelion Literary Magazine this October. John read this same piece at a Stonecoast Faculty & Guest event during his summer Teaching Apprenticeship.

Carolyn O’Doherty (Popular Fiction, W’11) is delighted to announce that her debut novel, Rewind, won the 2018 Oregon Spirit Book Award from the Oregon Council of Teachers of English. The award is given annually to the author of a distinguished contribution to young adult literature that engages and encourages readers’ imagination, discovery, and understanding, reflecting the spirit and values held by Oregonians. Carolyn’s second novel, Unleashed, the sequel to Rewind, was released in September 2019.

Ellie O’Leary (Poetry W’17) will be the featured poet at Amesbury (Massachusetts) Public Library’s Fall Poetry Series on Tuesday, October 22nd, at 6:00 p.m.

Anne Britting Oleson (Poetry, W’05) has contracted her latest novel, Cow Palace, with B Ink Publishing; the book will be published in 2021. She will be reading from her most recently published book, Tapiser, at the Boothbay Public Library on Saturday, October 12th, at 2:00 p.m.; she will also be the guest at Union’s Vose Library for their annual “Soup & Suspense” fundraiser on Thursday, October 17th, at 6:30 p.m.

“On the Ridge,” a poem about the search for a man lost in the Great Smoky Mountains National Park, by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the forthcoming issue of The American Journal of Poetry.

An essay, “Upstairs Love,” by Lisa Romeo (Creative Nonfiction, S’08) appears in the fall issue of Ovunque Siamo: New Italian-American Writing. Upcoming: Lisa and fellow Stonecoaster Anthony D’Aries will read together at I AM Books in Boston (November 9th); she will present two sessions at the Philadelphia Writing Workshop (November 23rd); and lead a three-day memoir workshop (January 17-20) at the Winter Poetry & Prose Getaway in Atlantic City, NJ, presented by Murphy Writing/Stockton University.

Catherine Schmitt (Creative Nonfiction, W’12) has an essay on the importance of Maine, and wonder, to Rachel Carson, in Maine Boats, Homes & Harbors Magazine,  and another about the monuments of oyster shells made by Wabanaki ancestors, in Island Journal. She wrote the cover story on Atlantic salmon for Maine Audubon’s Habitat magazine Summer Issue,  and she will be talking about salmon and signing copies of The President’s Salmon at Maine Audubon on October 3rd. Schmitt will be moderating a Maine Writers and Publishers Alliance discussion on “Finding a Publisher” at the Bangor Public Library on October 19th.

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Community News & Updates August 2019

ANNOUNCEMENTS

It’s Boston Poetry Marathon time again! This year’s Boston Poetry Marathon is Friday-Sunday, August 16, 17, and 18, and …WE HAVE REALLY EXCITING NEWS! *We will be in a NEW LOCATION this year!* We are having this year’s Marathon at The Community Church of Boston at 565 Boylston St in Copley Square. This year’s event times are Friday, August 16th, from 6:00-10:30 p.m., Saturday, August 17th, from 12:00-10:30 p.m. (with a dinner break around 5:30, starting up again at 7:00 p.m.), and Sunday, August 18th, from 12:00-6:00 p.m. As always: every reader gets eight minutes each. For the third year running, Bridget Eileen (Poetry, W’09) is an organizer of this 20+ year-old Boston-area poetry festival tradition. This year’s lineup is TBD, but past years’ Stonecoast participants include alums Florine Melnyk, Carol Berg, Christine Tierney, and Vanesa Pacheco, and faculty Richard Hoffman and D. Nurkse. Admission is free but donations are welcome and appreciated. We are collecting donations ahead of time to help us with this year’s event at the new location. Learn more here. Event details are can be found here.

FACULTY

Breena Clarke (Fiction), co-founder and co-organizer of The Hobart Festival of Women Writers, is hosting a stunning lineup of women writers for the seventh consecutive year in the small New York town of Hobart, the Book Village of The Catskills. The Festival offers three days of readings and workshops in every genre. The Festival will also present a Public Conversation that is free and open to all, “In These Times: Writing. Terror. Possibility.” Hobart Festival of Women Writers 2019 will be held on Friday, Saturday, and Sunday, September 6th, 7th, & 8th. For information and registration, click here. For Spotlights of all of the 2019 Participating Writers, go here.

Aaron Hamburger (Fiction, Creative Nonfiction) will be reading from his novel Nirvana Is Here at the annual Out Write Literary Festival in Washington, DC, Saturday, August 3rd, from 1:00-2:00 p.m. at the Reeves Center at 14th St. NW and U St. Aaron is also please to announce that the audio rights to Nirvana Is Here have just been sold.

Elizabeth Hand (Popular Fiction, Fiction) was an instructor at The Writers Hotel in New York City in early June and then later in the month was lead instructor at the Clarion West Writers Workshop in Seattle. Her forthcoming novel Curious Toys was reviewed in Publishers Weekly, which called it “a phantasmagoric time trip tailor made for fans of The Devil in the White City.” Recent reviews are Kate Mosse’s The Burning Chambers for The Washington Post and Paul Tremblay’s story collection Growing Things for The Los Angeles Times. Elizabeth was profiled and interviewed by Michael Fournier in punk zine Razorcake, talking about her involvement in the nascent NYC and DC punk scenes in the 1970s.

Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) feature film script A Four-Sided Bed, and the short film based on her novel, Four-Sided, have both been accepted at the upcoming Massachusetts Independent Film Festival in September. Elizabeth’s script is one of five finalists for Best Feature Film Script and the film Four-Sided will make its USA premiere at the festival, having screened previously in Cannes and been a Finalist at ShanghaiPRIDE festival. Elizabeth will be attending the festival with one of her feature film project producers, Amy Carpenter Scott of Creatrix Films. In other recent film news, Elizabeth’s script for A Four-Sided Bed won a Feature Film ‘Diamond’ Script prize in the International Independent Film Awards, was a Finalist in the California Women’s Film Awards, and was an Official Selection at Austin Revolution Film Festival. In July, her script was performed as a full Staged Reading at ReelHeART International Film and Script Festival in Toronto and as a Best Scenes reading at the film festival LGBT Toronto. Visit: www.afoursidedbedfilm.com 

Elizabeth and the ReelHeART Film Festival cast of A Four-Sided Bed in Toronto

Cazenovia University Professor Grazyna J. Kozaczka writes about Suzanne Strempek Shea’s (Creative Nonfiction, Fiction) four Polish-American-set novels in her new book, Writing the Polish American Woman in Postwar Ethnic Fiction (Ohio University Press). The book examines seven decades of writing by North American-born and immigrant authors representing the Polish-American Catholic tradition. The chapter “Suzanne Strempek Shea’s Gendered Ethnicity in the 1970s and 1980s” begins with this observation: “In constructing a female perspective, fiction writers such as the Chinese Americans Gish Jen, Maxine Hong Kingston, and Amy Tan, the Native American Louise Erdrich,the Puerto Rican Judith Ortiz Cofer, the Dominican American Julia Alvarerz and the Polish American Suzanne Strempek Shea have forced many of their characters into a process of reinventing both their gender and ethnic identities within a class-conscious environment.”

ALUMS

Emma Galvin will be voicing the audiobook for Lindsey Barlow‘s (Popular Fiction, W’19) Pivot, the first novel of the Jack Harper trilogy. Galvin has voiced an incredible number of audiobooks, which include Winter’s Bone and the Divergent series.

Peter Adrian Behravesh (Popular Fiction, W’18) will be appearing at Worldcon 77 in Dublin. He will be presenting his paper “Mischief in Her Heart: Women’s Empowerment in the Persian Fantastic” on Friday, August 16th, at 11:30 a.m. He will also be appearing on the following panels:

  • Writing from Non-Western Cultures (Thursday, August 15, 11:00 a.m.)
  • Fuzzy Lines: Decategorising Creative Work (Thursday, August 15, 2:00 p.m.)
  • Muslim SFF (Saturday, August 17, 1:00 p.m.)
  • Using Science in Fantasy Writing (Sunday, August 18, 4:00 p.m.)

See the Worldcon website for full details. In addition, PodCastle, the fantasy fiction podcast Peter produces, had been nominated for the British Fantasy Award for Best Audio.Ryan Brod (Creative Nonfiction, S’17) has accepted an adjunct teaching offer from University of New England’s English department, starting this fall. He has a short essay in the recently released summer issue (10.4) of The Flyfish Journal, and he continues to contribute regularly to the popular website MeatEater.

In continuing to break barriers, Debbie Smith Daughetee’s (Popular Fiction, S’06) comic book company, Kymera Press, just filled an order by the Smithsonian National Natural History Museum for the comic Ivory Ghosts, a murder mystery set against the illegal ivory trade.

Renee S. DeCamillis (Popular Fiction, W’14) is excited to announce that her debut book, The Bone Cutters, is set for publication on September 1st through Eraserhead Press. It’s a “bizarro” horror novella set in a dysfunctional psychiatric hospital. The story follows a troubled young woman named Dory who encounters a seriously strange and brutal group of psychiatric patients. Her introduction to this group of patients sets Dory on the run to save her life. The book will be available, as of right now, through Amazon, Barnes and Noble, and Longfellow Books. Renee is also very excited to announce that a book launch event for The Bone Cutters is being hosted by Longfellow Books in Portland, ME, on Thursday, September 5th at 7:00 p.m. at their 1 Monument Square bookstore location. Along with her reading, there will also be live music to help set the mood, performed by local guitarist Shaun Church Reehl, and the amazing Elizabeth Searle will be Renee’s Introduction Queen. Renee is also thrilled to announce that there are two great reviews out already for The Bone Cutters: one on Ginger Nuts of Horror and one on Kendall Reviews. A third review is coming out soon in Cemetery Dance, the date of which is not yet known, though it should be available before the September 1st publication of the book. Here are snippets of what reviewers are saying about The Bone Cutters:

“It’s actually refreshing to be able to enjoy a book so much that you were miffed when it was over. … As the debut novella from Renee S. DeCamillis it’s a fantastic beginning to what could prove to be a career to watch. … I’m giving this a solid 4 out of 5 [stars]. … Considering that I’ve never read anything which rated a 5 I think The Bone Cutters is doing just fine.” ~Joe X. Young, reviewer for Ginger Nuts of Horror.

“I immediately fell in love with Dory, the writing style, the story… This is a terribly heart-wrenching story with a bit of a haunted house/ghost vibe where you’re also being chased by a bunch of crazy people who want to devour your bones. I didn’t want to put this book down.” ~Miranda Crites, reviewer for Kendall Reviews

Kendall Reviews also published a piece Renee wrote on the subject of “Why Do You Write Horror?” For those of you who are interested, here is the link. Also, on Friday, August 2nd, Ginger Nuts of Horror is releasing an interview with Renee. From their home page you can click on the “Interviews” link on the left hand side of the screen to find the interview. Here is their link.

Jess Flarity (Popular Fiction, S’18) has published his academic essay “The Commodification of Transcendence: Absurdism and Existentialism in The Three Stigmata of Palmer Eldritch” in PKD Otaku #39 (a zine celebrating the work of Philip K. Dick), available here. Also, Jess has accepted an advancement from the University of New Hampshire and will now be attending graduate school as a candidate for a PhD in Literature.

Florence Grende‘s (Creative Nonfiction, S’07) book The Butcher’s Daughter: A Memoir has been shortlisted for the Rubery Book Award (2019). Along with the Kindle Book Award NonFiction (2018), the book has garnered yearly awards since its publication in late 2016.

Clifford Royal Johns (Popular Fiction, W’18) will be giving a short presentation at HippoCamp 2019, a conference for creative nonfiction writers (August 23-25, Lancaster, PA). The presentation is derived from his third semester project and graduating presentation about reducing the number of sentences that start with “I.” This is important to avoid sounding egotistical in memoir and to reduce sentence structure repetition.

Veda Boyd Jones (Fiction, S’17) will be speaking at the White County Creative Writers annual conference in Searcy, AR, on August 31st on “Researching Fiction.” She’ll use examples from her work: attending the citizen’s police academy for a policewoman character, spending two days at a TV station watching the news being put together for a news anchor character, going behind the bar to wash beer mugs for a bartender character, etc.

Lissa Kiernan (Poetry, S11) is pleased to announce that the legendary aerialist, creativity expert, and award-winning writer Philippe Petit has joined Catskill LIT Writing Retreat as Artist-in-Residence. Mr. Petit will lead a workshop in ekphrastic writing.

Cynthia Kraack (Fiction, W’10) and Joseph Tachovsky’s 40 Thieves: Saipan, the World War II story of the Sixth Marine Regiment’s Scout Sniper Platoon—precursors to Navy Seals—was sold to Regnery History for publication in spring 2020. Stories for this narrative non-fiction book were gathered through hours of interviews with surviving men, their letters, photos, and historical Marine materials.

Kristin Leonard‘s (Fiction, S’18) historical short story “El Camino Real” is the featured fiction in the open-access academic journal Postcolonial Text (Vol. 14, No. 1).

Ellen Meeropol (Fiction, W’06) will be presenting at the Hobart Festival of Women Writers September 6-8, 2019, in Hobart, NY. She’ll be reading on Friday, September 6th; on Saturday she’ll teach a workshop, “In It for the Long Haul: Writing the Novel.”

Catharine H. Murray (Creative Nonfiction, S’17) will be teaching a workshop on Memoir at the 79th Annual Writers’ Conference at Ocean Park (Maine) on August 13th at 9:30 a.m.

On August 16th at 6:00 p.m., Dave Patterson (Fiction, W’13) discusses his novelSoon the Light Will Be Perfect, at The Briar Patch in Bangor.

Lisa Romeo (Creative Nonfiction S’08) interviewed fiction writer Lisa Lenzo for The Rumpus, about Lenzo’s new short story collection, Unblinking. Romeo’s essay “Playing Along with My Dad’s Alzheimer’s Confusion,” which enlarges on a scene/idea in her memoir, Starting With Goodbye, appeared this month in Human Parts.

Gina Troisi‘s (Creative Nonfiction, W’09) essay “Buried Beneath Her Skin Like Slivers” was recently published in Under the Sun. Her flash essay “The Release” was published in the most recent issue of Pembroke MagazineHer short story “Spiraling Through the Sky” was a finalist for the 2019 New Letters Publication Award in Fiction.

Marco Wilkinson (Creative Nonfiction, S’13) has had his memoir/essay collection, Madder, taken by Coffee House Press. It will appear in 2021.

 

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