Tag Archives: Frank Ard

Community News & Updates February 2021

CURRENT STUDENTS

Shannon Bowring‘s (Fiction, Third semester) short experimental piece “Avian Elegies” has been nominated by Waterwheel Review for Best Small Fictions 2020. In addition, one of Shannon’s stories from her linked collection (a work-in-progress) was selected as a finalist in the fiction category of the 50th New Millennium Writing Awards.

FACULTY

Faith Adiele’s (Creative Nonfiction) latest essay, “On Traveling While Black,” appears in the latest issue of december magazine (31.2). Issues can be purchased here. Also, on January 23, 2021, Faith conversed with writer Julia Cameron (The Artist’s Way) about her new book, The Listening Path: The Creative Art of Attention,on NYC Open Center LIVE, available to watch here.

Tom Coash‘s (Playwriting, Dramatic Arts, Writing For Social Change) short play Thin Air is currently available online as a free podcast, by Lost Souls Monologues. Also, Tom’s play Raghead will be streamed online February 13 by Silverthorne Theater Company as part of their Short & Sweet New Play Festival.

Susan Conley’s (Fiction, Creative Nonfiction, Writing for Social Change) fifth book, Landslide, is a novel recently published with Knopf and named a “Most Anticipated Book for 2021” by Bustle, the New York Post, Biblio, and Medium, among others. Susan will be doing a virtual book tour that crisscrosses the country, with dates at Susanconley.com.

David Anthony Durham (Fiction, Popular Fiction) is thrilled about the recent cover reveal for his forthcoming middle grade fantasy novel, The Shadow Prince, with art by Eric Wilkerson. It pubs in September of this year!

Martín Espada (Poetry, Writing for Social Change) published a poem, “I Now Pronounce You Dead,” in the January 24th issue of The New York Times Magazine. The poem comes from his new book, Floaters, just released by W.W. Norton.

Aaron Hamburger (Fiction, Creative Nonfiction, Writing for Social Change) will be appearing on a special pre-Valentine’s Day panel called “Love = Love = Love: Five Authors on Equal Love in Lit,” sponsored by Three Rooms Press, on Saturday, February 13th, at 7:00 pm. The panel will be livestreamed on Facebook and YouTube. This lively discussion of equal love in literature by five award-winning LGBTQ authors—including, in addition to Aaron, Meagan Brothers, author, Weird Girl and What’s His Name; Aimee Herman, author, Everything Grows; Alvin Orloff, author, Disasterama; and Julia Watts, author, Quiver. Kat Georges, co-director of Three Rooms Press, will host. The discussion will explore: How love in literature has become more inclusive during recent decades; How each author addresses love in their writing and opens doors to acceptance of love without boundaries; Why literature can provide inspiration in times of loneliness and heartbreak; Different levels of love: from friendship to red-hot lust. Following the discussion, the authors will field questions from the livestream audience.

In Scriptwriting news, Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting, Writing for Social Change) Tonya & Nancy: The Rock Opera just won four Broadway World Regional Theater awards for the 2020 TheatreZone production, starring Broadway’s Andrea McArdle. The awards are given by Broadway World for different regions of the USA. Tonya & Nancy won Best Production of the Decade of a Musical—for the Southeast Florida region—and also Best Director, Best Vocal Performance, and Best Setting Design. For updates, see www.tonyaandnancytherockopera.com

ALUMS 

Frank Ard (Popular Fiction, S’14) is thrilled to announce the upcoming publication of his first novel, titled Back to Zero, a coming-of-age story about a high school student who discovers an unbelievable power, only to learn it is more perilous than he ever imagined. The e-book will be released in late April 2021, with a paperback edition to follow. Additionally, Frank plans to launch a Kickstarter on March 2nd to produce a limited print run of a signed hardcover edition; follow the project here.

Carina Bissett (Popular Fiction, S’18) is currently offering open registration for The Storied Imaginarium’s popular workshop Intersections: Science Fiction, Fairy Tales, and Myth. This workshop meets in an online format once a week during March and April. Traditional fairy tales and myths are paired with cultural or scientific concepts in this generative writing experience. Past participants have published workshop stories in a multitude of anthologies and magazines, including Apex Magazine, Beneath Ceaseless SkiesClarkesworldDaily Science FictionEscape Pod, and Interzone. For more information, visit The Storied Imaginarium.  

Minerva Canto‘s (Fiction, S’18) memoir essay was published in A Short Guide to Finding Your First Home in the United States, an anthology of immigrant stories, essays, poems and art. The title of her story was chosen as title for the book itself, which celebrated publication with a book launch reading. Minerva also participated in a discussion about cultural identity and read from her work for Literary Voices, Music, and the Chicano Community event hosted by the Cheech Marin Center for Art & Culture, Riverside Art Museum and Inlandia Institute. In addition, Minerva’s 13-year-old daughter published a horror story, “Sunflower Trades” in Young Voices, an anthology by Culture Cult Press featuring stories from teen writers in India, Australia, Philippines, Canada, and elsewhere. 

Darcy Casey‘s (Fiction, W’19) short story “Bird Day” was long-listed and shortlisted for the 2020 Fractured Literary Micro Fiction Contest. While it’s still waiting to find a home, she’s pleased that it’s had a nice run of success with one of her favorite literary magazines, and is eager to send it out into the world again. Her weird, second person experimental piece, “How to Return a Phone Call,” has found a home at Midway Journal and was published in January. You can read it here and let her know what you think by reaching out through her website at darcyleecasey.com, because she’s not so sure she’ll write another second person piece again. Additionally, she is currently working hard on editing her first novel as a writer-in-residence at Jentel Arts Foundation, and will be through mid-February.

Lauren M. Davis‘s (Poetry, S’15) poem “The Flowers You Brought Back From Italy,” published by Wrath Bearing Tree, has been released; read it here.  

David A. Hewitt‘s (Popular Fiction, S’09) story “The Continuing (Superpositional) Adventures of Schrödinger’s Cat” appears in the inaugural issue of Underland Arcana, now on sale. 

Gail Hovey (Creative Nonfiction, S’11) will be the featured guest on February 22 at 1:00 p.m. EST, on Queer Spirit on OUT Cast at WMPG radio, Portland, ME. Queer Spirit is a series of conversations exploring queer life and the power of the Sacred. Hosts Marvin Ellison and Tamara Torres McGovern talk with Gail about her recently published memoir. As introduction, Ellison says, “We could easily have an extended conversation with Gail about the Pan-African justice movements and her activism as a white ally in southern Africa and back in the U.S., but today we’re talking about her more recent publication, a memoir entitled She Said God Blessed Us: A Life Marked by Childhood Sexual Abuse in the Church. One reviewer describes the memoir, this way: ‘This book is a gift . . . written with compassion, righteous anger, and deep insight about the turmoil that abuse generates and about the courage and tenacity required to disarm a debilitating curse and claim an authentic blessing.’”

Alison McMahan‘s (Popular Fiction, W’10) short story “Volcano” will be released February 22, 2021, in the anthology The Great Filling Station Holdup: Crime Fiction Inspired by the Songs of Jimmy Buffettedited by Josh Pachter and published by Down & Out books. Pre-order link is here.

Jenny O’Connell (Creative Nonfiction, S’17) is thrilled to be joining the SALT Institute of Documentary Studies faculty this March to teach Writing the Creative Profile, a five-day intensive that reaches beyond traditional profile writing to aim for the universal. Registration is open to the public, and the early bird special ends February 15th. Jenny’s story “Just Don’t Fall,” about pushing through fear to climb a frozen waterfall with outdoor mentor Toby Arnold, was published last month in Maine Magazine.

Photo credit: Andy Gagne Photography

Suri Parmar’s (Popular Fiction, W’17) short script “Vomit Comet,” which she wrote for a dialogue workshop with Stonecoast mentor Mike Kimball, appears in Issue 07 of Waxing and Waning: A Literary Journal from April Gloaming Publishing. Suri would also like to thank her fellow workshop participants—Erin Barker, AJ Bauers, Ella Carroll-Smith, Elisha Emerson, and Amy Burroughs—for their feedback, which she implemented in the final draft. 

PJ Piccirillo’s (Fiction, S’04) The Indigo Scarf continues to gain traction. USA Today-bestselling author David Poyer says: “The story never falters, and the description certainly clearly evokes the time period and the mountains and valleys this author obviously loves. The escaped slave Jedidiah especially is a tormented soul; his story and ultimate fate sucked me in. …for the thoughtful reader it rings astoundingly true. This skilled and talented author should be much better known!” And Bruce Pratt (Fiction, S’04), author of The Trash Detail, writes: “Rich in illuminative detail, a deep sense of history, and a remarkable sense of place, this narrative is driven by beautifully drawn characters limned in exquisite prose. A literary page-turner of the highest stripe.” The Indigo Scarf is available from Sunbury Press,  Amazon, and bookstores. About The Indigo Scarf:

Based on the true story of two slaves who fled their owners with white women into the wilderness of north-central Pennsylvania, The Indigo Scarf interprets the little known legacy of slavery persisting in the north during the nineteenth century. Meticulously researched, the author’s work is informed by scholars in early American slave laws and northern black codes, by experts in post-colonial folkways, and by descendants who live to this day in the fugitive settlement their forbears established. While The Indigo Scarf relates the covert workings of sympathetic Quakers, the ruthlessness of a slave catcher, and the irony of a Revolutionary War veteran forced to face his daughter’s love for the slave Jedediah James, it treats the deeper theme of the spirit-breaking impact slavery has had across generations since abolition. Though shadowed in whiskey-making and timber-pirating, novel is a paean to devotion, testing the lengths a woman will go to save her man from a burning vengeance as he confronts the privations of a wild frontier while his former owner schemes his return. On a broader scale, the story is a testament to the perseverance and vision of pioneer women who devoted themselves to planting in their offspring the seeds of hope for liberty which may only be realized by descendants they would never know. Woven between scenes spanning a forbidden, historically based slave marriage on a plantation in Virginia’s tidewater region to a tragic liquor operation on the Susquehanna’s un-peopled and feral West Branch during the frontier decades after Pennsylvania’s last Indian purchase, the narrator’s own sub-tale culminates in her realization of how a pioneer-woman ancestor had destined her to break the generational chain of bondage.

 

An essay by Lisa Romeo (Creative Nonfiction, S’08), which appeared in the Autumn 2020 issue, has been nominated by Tiferet Journal for a Pushcart Prize. A “Power Profile” interview with Lisa appeared in October on the blog of author Laraine Herring.

Morgan Talty’s (Fiction, W’19) Night of the Living Rez, a collection of interconnected stories of family and life in the Penobscot Indian Nation in Maine, will be published in 2022 by Tin House. Books published by Tin House have made The New York Times’ and other national bestseller lists, won the Kingsley Tufts Poetry Award and National Book Critics Circle Award, been long-listed and among the finalists for the National Book Award, and more. Morgan has also recently won a generous grant from the Elizabeth George Foundation to support his next projects. 

To Speak in Salt, the collection of poetry Becky Thompson (Poetry, W’21) worked on while studying at Stonecoast, was awarded the Ex Ophidia poetry Prize and was a finalist for the Hollis Summer Poetry Prize (Ohio University Press).  All praises to Becky’s mentors—Katherine Larson, Debra Marquart, and Chen Chen.

Gina Troisi‘s (Creative Nonfiction, W’09) flash fiction piece “After the Boston Marathon Bombing,” which was published in Gemini Magazine earlier this year, was nominated for a Pushcart Prize. Her forthcoming memoir, The Angle of Flickering Light, most of which was written during her time at Stonecoast, is now available for preorder via https://gina-troisi.com/.

Christopher Watkins (Poetry, W’08) is pleased to share that three of his poems are forthcoming in Beatific Magazine. He is honored to announce that his song “The Damned (So Many More of Us Than Them)” was awarded SONG of the YEAR at the 2020 Manifesto Awards. Christopher records under the name “Preacher Boy.”

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Community News & Updates October 2016

ATTENTION: ALUMNI

The 2017 Stonecoast Alumni Reunion Committee wants to hear from you! Led by co-chairs Penny Guisinger (Creative Nonfiction, S’13), Frank Ard (Popular Fiction, S’14), Peter Maskaluk (Fiction, ’13), Elli Meeropol (Fiction, W’06), and Mihku Anderson (Fiction, S’10), Stonecoast is excited to celebrate 15 years in the literary community. Please fill out this brief survey with your attendance and preferences: https://www.surveymonkey.com/r/86MCNWV

stonecoast-reunion-final

A message from the husband of Christine Tierney (Poetry, S’09), who is currently in need of a kidney.

Dear Family, Friends, and Universe,

Christine is a caring, generous, and beautiful person with probably the best sense of humor on the planet. She has been working with children for the past 23 years as an after school director. She is also a gifted poet, artist, and animal lover. But most of all, she is the absolute love of my life.

Eight years ago Christine was diagnosed with Polycystic Kidney Disease, (PKD). PKD is progressive and incurable. It causes clusters of cysts to grow inside the kidneys. As these cysts enlarge from fluid buildup, kidney failure can result. Unfortunately, Christine’s cysts are rapidly growing and her kidneys are losing function. She is now in need of a kidney transplant.

Christine was placed on the national kidney transplant list in August 2015, and is awaiting a deceased donor kidney, but this list is 80,000 names long, and the wait time for a deceased donor kidney is eight years or more. Christine is hoping for a transplant from a living donor because living donor kidneys have greater success rates than deceased donor kidneys, and nearly double the years of function. Through the living donation program, a healthy person can donate one of their kidneys and return to full health after a brief recovery.

I was tested to see if I am a match for Christine. Unfortunately, I am not. Both of Christine’s parents are now too old for organ donation. Finally, you may have read the article is The Boston Globe about a former Cambridgeport parent who was willing to donate and was a likely match, but has since been diagnosed with a medical condition that makes her an unsuitable donor.

So now we are casting our net wider, in hopes of finding someone who might be interested in donating a kidney to Christine. This would be a great gift to the both of us.

If you cannot do this, we understand perfectly. If you know anyone who might, please forward this letter widely. We are so grateful to you for passing it along to your family, friends, coworkers or classmates, congregation, or any other communities to which you belong. Also, please feel free to post this on all forms of social media.

If you would like to learn more about living kidney donation, please feel free to call me at (857) 334-9794 or email me at ljblanko@yahoo.com.

Thank you from the bottom of my heart,

Luis Julio Blanco

ALUMS

Eric M. Bosarge (Popular Fiction, W ’12) will present a seminar entitled “Archetypes and the Power of Attraction: Creating Dynamic Characters and Conflict in Fiction” to the Maine Romance Writers Association on October 8th.

Karen Bovenmyer (Popular Fiction, S’13) is proud to report she is now an official Affiliate Member of the Horror Writer’s Association (her sale to Gamut last month made her eligible and her application was accepted!). Two of her Halloween recipes “Mummy Calzones” and “Witches Wands” will appear in the next issue of the HWA newsletter with accompanying photos. She’s also excited her undead-grandmother-farm-guardian flash “On Rising One Snowy Evening” originally published in Parsec’s Triangulations: Beneath the Surface will be reprinted in Cosmic Shores and Eldritch Tales this fall. Furthermore, her science fiction romance poem “The Blind Elephants of Io” was selected for performance at Arachnae Press’s Shortest Day: Solstice Shorts Festival 2016 funded by the Arts Council of England, in Greenwich on Wednesday, December 21, and will be published in a subsequent anthology of collected writings accepted by the show—this poem won a Long Form Honorable Mention in the 2016 Science Fiction Poetry Association Contest. A reprint of Karen’s haunted house abduction micro fiction “So Normal and Unwritten” will appear in IronSoap.com’s 200CCs Issue #4 on October 7. Finally, Karen is thrilled to report she’s been asked to write an essay for Pseudopod Horror Podcast’s tenth anniversary Kickstarter.

Amy Burroughs (Creative Nonfiction, W’16) will have an essay published in the Fall issue of The Journal.

9781608933952Kate Cone (Fiction, ’08) announces the publication of What’s Brewing in New England (Down East Books, Camden, ME), a guide to craft breweries in the six-state region. Kate’s first edition of What’s Brewing was published in 1997. After almost 20 years, Kate revisits the explosive New England beer scene with interviews, stories and descriptions of the beers. Available on Amazon.

For the second year in a row, a Penny Guisinger (Creative Nonfiction, S’13) essay has been named as a Notable in Best American Essays. This year, her piece “The Sound of Galton’s Whistle” (which won a Maine Literary Award and was nominated for a Pushcart) made the notables list; the piece was a Sunday Rumpus Essay in July 2015. Penny’s book, Postcards from Here, just received a glowing review at Tinderbox Poetry Journal. Here is an excerpt from the review: “… the postcards come to the reader as precious objects assembled in a gorgeous yet unruly box. Here, all at once, we experience the lived chaos of mind, marriage, children, body, and place. It is a truth, a difficult representation to achieve, and Guisinger does so with skill and grace. Postcards From Here reminds us that a postcard’s purpose is not memory or story, but to send a small piece of oneself as a memento, rather than a definitive record or missive.”

Andrea Lani‘s (Fiction, W’14) essay “Monarch Summers” appeared in the Spring-Autumn issue of Snowy Egret. She also had two essays published online this month: “The Big Night” at Coffee + Crumbs and “How I Went from Domestic to Wild” at Role Reboot.

Will Ludwigsen’s (Popular Fiction, W’11) story “The Leaning Lincoln” is appearing in the October/November 2016 double issue of Asimov’s Science Fiction; he describes the story as “an autobiographical journey into the psyche of a boy coming to terms with the absence of magical justice in the world.” He also sold his story “Night Fever” to Asimov’s, too, and it’s likely to appear later in 2017.

9843219Alexis Paige‘s (Creative Nonfiction, S’14) essay “The Right to Remain,” published in The Rumpus in 2015, has been named a Best American Essays Notable in the 2016 anthology. In addition, Paige’s first book, Not a Place on Any Map, which won the 2016 Vine Leaves Press Vignette Collection Award, will be published December 5th by Vine Leaves Press. The book, a collection of lyric essays, will be available for pre-order in early November.

Lisa Romeo (Creative Nonfiction, S’08) was honored to learn that one of her essays was selected for the Notables Essays section of Best American Essays 2016. (The piece, “Not Quite Meet Cute,” originally appeared in the Spring 2015 issue of Blue Lyra Review.) Lisa’s essay, “On the Near Side of the Tracks,” appears in the current (Fall 2016) issue of Brevity.

Beyond Rain Man by Anne K. Ross (pen name for Creative Nonfiction, Winter ’07 graduate) is reviewed by Bunny Goodjohn (Poetry, W’07) in the current issue of Mom Egg Review; the book review can be found here. Also, Anne will be on a LitQuake “Politics of Parenting” panel in the San Francisco Bay Area on October 9. Other events listed at www.beyondrainman.com.

Linda K. Sienkiewicz‘s (Fiction, S’09) novel, In the Context of Love, is a 2016 Readers’ Favorite Book Award Finalist. That marks the third award for the book she worked on while at Stonecoast.

Wilde Stories 2016Bonnie Jo Stufflebeams (Popular Fiction, S’13) short story “Everything Beneath You” has been reprinted in The Best of Beneath Ceaseless Skies, Year Seven. “He Came From a Place of Openness and Truth,” originally in Lightspeed, has been reprinted in Wilde Stories 2016.

Ashley K. Warren‘s (Fiction, S ’12) poem “Symptoms of a Brain Injury” was nominated by Easy Street for the 2016 Best of the Net anthology. Also, Ashley will serve as an artist in residence at the Billings Public Library in Billings, Montana, beginning in October. During her residency she will work with teen writers on the Letters to the Next President project, an initiative hosted by the National Writing Project, KQED, public media, and Educator Innovator partners.

Lindsey Wells (publishes as Lindsey Kemp; Creative Nonfiction, S’15) won the Empire Award (second place) in the New York Screenplay Contest for her New Girl spec script, “B.C.,” which she wrote as part of her third semester project under the guidance of the amazing Mike Kimball.

FACULTY

Letters from LimboJeanne Marie Beaumont’s (Poetry) new book of poetry, Letters from Limbo, will be launching this month from CavanKerry Press. Additional information can be found on Jeanne Marie’s website.

Aaron Hamburger‘s (Creative Nonfiction, Fiction, Popular Fiction) short story “Guiltless Pleasures” has been accepted for publication in Crazyhorse Magazine. Aaron’s essay “Edward Albee Was My Mailman,” a tribute to the late playwright who wrote Who’s Afraid of Virginia Woolf? and many others, is in The Millions. In other news, Aaron will be delivering a presentation on Drown by Junot Diaz for Hispanic Heritage Month at the DC Public Library. And last but not least, if you’re in the DC area and having trouble with writer’s block, come to Aaron’s two-session class at Politics & Prose Bookstore, Breaking Through Writer’s Block.

Elizabeth Hand (Fiction, Popular Fiction) just returned from a book tour in Sweden, where her novels Generation Loss and Available Dark (briefly) topped the bestseller list at #1 and #3 (the new Harry Potter was #4). In September, she’ll be featured at the National Book festival in Washington, DC, where she’ll be interviewed by NPR’s Maureen Corrigan, and will also appear at the Fall for the Book festival in Fairfax, Virginia. Recent reviews include Tama Janowitz’s memoir Scream for The Los Angeles Times and Nisi Shawl’s novel Everfair for The Washington Post.

As noted in a previous Community blog, October 1 will see the debut of two new works by Jim Kelly (Popular Fiction). His short play “Glitch” premieres as part of the Paragon Science Fiction and Fantasy Theater festival at the The Public House Theatre in Chicago. And his novelette “One Sister, Two Sisters, Three” will be published in the Tenth Anniversary Issue of Clarkesworld Magazine.

Mike Kimball’s (Popular Fiction, Scriptwriting) play The Secret of Comedy runs October 20-30 (Wednesdays-Saturdays at 7:30 p.m.; Sundays at 2:00 p.m.) at Mayo Street Arts, Mayo Street, Portland, ME. For more information and reservations, click here.

the-secret-of-comedy

Debra Marquart’s (Creative Nonfiction, Poetry) lyric essay “Some Things About that Day” was featured in Becoming a Great Essayist, a twenty-four part online “Great Courses” lecture series taught by the literary scholar Jennifer Cognard-Black (2016). Her essay “The Microphone Erotic” was published in the anthology From Curlers to Chainsaws: Women Writers and Their Machines (Michigan State University Press, 2016), and her essay “When the Band Broke Up” was awarded the 2016 Alligator Juniper Nonfiction Prize and was published in Alligator Juniper, Issue XX, 2016. In July and August 2016, Debra was invited to complete a month long artist residency at Le Moulin à Nef, the Virginia Center for the Creative Arts location in Auvillar, France. Working with the painter Thomas Rice, Debra worked on a collaborative research nonfiction project about the oil boom in her home state of North Dakota, entitled “The Future Eaters.”

Tickets are now on sale for the six-week Chicago run of Elizabeth Searle’s (Fiction, Popular Fiction, Scriptwriting) Tonya & Nancy: The Rock Opera; recent media coverage has included a Chicago Tribune piece that included the show on a Theater Preview list of “Tuneful Treats.” For ticket info, visit Theater Wit.

Amanda Horvath as Tonya in the Chicago production of Tonya & Nancy: The Rock Opera.

Amanda Horvath as Tonya in the Chicago production of Tonya & Nancy: The Rock Opera.

 

 

 

 

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