Tag Archives: Gail Hovey

Community News & Updates May 2019

ANNOUNCEMENTS

One Voice: Stonecoast’s 2nd Annual Open Mic
May 7th, 2019

Celebrate the greater Stonecoast MFA literary community at our second annual One Voice open-mic event, Tuesday, May 7th, 7:00 p.m. at Oxbow Blending and Bottling in Portland’s East End. Sign up here to share a three-minute reading of your original work. (Space is limited, so reserve your spot now!) Free and open to the public. Oxbow’s locally brewed craft beer will be available for purchase during the event, and there are a number of local dining options nearby. Bring your friends! For more info and to RSVP, click here. Contact Stonecoast MFA Community Outreach Coordinator with questions: Jenny O’Connell at jennifer.a.oconnell@maine.edu.

Call for Submissions: Climate Anthology
Deadline: May 31st
Now it is up to the artists. The scientists have warned us. They have been warning us for fifty years. But we have only 12 years to dramatically reduce our current carbon use before we cross the line into unprecedented climate catastrophe. We—Meghan Sterling and Kathleen Sullivan (Poetry, ’06)—are editing an anthology of Maine poets and essayists whose writing will, we hope, wake us, stir our imaginations both for our global future and our way of life here in Maine. We are looking for writing which helps find language for the fear, guilt, and grief of this moment, and, perhaps, for the hope. Published and unpublished work sought. Littoral Press has agreed to publish the book which we hope will be in Fall, 2019. The voices of youth most welcome. Send one essay (max 1,000 words) or up to three poems to: climateanthology@gmail.com Include a short bio. Deadline is May 31st. Kathleen notes that Stonecoast alums are encouraged to submit even if they don’t live in Maine now.

FACULTY

Tom Coash’s (Playwriting, Dramatic Arts) play Raghead will be part of the Downtown Urban Arts Festival at the Wild Project NYC, May 9th at 8:00 p.m. His new short play Bubble, Bubble will be part of the fun and fabulous Boston Theater Marathon XXI, Boston, May 19th.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) new novel Nirvana Is Here is being released on May 14th. Readings and events are planned this month in New York, DC, Detroit, Chicago, and Baltimore (and next month in Seattle; San Francisco; Portland, OR; Annapolis; and Portland, ME). Click here for the complete schedule. Be sure to get your copy at your favorite indie bookstore! Aaron’s essay on Kurt Cobain’s gay rights legacy was in The Washington Post. And his piece about “Lessons I Learned in Writing My #MeToo Story” was posted on the Submittable blog.

Elizabeth Hand (Fiction, Popular Fiction) is the subject of a feature podcast on This Is Horror, discussing music, folk horror, the English folk tradition and her award-winning novella, Wylding Hall. Her Cass Neary books were recently named as one of the top ten hipster crime novels at CrimeReads, and also among the top eight queer crime novels featuring women at Autostraddle, the world’s most popular lesbian website.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) has film script news: she won a 2019 Los Angeles Film Award in April for her screenplay A Four-Sided Bed, adapted by Elizabeth from her novel. In the past month, Elizabeth’s recently completed script has also been chosen as one of two feature film scripts to be presented at the 15th ReelHeART International Film Festival in Toronto, which Elizabeth will attend in July. In addition, the script was named an Official Selection at the Script Summit festival in Las Vegas and a Finalist at the Indie Visions Film Festival as well as in the Los Angeles Film & Script Festival. A Four-Sided Bed is being developed as a feature film by two producers, David Ball (producer on over thirty films including the recent Tag; the award-winning 96 Minutes, starring Evan Ross and Britney Snow; and Yellow) and Amy Carpenter Scott/Creatrix Films (Pitstop). More news coming soon on this film development project. In May, in addition to the Idol Talk theater event (see Tamra Wilson note below), Elizabeth has a second theatrical event in May: she will be a featured Storyteller at the fundraising event Stories I Haven’t Yet Told, an Arlington, MA, fundraiser for RIA House, which “supports women who have experience in the commercial sex trade and its associated exploitation, trafficking and prostitution,” on May 29th at the Regent Theater at 7:00 p.m. For updates, including on Idol Talk onstage, see: http://www.elizabethsearle.net

ALUMS

Jillian Abbott (Popular Fiction, S’04) had two op-eds published in The New York Daily News last month: “Sri Lanka and the Burdens of History” mentions her MFA creative thesis, and “CUNY’s Teachers Get Stiffed” talks about the MFA and life trapped as an adjunct.

Elizabeth Beechwood (Popular Fiction, S’14) is pleased to announce that her short story “Yes, Yes, Yes, We Remember” was published in Third Flatiron’s Hidden Histories Anthology. This is the second story she’s had published that’s set in her fictional world of the Vysoké Tatry—the High Tatra Mountains of Slovakia.

Karen Bovenmyer (Popular Fiction, S’13) is excited to be a guest at StokerCon (May 9-12) where she will speak on the panel “Rise of the Pod(cast) People” about her job as Assistant Editor of PseudoPod. She’s also serving on “Writing to Prompts: Prose, Poetry, and Sources of Inspiration.” On Saturday, she’ll be the game master for four authors playing Bedlam Hall, a macabre Victorian role-playing game (think Downton Abbey for horrible people). Come watch us play! It’s guaranteed to be good times. Starting in May, Karen is also teaching a twelve-week online creative writing class for Western Technical College. She welcomes Stonecoasters who want some online teaching experience to pair up with her as mentees. Viva la Stonecoast!

Jennifer Marie Brissett (Popular Fiction, S’11) has made a good deal for two-books at auction with Tor. Eleusis, the first of the two books, is a stand-alone sequel to her first novel Elysium (Aqueduct Press, 2014) and is due to be published in Summer 2020.

Linda Buckmaster (Creative Nonfiction, S’11) is attending a two-week residency in Cove Park, Scotland. She will be working on her latest hybrid literary project inspired by cultures in along the North Atlantic Rim.

Penny Guisinger‘s (Creative Nonfiction, S’13) latest piece ran at Solstice this month. “Borne Back Ceaselessly” explores her longtime relationship with the work of F. Scott Fitzgerald through the lens of a thing they shared: alcoholism. (Hint: he was dead at 44. Currently, Penny remains not-dead.)

Gail Hovey (Creative Nonfiction, S ’11) is pleased to announce that her story “Lost Change” appears on the Brooklyn Non-Fiction Prize blog. It is an excerpt from her memoir What Goes by the Name of Love. 

Jeff Kass‘ (Fiction, S’09) upcoming new poetry collection Teacher/Pizza Guy is now available for pre-order from Wayne State University Press’ Made in Michigan Series. According to the press release, the book is “a collection of autobiographical poems from the 2016–17 school year in which Kass worked as a full-time English teacher and a part-time director for a literary arts organization and still had to supplement his income by delivering pizzas a few nights a week. In the collection, Kass is unapologetically political without distracting from the poems themselves but rather adds layers and nuances to the fight for the middle class and for educators as a profession.” David Hecker, President of the AFT Michigan Teacher’s Union, adds, “I never really cared for poetry, but I truly loved Kass’s work. He speaks to all of our insecurities and vulnerabilities, giving a voice to what we want to say but rarely do. Yes, teachers are struggling to get by financially and it’s a shame that education is not being made a higher priority in our society. Thank you, Jeff, for opening the door to this conversation in a creative and enriching way.” Poet Ross Gay says, “What a beautiful and moving and funny and un-heroic and angry and tender and honest book of poems about labor, aging, love, and, as Kass says, finding ‘meaning in every ice patch on the sidewalk.’ This book’s heart is enormous. I love it.” Official release of the collection happens on August 26th. Pre-orders are available here.

Lissa Kiernan‘s (Poetry, S’11) book Glass Needles & Goose Quills: Elementary Lessons in Atomic Properties, Nuclear Families, & Radical Poetics (Haley’s) has been selected as a 2018 Gold Nautilus Award Winner in the Lyric Prose category and a 2018 Gold Independent Book Awards Winner in the Cross-Genre category. In her book, Kiernan juxtaposes nuclear plant industry reports, newspaper clippings, and texts of poetics with her own poems and prose.

Alan King (Poetry, W’13) created a short video on his final reading as the Howard County Literary & Poetry Society’s 2018/19 Writer-in-Residence. You can watch it here.

Tom MacDonald (Fiction, W’09) and two other local authors held a panel about their new novels as well as their writing and publishing experiences at the Thayer Public Library in Braintree, MA, on April 27th.

Cristina Perachio (Fiction, S‘14) will have her short story “Hunters” published in the May issue of EPOCH Magazine. She is very pleased to see this story placed in Cornell’s literary magazine as it is one of the stories she originally wrote as part of her Stonecoast application, and it has been workshopped by many fellow Stonecoast students and professors.

Bruce Pratt (Fiction, S’04) will read at The Busy Bee in Cape Elizabeth, ME, on Saturday, May 25th, at 4:00 p.m. as part of the series curated and hosted by Marcia Brown.

Sean Robinson (Popular Fiction, W’14) is pleased to share that his essay “More than Brothers,” a look at LGBT characters in Harry Potter (hint: there’s only two, sort of), was accepted for the Academic Track at WorldCon this August in Dublin, Ireland. He has also been awarded a grant from the Marion and Jasper Whiting Foundation to spend the month of July in Rome, Italy.

Lisa Romeo (Creative Nonfiction, S’08) will be the keynote speaker at the NJ Women Who Write Conference in Madison, NJ in September, and in August at the Hippocamp19 Conference for Creative Nonfiction Writers in Lancaster, PA, she will lead a session on Reading as a Writer and appear on a panel about Writing While Parenting.

Nikki Sambitsky‘s (Creative Nonfiction, W’18) essay “Chester Bennington is Dead” was recently selected for publication in The Manifest-Station by founder Jennifer Pastiloff and editor Angela M Giles. The essay uses anaphora as a device to help Nikki deal with the sad and untimely death of Linkin Park’s lead singer, Chester Bennington, to suicide, as well her own clinical depression and suicidal thoughts. Nikki uses unconventional and hybrid forms to help her tackle the deeply difficult and grief-filled issues in her life such as depression, family dysfunction, and her children’s autism. This is the second essay that has been published from her larger essay collection Perseverate, Linger, which has been submitted to PANK and Sarabande Books and is eagerly awaiting a decision. A link to the published essay is forthcoming.

Lisa C. Taylor‘s (Poetry, S’04) 2011 collaborative collection, The Other Side of Longing (with Irish writer Geraldine Mills), was adopted by an Irish Literature class at University of Connecticut for the 2019 spring semester. Both Lisa and Geraldine had a chance to visit the class on April 11th and discuss their summer together in Ireland in 2009. Lisa will be teaching an all-day fiction class for the School of the West in Mancos, Colorado (right near Mesa Verde National Park), on June 15th. Anyone can sign up via this link. Also, Lisa has been chosen as a reader for the Connecticut Author’s Trail; she will be reading at Chaplin Library in Chaplin, CT, on August 12th at 7 p.m.

Faculty member Elizabeth Searle and alumna Tamra Wilson (Fiction, S’11) are heading up a special reading, Idol Talk: A Magical Memory Tour of Teen Idols, on May 10th and 11th at the Firehouse Performing Arts Center, Newburyport, MA. Show time is 8:00 p.m. both nights. The reading, featuring dance numbers and readings from Idol Talk, a teen idols anthology that Searle and Wilson co-edited for McFarland Publishing in 2018. Actress Marianne Leone will emcee the fundraiser for Exit Dance Company and Firehouse PAC. Among the Stonecoasters participating are faculty member Suzanne Strempek Shea and the works of several alumnae including Lee J. Kahrs, Kate Kastelein, Michelle Soucy, and Darlene Taylor.

 

 

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Community News & Updates February 2019

ANNOUNCEMENTS

Iota: Short Prose Conference is now open to students and alumni of Stonecoast MFA. (Applications don’t open for everyone else until February 8!) The creation of Stonecoast graduate Penny Guisinger (Creative Nonfiction, S’13), Iota will stage on Campobello Island from August 16-19, 2019, with faculty Arielle Greenberg and Richard Blanco. Iota is also thrilled to partner with Stonecoast again this year on offering a full scholarship to one writer from rural Washington County, Maine.

FACULTY

The French edition of JJ Amaworo Wilson‘s (Fiction, Popular Fiction, Writing for Social Change) novel Damnificados (Les Dévastés), translated by Camille Nivelle, was published in January by Les Editions de l’Observatoire. The book was reviewed the same week by Le Monde, which described it as “extraordinary … and magical.”

Tom Coash (Playwriting, Dramatic Arts) recently recorded a podcast of his short play Raghead for The American Playbook library to be released later in 2019. Coash has also recently received a Johnny Mercer Foundation fellowship to work on a new musical, entitled Wild Sound, at the Johnny Mercer Writers Colony at Goodspeed Musicals, February 2019.

Susan Conley’s (Fiction, Creative Nonfiction, Writing for Social Change) new novel Elsey Come Home (Knopf, January 2019) is an Oprah Magazine “Ten Best Winter Reads,” an Amazon Books “Best Book of the Month,” a Marie Claire Magazine “Best Women’s Fiction of 2019,” a Huffington Post “61 Books We’re Looking Forward to for 2019,” a Southern Living Magazine’s “Best New Books Coming Out Winter 2019,” Washington Independent Review of Books “Sixteen Titles We’re Watching,” a Read it Forward’s “Best Books of the first-half of 2019,” and a Fodors Travel “Best Travel Books for 2018.” The book was also recommended by Publishers Weekly, Kirkus, Library Journal’s “Pre-Pub Pick,” Shelf-Awareness, Book Page, Read It ForwardThe Millions, Hello Giggles, and others.

Advance praise is rolling in for Aaron Hamburger‘s (Fiction, Creative Nonfiction) new novel Nirvana Is HereAuthor Elisa Albert calls the book “compulsively readable, charming, and suffused with deep humanity. The title is truth in advertising, folks: this novel is nirvana indeed.” Lesléa Newman says, “This is a drop-everything, stay-up-way-too-late, unputdownable novel… an absolutely necessary read.” And Tova Mirvis says, “Nirvana Is Here is tender, wise and deeply affecting.” Book tour dates are in the works, with stops already booked for New York; Washington, DC; Baltimore; Detroit; Annapolis; and Portland, Maine, a joint reading with Stonecoast alum Dave Patterson, who’ll be reading from his debut novel Soon the Light Will Be Perfect, at Print Bookstore, June 26. Mark your calendars! If you’re interested in having Aaron come to read at your town or Skyping with your book group, let him know directly at aaronhamburger@gmail.com

Amanda Johnston (Poetry, Writing for Social Change) has a new poem in Thalia Magazine. Check out “forgive me, but another black woman has been killed and I’m shook” along with two poems from Another Way to Say Enter, “Crossing In” and “History Repeating Repeating.”

Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) Tonya & Nancy: The Rock Opera returns to New York City February 4 at 7:30 p.m. at the Lucille Lortel Theater for a special concert event produced in a association with the Abingdon Theatre Company under Tony-Award-winning Executive Producer Jim Kierstead (Kinky Boots, Pretty Woman, Be More Chill). Media coverage for the event includes a feature article in Broadway World. Updates at http://www.tonyaandnancytherockopera.com

ALUMS

Carina Bissett (Popular Fiction, S’18) has a poem, “O Mad Arachne: A Folle in Three Acts,” included in NonBinary Review #19: Dante’s Infernopublished by Zoetic Press in December 2018.

Ryan Brod (Creative Nonfiction/Fiction, S’17) recently won the AFFTA’s (American Fly Fishing Trade Association’s) first ever guide-only essay contest, along with a $1,000 prize. The piece (about complicated water issues facing south Florida/the Everglades region) will appear in the spring issue of The Drake magazine.

KT Bryski (Popular Fiction, W’16) is thrilled to announce that she is now represented by Kim-Mei Kirtland of the Howard Morhaim Literary Agency. Her story “Ti-Jean’s Last Adventure, as Told to Raccoon” also appears in Lightspeed this month.

Julie C. Day‘s (Popular Fiction, S’12) flash piece “Stone Memories” can be found online at the Jellyfish Review. Her piece “City Magic” can be found online as part of the Cincinnati Review’s miCRo series. A few reprints have also made their way out into the world. Her story “Raising Babies” is now available on the podcast Tales to Terrify, while her story “A Pinhole of Light” was reprinted online in The Dark and in translation as part of the French anthology Ténèbres 2018. Finally, Julie’s debut collection Uncommon Miraclesreleased in October 2018, is now available in hardcover, signed limited edition, and e-edition! Here are a few recent accolades…

“In many of her stories, Day lulls readers into a false sense of familiarity with people, places and events before hitting a literary switch that snatches all certainties away…Day’s prose is spare but vivid and she has an impressive facility with a range of forms and voices.” ~Morning Star, Best of 2018: Fiction

“It’s hard to describe any one of the 18 stories collected here as characteristic of Day’s approach to fiction, since she demonstrates such an impressive range of tones and topics, but we can see here what will become a few recurring elements: a fascination with American landscapes as psychic spaces (with occasional side trips to Paris or the Azores), an almost playful manipulation of genres tropes and protocols, a fondness for subtitles that segment tales into discreet scenes, a resolute focus on characters haunted by memory and sometimes by grief, and an almost casual disinterest in linear plotting…her capacity for engaging bizarre ideas in the exploration of deeply felt and deeply damaged characters can be stunning.” ~Locus Magazine, Collection Review

Renee S. DeCamillis (Popular Fiction, W’ 14) is excited to share the release date and cover reveal for her debut book, The Bone Cutters—a bizarro horror novella about the hell of mental illness, the evil hands of drug addiction, and the horror of psych. hospitals. The book is set for publication on September 1, 2019, through Eraserhead Press. A book release event and local readings will be sure to follow. Stay tuned for those location and date announcements. Preorders for the book will be possible soon. Until then, here is the synopsis: Dory wakes up in the padded room of a psychiatric hospital with no recollection of how she wound up there. She soon finds out she’s been Blue-Papered–involuntarily committed. When she is sent to the wrong counseling group, she finds a whole new group of drug addicts that make her skin crawl. By the end of that first meeting she is running scared, afraid of being “dusted,” though the psych. hospital staff doesn’t believe a word she says; after all, she’s delusional—at least that’s what they tell her. They end up sending her to that same counseling group every day, though Dory knows that all those junkies want is what’s inside of her—she’s fresh, and she holds the most intense high. Like Girl, Interrupted and “The Yellow Wallpaper,” The Bone Cutters is one woman’s dark and surreal experience with a madness that is not necessarily her own.

March 3-5, Gail Hovey (Creative Nonfiction, S ’11) will be attending a Masters Workshop in Tucson. She is eligible for this event as a finalist in the Tucson Festival of Books Literary Awards Competition. Her submission for the competition was an excerpt from her memoir manuscript What Goes by the Name of Love.

Veda Boyd Jones (Fiction, S’17) has a couple articles in the 2019 Harris’ Farmer’s Almanac on newsstands now.

Little Patuxent Review honored Alan King (Poetry, W’13) with the 2018 Michael J. Clark Award, which is given annually to an outstanding work of literature published the previous year in LPR. The 2018 award, which was presented at the Winter 2019 Issue launch, was for his poem “The Journey.”  Video highlight from the reading below:

Paul Kirsch (Popular Fiction, W’11) has been nominated for a Writers Guild Award for Videogame Writing. Pillars of Eternity II: Deadfire is up against Assassin’s Creed Odyssey, Batman: The Enemy Within, God of War, and Marvel’s Spider-Man. You can peruse the other nominees here.

Andrea Lani‘s (Fiction, W’14) short story “Confluence” appears in the collection This Side of the Divide: Stories of the American West, which comes out on February 12. Her profile of author Caitlin Shetterly appeared in the January issue of Literary Mama, and you can read her editor’s letter from that issue here.

Kristin Leonard (Fiction, S’18) is the 2019 recipient of the Meetinghouse Theatre Lab’s Maine Playwright Award. Her one-act play, Crash, is based on a quartet of ten-minute plays she wrote at Stonecoast. It received its first staged reading on January 19th.

Ellen Meeropol (Fiction, W’06) will be teaching two workshops on using multiple narrators in the novel at the San Miguel Writers Conference and Literary Festival February 13-17 in San Miguel de Allende, Mexico. She will also be moderating a panel (“Better Later? Success and the Late Blooming Woman Author”) at the AWP Annual Conference on Thursday, March 28, at 4:30 p.m.

Jenny O’Connell (Creative Nonfiction, S’17) is thrilled to be invited to join the North American Review’s 50th Anniversary conference lineup, which features Stonecoast faculty Debra Marquart and keynote speaker Martín Espada. Jenny’s seminar, based on her recent article in Creative Nonfiction and her third semester project at Stonecoast, uses a study of songwriting to explore vulnerability in creative writing.

Carolyn O’Doherty (Popular Fiction, W’11) is pleased to announce that her second novel, Unleashed, will be published on September 10, 2019. Unleashed continues the story that began with Rewind (April 2018) about a group of teenagers with the ability to freeze and rewind time. Both books are published by Boyds Mills Press. Rewind was recently named a 2019 YALSA Quick Pick for Reluctant Readers.

Bruce Pratt‘s (Fiction, S’04) new poetry chapbook Forms and Shades is available from Clare Songbirds Publishing with a ship date of February 1, 2019 (today!). His short-fiction collection The Trash Detail from New Rivers Press is currently at number 17 on the Small Press Distribution sales list.

Lisa Romeo (Creative Nonfiction, S’08) will lead a one-day workshop, “Memoir Writing and the Gift of Incomplete Memories,” at The Open Center in New York City on Saturday, April 13. She’ll also be the lunchtime speaker at the Longform Narrative Workshop (featuring Narratively memoir editor Lilly Dancyger) hosted by Cedar Ridge Writers Series, March 2, in Bedminster, New Jersey. Lisa’s recent essay publications include  “Hands off the Black Jack,” for The Inquisitive Eater (a publication of The New School), and a micro excerpt, “Upstairs,” in the anthology The Walls Between Us: Essays in Search of Truth, edited by Beth Kephart. In Winter and Spring 2019, Lisa will continue a series of memoir writing tip programs at libraries around New Jersey, as part of promoting her memoir, Starting with Goodbye.

The LeVar Burton Reads podcast featuring Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “In the City of Martyrs” went live in January and is available for listening here.

Lisa C. Taylor’s (Poetry, S’04) latest collection of short stories, Impossibly Small Spaces, received a new review. Her collaborative collection of poetry published in 2011, The Other Side of Longing (with Irish writer Geraldine Mills), will be adopted by an Irish literature class at University of Connecticut for the spring semester. Both of them are invited to speak to the class in April.

Melanie Viets (Creative Nonfiction, W’17) had an essay featured in Narrative. “Strata” ran as the Story of the Week through February 1st. Thanks to Rick Bass and T Fleischmann for their help and encouragement, and thanks to Susan Conley for the workshop writing prompt that inspired the piece.

 

 

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Community News & Updates January 2019

ANNOUNCEMENTS

The Task Before Us: Writing Truth to Power
Stonecoast MFA invites you to join Pulitzer Prize finalist Martín Espada (Poetry, Writing for Social Change) and award-winning writer Cheryl Clarke for an interactive discussion interrogating the intersection of creative writing and participatory democracy. Join us at 7:00 p.m. on Friday, January 18th, at the Harraseeket Inn in Freeport, Maine, to listen, question, and reconsider where you stand.

CURRENT STUDENTS

Nina Lichtenstein (Creative Nonfiction) is excited to be a new writing coach for the Young Writers and Leaders program at The Telling Room in Portland, ME, where she is also an editor of their “Stories” on-line publication. The Telling Room is a non-profit whose mission is to help young writers ages 6-18 to find their voices and share them with the world. She also is grateful to have completed her first round as a first reader for the Stonecoast Review: A Literary Arts Journal, an experience she found to be enlightening, since there’s nothing like seeing how it works on the other side of the submit/publish process. While in Norway this fall (writing away for her workshop submissions!) she published an essay in Klassekampen (Norway’s largest liberal/cultural newspaper)—in Norwegian—about the importance of meeting “the other” in the battle against racism and antisemitism. The non-profit organization Narrative 4, founded by Colum McCann, has asked for it to be translated, because in her essay she sheds light on their ground-braking work using storytelling as a tool for breaking down prejudice and building what they call “radical empathy.”

Lauren Erin O’Brien’s (Fiction) short story “No Horns, Just Sharp Bones” was named a Finalist for Glimmer Train‘s Short Story Award for New Writers.

FACULTY

Tom Coash (Playwriting, Dramatic Arts) has received an HBMG Foundation playwriting fellowship to attend the National Winter Playwriting Retreat 2019 in beautiful Creede, Colorado, where he will be working on his play Cry Havoc.

Susan Conley’s (Fiction, Creative Nonfiction, Writing for Social Change) new novel Elsey Come Home will be published on January 15th with Knopf. The book received a Starred Review from Publishers Weekly and is an Oprah Magazine “Ten Books to Read” for February, a Marie Claire Magazine “Best Fiction for 2019” pick, a Southern Living “Best New Books Coming Out Winter 2019” pick, a Fodor’s “2018 Holiday Books” pick, and a Library Journal “Pre-Pub Pick for January.” A book launch event will take place on January 17th at Mechanics Hall in Portland (6:00-9:00 p.m.), to which the Stonecoast Community is heartily invited.

Elizabeth Hand (Popular Fiction, Fiction) recently reviewed N.K. Jemisin’s How Long ‘til Black Future Month?: Stories for The Los Angeles Times and Lili Anolik’s Hollywood’s Eve: Eve Babitz and the Secret History of L.A. for The Washington Post.

Nancy Holder (Popular Fiction) has been selected as a judge for the World Fantasy Awards. The World Fantasy Convention will be held in Los Angeles from October 21-November 4. The other judges are Stephen Graham Jones, Kathleen Jennings, Garry Douglas Kilworth, and Tod McCoy.

Amanda Johnston (Poetry, Writing for Social Change) was recently interviewed by Cindy Huyser as part of her feature at the Bookwoman 2nd Thursday Reading Series. Read the interview here.

Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) one-act play Stolen Girl Song will be produced at the Act One: One Act play festival “off off Broadway” in Long Island City, New York, on January 2nd, 5th, and 10th at The Secret Theatre.  The play, most recently performed in September at The Hobart Book Village Festival of Women Writers, stars Broadway actress Heidi Friese (Matilda).

ALUMS

Elizabeth Beechwood (Popular Fiction, S’14) is pleased to announce that her short story “The Painted Ponies of Wiley Creek” was included in Not a Pipe Publishing’s anthology, Strongly Worded Women. Many thanks to everyone at the Ireland Howth residency (Winter ’17) for their input, especially Ted Deppe, as well as Stonecoasters Sarah Flynn ParkeGenevieve Williams, and Andrea Adams.

Katie Bickham’s (Poetry, S’13) second book of poetry, Mouths Open to Name Her, was selected by Louisiana Poet Laureate Ava Leavell Haymon for inclusion in her Barataria Poetry Series. It will be published by LSU Press in February 2019.

Brenda Cooper (Fiction, S’17) is pleased to announce the publication date for A Year Without a Winter from Columbia University Press. She worked as a fiction editor for the book alongside Arizona State University editors Joey Eschrich and Cynthia Selin through the ASU Center for Science and the Imagination. The four fiction stories in this mix of fiction and essays about climate change include work by Tobias Buckell (now a faculty member at Stonecoast), Nnedi Okorafor, Nancy Kress, and Vandana Singh.

The Butcher’s Daughter: A Memoir by Florence Grende (Creative Nonfiction, S’08), has won the 2018 Kindle Book Award for Non-Fiction. The memoir had previously won the Reader’s Digest 2017 Book Award and received Honorable Mention in the Eric Hoffer 2017 awards.

Penny Guisinger’s (Creative Nonfiction, S’13) piece “The Five C’s” received a Pushcart nomination. The piece appeared as part of the Voices of Addiction feature at The Rumpus in September 2018.

Lesley Heiser (Fiction, S’11) recently published a review of Nicole Walker’s Sustainability: A Love Story on the Brevity blog. Her essay “Rose” is forthcoming in Diagram magazine. She’s enjoying a new behind-the-scenes experience as a nonfiction reader for Carve Magazine.

Gail Hovey (Creative Nonfiction, S’11) read “Lost Change,” an except from her memoir What Goes by the Name of Love, at the Brooklyn Film & Arts Festival Nonfiction Award Event on December 21, 2018, in Brooklyn Heights. She was a finalist for the award and is seeking an agent for her memoir, begun at Stonecoast.

Two Stonecoasters are involved in Sleuthfest (Boca Raton, FL, March 14-17), the conference for mystery writers organized by the Florida Chapter of Mystery Writers of America. GOH is T. Jefferson Parker. Other guests include Alexia Gordon, Alex Segura, Tom Straw, and Elaine Viets. There will be half-a-dozen editors and agents taking pitches. Michael L. Joy (Popular Fiction, S’13) is Conference Co-Chair. Alison McMahan (Popular Fiction, W’10) will teach a workshop “Practice Your Pitch” Thursday, March 14, 2019, at 10:45 am. She will also appear on the panel “Back to School: Writing for Middle Grades & Young Adults” Saturday, March 16, 2019, at 10:30 am.

Catharine H. Murray’s (Creative Nonfiction, S’17) television interview with Portland’s Rob Caldwell of 207 will air the first week of January on WCSH. Her recent radio interview with Bill Radke of KUOW in Seattle can be heard in the third part of this show. Catharine will be reading from her memoir Now You See the Sky in Camden at the Public Library on Sunday, January 13th, at 2:00 p.m. Local memoirist and USM writing professor Liz Peavey will join Catharine in conversation about Now You See the Sky and memoir writing at the Portland Public Library Lunch and Learn on Wednesday, January 30th, from 12:00-1:00 p.m.

Bruce Pratt‘s (Fiction, S’04) short-story collection The Trash Detail from New Rivers Press is now available in stores and online. His poetry chapbook Forms and Shades is due mid-January from Clare Songbirds Publishing. Schoodic Arts for All will present some of his one-act plays as part of their summer program in Winter Harbor, Maine, during the first two weeks of August 2019. And Bruce’s short story “Eastern Bluebird” is in the newest edition of Portland Monthly Magazine.

“Maximum Security,” a poem by Steve Rhodes (Poetry, W’11), appears in the current issue of Hospitality, published by the Open Door Community of Baltimore—“A Prophetic Discipleship Community Honoring the Black Jesus, Dorothy Day, and Martin Luther King, Jr.”

Erin Roberts (Popular Fiction, W ’18) ended 2018 with something a little different—the release of her first game. “Thanks for the Memories” is a short work of interactive fiction available online at Sub-Q MagazineBonus story notes can be found on her website, as can her summary of all her published work in 2018. Happy new year to all!

 

 

 

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