Tag Archives: Jenny O’Connell

Community News & Updates June 2021

ANNOUNCEMENTS

Issue 15 of Stonecoast Review will be on sale during and after June residency. From the gorgeous covers to the angst-filled poems and stories inside, this issue holds a mirror up to the last crazy-Covid year. The SCR team did a phenomenal job putting this together and it is stunning. Copies will be available for purchase on the Stonecoast Review site and at Kelly’s Books-to-Go. All sales proceeds cover the cost of printing future issues. Stonecoast Review will hold an informational meeting during June residency for any students interested in working on issue 16, and the upcoming Editor-in-Chief, Shannon Bowring, is still looking for a poetry editor.

A few Stonecoast graduates have been working on Sandbox Adventures Volume 1, a collection of 12 Plug-and-Play Dungeons & Dragons Fifth Edition adventures that they’ve launched on Kickstarter. Shane Collins (Fiction, W’15) is the lead writer for the project, Frank Ard (Popular Fiction, S’14) is the lead copy editor, Ana Delcourt (Fiction, S’14), is the website designer and artistic consultant, and Joe Carro (Popular Fiction, S’14) is a contributing writer and playtester. The Kickstarter is underway and goes until June 24th.

CURRENT STUDENTS

Shannon Bowring (Fiction, 4th semester) was honored and thrilled to have her unpublished story “Romance,” from her collection-in-progress, chosen as a Finalist in this year’s MWPA Maine Literary Awards, alongside Stonecoast alum and category winner Morgan Talty. Shannon is also excited (and surprised) to have had work accepted in upcoming issues of Slush Pile Magazine and Raleigh Review.

ALUMS  

Peter Adrian Behravesh (Popular Fiction, W’18) is a finalist for the Aurora Award for Best Related Work for his work as the audio producer of the fantasy fiction podcast PodCastle, alongside co-editors C.L. Clark and Jen R. Albert, assistant editor/host Setsu Uzumé, and all of PodCastle’s fabulous associate editors. Peter also narrated R.K. Duncan’s story “Hassan the Executioner Walks Out of Jawasar for the Last Time” for the May 20 issue of Beneath Ceaseless Skies; you can listen to it here.

Carina Bissett (Popular Fiction, S’18) is pleased to announce that she accepted the Silver Hammer Award at the Bram Stoker Awards on Saturday, May 22: “The Horror Writers Association (HWA) periodically gives the Silver Hammer Award to an HWA volunteer who has done a truly massive amount of work for the organization, often unsung and behind the scenes.” Also at StokerCon, Carina shared her story “Twice in the Telling” as one of the author readings. This reimagining of a murder ballad can be found in the recently released anthology Upon a Twice Time now available from Air and Nothingness Press. In other news, Carina is busy at work reading solicited stories for the upcoming anthology Shadow Atlas: Dark Landscapes of the Americas, scheduled for release by Hex Publishers in October 2021. As one of the editors of this project, she is excited to share a dynamite line-up of authors in a table of contents that defies genre stereotypes. In an effort to broaden the scope of diversity in this ground-breaking anthology, Hex Publishers will be holding an open submission window from June 21 to June 27, 2021. Bissett is seeking short fiction set exclusively in South America and poetry situated in the landscapes of the Caribbean, Mexico, Central America, and South America.

Jennifer Marie Brissett is happy to announce that Destroyer of Light is now available for pre-order (to be published on October 12th).

J Brooke’s (Poetry, S’19) review of Melissa Febos’ audiobook Girlhood was just published by Audiofile Magazine. J shared the original (rejected) draft of their review with fellow Stonecoast summer 2019 graduates during a recent Hydra zoom reunion; for a copy of the far more interesting, rejected review, contact J at jbrookewrites.com. Their review of Useless Miracle by Barry Schechter was published earlier in the month without incident.

KT Bryski (Popular Fiction, W’16) is honoured to be a finalist in two categories for the Aurora Awards, Canada’s annual awards for science fiction and fantasy. Her short story “The Bone-Stag Walks,” originally published in Lightspeed, is a finalist for Best Short Story. The ephemera reading series—the monthly reading series she co-chairs—is a finalist in Best Fan Related. 

Julie C. Day (Popular Fiction, S’12) is thrilled to announce that the fourth installment of her mosaic novel Stories of Driesch, “We Girls,” was released in May. The first three chapters of the novel are also available as ebooks and online. During the course of 2021 twelve original stories in this world will be made available to read on the Vernacular Books website or to purchase as standalone ebooks. At the end of the year, the pieces will be published as a mosaic novel Stories of Driesch (ebook & print) by Vernacular Books. Julie is also at work with her co-editor Ellen Meeropol on the charity anthology Dreams for a Broken World (Reckoning Press, 2022), an invite-only anthology of the real and the fantastical to raise money for the Rosenberg Fund for Children. 

  • “Do Not Fragment: Stories of Driesch 3” — Read online: Vernacular Books website. Purchase “Do Not Fragment” eBook: Amazon

In this cyberpunk-ish city, consciousness is a commodity. And the self is an augmented, fractured creation. Death detectives work with memories in storied Limm-Glass. Children are outfitted with secondary Glassed-personalities. Black market operators acquire and traffic virtual Glassed-personalities, and man-made tools utilize modified and unmodified versions of both the living & the dead.

Lesley Heiser (Fiction, S’11) loves the spring. Her essay “Covens” came out in About Place Journal, Geographies of Justice issue. Her essay “Caithness Aurora” is forthcoming in June in Atticus Review. Her essay “Black Magic Marker” was longlisted for the CRAFT Literary Journal nonfiction prize. Her essay “Butterfly” was a finalist for the Maine Literary Award.

Gail Hovey’s (Creative Nonfiction, S’11) memoir She Said God Blessed Us was recently reviewed by WATER—Women’s Alliance for Theology Ethics and Ritual. She is in good company. Scroll down to review number four. 

Ellen Meeropol (Fiction, W’06) is thrilled and mildly terrified to announce a free public reading of her first play, Gridlock, on June 11. The opening scenes were workshopped with Tom Coash and Jeni Mahoney during the Stonecoast winter residency. Sponsored by Silverthorne Theater and LAVA, the reading will be both in person (gasp!) in Greenfield, MA, and live-streamed. Tickets and info here.

Tarver Nova‘s (Popular Fiction, S’11) short story “The Oracle and the Heist” was published in The J.J. Outré Review. He also has a short story forthcoming in Kaleidotrope.

Jenny O’Connell‘s (Creative Nonfiction, S’17) recent story on the fierce females who paddle Maine rivers is out in Maine Magazine. This piece—which spanned many weekends and river miles—was a heart project for Jenny, a river guide herself and a passionate advocate for better representation of women in outdoor media. This September, Jenny is putting her long-time dream of merging her writing and outdoor guiding careers into action: together with Maine Guide Chloë Rowse, she’s guiding a 7-day backpacking and writing adventure through Maine’s rugged 100 Mile Wilderness. Jenny is also thrilled to be teaching a character intensive at Salt Institute of Documentary Studies at MECA in early June. Limited space is available in both—Stonecoast writers enthusiastically welcome!

Suri Parmar‘s (Popular Fiction, W’17) short fiction piece “The Changeling” appears in Issue 10 of the literary magazine The Spectacle. She conceptualized the story as a modern-day interpretation of Shakespeare’s A Midsummer Night’s Dream.

Bruce Pratt (Fiction, S’04) has short story “Om Land Security” in in the new edition of Clackamas Literary Review. He has a short humor piece forthcoming in Portland Magazine.

Two memoir poems by J. Stephen (Steve) Rhodes (Poetry, W’11) will appear in the fall issue of Innisfree: “Herbie Mann at the Village Gate” and “Portrait, 1938.”

R. M. Romero‘s (Popular Fiction, S’15) magical realism novel in verse, The Ghosts of Rose Hill, will be published by Peachtree Teen in May 2022. 

Two more flash fictions for sid sibo (aka sidney woods, Fiction, W’19): “Permeable” and “Blameless” will be published in the July issue of Orca Literary Journal. Thanx to Suzanne Strempek Shea for introducing the compact story form that helps a literary self survive general distractedness.

Linda K Sienkiewicz (Fiction, S’09) is pleased to announce that her poem “The Second Worse Thing” won First Place in the Springfed Art Poetry Competition, judged by Kathleen McGookey. 

Starting on July 5th, Stonecoast alum and Tin House author (Night of the Living Rez, 2022) Morgan Talty (Fiction, W’19) will be teaching an online six-week introductory course to fiction through Writing Workshops DallasFor those interested, please find more information here. Morgan’s short story “The Blessing Tobacco,” which originally appeared in the Winter 2020 issue of TriQuarterly Magazine, was selected as the Winner of The Maine Literary Awards Short Fiction Contest. Read the story here.

Christopher Varlack (Creative Nonfiction/Poetry, S’10) received the 2021 Cultural Ally Award—“given to staff or faculty members for their support of and advocacy for providing a welcoming and inclusive environment in which to learn, live, and grow”—from Arcadia University. Christopher just completed his first year at Arcadia as a tenure-track assistant professor of English. Students said, “Dr. Varlack consistently encourages cultural, mental, and emotional betterment in students and faculty. His comprehensive knowledge of Black literature, literary history, and creative writing is extremely refreshing and creates an environment in class that is compelling and inspiring.”

Adrienne S. Wallner (Poetry, W’09) will be presenting stories and photos from her hiking adventures at Isle Royale National Park on June 9 at The Snowflake Arena in Land O Lakes, WI, hosted by the Land O Lakes Fish and Game Club. On June 16, Adrienne will be giving a poetry reading and book signing of her debut collection To the 4 a.m. Light at Mind Chimes Bookshop in Three Lakes, WI. Signed copies of To the 4 a.m. Light can also be ordered through Adrienne’s website. Adrienne also published a guest post on May 21 for Typewriter Tarot’s Patreon titled “Oracle Decks: A Faery Reading in the Woods” about using oracle cards to find creative clarity and insight about her writing projects. 

FACULTY 

Faith Adiele’s (Creative Nonfiction) poignant review of the audio memory archive for Black lives lost, 1-800 Happy Birthday, was published at hyperallergic.comA Joyous, Sorrowful Archive of Birthday Messages for Lives Lost to Police.  She also contributed a letter written to Biracial/Multiracial/Mixed Black girls to the recently published Dear Black Girl: Letters from Your Sisters on Stepping Into Your Power. She read her letter on Mother’s Day Weekend at a virtual event hosted by Bel Canto Books on May 8th alongside editor Tamara Winfrey-Harris, who talked about the Letters to Black Girls Project and the complicated relationship between mothers and daughters. Faith also talks bandit territory on an episode of the new travel podcast There She Goes! Travel Stories Told by the Women Who Wrote Them and is featured in a brief bonus Q & A as well. The podcast is co-hosted by the series editor of The Best Women’s Travel Writing, Lavinia Spaulding, and Kelly Chappie.

If you enjoy audiobooks, faculty member Tobias S. Buckell’s (Popular Fiction) latest novel A Stranger in the Citadel launched May 27th as an Audible Original. You can download it for free if you have an Audible subscription, without even using a credit! In Tobias’s new novel, “when a librarian arrives in Ninetha, an actual seeker and master of forbidden written knowledge, his presence unravels dark secrets at the heart of Lilith’s family’s rule over the city.”

Breena Clarke (Fiction) announces the publication of Chicken Soup for the Soul I’m Speaking Now: Black Women Share Their Truth in 101 Stories of Love, Courage and Hope. This anthology, which contains 101 compelling, honest stories and a dozen poems from over 100 Black women, is co-authored by Breena and published on June 1, 2021. 

John Florio (Creative Nonfiction, Popular Fiction) wrote his latest feature for The New York TimesShould Nurses Take a 30% Pay Cut When Their Patient Turns 23? He’s also signed to a two-book YA deal with Macmillan. Doomed: The Tragic Case of Sacco & Vanzetti will be released in Spring 2022; Serpico: An Authorized Biography of an Honest Cop is slated for Spring 2023.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) new novel Hotel Cuba was sold in a pre-empt to Harper Perennial, for publication in 2023. It’s the story of two sheltered Russian Jewish refugee sisters who find themselves trapped in hedonistic Prohibition-era 1920s Havana while trying to emigrate to America.  

Elizabeth Hand’s (Popular Fiction, Fiction) short story “The Owl Count” was a finalist for the American Society of Magazine Editors Award for fiction. Recent reviews include Billie Eilish, by Billie Eilish, for The Washington Post. Elizabeth recently spoke at the Writer’s Hotel Conference on creating memorable characters from the opening paragraph.

Nancy Holder (Popular Fiction) won the Bram Stoker Award for Excellence in a Graphic Novel for Mary Shelley Presents Tales of the Supernatural. Debbie Daughetee, editor and publisher of the graphic novel, is a Popular Fiction alumna from the Class of 2006.

Elizabeth Searle (Fiction, Popular Fiction, Scriptwriting) has Screenplay News: Variety has just announced that I’ll Show You Mine, a feature film script that Elizabeth co-wrote, is forthcoming as a Duplass Brothers Production film. The feature script was co-written by Elizabeth, bestselling author David Shields, and screenwriter Tiffany Louquet. The full film was shot in LA in May and is Executive Produced by Jay and Mark Duplass (Room 104) and by Lacey Leavitt (Outside In) & co; directed by Megan Griffiths (Lucky Them, Eden) and starring Poorna Jagannathan (Never Have I Ever, The Night Of, Big Little Lies) and Casey Thomas Brown (The Kominsky Method, Justified, Shameless). ICM is handling sales. The film is in post-production; release details TBA. Variety notes, “The dramedy, a Duplass Brothers Production, centers on Priya Sura, an author who has made a career of examining her own trauma, as she sits down to interview her nephew Nic for a new book about his history as a model who challenged gender norms and embraced his pansexuality in a very public forum. Their ensuing conversation, which takes place over the course of one intense weekend, forces each of them to reveal much more than expected and confront some of their most deeply hidden secrets.” Director Megan Griffiths said, “We started with a fantastic script, and every member of our team contributed to creating an environment that was conducive to vulnerability and risky, revealing performances.” Producer Mark Duplass added, “‘Some projects check all the boxes. This is one of them.’” See more details in the Variety announcement, and the film announcement also drew coverage overseas in The India Times.

Casey Thomas Brown and Poorna Jagannathan star in I’ll Show You Mine, an upcoming Duplass Brothers Productions feature film co-written by Elizabeth

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Community News & Updates April 2021

ANNOUNCEMENTS

The Stone House Readers’ Series is a weekly regular series for alumni, faculty, staff, and current students to share their writing live on Facebook. This is a program run by Troy Myers and Amanda Pleau, class of 2015, to give members of our community a casual and consistent opportunity to connect. Readers are scheduled in advance and are asked to bring 15 minutes of material. Here is the tentative lineup this month: 

  • April 4th: Suri Parmar (Popular Fiction), Bill Stauffer (Fiction), Ellie O’Leary (Poetry)
  • April 11th: Vanesa Pacheco (Poetry) and Meredith MacEachern (Fiction)
  • April 18th: Morgan Talty (Fiction) and Jenny O’Connell (Creative Nonfiction)
  • April 25th: Troy A. Myers (Poetry) and John Christopher Nelson (Fiction)

We have space for one more person to join the 11th, 18th and 25th of April, and are currently scheduling into May.

Stonecoast Review is raising money through a Givecampus campaign to fund their publishing costs and keep the journal alive and free-to-submit.

CURRENT STUDENTS

Shannon Bowring‘s (Fiction, Third Semester) short story “If It Fits, Take It” has been accepted for the third volume of Archipelago, Volume 3: The Allegory Ridge Fiction Anthology, which will be published this summer.

FACULTY

Tom Coash (Playwriting, Dramatic Arts, Writing for Social Change) will be teaching his popular workshop “From Blank Page To Stage,” focusing on writing and producing short plays, in person at the beautiful Pyramid Lake Fall Writerfest, September 12-16, 2021, organized by Stonecoast alumna Ellie O’Leary. Registration open now. Very reasonable price! Come join us!

Susan Conley’s (Fiction, Creative Nonfiction, Writing for Social Change) new novel Landslide (Knopf) was recently named a New York Times Editor’s Choice and a Best Book/Most Anticipated Book by Good Morning AmericaThe New York Post, Medium, Bustle, Biblio Lifestyle, and others. Her essay on boy silence recently appeared in LitHub. Her interview on the intersection of feminism and motherhood was published in The Woolfer. And her recent essay celebrating books with vibrant boy culture is here.  

Annie Deppe (Stonecoast in Ireland) has two poems in the March 30th issue of On the Seawall. Her third book of poems, Night Collage, is due out this spring from Arlen House in Ireland.

Aaron Hamburger (Fiction, Creative Nonfiction, Writing for Social Change) was a weeklong (virtual) visiting writer at the University of Nevada Reno MFA Program. Thanks to Stonecoast faculty David Anthony Durham for the invite and Stonecoast faculty Robert Redick for moderating a Q&A in his fiction workshop!

Debra Marquart’s (Creative Nonfiction, Poetry, Writing for Social Change) essay collection The Night We Landed on the Moon: Essays Between Exile & Belonging will be published by NDSU Press in July of 2021. Debra has published several essays in early 2021, including “The Death of a Lost Dog” (The Iowan, March 2021); “At 79, My Mother Decides to Plant Trees” (Fourth Genre, 2021); “On the Ephemerality of Things: Thoughts on the Demise of a Literary Press” (High Plains Reader, May 2020). In addition, her poem “Winter Amaranth” was published by Prairie Public Radio in March 2021. She co-curated poems for the Iowa Telepoem Booth Project, which features 180 recorded poems from 93 Iowa poets that can be listened to by dialing in to the Iowa Telepoem Booth. The physical booth, which was initially installed at the Pottawattamie Arts, Culture, and Entertainment Center, has migrated to the Council Bluffs Library. The installation will be traveling around the state of Iowa over the year. The project was funded by Humanities Iowa and the National Endowment for the Humanities. Debra was interviewed by Amy Butcher—along with Jamila Osman, Alexis Wiggins, and Torrey Peters—by VIDA Women & the Literary Arts following the release of The Best of Brevity anthology.  

Cate Marvin‘s (Poetry) fourth book of poems, Event Horizon, will be published by Copper Canyon Press in the spring of 2022.

ALUMS 

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Greg van Eekhout’s story “Spaceship October” for the March 11 episode of Escape Pod. You can listen to it here.

Ryan Brod‘s (Creative Nonfiction, S’17) flash essay, “Solo,” appears in the spring issue of Tahoma Literary Review. You can hear Ryan read his essay at TLR’s soundcloud page.

The Bangalore Review published J Brooke’s (Poetry, S’19) poem “Last Night I Dreamed My Mother Was Carl Reiner and I was Sad She Died,” and Audiofile Magazine published J’s review of A History of Scars by Laura Lee. CRAFT Literary awarded J’s essay “The Last” Honorable Mention in their 2020 CRAFT Flash Fiction Contest—the award did NOT include publication of the essay, so it is VERY available if any editors are reading this! J thanks Stonecoast Instructor Susan Conley (with whom J never worked and only knew in passing) for directing e to Audiofile Magazine as potential venue for their audiobook reviews. 

teri elam‘s (Poetry, S’19) poetry manuscript “An Observation of Beautiful Forms” was a finalist for the  2021 Perugia Press Prize

Josh Gauthier (Popular Fiction, S’17) is happy to announce the publication of his debut book Land of Outcasts, a fantasy-adventure novella featuring a gunslinger and a battle unicorn. The ebook releases April 6 and print copies will be available April 27 from most major retailers. Learn more about the book and find information about release events on Josh’s website

Rebecca Kightlinger‘s (Fiction, W’14) debut novel, Megge of Bury Down (the first draft of which was written at Stonecoast), is a finalist in the Independent Book Publishers Association‘s Bill Fisher Award for Best First Book in the category of Fiction. It is also a finalist in IBPA’s Benjamin Franklin Awards in the category of Audiobook: Fiction (Narrator: Jan Cramer). Winners will be announced in May. Thanks to all my Stonecoast workshop partners and to all the faculty members who endured all those rough, rough drafts!

Cynthia Kraack (Fiction, W’10) and co-author Joseph Tachovsky were featured on C-Span Book TV Saturday, March 6, to discuss 40 Thieves on SaipanThe Minneapolis Star Tribune ran a story about Bill Knuppel, one of the principal Marine Scout Snipers in the platoon.

Nina B. Lichtenstein (Creative Nonfiction, S’20) is excited to have won a paid fellowship for Spring 2021 at what has long been a dream pub of hers, Tablet Magazine: A New Read on Jewish Life. While there, she is mentored by her favorite editor, working on several pieces, assigned and pitched, and getting an inside look at how a cutting edge cultural magazine operates from the editors’ pov. Here’s her little Passover story cum Passover granola recipe that was just published. She’s also happy that an excerpt from her memoir-in-progress is fresh up at the lit mag Dorothy Parker’s Ashes: Brazen Words by Witty Dames. Everything True, More or Less. 

After nine books and ten years of traditional romance publishing with Harlequin, Dorchester, and other mainstream presses, Laura Navarre (Popular Fiction, W’11) has launched independent publishing company Ascendant Press. The first three books in her epic, hyper-sexy, reverse-harem space opera/sci-fi romance series will release wide starting in October 2021 with series debut Interstellar Angel, where Star Wars meets 50 Shades by way of The Hunger Games.

Forests Inside Us,” Jenny O’Connell‘s (Creative Nonfiction, S’17) piece on natural materials artist and environmental advocate Jordan Kendall Parks, was published in Decor Maine last month. “The Sky Where You Are,” her opera libretto on domestic violence and advocacy that premiered worldwide in 2020 as part of the Decameron Opera Coalition’s production Tales from a Safe Distance was added to the Library of Congress earlier this year. Jenny is excited to be teaching Am I You? Getting to the Heart of Your Characters, a character intensive for nonfiction writers at SALT Institute for Documentary Studies at MECA June 7-11th, 6:00-8:00 p.m. EST. The course will explore interview techniques that go for depth, using dialogue and voice to enhance characterization, profiling fascinating subcultures, and leveraging background research to locate and tap into the universal stories that run through us all. She’d love to write with any of you. 

Renée Olander (Poetry, W’05) will read new work and from American Dangerous (Backlash Press 2018) at Poems for Our Living and Breathing II (A Reading & Open Mic Series); this virtual event will be April 18, 2021, 5:00-6:30 p.m., led by Virginia Poet Laureate Luisa Igloria and sponsored by The Muse Writers Center.

Sean Robinson (Popular Fiction, W’14) is pleased to share that his essay “Hattery: The Many Roles of a First-Time Teacher” was recently published in Voices of Practice edited by Sean Michael Morris, Lucy Rai, and Karen Littleton. The book is available through PressBooks.

A lyric essay in Waterwheel Review (“The Family Dollar“) followed by a crush of December deadlines kept Catherine Schmitt (Creative Nonfiction, W ’12) distracted through the winter, and now spring has brought a flurry of published stories:

Mary Katherine Spain‘s (Fiction, S’16) short story “Collision” will be published in the upcoming volume of The New Guard Review

Starting in May, Stonecoast alum and Tin House author (Night of the Living Rez, 2022) Morgan Talty (Fiction, W ’19) will be teaching a three-month mentorship with Writing Workshops DallasHe will be taking on six writers. For those interested, please find more information here. 

Gina Troisi‘s (Creative Nonfiction, W’09) short story “Then You Were Gone” was just published in the spring issue of Solstice: A Magazine of Diverse Voices.

Sean Ulman (Fiction, ’05), who teaches writing in Seward, AK, published his debut novel Seward Soundboard with Cirque Press in November 2020. Well-known Alaskan author Nancy Lord wrote a review of the novel for The Anchorage Daily News. Here’s the novel description:

Lyrical vignettes broadcast the power of art in this novel set in the mountainous harbor town of Seward, Alaska. Like many of her fellow citizens, a woman attempting to resettle in her hometown—the Returner—turns to art and recreation when she feels overwhelmed by the rain, the wind, the dark or a “familiar chemical batch of unknown nonsense.” Citizens’ relationships with one another, the wilderness and the weather bounce to ironies, comedies and coincidences across a one-year cycle in the quirky seasonal town.

IG: @sewardsoundboard

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Community News & Updates February 2021

CURRENT STUDENTS

Shannon Bowring‘s (Fiction, Third semester) short experimental piece “Avian Elegies” has been nominated by Waterwheel Review for Best Small Fictions 2020. In addition, one of Shannon’s stories from her linked collection (a work-in-progress) was selected as a finalist in the fiction category of the 50th New Millennium Writing Awards.

FACULTY

Faith Adiele’s (Creative Nonfiction) latest essay, “On Traveling While Black,” appears in the latest issue of december magazine (31.2). Issues can be purchased here. Also, on January 23, 2021, Faith conversed with writer Julia Cameron (The Artist’s Way) about her new book, The Listening Path: The Creative Art of Attention,on NYC Open Center LIVE, available to watch here.

Tom Coash‘s (Playwriting, Dramatic Arts, Writing For Social Change) short play Thin Air is currently available online as a free podcast, by Lost Souls Monologues. Also, Tom’s play Raghead will be streamed online February 13 by Silverthorne Theater Company as part of their Short & Sweet New Play Festival.

Susan Conley’s (Fiction, Creative Nonfiction, Writing for Social Change) fifth book, Landslide, is a novel recently published with Knopf and named a “Most Anticipated Book for 2021” by Bustle, the New York Post, Biblio, and Medium, among others. Susan will be doing a virtual book tour that crisscrosses the country, with dates at Susanconley.com.

David Anthony Durham (Fiction, Popular Fiction) is thrilled about the recent cover reveal for his forthcoming middle grade fantasy novel, The Shadow Prince, with art by Eric Wilkerson. It pubs in September of this year!

Martín Espada (Poetry, Writing for Social Change) published a poem, “I Now Pronounce You Dead,” in the January 24th issue of The New York Times Magazine. The poem comes from his new book, Floaters, just released by W.W. Norton.

Aaron Hamburger (Fiction, Creative Nonfiction, Writing for Social Change) will be appearing on a special pre-Valentine’s Day panel called “Love = Love = Love: Five Authors on Equal Love in Lit,” sponsored by Three Rooms Press, on Saturday, February 13th, at 7:00 pm. The panel will be livestreamed on Facebook and YouTube. This lively discussion of equal love in literature by five award-winning LGBTQ authors—including, in addition to Aaron, Meagan Brothers, author, Weird Girl and What’s His Name; Aimee Herman, author, Everything Grows; Alvin Orloff, author, Disasterama; and Julia Watts, author, Quiver. Kat Georges, co-director of Three Rooms Press, will host. The discussion will explore: How love in literature has become more inclusive during recent decades; How each author addresses love in their writing and opens doors to acceptance of love without boundaries; Why literature can provide inspiration in times of loneliness and heartbreak; Different levels of love: from friendship to red-hot lust. Following the discussion, the authors will field questions from the livestream audience.

In Scriptwriting news, Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting, Writing for Social Change) Tonya & Nancy: The Rock Opera just won four Broadway World Regional Theater awards for the 2020 TheatreZone production, starring Broadway’s Andrea McArdle. The awards are given by Broadway World for different regions of the USA. Tonya & Nancy won Best Production of the Decade of a Musical—for the Southeast Florida region—and also Best Director, Best Vocal Performance, and Best Setting Design. For updates, see www.tonyaandnancytherockopera.com

ALUMS 

Frank Ard (Popular Fiction, S’14) is thrilled to announce the upcoming publication of his first novel, titled Back to Zero, a coming-of-age story about a high school student who discovers an unbelievable power, only to learn it is more perilous than he ever imagined. The e-book will be released in late April 2021, with a paperback edition to follow. Additionally, Frank plans to launch a Kickstarter on March 2nd to produce a limited print run of a signed hardcover edition; follow the project here.

Carina Bissett (Popular Fiction, S’18) is currently offering open registration for The Storied Imaginarium’s popular workshop Intersections: Science Fiction, Fairy Tales, and Myth. This workshop meets in an online format once a week during March and April. Traditional fairy tales and myths are paired with cultural or scientific concepts in this generative writing experience. Past participants have published workshop stories in a multitude of anthologies and magazines, including Apex Magazine, Beneath Ceaseless SkiesClarkesworldDaily Science FictionEscape Pod, and Interzone. For more information, visit The Storied Imaginarium.  

Minerva Canto‘s (Fiction, S’18) memoir essay was published in A Short Guide to Finding Your First Home in the United States, an anthology of immigrant stories, essays, poems and art. The title of her story was chosen as title for the book itself, which celebrated publication with a book launch reading. Minerva also participated in a discussion about cultural identity and read from her work for Literary Voices, Music, and the Chicano Community event hosted by the Cheech Marin Center for Art & Culture, Riverside Art Museum and Inlandia Institute. In addition, Minerva’s 13-year-old daughter published a horror story, “Sunflower Trades” in Young Voices, an anthology by Culture Cult Press featuring stories from teen writers in India, Australia, Philippines, Canada, and elsewhere. 

Darcy Casey‘s (Fiction, W’19) short story “Bird Day” was long-listed and shortlisted for the 2020 Fractured Literary Micro Fiction Contest. While it’s still waiting to find a home, she’s pleased that it’s had a nice run of success with one of her favorite literary magazines, and is eager to send it out into the world again. Her weird, second person experimental piece, “How to Return a Phone Call,” has found a home at Midway Journal and was published in January. You can read it here and let her know what you think by reaching out through her website at darcyleecasey.com, because she’s not so sure she’ll write another second person piece again. Additionally, she is currently working hard on editing her first novel as a writer-in-residence at Jentel Arts Foundation, and will be through mid-February.

Lauren M. Davis‘s (Poetry, S’15) poem “The Flowers You Brought Back From Italy,” published by Wrath Bearing Tree, has been released; read it here.  

David A. Hewitt‘s (Popular Fiction, S’09) story “The Continuing (Superpositional) Adventures of Schrödinger’s Cat” appears in the inaugural issue of Underland Arcana, now on sale. 

Gail Hovey (Creative Nonfiction, S’11) will be the featured guest on February 22 at 1:00 p.m. EST, on Queer Spirit on OUT Cast at WMPG radio, Portland, ME. Queer Spirit is a series of conversations exploring queer life and the power of the Sacred. Hosts Marvin Ellison and Tamara Torres McGovern talk with Gail about her recently published memoir. As introduction, Ellison says, “We could easily have an extended conversation with Gail about the Pan-African justice movements and her activism as a white ally in southern Africa and back in the U.S., but today we’re talking about her more recent publication, a memoir entitled She Said God Blessed Us: A Life Marked by Childhood Sexual Abuse in the Church. One reviewer describes the memoir, this way: ‘This book is a gift . . . written with compassion, righteous anger, and deep insight about the turmoil that abuse generates and about the courage and tenacity required to disarm a debilitating curse and claim an authentic blessing.’”

Alison McMahan‘s (Popular Fiction, W’10) short story “Volcano” will be released February 22, 2021, in the anthology The Great Filling Station Holdup: Crime Fiction Inspired by the Songs of Jimmy Buffettedited by Josh Pachter and published by Down & Out books. Pre-order link is here.

Jenny O’Connell (Creative Nonfiction, S’17) is thrilled to be joining the SALT Institute of Documentary Studies faculty this March to teach Writing the Creative Profile, a five-day intensive that reaches beyond traditional profile writing to aim for the universal. Registration is open to the public, and the early bird special ends February 15th. Jenny’s story “Just Don’t Fall,” about pushing through fear to climb a frozen waterfall with outdoor mentor Toby Arnold, was published last month in Maine Magazine.

Photo credit: Andy Gagne Photography

Suri Parmar’s (Popular Fiction, W’17) short script “Vomit Comet,” which she wrote for a dialogue workshop with Stonecoast mentor Mike Kimball, appears in Issue 07 of Waxing and Waning: A Literary Journal from April Gloaming Publishing. Suri would also like to thank her fellow workshop participants—Erin Barker, AJ Bauers, Ella Carroll-Smith, Elisha Emerson, and Amy Burroughs—for their feedback, which she implemented in the final draft. 

PJ Piccirillo’s (Fiction, S’04) The Indigo Scarf continues to gain traction. USA Today-bestselling author David Poyer says: “The story never falters, and the description certainly clearly evokes the time period and the mountains and valleys this author obviously loves. The escaped slave Jedidiah especially is a tormented soul; his story and ultimate fate sucked me in. …for the thoughtful reader it rings astoundingly true. This skilled and talented author should be much better known!” And Bruce Pratt (Fiction, S’04), author of The Trash Detail, writes: “Rich in illuminative detail, a deep sense of history, and a remarkable sense of place, this narrative is driven by beautifully drawn characters limned in exquisite prose. A literary page-turner of the highest stripe.” The Indigo Scarf is available from Sunbury Press,  Amazon, and bookstores. About The Indigo Scarf:

Based on the true story of two slaves who fled their owners with white women into the wilderness of north-central Pennsylvania, The Indigo Scarf interprets the little known legacy of slavery persisting in the north during the nineteenth century. Meticulously researched, the author’s work is informed by scholars in early American slave laws and northern black codes, by experts in post-colonial folkways, and by descendants who live to this day in the fugitive settlement their forbears established. While The Indigo Scarf relates the covert workings of sympathetic Quakers, the ruthlessness of a slave catcher, and the irony of a Revolutionary War veteran forced to face his daughter’s love for the slave Jedediah James, it treats the deeper theme of the spirit-breaking impact slavery has had across generations since abolition. Though shadowed in whiskey-making and timber-pirating, novel is a paean to devotion, testing the lengths a woman will go to save her man from a burning vengeance as he confronts the privations of a wild frontier while his former owner schemes his return. On a broader scale, the story is a testament to the perseverance and vision of pioneer women who devoted themselves to planting in their offspring the seeds of hope for liberty which may only be realized by descendants they would never know. Woven between scenes spanning a forbidden, historically based slave marriage on a plantation in Virginia’s tidewater region to a tragic liquor operation on the Susquehanna’s un-peopled and feral West Branch during the frontier decades after Pennsylvania’s last Indian purchase, the narrator’s own sub-tale culminates in her realization of how a pioneer-woman ancestor had destined her to break the generational chain of bondage.

 

An essay by Lisa Romeo (Creative Nonfiction, S’08), which appeared in the Autumn 2020 issue, has been nominated by Tiferet Journal for a Pushcart Prize. A “Power Profile” interview with Lisa appeared in October on the blog of author Laraine Herring.

Morgan Talty’s (Fiction, W’19) Night of the Living Rez, a collection of interconnected stories of family and life in the Penobscot Indian Nation in Maine, will be published in 2022 by Tin House. Books published by Tin House have made The New York Times’ and other national bestseller lists, won the Kingsley Tufts Poetry Award and National Book Critics Circle Award, been long-listed and among the finalists for the National Book Award, and more. Morgan has also recently won a generous grant from the Elizabeth George Foundation to support his next projects. 

To Speak in Salt, the collection of poetry Becky Thompson (Poetry, W’21) worked on while studying at Stonecoast, was awarded the Ex Ophidia poetry Prize and was a finalist for the Hollis Summer Poetry Prize (Ohio University Press).  All praises to Becky’s mentors—Katherine Larson, Debra Marquart, and Chen Chen.

Gina Troisi‘s (Creative Nonfiction, W’09) flash fiction piece “After the Boston Marathon Bombing,” which was published in Gemini Magazine earlier this year, was nominated for a Pushcart Prize. Her forthcoming memoir, The Angle of Flickering Light, most of which was written during her time at Stonecoast, is now available for preorder via https://gina-troisi.com/.

Christopher Watkins (Poetry, W’08) is pleased to share that three of his poems are forthcoming in Beatific Magazine. He is honored to announce that his song “The Damned (So Many More of Us Than Them)” was awarded SONG of the YEAR at the 2020 Manifesto Awards. Christopher records under the name “Preacher Boy.”

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Community News & Updates January 2021

ANNOUNCEMENTS

Stonecoast MFA 2021 Winter Residency

Join the Stonecoast MFA 2021 winter residency January 7-17th, 2021 for a week of inspiring readings and discussions! Evening events are free and open to the public and will be hosted online through Zoom. View the schedule and register here.

Stonecoast Tidings

If you’d like to receive Stonecoast’s quarterly newsletter featuring faculty interviews, alumni writing, and opportunities to rejoin residencies and engage with Stonecoast literary events, you can sign up for Stonecoast Tidings by updating your USM alumni profile.

The Stone House Readers’ Series

The Stone House Readers’ Series is a regular series for alumni, faculty, staff, and current students to share their writing live on Facebook. Readers are scheduled in advance and are asked to bring 15 minutes of material to share, whether it’s a work in progress, a published piece, or anything in between. This is a program run by Troy Myers and Amanda Pleau (Creative Nonfiction, S’15) to give members of our community a casual and consistent opportunity to connect. Join us Sundays in January! 

CURRENT STUDENTS

Shannon Bowring‘s (Fiction, Thirdsemester) essay “Fresh Cut” was recently selected as the winner of the Just Write Maine-related Nonfiction Award for the Joy of the Pen writing contest. In addition, her short experimental piece “Avian Elegies ” was published in Issue #4 of Waterwheel Review.

Natalie Harris-Spencer‘s (Fiction, Third semester) short essay “Expat Guilt,” which details the isolation of living an ocean apart from your family during a pandemic, appears in the British publication Dissonance Magazine

FACULTY

Faith Adiele’s (Creative Nonfiction) new Calm sleep story, narrated by acclaimed actor Idris Elba, was released on December 1, which was #GivingTuesday. For every listen of “Kingdom of the Sky,” Calm will donate $1 (and up to $100k) to support RED’s fight against AIDS and COVID-19 in sub-Saharan Africa. 

Doom Eternal: The Ancient Gods – Part One by id Software saw instructor Tobias S. Buckell (Popular Fiction) in the credits under Writing and also in Story Development, his first foray into writing in-game content for a major platform game. Tobias also edited and had a story in the anthology Reclaim, Restore, Return: Futurist Tales from the Caribbean, published for the 2020 Bocas Lit Fest in Trinidad. Other short stories appeared in editor John Joseph Adams Dystopia Triptych, Escape Pod: The Science Fiction Anthology, and Slate Magazine. He just turned in his latest novel, A Stranger in the Citadel, to Audible Originals, which will be out in May 2021.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) wrote a feature for The New York TimesHow New York City Vaccinated 6 Million People in Less Than a Month. He’s also at work on a young-adult book about Frank Serpico, the New York City cop who famously exposed systemic corruption in the NYPD.

Aaron Hamburger‘s (Fiction, Creative Nonfiction, Writing for Social Change) short story “My Darling Socialist” was chosen as a finalist in the Saints and Sinners Festival fiction contest for 2020-21. It will be published in the Festival’s 2021 anthology, forthcoming from Bold Strokes Books.

Elizabeth Hand’s (Popular Fiction, Fiction) The Book of Lamps and Banners received a rave review from Locus Magazine, and was named one of the year’s top 5 crime novels by Crime Reads/LitHub, one of the year’s top 10 thrillers by Crime Fiction Lover, and made LitReactor’s list of the year’s best novels. It was also noted in Fine Books Magazine in their roundup of best books about books. The audiobook was named one of the year’s best audiobooks by both Slate and AudioFile Magazine. Elizabeth was featured on the podcast 99% Invisible, talking about novelizations. Her recent reviews include Christopher Golden’s novel Red Hands and J.R.R. Tolkien’s Letters from Father Christmas, both for The Washington Post.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting, Writing for Social Change) will lead a virtual Playwriting Workshop called ACT ONE for the Charlotte Writer’s Club North, based in Charlotte NC, on February 27, 2021. Her personal essay “Covid Class of 2020” was published in NOW, a new online literary journal from the wonderful Hobart Festival of Women Writers, co-founded by Breena Clarke.

ALUMS

The film short The Sound of a Wild Snail Eating, adapted by Elisabeth Tova Bailey (Creative Nonfiction, S’15) from her memoir of the same title, screened in December at the Academy-accredited Leuven International Short Film Festival in Belgium. In March, the film screens at the Academy-accredited Tampere Film Festival in Finland. That month the film will also be part of Discover Film Awards in London.

Carina Bissett (Popular Fiction, S’18) is thrilled to announce the appearance of her story “An Embrace of Poisonous Intent” in the anthology Bitter Distillations: An Anthology of Poisonous Tales, published by Egaeus Press. This hardcover edition is limited to 340 copies. December also came with news that her linked vignettes created for a shared world were published in The Lost Citadel Roleplaying Game, which opens with a story by Elizabeth Hand.

Ryan Brod (Creative Nonfiction, S’17) has an essay coming out in the next issue of The Maine Review (Issue 7.1)He’s excited to start another semester teaching creative nonfiction at the University of New England.

J Brooke (Poetry, S’19) had “Nowhere to be Found is Atonement,” a poem about Yom Kippur during the pandemic, published by Detour Ahead Literary Magazine. J has enjoyed a number of essay publications in 2020, yet rarely has poems accepted for publication. Not complaining, though—merely commenting.

Terri Glass‘s (Poetry & Creative Nonfiction, S’13) poem “Unexpected Visitor” will be published in San Diego Poetry Annual 2021, and her poem “Amid all this Light” will appear in Issue 13 of Young Raven’s Literary Review. She will be reading on January 30 from her new book of poetry, Being Animal, via Zoom for the Watershed Festival, an environmental poetry festival based out of Berkeley, CA. Check her website, terriglass.com, for the link and time.

Gail Hovey (Creative Nonfiction, S’11) engaged in a wide-ranging conversation with blogger Dr. Deborah Adamy on December 14. They discussed Hovey’s memoir, She Said God Blessed Us: A Life Marked by Childhood Sexual Abuse in the Church, in the larger context of truth telling in this tumultuous year. 

Nina Lichtenstein (Creative Nonfiction, S’20) had an essay published in Kveller that starts like this: “A few years ago, my then 19-year old son called me from Norway via FaceTime to ‘share some news.’ Benya was spending a gap year in my native country. He was anxious about our conversation, an unease that was obvious to me—the mama bear back in the States—as soon as I saw his sweet punim on the screen. // ‘Mama, I’ve been meaning to talk to you about some things…’ he began.”

Nylah Lyman (Poetry, S’10) has signed a contract with Encircle Publications. They will publish her poetry collection in September 2021.

Catharine H Murray (Creative Nonfiction, S’17) will be opening Memoir 101: Writing the Stories of Your Life to a fourth cohort this month. This five-week live online series will meet Tuesdays at 10:00 a.m. EDT starting January 26, 2021. To register or for more information, go to catharinehmurray.com (the direct link).

On January 8th, Jenny O’Connell (Creative Nonfiction, S’17) will be moderating The Journey You Must Take, a conversation between debut authors Maggie Downs and Katherine E. Standefer, hosted by PRINT Bookstore and Portland’s Mechanics Hall. In Braver Than You Think, Maggie backpacks around the world to visit countries her mother—struck with early-onset Alzheimer’s—cannot make it to herself. In Katherine’s book Lightning Flowers, she travels to mines across Africa and the American West trying to understand whether her potentially-lifesaving implanted cardiac defibrillator might have caused loss of life along its supply chain. The dialogue will be enhanced by Jenny’s own 2014 solo trek across Finland (the subject of her current book project and Stonecoast thesis) following the footsteps of a female legend into the heart of the Arctic Circle. Guaranteed to be rich and vulnerable, this conversation will travel from what it takes to move from knowing you need to do something to actually doing it, to the financing of such journeys, to the craft challenges of telling personal stories that unfold in foreign contexts, to the unexpected things that happen along the trail, to the way grief can change along a journey. Register for the (free) event here.

Ellie O’Leary (Poetry, W’17) will be one of the featured poets reading for (Un)Cloistered Poetry on Sunday, January 10, at 6:00 p.m. Email EllieOLeary@gmail.com for the Zoom link.

Anne Britting Oleson (Poetry, W’05) has contracted her latest novel, Aventurine, to Encircle Publications, with an expected publication date of January 2022. This will be Anne’s fifth published novel. She joins Stonecoaster Kevin St. Jarre as an Encircle author.

Meghan Vigeant‘s (Creative Nonfiction, S’20) essay “The Shame Files” is about the contents of a plain, brown file labeled “Sexual Assault 2010.” It appears in the Stonecoast Review, issue 14, winter 2021. 

Adrienne S. Wallner’s (Poetry, W’09) debut poetry collection To the 4a.m. Light is now available for preorder from Finishing Line Press. For every book ordered before January 30, 2021, buyers will receive a one-of-a-kind bookmark, each with a unique line of poetry from To the 4 a.m. Light handwritten by the author. Bookmarks will be mailed after January 30, unless arrangements are made by contacting the author. All books will be shipped on the official release date of March 26, 2021. To order, go here. Read Adrienne’s blog at www.inkinthebranches.com. Find Adrienne on IG & FB @inkinthebranches. Click here to sign up for Adrienne’s newsletter.

An essay by Tamra Wilson (Fiction, S’11) appears in the 2020 anthology Friends: Voices on the Gift of Companionship, published by Jack Walker Press. “Dear Anne” was inspired by a 25-year correspondence that began in childhood.

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Community News & Updates November 2020

ANNOUNCEMENTS

Stonecoast Alumni Scriptwriting Workshop: The Next Step – Rehearsing your Script! – Winter 2021!!

Instructors: Tom Coash (Scriptwriting/Playwright) and Jeni Mahoney (Scriptwriting/Artistic Director of the Seven Devils New Play Foundry)

A huge part of scriptwriting is learning to collaborate and glean valuable information about your script during the rehearsal process. Being in a room with really smart, talented people, all working together, readying your script for the public is an incredibly inspiring, unique experience. Scriptwriters, in this special, four-session, alumni workshop, will submit a ten-minute play/screenplay and during the course of the workshop will read, discuss, rewrite, and REHEARSE these pieces for an online, post-residency Stonecoast public reading. Taking advantage of the online residency possibilities, we will bring in professional, guest artist actors and directors from all over the country to rehearse each play individually in online breakout rooms. Writers will have one-on-one sessions with their directors, rehearsals with actors/directors, discussion of scripts with workshop members, and opportunities to observe other rehearsals. Come join us and see your script brought to life by some of the best talent in the country. All levels of scriptwriting experience welcome.

This workshop is also open to writers who have not attended Stonecoast. So, please tell your friends. Space is limited, sign up asap! Contact Tom Coash (thomascoash@sbcglobal.net) or the Stonecoast office for more information: stonecoastmfa@maine.edu or 207-780-4423.

CURRENT STUDENTS

Natalie Harris-Spencer‘s (Fiction) short story “Phrenology,” which she shared in David Anthony Durham’s “Grim Tidings” workshop last residency, will be published in the next issue of The Dark City Crime & Mystery Magazine.

FACULTY

Faith Adiele (Creative Nonfiction) wrote two episodes in the new HBO Max mini-documentary series A World of Calm, which premiered on October 1st and is designed for relaxation. Her episodes are #8 “Horses,” narrated by Kate Winslet, and #10 “Water,” narrated by Mahershala Ali. The trailer is available here. Faith also has an essay in the anthology Alone Together: Love, Grief & Comfort in the Time of COVID; sales go to benefit indie bookstores.

Aaron Hamburger (Fiction, Creative Nonfiction, Writing for Social Change) was awarded an individual fellowship from the DC Commission on the Arts and Humanities. 

Elizabeth Hand’s (Popular Fiction, Fiction) new novel, The Book of Lamps and Banners, continues to receive rave reviews, including from The New York Times Book Review, which wrote, “Cass Neary is a remarkable heroine. As with Sherlock Holmes, her power lies in the act of seeing what ordinary people cannot, only where Holmes brings clues to light, Neary is content to linger in the dark. Her eye catches the liminal spaces between clarity and shadow so well I found myself rereading passages for the beauty of her way of seeing.” Oprah Magazine named Liz’s 2015 novel Wylding Hall one of the 29 greatest gothic novels of all time. In October, she taught at the NYC Writer’s Hotel virtual writer’s conference, and led an online workshop on supernatural fiction at Clarion West.  

Scriptwriting Instructor Jeni Mahoney, the Producing Artistic Director of Seven Devils Playwrights Conference, was featured in a recent American Theatre Magazine article celebrating the 20th anniversary of the program, which she founded in 2001. Since 2001, Seven Devils has supported the development of more than 220 plays, including Veils by Scriptwriting Faculty member Tom Coash, who now serves on the Seven Devils Board of Directors.

ALUMS

Lindsey Barlow‘s (Popular Fiction, W’19) short story “Dr. Catalyst,” which she workshopped while at Stonecoast with Liz Hand and fellow students, was turned into a 55-minute production by No Sleep Podcast. Her short story is featured in Season 15, Episode 5, and begins around the one hour, thirty-eight minute mark.

Carina Bissett (Popular Fiction, S’16) has a piece of humorous horror titled “The Stages of Monster Grief: A Guide for Middle-Aged Vampires” in the anthology Coffin Blossoms, which was published by Jolly Horror Press in October 2020. She also appeared on the panels Building SF&F Mythologies and Modern Age of Poetry at MileHiCon 52. 

J Brooke (Poetry, S’19) won Honorable Mention in Streetlight Magazine’s 2020 Essay/Memoir contest. A review of the essay “Finding Barbie’s Shoes” said, “J Brooke’s ‘Finding Barbie’s Shoes,’ an elliptical narration of how something as small as the foot of a Barbie doll can lead to consideration of topics larger and more painful. There is humor in this account, but also that edge of reality we all have to contend with. Its two poles inform each other.” The essay can be read here.

KT Bryski (Popular Fiction, W’16) has stories in The Quilliad and Nightmare this month. She is also pleased to announce the one-year anniversary of the ephemera reading series. Join readers Kate Heartfield, Fonda Lee, and Vivian Li, and performer Kari Maaren, on November 18 at 7:00 p.m. EST.

teri elam (Poetry, S’19) had two poems published in Limp Wrist magazine: “On Writing A Fan Letter To Lynda Carter Circa 1975” and “On Being Called The N-Word In Atlanta, 2016: A Southern Ghazal.” Her ghazal has been nominated for a Pushcart Prize. teri will also have two essays, “Memory as Dance: The Darktown Strutters’ Ball” and “In Praise of Greenwood,” included in the exhibition catalog for the upcoming Greenwood Art Project. This project will commemorate the centennial anniversary of the 1921 Tulsa Massacre and the historic Black Wall Street.

Colleen Hennessy‘s (Creative Nonfiction, W’20) essay “Motherhood in Irish Nonfiction: Abortion and Agency” appeared in the fall issue of Assay: Journal of Nonfiction Studies. The research and analysis arose from her third semester paper and graduation seminar at Stonecoast. 

Veda Boyd Jones (Fiction, S’17) annually writes a Christmas novella; On One Condition is available on the kindle app.

Andrea Lani (Fiction, W’14) is thrilled to announce that her short story “The Quilt” was published last month in Willows Wept Review. The story is about climate change, fracking, and the enduring nature of love, with a bit of magic realism and ancient mythology thrown in. Bonus points if you can determine what mythological figures and events it’s inspired by.

Nina B. Lichtenstein (Creative Nonfiction, S’20) recently had an essay in Past Ten, a literary project exploring the transformative power of time and the human condition to turn the unpredictable into art, by asking contributors, “Where were you ten years ago on this date?” She also had an essay out in The Forward, the country’s oldest Jewish newspaper (founded in 1897) about her recent reckoning with her misguided use of the Yiddish word schwartze, when she was a 23-year old convert to Judaism.

Nylah Lyman‘s (Poetry, S’10) poem “Noah’s Wife” has been accepted by Stonecoast Review for publication January 2021.

Catharine H. Murray (Creative Nonfiction, S’17) will be opening her live online memoir classes to a new cohort this month. Memoir 101: Writing the Stories of Your Life is open for enrollment. This five-week live online course begins Thursday, November 12, from 12:00-1:30 p.m. EDT. Memoir: Craft and Application also will be open to new students starting this month with Thursday or Saturday classes, 10:00-11:30 a.m. EDT. To apply or for more information, visit www.catharinehmurray.com or email her at writingwithcatharine@gmail.com

First Light,” Jenny O’Connell‘s(Creative Nonfiction, S’17) essay about finding home in the wild waters of Maine, appears in the November issue of Decor Maine. Her opera libretto on advocacy and domestic violence during quarantine, “The Sky Where You Are,” was produced by An Opera Theatre of Minneapolis and premiered worldwide last month as part of the Decameron Opera Coalition’s “Tales from a Safe Distance.” Tickets are available through the end of the year. 

Suri Parmar (Popular Fiction, W’17) has a new story titled “Lady of the Slake” in Upon a Once Time, a color print anthology of reimagined fairy-tale mash-ups published by Air and Nothingness Press. Suri’s story is an interpretation of Hans Christian Andersen’s “The Wild Swans” combined with the Arthurian literary cycle. 

Bruce Pratt (Fiction, S’04) has poems in two anthologies released in October: “Dead Bodies and Declaratory Judgments” appears in Show Us Your Papers from Main Street Rag Publishing, and “Le Rire ” appears in its original French alongside his English translation in The Very Edge Poems from Flying Ketchup Press.

J. Stephen (Steve) Rhodes (Poetry, W’11) was made Canon Poet of Grace Episcopal Cathedral, Charleston, South Carolina, on October 11th, 2020.

Kevin St. Jarre‘s (Popular Fiction, S’10) short story “Chuligani,” published in Solstice Literary Magazine, has been nominated for a Pushcart Prize. Kevin’s novel Aliens, Drywall, and a Unicycle will launch virtually at 6:00 p.m. on Tuesday, November 10. Hosted by Longfellow Books of Portland, Maine, and Encircle Publications, Kevin will be joined in conversation by author Bill Roorbach. To register in advance for this meeting please use this link. After registering, you will receive a confirmation email containing information about joining the event.

Kathleen Sullivan (Poetry, ’06) is currently writing a series of weekly essays: “2020: Life in the Time of Pandemic.” Her blog site is Kathleensullivan.substack.com. The essays are the process notes of a poet, a psychotherapist, a grandmother, three quarters of a century old as she makes sense of this extraordinary moment in history.

Morgan Talty’s (Fiction, W’19) short story “The Name Means Thunder,” which originally appeared in the Fall 2019 issue of The Georgia Review, was selected as a Distinguished Story for The Best American Short Stories 2020

The Learned Pig published Darlene Taylor‘s (Fiction, W’17) “Haunting Stones” essay as a Root Mapping feature. The essay can be read in the online journal here. Also, Darlene won a D.C. Commission on the Arts and Humanities Fellowship; she plans to complete the work noted in “Haunting Stones” as part of the fellowship. Separately, as part of her continued service to the arts community, Darlene has been named an Advisory Board member of The Clifton House located in Maryland. The Clifton House honors creative work and the legacy of Lucille Clifton in the Baltimore home where she lived with her family and wrote poetry.

Meghan Vigeant‘s (Creative Nonfiction, S’20) flash non-fiction story “Don’t Live Past Ninety, Dear” appeared on Multiplicity‘s blog in October. 

Stonecoast fiction alum (W’19) sidney woods was honored that “Monsoon” was recently published in Brilliant Flash Fiction (under pen name sid sibo).  

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Community News & Updates October 2020

FACULTY

Cara Hoffman‘s (Fiction, Popular Fiction) reporting on the uprising in Exarchia, “Dream of No Nation,” was recently published in The Daily Beast. Her long prose poem “Retouch/Switch,” part of Garth Greenwell’s KINK anthology, was recently translated and published in the polish magazine Femme. Her short story “DeChellis” will be published in the forthcoming issue of Bennington Review. Cara’s second novel for children, The Ballad of Tubs Marshfield, will be published in early November and is now available for pre-order.

Suzanne Strempek Shea (Creative Nonfiction, Fiction) will be among the 20 authors and poets featured at Old Dominion University’s 43rd annual Literary Festival, “Grit and Grace.” The series of virtual programs is free and open to the public October 4-8. Suzanne will read, speak, and do a Q&A October 8 from 12:30 to 1:30 p.m. EST. More information and links to all events are here.

 

ALUMS

Lindsey Barlow‘s (Popular Fiction, W’19) second novel of the Jack Harper Trilogy—Perish—was published October 13, 2020, by California Coldblood Books, an imprint of Rare Bird Books.

Peter Adrian Behravesh (Popular Fiction, W’18) can finally reveal that he sold an interactive novel to Choice of Games, which is set in the same Persian space fantasy universe as his Stonecoast thesis. Barring any unforeseen calamities (and there have been plenty of those lately), The Astralchemist’s Apprentice will be released in 2021. Peter also narrated Aimee Ogden’s story “More Than Simple Steel” for the September 24 episode of Escape Pod. You can listen to it here.

Carina Bissett (Popular Fiction, S’16) has a dinosaur robot story in the anthology Triangulation: Extinction, which was published by Parsec Ink in August. She also takes a look at giraffes as a critically endangered species in the story “An Authentic Experience,” which also came out in August in the anthology WILD: Uncivilized Tales from Rocky Mountain Fiction Writers.

Ed Boyle’s (Fiction, W’09) story “The Keeper of the Marsh” was recently published in Scarlet Leaf Review.

Kathy Briccetti (Creative Nonfiction, W’07) recorded a two-minute Perspective on San Francisco’s KQED public radio about her experiences working on the 2020 Census. She is currently shopping the novel she began after graduation, a story about an American family set in the tumultuous early months of 1968, an electrifying time of riots, political upheaval, protests, sexual revolution, feminism, and rock and roll.

KT Bryski (Popular Fiction, W’16) has a story in this quarter’s Apparition Lit: “The Gorgon’s Epitaphist” will be available to read on October 15. As well, join her on YouTube October 21 for this month’s ephemera reading series. Sarah Pinsker, Waubgeshig Rice, and Khashayar Mohammadi will read works on the theme of “Light.”

Darcy Casey (Fiction, W’19) has a new story in Yemassee‘s monthly spotlight. Her novel-in-progress, Pity-Heart, was long-listed for Retreat West’s Best Opening Page competition in September 2020.

Brenda Cooper‘s (Fiction, S’17) novel The Making War will be out from WordFire Press on October 7th. This the fourth and final book in an award-winning series that begins on a colony planet where six genetically altered children start their lives as spoils of war. Hugo and Nebula award-winning author Nancy Kress said, “The Making War is technologically inventive without ever losing sight of the human heart. A satisfying end to Cooper’s series.”

Anthony D’Aries‘s (Creative Nonfiction, W’09) story “An Honest Pain” was accepted by Flash Fiction Magazine. Anthony also recently signed with the Philip Spitzer Literary Agency for his novel.

Lauren M. Davis (Poetry, S’15) celebrates the publication of her poem “The Flowers You Brought Back from Italy” in Wrath Bearing Tree’s Spring 2021 issue.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce she will be reading alongside Cadwell Turnbull on October 27th at 7:30 p.m. EST as part of the Strange Lights SFF Reading Series. Originally planned to take place at Book Moon, the reading will be a virtual event. Follow the series on Facebook for pre-registration links.

The Lady of the Cliffs, Book Two of The Bury Down Chronicles series by Rebecca Kightlinger (Fiction, W’14), will be released on November 1, 2020, by Rowan Moon.

“The Art of Honorable Grieving” by Cynthia Kraack (Fiction, W’10) ran in the September 19 Saturday Evening Post. In other news, 40 Thieves on Saipan by Joseph Tachovsky and Cynthiareleased June 2 by Regnery History, has sold out its first run.

Under the name S.M. Mack, Sarah Mack’s (Popular Fiction, S’19) essay “On Bearing Witness in Pat Barker’s The Silence of the Girls was published as part of the Sirens conference 2020 summer essay series. It is an examination of the necessity of sitting with painful realities and connects a book that re-centers the Iliad on Briseis, enslaved and abused by Achilles and Agamemnon, to present-day injustices and crises.

Ellen Meeropol (Fiction, W’06) has a new essay about art, fiction, and life, in the inaugural issue of NOW, the journal of the Hobart Festival of Women Writers. And, for those Stonecoasters interested in politically engaged fiction, Ellen will be part of a panel titled The Personal and the Political: Writing the Social Protest Novel on October 29 at 6:30 pm. The event includes Andrew Altschul, Sanderia Faye, and Tina Egnoski. Details and registration link here.

Jenny O’Connell (Creative Nonfiction, S’17) took a leap into the world of libretto writing! “The Sky Where You Are,” commissioned by An Opera Theatre of Minneapolis and composed by Maria Thompson Corley, is an eleven-minute opera that sheds light on advocacy and domestic violence during quarantine. Written in collaboration with Women’s Advocates of Minnesota, the first domestic violence shelter for women in the U.S., it will premiere nationally October 23rd as part of the Decameron Opera Coalition’s “Tales from a Safe Distance.” Get your tickets here! Jenny is glad for this unexpected return to her musical roots, and excited to explore new ways to be a writer for change in the world.

Lisa Panepinto (Poetry, W’13) has two poems in the new Littoral Books anthology: Enough! Poems of Resistance and Protest.

A new essay, “Notes From the Father Field,” by Lisa Romeo (Creative Nonfiction, S’08), appears in the August issue of Adelaide Literary Magazine (published in New York and Lisbon).

Morgan Talty‘s (Fiction, W ’19) short story “The Blessing Tobacco” has been nominated for Best of the Net 2020 by TriQuarterly. “The Blessing Tobacco” was also featured in Literary Hub: The Best of the Literary Internet. His short story “Food for the Common Cold” will be published in the Fall 2020 Issue of Narrative Magazine.

Gina Troisi‘s (Creative Nonfiction, W’09) flash fiction piece, “After the Boston Marathon Bombing,” was just published in Gemini Magazine.

Marco Wilkinson (Creative Nonfiction, S’13) began teaching as a Visiting Assistant Professor at James Madison University in Fall 2020. He will also be a guest faculty member in the Antioch MFA Program for their Winter 2020 session.

 

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Community News & Updates May 2020

ANNOUNCEMENTS

STONECOAST MFA VIRTUAL WRITING SERIES
In an effort to connect our community and continue learning together from afar, Stonecoast is launching a monthly writing session led by a faculty member or guest instructor! Aaron Hamburger (Fiction, Creative Nonfiction) kicked off our first session in April with a fantastic Mindfulness and Creative Writing class. We are thrilled to present Susan Conley (Fiction, Creative Nonfiction, Writing for Social Change) on Monday, May 18th, with “Voice Across Genre: Tone and Pitch and How to Really Say What You Are Feeling,” followed by Justin Tussing (Stonecoast Director) on Monday, June 8th, with a pre-residency generative writing session.

Information and Zoom links will be distributed to current students and faculty via email, and to the greater community via the Stonecoast Portland Meetup group and the Friends of Stonecoast MFA Facebook Group. If you are unable to access any of these platforms, email Special Projects Coordinator Jenny O’Connell (jennifer.a.oconnell@maine.edu) to be added to the list.

You can also receive weekly writing prompts from faculty on the Stonecoast Facebook Page.

 

CURRENT STUDENTS

Natalie Harris-Spencer (Fiction) has been selected by Oyster River Pages for publication under their “Emerging Fiction Voices” category, established to showcase new writers who are just beginning to submit their work to journals. Her short story “Fish Out of Water” will be published in the Fourth Annual Issue of Oyster River Pages, due Summer 2020 (publication details to follow). ORP is a literary journal that embraces the reality that the personal has become the political and actively seeks to publish those who bring balance and diversity to historical institutions of power.

Nina Lichtenstein (Creative Nonfiction) recently had another piece up on the Brevity blog about how the lockdown has provided her with a much welcomed focus on writing, stripped of the otherwise regular and non-essential diversions. She has also embarked on a new project and is looking for contributors: If you know someone who is a Jew by choice, the planned anthology Our Stories, Our Tribe: Personal Essays by Converts to Judaism is looking for diverse voices in essays between 1500-4000 words. Email Nina (nblichtenstein@gmail.com) if you would like a copy of the Call for Submissions to share.

 

FACULTY

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) was happy that her novel We Got Him was chosen to be featured in April on Snowflakes in a Blizzard, which highlights books by Indie press writers. As noted in this piece, We Got Him, which was published by New Rivers Press, is also out in a 2018 audiobook version—published and narrated by star Stonecoast alumna Tanya Eby and her audiobook company, Blunder Woman Productions.

 

ALUMS

The film short The Sound of a Wild Snail Eating, adapted by Elisabeth Tova Bailey (Creative Nonfiction, S’15) from her memoir of the same title, won a Special Jury Mention from the ÉCU—The European Independent Film Festival in Paris, and an Honorable Mention from the USA Film Festival’s International Short Film & Video Competition in Dallas, Texas.

Jennifer Marie Brissett (Popular Fiction, S’11) made a guest post called “The Sophomore Book” about writing her next book on Fantasy Cafe for Women in SF&F Month. She also had a new poem published by The Free Library of the Internet Void called “Remember.” And AAWW Radio posted Breaking into Speculative Fiction, a panel discussion with Jenn and Malka Older, moderated by Tim O’Connell.

j brooke’s (Poetry, S’19) essay “Hybrid” was the Nonfiction Winner for Columbia Journal’s Womxn’s History Month Special Issue.

Renee S. DeCamillis (Popular Fiction, W’14) is excited to announce that she has found a means to get out and share her book The Bone Cutters during this pandemic. From May 11 to June 11, Renee is doing an online book tour, where her work will be featured on 50+ blogs. There will be a video reading, an interview, an excerpt or two, as well as free giveaways. Here is the link to find out how and where to check it all out. Stay safe, everyone!

teri elam’s (Poetry, S19) poetry manuscript was recently named a semi-finalist for the Two Sylvias Press Wilder Prize. During April, a film based on her poem “Butterflies” premiered during Visual Poetry Project’s online film celebration of National Poetry Month.

Andrea Lani (Fiction, W’14) was thrilled to have her essay “Faith in a Seed,” about motherhood and the extinction and rebirth of the American chestnut tree, published in the current issue of Spire: The Maine Journal of Conservation and Sustainability.

Alison McMahan‘s (Popular Fiction, W’10) short story “Harlem in Havana” was released April 7, 2020, in the anthology The Beat of Black Wings: Crime Fiction Inspired by the Songs of Joni Mitchelledited by Josh Pachter, published by Untreed Reads. Anthology authors Alison, Alan Orloff, and Elaine Viets taught a class on Writing Suspense via Zoom on April 26, 2020.

Ellen Meeropol (Fiction, W’06) and Robin Talbot (Stonecoast Associate Director) invite the Stonecoast community to a Virtual Book Event at PRINT Bookstore in Portland on May 13, 2020, at 7:00 pm. Co-hosted by Maine Writers and Publishers Alliance (MWPA) via Zoom, Ellen will read from her new novel, Her Sister’s Tattoo, and talk with Robin. To register, visit here or here.

John Christopher Nelson‘s (Fiction, S’15) stories “Sola Fide” (originally featured in the summer 2016 issue of Able Muse), “Avoidance,” and “Meaning As Use” are all featured as the fiction portion of Lights, the inaugural issue of Pleasure Boat Studio‘s new zine, available as a free PDF. John also read his story “Good Friday,” originally featured in Volume VI of The New Guard, on Good Friday for West Seattle’s own Pegasus Book Exchange.

Jenny O’Connell‘s (Creative Nonfiction, S’17) recent tribute to the late, great Ryan West—which doubles as an ode to the ultimate frisbee community—was published in Ultiworld magazine. Her essay “Valley of the Bulls” won the 2019 Appalachia Journal Humor in the Wild Contest, and is now available in print. An outdoor contributor for Maine Magazine, Jenny’s profile on camp owner and adventurer Chloë Rowse was published in March, and she has a forthcoming feature on ice climbing in Maine later this year. In April, Jenny signed with agents Jamie Chambliss and Steve Troha of Folio Literary Management, who will represent her book project, Finding Petronella

Suri Parmar (Popular Fiction, W’17) was recently awarded a media grant from the Ontario Arts Council for her experimental short You’re Smart, her first foray into non-narrative filmmaking. While production is presently on hold due to the ongoing COVID-19 pandemic, she hopes to complete her film in the following year.

Three short pieces from sid sibo’s (Fiction, W’19) in-process collection Familiar: Stories have been awarded the Neltje Blanchan Memorial award from the Wyoming Arts Council for best writing “informed by a relationship with the natural world.” Two other stories from the collection have earned Honorable Mentions, one of which, “Bull,” will be published online in Cutthroat magazine. The pen name can be traced to Stonecoast 2019 alum sidney woods.

Patricia Smith’s (Poetry, S’08; former faculty member) poem “Now He’s an Etching” appeared in The Academy of American Poets’ Poem-a-Day email for Thursday, April 16th.; the poem can be read and heard on the poets.org website.

Jacob Strunk (Fiction, W’07) was featured in April’s Voyage LA, an online magazine celebrating the artists and eccentrics that define Los Angeles. The profile features no revelatory bombshells, but there are some fun photos.

Lisa C. Taylor (Poetry, S’04) will have upcoming poetry published in Lily Poetry Review and Soul-Lit. Her book review of Rebecca Foust’s The Unexploded Ordnance Bin was published in Mom Egg Review in April. Lisa’s short story “Lucky” was shortlisted in the 2020 Fish Short Fiction contest, judged by Colum McCann. She has been a mentor through the AWP W2W program this spring, working with a fiction writer from Georgia. And Lisa will have a new collection of poetry published by Arlen House/Syracuse University Press in the spring of 2021.

Rhiannon J. Taylor’s (Popular Fiction, S’19, writing as R. J. Howell) dark fantasy/horror story “What You Lost in the Wildermere” has been published by Arsenika in their sixth issue. Additionally, her story “Parasites” is forthcoming from Frozen Wavelets.

As reported by Locus, Erin Underwood (Popular Fiction, S’09) won the 2020 Down Under Fan Fund (DUFF), which sends a fan from North America to CoNZealand, the 78th Worldcon. Paul Weimer, the North American DUFF administrator, said, “With ConZealand being a virtual Worldcon this year and Corvid-19, Erin will not be traveling to New Zealand this year, but hopes to travel to Australasia in the DUFF tradition in 2021, health and world events permitting.” Erin will also take over from Weimer as the new North American administrator.

Marco Wilkinson (Creative Nonfiction, S’13) is now the nonfiction editor at The Los Angeles Review. He is looking for fresh, engaging essays; in particular at this moment, he’d love to read about life during COVID-19. You can submit here.

 

 

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Community News & Updates January 2020

HAPPY NEW YEAR!

ANNOUNCEMENTS

News from Stonecoast
Join the Stonecoast MFA community for a week of inspiring readings and discussions with Stonecoast’s award-winning faculty and guest writers, January 10-13th and 15-18th at the historic Harraseeket Inn in downtown Freeport, Maine.

The weeklong series includes flash faculty and guest readings, a conversation on the possibilities and perils of adapting one’s work for the stage, and a discussion of the inaugural WISE common text. The residency concludes with the Winter 2020 graduation ceremony.

A detailed schedule of the week’s events and readers can be found here.

CURRENT STUDENTS

In November, Nina B. Lichtenstein (Creative Nonfiction) was invited to Ottawa, Canada, to give a book talk on the occasion of the International Memorial Day for Jewish Refugees from Arab Lands. It was in connection with the recent publication of her translation from French to English of the novel For the Love of the Father by French-Tunisian-Jewish writer Chochana Boukhobza. Nina is also happy to share that her essay “Ink Stains and Blood Stains: The Spring of My Becoming” has been accepted for publication in the forthcoming Hippocampus anthology tentatively titled “INK” due out in 2020.

FACULTY

Tom Coash‘s (Playwriting, Dramatic Arts) play Raghead will be produced in North Hollywood by Actors Workout Studio, as part of their terrific TABOO Festival January 10 – February 8, 2020.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana Is Here is now available as an audio book!

Elizabeth Hand (Popular Fiction, Fiction) sold a stand-alone psychological thriller, Baby Go Bang, to Mulholland Books/Little, Brown. Her novel Generation Loss has been optioned by British production company Fremantle.

Cara Hoffman‘s (Fiction, Popular Fiction) children’s novel Bernard Pepperlin was a Kirkus Best Book of 2019 and Audiofile’s Best Audio Book of the Year.

Broadway icon Andrea McArdle (the original Annie) will star in a new 2020 production of Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) Tonya & Nancy: The Rock Opera. The production is being fully produced by longstanding Equity theater TheaterZone and is opening on February 6, 2020; it was featured in two recent articles in Broadway World. Further productions and a possible tour are in the works for 2020/2021; see the website for updates.

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) film short adaptation of her memoir The Sound of a Wild Snail Eating heads next to the Wild & Scenic Film Festival (CA), Victoria Film Festival (BC), and Kinofilm 16th Manchester International Short Film Fest (UK). The film also received a Jury’s Choice Award from the Thomas Edison Black Maria Film Festival, which tours throughout 2020.

Carina Bissett (Popular Fiction, S’18) is a finalist for the NESFA Short Story Contest. The story she submitted was one of the first pieces workshopped at Stonecoast with David Anthony Durham. The winners will be announced at BOSKONE 57 in February.

Linda Buckmaster (Creative Nonfiction, S’11) has had her essay “Alibi Bar, 1968” published in Atticus Review‘s “Super Unknown. Stories About Songs” series. Two of her poems have appeared in The Comstock Review, one in the Spring/Summer issue and one in the Fall/Winter. She has been awarded a writing residency in May at NES in Skagastrond, Iceland, to work on her current project—a literary journey across the North Atlantic. From there, she will go on to the Hebrides. She and Elizabeth Garber (Creative Nonfiction, ‘10) were on a panel at the WORD Conference in Blue Hill, Maine, with Jaed Coffin discussing the ethics of memoir.

Julie C. Day‘s (Popular Fiction, S’12) piece “Flyover Country” can be found in the January/February issue of InterzoneFirst lines: “Lovers are like flash floods, car collisions, aneurysms: always a possibility but never exactly expected. A small-plane pilot for AeroFix Corp, Sam arrived in my bed via a tray of purple pansies and a convoy of trucks intent on invading the Verona Municipal Airport.” Richard Wagner created the amazing illustration. This will be Julie’s 7th story with Interzone and her 8th with TTA Press.

Lesley Heiser (Fiction, S’11) was thrilled to see her essay “Rose” up on Diagram this past year. She wishes all Stonecoasters the very best for 2020.

Veda Boyd Jones (Fiction, S17) has an essay in the January-February issue of Good Old Boat, available at newsstands now.

Mike Langworthy (Creative Nonfiction, W’11) is co-writing dialogue and lyrics for Take The High Road, a musical produced in Denver during 2020. The show will combine repurposed melodies from musical theater and popular music with an original story of a real estate developer who locks horns with, and falls for, a community activist fighting his attempts to build a resort in her idyllic mountain town. The show is being produced by Magic Moments, a company that for over thirty-five years has created large-cast, high-quality musical productions that give performers with a broad range of special needs, both physical and developmental, opportunities to work alongside seasoned professionals. Rehearsals begin in January for performances in late March 2020.

Fiona Lehn (Popular Fiction W’15) has a new speculative novella, Lift-Off, published by Devine Destinies. Click here to read more about the project and here to view the book trailer.

Kristin Leonard‘s (Fiction, S’18) poetry was published in Maine’s Best Emerging Poets 2019 anthology. Her short story, “Jason’s Daddy,” was published in The Showbear Family Circus.

The Thomas Memorial Library in Cape Elizabeth, Maine, will host Catharine H. Murray (Creative Nonfiction, S’17) on January 11th from 1:00-3:00 p.m. for Writing the Stories of Your Life, a free workshop on writing memoir. Catharine will then offer a Six-Week Series for Women at the Good Medicine Collective from January 13th to February 17th; Writing to Heal will incorporate small group support, instruction and practice for using writing as a way to move through loss. On January 26th from 9:00 a.m. to noon, Catharine will join with Deb Cook to offer Winter’s Deep Peace Practice: Yoga Nidra and Writing, a morning of deep rest and integration. Participants will move from Yoga Nidra into a quiet hour of meditative journaling supported by prompts and guidance.

Mary Heather Noble (Creative Nonfiction, W’14) is pleased to share that her long-form essay, “Plume: An Investigation,” will be published in the January 2020 issue of True Story. The essay was started during her time at Stonecoast and has been modified from her Stonecoast thesis.

Jenny O’Connell’s (Creative Nonfiction, S’17) flash nonfiction piece “How to Sleep in an Airport,” published last spring in Hippocampus, has been nominated for a Pushcart Prize! This November, she spoke about positive risk-taking and her 2014 solo trek across Finland to a packed Camden Opera House at Midcoast Pecha Kucha night. You can watch her speech here.

Bruce Pratt (Fiction, S’04) has poetry in or forthcoming from The Cafe Review, Coal City Review, and Connecticut River Review and anthologies from Main Street Rag and Flying Ketchup Press. On January 25, Bruce will be offering a seminar entitled “Creating Your Novel in Ninety Minutes” at the Blue Hill Library; this is open to the public but limited to twelve participants. Contact Hannah Cyrus at the library for more information. Bruce will also be teaching a seminar for Maine Writers and Publishers Alliance at the Cobscook Community Learning Center in Trescott on February 29 from 10:00 a.m.-4:00 p.m. on learning to inhabit your fictional characters. Contact Hannah Perry at MWPA for details.

Sean Robinson (Popular Fiction, W‘14) doesn’t have much on the writing front, but just completed a Certificate of Graduate Studies in Educational Leadership and is now certifiable (exactly) as a school principal. He was also recently accepted into the Harvard Principal’s Center for a Certificate in School Management and Leadership. He has also, also, been accepted to a residency at the University of Washington’s Olympic Natural Resources Center this April. While he’s delighted, it all sounds way fancier than it is, he promises.

Patricia Smith, former faculty member and member of the Stonecoast 2008 class in poetry, has been named a Distinguished Professor for the City University of New York, the highest rank in the state’s university system.

Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “Where You Linger” will appear in the January/February issue of Uncanny Magazine.

Morgan Talty‘s (Fiction, W ’19) short story “The Blessing Tobacco” will be published this January in TriQuarterly. The story will also be excerpted in Literary Hub: The Best of the Literary Internet. 

Darlene Taylor (Fiction, W’17) received an award for a fellowship grant as an individual artist in literary arts from the DC Commission on Arts and the Humanities. She is completing research and writing that expands her short story “Piper’s March” into a novel (“Piper’s March” was published in Kweli Journal in 2018). In other news, Darlene will moderate a panel during the 2020 AWP Conference in San Antonio, Texas. The panel also features Breena Clarke of Stonecoast and authors Rion Amilcar Scott, Jacinda Townsend, and Crystal Wilkerson. The authors will discuss how fiction writers use historical imagination to create characters from little-known histories. “They Must Have Felt: Imagining Emotional Landscape and Place” is scheduled for Friday, March 6, 2020, from 12:10-1:25 p.m. in Room 205, Henry B. González Convention Center, Meeting Room Level.

Lisa C. Taylor (Poetry, S’04) was honored to be a part of a holiday reading in Orleans, MA, on December 27th with Tom Daley, Christine Jones, and J. Barrett Wolf, music by Jordan Renzi, sponsored by Voices of Poetry. Lisa has officially named her workshop offerings Whitewater Writing. She will offer an all-day writing retreat with a catered lunch on January 4th in Connecticut—snow date: January 11. This retreat is nearly full but contact Lisa if you are interested. Lisa is a fiction editor and interviewer for Wordpeace, an online magazine created by Lori Desrosier (the founder of Naugatuck Review). In the upcoming issue, Lisa interviewed Maida McKenna, founder of Word Scientists, a literacy organization in Nepal; and Kevin Brodie, an award-winning playwright who is currently working on a play about American Indian Schools directly related to time spent on a Shoshone reservation with his grandfather. This issue should be out in late February or early March. Lisa also writes book reviews; her latest review was on Look Look Look by Calista Buchen (Black Lawrence Press) and appeared in the Mom Egg Review in December. Western Stonecoasters: Lisa and her husband Russ will be moving to Colorado (near Durango) in late summer 2020. She would love to organize some readings and make contact with writers who live in that area. Finally, Lisa will be at AWP in San Antonio March 4-8 and would also like to meet up with Stonecoasters.

Melanie Viets (Creative Nonfiction, W’17) is pleased to share some of her efforts guest editing “Root Mapping” at The Learned Pig. Published features include new work from Rick Bass (Faculty: Creative Nonfiction, Fiction, Writing for Social Change) and in January, a new essay by Catharine Murray (Creative Nonfiction, S’17). Submissions are welcome as the journal series continues in 2020.

 

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Community News & Updates November 2019

ANNOUNCEMENTS

ALUMNI RESIDENCY WORKSHOP: A CROSS-GENRE WORKSHOP IN FICTION AND CREATIVE NONFICTION

This January, Stonecoast is offering a personalized writing experience for our Alumni.  Held in conjunction with the Stonecoast winter residency, Susan Conley will lead workshops that get alums to immerse in their writing within a peer setting again. Participants will generate new work as well as discuss old work. It is our hope that you will get to see your writing from new vantage points and that you’ll leave the residency feeling inspired. The conference fee includes four 2.5 hour workshop sessions, plus full access to all presentations, seminars, readings, pop-up classes, reception, and special events. You’ll also get a one-on-one meeting with New York agent Stephanie Koven.

  • Dates: January 10-January 14, 2020
  • Cost: $650.00 workshop fee, plus room and board (~$750 for 4 nights) or commuter fee ($285). Includes daily lunches and afternoon tea at the Harraseeket Inn.
  • Contact Jenny O’Connell to reserve your spot! There are only 8 slots available, and we expect this workshop to fill quickly.

STONECOAST AT AWP

Do you plan on attending the 2020 AWP conference (March 4-7) in San Antonio? Contact Special Programs Coordinator Jenny O’Connell to be added to the list of attending Stonecoasters! As part of the new Stonecoast WISE (Writing for Inclusion and Social Equity) Initiative, all Stonecoast students, alumni, and faculty are invited to a WISE reading and discussion in San Antonio. Time and location TBD. We hope to see you there!

FACULTY

Tom Coash’s (Scriptwriting) play Thin Air has recently been published by Brooklyn Publishers. His play Raghead will be produced in Bronx, NY, as part of the Urban Waves Festival by the Open Hydrant Theater Company, November 11-17.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about sports, crime, and social issues. In October, he wrote a feature for ESPN’s The Undefeated: Red Sox’s Raquel Ferreira Breaks Through Baseball’s Glass Ceiling. He also recently signed a two-book YA deal with Macmillan Children’s Group. The first will tell the controversial story of Sacco & Vanzetti, two Italian anarchists wrongly convicted of murder and later executed in Boston, MA.

Aaron Hamburger (Fiction, Creative Nonfiction) has been awarded an arts and humanities fellowship from the DC Commission on the Arts and Humanities for 2020. The award, which supports individual artists who achieve excellence in the arts, was given on the basis of several selections from Aaron’s novel Nirvana Is Here. Also, Aaron will be presenting Nirvana Is Here at the National Press Club Book Fair on November 1st in Washington, DC.

Elizabeth Hand’s (Popular Fiction, Fiction) novel Curious Toys has received rave reviews from The New York Times, The Washington Post, The Chicago Tribune, The Chicago Review of Books, and CrimeReads, among others, and was named one of the Ten Books You Must Read Now by Oprah Magazine.

Jim Kelly (Popular Fiction emeritus) has been active in his retirement from Stonecoast. His short story “Selfless” appears in the current issue of Asimov’s Science Fiction Magazine and is featured in the Asimov’s Spotlight podcast in which Jim reads the story in its entirety. His novelette “Grace’s Family” was published last month in The Year’s Best Science Fiction & Fantasy 2019 Edition. A new standalone novella, King of the Dogs, Queen of the Cats, is forthcoming in January from Subterranean Press in print  and Blackstone Publishing in audio. The novelette “The Boyfriend Experience” will be published in the Twelve Tomorrows anthology from M.I.T. Press this summer, and the story “The Man I Love” is slated for later in 2020 in the Magazine of Fantasy and Science Fiction. When you read this, Jim will be in in Beijing as a guest of the Chinese government at the fourth annual China Science Fiction Conference (November 2-3), where he will give a presentation on teaching science fiction writers at Stonecoast and other programs.

Robert Levy’s (Popular Fiction) ghost story “The Vault of the Sky, the Face of the Deep” is included in Come Join Us By the Fire, a free audio anthology to celebrate the launch of Nightfire, a new horror imprint from Tor Books. More information about the anthology and the imprint can be found here.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) and A Four-Sided Bed, her script in development as a feature film, were featured in the October issue of Imagine Magazine, a longtime publication for the New England Film Community. In other film news: Four-Sided, the short film based on Elizabeth’s novel, won Best Experimental Short and second place as Best Narrative Short in Vegas Movie Awards, and the short film is a Semi-Finalist at Blow-Up: The International Art-House Film Fest, along with having screenings upcoming at festivals in Pittsburgh and Chicago. Elizabeth’s feature script A Four-Sided Bed won Best Dramatic Screenplay at Vegas Movie Awards and was selected for a Best Scenes short reading at the Romance Film Festival.

Imagine Magazine‘s feature article on Elizabeth and A Four-Sided Bed

 

ALUMS

Peter Adrian Behravesh (Popular Fiction, W’18) has accepted a full-time position as an editor for Seven Seas Entertainment, the #1 independently owned manga publisher in North America. He will be at the World Fantasy Convention in L.A. from October 31st to November 3rd, where he will moderate the “Mixing Genres” panel (Friday, November 1st, at 1:00 p.m.) and appear on the “Beyond Castles, Horses and Knights: Non-Eurocentric Fantasy” panel (Saturday, November 2nd, at 12:00 p.m.).

Nancy Holder (Popular Fiction faculty) and Debbie Lynn Smith Daughetee (Popular Fiction, S’04) would like to announce that Kymera Press is launching a Kickstarter in January 2020 for their title Mary Shelley Presents. The Kickstarter is to fund the printing of a trade paperback of all four issues (Nancy is the author and Debbie is the publisher). We hope you’ll help support us bringing back the voices of Victorian women horror writers in a unique and artful way.

Jess Flarity (Popular Fiction, S’18) has been accepted to present a paper on space Jesuits at this year’s Northeast Modern Language Association conference in Boston (NeMLA). The paper is titled “Glory to the Machine God: Tech-priests as Future Jesuits in the Warhammer 40k Universe” and might be included as part of his PhD thesis on the intersection of science fiction and philosophy. Space Jesuits and Habermas! What a time to be alive.

Zachary Jernigan

Zachary Jernigan (Popular Fiction, W’11) has sold History of the Defeated, a novella, to LGBTQ+-focused publisher Lethe Press. In creative-adjacent news, he’ll also be appearing on the live taping of Nicole Byer’s (Netflix’s Nailed It!) podcast Why Won’t You Date Me? on November 14th at Tempe Improv in Tempe, AZ. Zack can be found on Twitter at @CriticalJams.

Clifford Royal Johns (Popular Fiction, W’18) will be on the schedule for Windycon, a Chicago area SF convention (November 15-17), as follows:

  • Panel: Commerce in Space Opera — Friday, November 15th, 6:00-7:00 p.m. in Mueller Grand Ballroom G
  • Panel: Ask a Scientist — Saturday, November 16th, 1:00-2:00 p.m. in Lilac C
  • Chicago-SF Book discussion: Ringworld by Larry Niven — Saturday, November 16th, 3:00-4:00 p.m. in ISFiC Suite – Room 1612
  • Writers Workshop Moderator: Sunday — Sunday, November 17th, 9:00 a.m. to 12:00 p.m. in ISFiC Suite – Room 1612
  • Panel: Memorable Space Opera Settings — Sunday, November 17th, 1:00-2:00 p.m. in Mueller Grand Ballroom H

Veda Boyd Jones (Fiction, S’17) has several articles in the 2020 Harris’ Farmer’s Almanac on newsstands now. This year’s Christmas romance novella, The Christmas Parade, is now available on Amazon. Favorable reviews welcome. 🙂

Teacher/Pizza Guy, the new poetry collection by Jeff Kass (Fiction, S’09), was recently reviewed by The Ann Arbor Observer. Jeff will be reading on Wednesday, November 6th, at Nicola’s Books in Ann Arbor, MI, and on Wednesday, December 5th, at The White Plains Public Library in White Plains, NY.

Alan King (Poetry, W’13) is looking for reviewers for his audiobook Drift, now available on Audible. He has promo codes for review copies (US and UK). Those interested should contact him at alanw.king@gmail.com. Please add “DRIFT Audiobook Review” in the subject line.

Tom MacDonald‘s (Fiction, W’09) short story “Nashua River Floater” will be published next June in Coast to Coast Noir, a crime anthology edited by Paul D. Marks and Andrew McAleer.

Ellie O’Leary (Poetry W’17) has a poem “We Were a Family of Five When I Coughed” in the anthology The Hands We Hold: Poetry Concerning Breast Cancer.

Suri Parmar‘s (Popular Fiction, W’17) short film Skin Deep, based on her screenplay and directed by Ryan Couldrey, recently won second prize at Port Horror Festival’s short film showcase. Her short film Rialia also premiered at the CineFAM Film Festival, and her short script Vomit Comet was featured in a live staged reading at Toronto Cold Reads.

For the second year running, Cynthia Furlong Reynolds (Fiction, ‘12) won a journalism award in the annual Writers’ Digest Writing Competition. The first was for “Ginger Takes A Stand: A Life Lived With Polio,” the second “DNA Discoveries: Home Ancestry Tests are Rewriting Family Trees.” (Despite her commitment to finishing the novels she started at Stonecoast, Cynthia still loves writing for magazines.) In addition, Cynthia has had two non-fiction books published recently: The Purple Rose of Chelsea: Jeff Daniels and His Theater and Reach!, a business manual written for meta-franchiser John Rotche.

Two poems, “are you against me Boss” and “it’s dark outside Boss by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the forthcoming issue of Christianity and Literature. These poems are part of a new series of psalm-like poems inspired by Maurice Manning’s collection, Bucolics.

Lisa Romeo (Creative Nonfiction, S’08) was recently interviewed by Nonfiction Reads. She’d love to see Stonecoast folks at I AM BOOKS, in Boston, on Saturday, November 9th, at 6:00 p.m., when she’s reading along with (fellow Stonecoast alum) Anthony D’Aires (Creative Nonfiction, W’09) and New Hampshire poet/author Jennifer Militello.

Kathleen Sullivan (Poetry, ’06) has co-edited a book to be published this November by Littoral Books called A Dangerous New World: Maine Voices on the Climate Crisis. The book is an anthology of essays and poems by Maine writers on the topic of the climate catastrophe we are facing and can be purchased online, after November 15th, at Littoralbooks.com. On December 8th at 2:00 p.m. at Space, we will hold a publication party, and Kathleen would like to invite the Stonecoast community. Intended both as a work of art and as a call to action, the hope of the editors is that it wakes people to the enormous potential and already arrived losses a fossil fuel dependent world promises and, in the awakening, that people will be moved by their love for this place we call home to act. Kathleen has also had a poem, “Mrs. C and the Social Worker,” published in Cafe Review‘s Fall 30th Anniversary issue.

Darlene Taylor (Fiction, W’17) received an individual artist grant from the DC Commission on Arts and the Humanities. The merit-based grant supports her work as a literary artist during Fiscal Year 2020.

The Killing Moon, a novel written by Allister Timms (Popular Fiction, ’13) during his time at Stonecoast, was published on Halloween by PS Publishing, the UK’s foremost genre publisher.

 

 

 

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Community News & Updates June 2019

ANNOUNCEMENTS

Public Events for the Summer 2019 Stonecoast Residency

You are invited to join the Stonecoast MFA community for a week of inspiring readings and discussions with Stonecoast’s award-winning faculty and guest writers, June 24-26 and June 28-July 1, at the historic Harraseeket Inn in downtown Freeport, Maine. See the full list of events HERE.

FACULTY

Tom Coash’s (Playwriting, Dramatic Arts) play Veils will be at the Daylesford Theatre in Hamilton, Bermuda, May 30-June 8, 2019.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana Is Here is here! Aaron’s currently on book tour, and so excited to see Stonecoasters at every stop along the way. (Thanks for all the support!) Check out his full tour schedule for June, when he’ll be hitting Seattle; San Francisco; Portland, OR; Washington, DC; the St. John’s Writing Intensive in Annapolis; and of course Portland, ME—where he’ll be teaming up with alum Dave Patterson at Print Bookstore on June 26th at 7:00 p.m. Be there or be square! Nirvana received a rave review from Foreword Reviews, which featured it as their book of the day. In non-Nirvana news, Aaron published a viral memoir essay in Tablet (“Day School Bullies”) as well as a new short story (“Kimono Story”) in The Maine Review.

Amanda Johnston (Poetry, Writing for Social Change) has two events in June:

  • June 2 at 7:30 p.m. — Amanda will read at A Womb of One’s Own, a literary rally and fundraiser in support of reproduction rights at Spider House Ballroom in Austin, TX.
  • June 15 at 6:30 p.m. — The Center for African American Poetry and Poetics presents Won’t You Celebrate with Me: Poetry and Prose from the Director’s ChairJoin award-winning poets and writers Dawn Lundy Martin (Center for African American Poetry and Poetics Director), Nicole Sealey (Cave Canem Executive Director), Salamishah Tillet (Founding Director at New Arts Justice Initiative at Express Newark), and Mahogany L. Browne (Artistic Director at Urban Word NYC), who will share their work and engage in a discussion moderated by Amanda Johnston (Executive Director at Torch Literary Arts). Presented in partnership with the Kelly Strayhorn Theater in Pittsburgh, PA.

The Governor of the State of Iowa appointed Debra Marquart (Creative Nonfiction, Poetry, Writing for Social Change) Iowa’s Poet Laureate in May of 2019.  Marquart was interviewed about the honor on Iowa Public Radio on May 23. Debra delivered a paper, “Looking for Dylan,” on the invited panel “Poets & Professors: Poets Talking Back to Bob” at the 2019 World of Bob Dylan Symposium held by Tulsa University’s Institute for Bob Dylan Studies (30 May–2 June 2019). On May 11th, she taught a Creative Jumpstart Workshop at the Elbow Lake Arts Council in Elbow Lake, MN. During the North American Review 50th Anniversary Conference at the University of Northern Iowa, 19-21 April 2019, Debra read her poem “Kablooey is the Sound You’ll Hear” at the Bullets into Bells Anthology Reading. She also participated in an invited panel, “What We Write About When We Write About Environment.” And on April 5th, Debra performed with her performance poetry band, The Bone People, for Coffeehouse Night at Lowe Park, Marion Arts Council, Marion, IA.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) has film news. Four-Sided, a short film based on Elizabeth’s novel and feature film script, premiered May 17th in Cannes, France. Four-Sided screened as an Official Selection at the 2019 That Film Festival-Cannes. This competition—funded by several major film companies and running concurrently with the Cannes Film Festival—screens short films with potential to be Feature Films. Four-Sided was also an official selection at Independent Shorts competition where it won three prizes: Gold Awards as Best Romance and Best Experimental short and a Silver Award as Best LGBT short. It is a Semi-Finalist at the 2019 Shanghai PRIDE film festival. Attached as star and co-producer to the potential feature film, and starring in the short film, is actress and activist in the Transgender community Rain Valdez (Transparent; Lopez; Razor Tongue). Four-Sided was produced by David Ball (producer on over thirty films) and Amy Carpenter Scott/CreatrixFilms as part of their ongoing development of A Four-Sided Bed as a feature film. Elizabeth’s feature script of A Four-Sided Bed has been selected for two full staged readings at the 15th annual ReelHeART Film and Screenplay Festival in Toronto in July, starring Rain Valdez. Elizabeth’s feature script was also selected for a ‘Best Scene’ reading in mid-July at the festival LGBT TORONTO. And the script is an official selection at the Top Indie Films Festival, among eight recent festivals recognizing the script. Visit the new website for both the short film and the feature film project.

ALUMS

The book trailer for Lindsey Barlow’s (Popular Fiction, W’19) first novel, Pivot, is available. Pivot will be published in October of this year.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Vajra Chandrasekera’s story “When Leopard’s-Bane Came to the Door of Third Heaven” for the May 28th episode of PodCastle. You can listen to it here.

Julie C. Day‘s (Popular Fiction, S’12) piece “Flight Aids Minus the Wings and Fuselage” can be found in the web journal Necessary FictionShort, visceral, and experimental, it doubles as an unofficial advisory from the US Department of Internal Disarmament.

Renee S. DeCamillis (Popular Fiction, W’14) is thrilled to announce that she is now a part of the Crystal Lake Publishing team, working as an editorial intern. She is also excited to announce her book launch event for her debut book The Bone Cutters. This event is scheduled for Thursday, September 5th at 7:00 p.m. at Longfellow Books in Portland, Maine. Not only will Renee do a reading from her horror novella, but there will also be original artwork inspired by her book—art created by Emily Strickland and Jasin Chapman, artists and owner of Leviathan Tattoo in Scarborough, Maine—on display and for sale, as well as on some free giveaways. Live music will help set the mood, performed by the extremely talented local guitarist Shaun Reehl. Stonecoast’s own Elizabeth Searle will also take part in the event as Renee’s MC/Introduction Queen. The release date for Renee’s debut book, The Bone Cutters, a bizarro horror novella published through Eraserhead Press, is September 1, 2019, though pre-orders have begun at Barnes & Noble and on Amazon. And for those interested, you can check out the first book review by Miranda Crites on Kendall Reviews. Here is the synopsis for The Bone Cutters:

Dory wakes up in the padded room of a psychiatric hospital with no recollection of how she wound up there. She soon finds out she’s been Blued-Papered—involuntarily committed. When she is sent to the wrong counseling group, she discovers a whole new world of drug addicts she’d never known existed. When she learns that those grotesque scars they all have are from cutting into their own bodies, it makes her skin itch. Why do they do it?—They get high off bone dust.  They carve down to the bone, then chisel and scrape until they get that free drug. When they realize Dory’s never been “dusted”, she becomes their target. After all, dust from a “Freshie” is the most intense high, and pain free—for the carver.

By the end of that first meeting Dory is running scared, afraid of being “dusted”, though the psych. hospital staff doesn’t believe a word she says.  She’s delusional—at least that’s what they tell her.  They end up sending her to that same counseling group every day, though Dory knows that all those junkie cutters want is what’s inside of her, and they won’t give up until they get what they’re after.

Like Girl Interrupted and “The Yellow Wallpaper,” The Bone Cutters is one woman’s dark and surreal experience with a madness that is not necessarily her own.

Elizabeth Garber (Creative Nonfiction, W’10) placed in the Eric Hoffer Awards, which honor the memory of the great American philosopher Eric Hoffer by highlighting salient writing, as well as the independent spirit of small publishers. Her memoir Implosion: A Memoir of an Architect’s Daughter has been named a Finalist in the 2019 Eric Hoffer Book Awards.

Cindy Williams Gutiérrez’s (Poetry, W’08) second poetry collection, Inlay with Nacre: The Names of Forgotten Women, was released by Aquarius Press/Willow Books on April 1st. The collection was awarded the 2018 Willow Books Editor’s Choice Poetry Selection and the 2016 Oregon Literary Fellowship for Writers of Color. Cindy’s new verse play, In the Name of Forgotten Women (based on her new collection), was performed at Wellspring, a ceremonial gathering space in Twisp, WA, to sold-out audiences in Washington’s Methow Valley on May 15th and 16th.

Veda Boyd Jones (Fiction, S’17) has sold an essay about her first time sailing on their used boat Wrinkle in Time to Good Old Boat, a magazine for hands-on sailboat owners.

Michael L. Joy’s (Popular Fiction, S’13) short story “Nick Break” is available now at Tough Crime.

Alan King (Poetry, W’13) created a short video on how he marketed his manuscript without an agent and without book contests. You can watch it here.

Linda Lambert (Creative Nonfiction, W’16) features Aaron Hamburger‘s visit to Seattle’s Third Place Books where he will be talking about his new novel Nirvana Is Here.

Kristin Leonard (Fiction, S’18) has been named Lit Fest’s 2019 Dramatic Writing Fellow for Emerging Writers. She is also presenting her research “First-Person Fictional Storytellers & Virginia Tufte’s Artful Sentences: Syntax as Style” at the Pennsylvania College English Association at Bloomsburg University.

Adam Mills (Popular Fiction, W’12) has accepted the position of Visiting Assistant Professor in English at Brevard College in Brevard, NC, started in Fall 2019. Mills’s full position is Coordinator of First-Year Writing and Writing Services and he will also serve as Coordinator of the Common Read. Mills also recently graduated from the University of Kansas with a Doctor of Philosophy degree in English (Spring 2019).

Julia McKenzie Munemo (Creative Nonfiction, S’16) is thrilled to announce the publication of The Book Keeper: A Memoir of Race, Love, and Legacy, available now for pre-order. The book chronicles a time decades after Julia’s father committed suicide, when she learned about his secret career during the pulp fiction boom of the ’60s and ’70s as a writer of interracial pornographic novels. After hiding that stack of old paperbacks from her Zimbabwean husband, their mixed-race children, and herself for years, she realized her obligation to face them if she was ever going to understand her legacy, her country’s treasonous history, and her whiteness.

Jenny O’Connell (Creative Nonfiction, S’17) is a finalist for a 2019 Maine Literary Award (short works, nonfiction) from Maine Writers & Publishers Alliance. Her debut flash nonfiction piece,“How to Sleep in an Airport,” was published last month in Hippocampus Magazine.

Mary Heather Noble (Creative Nonfiction, W’14) is pleased to announce the inclusion of her essay “Things I (Shouldn’t) Have to Tell My Daughters” in the new anthology Feminine Rising: Voices of Power & Invisibility, edited by Andrea Fekete and Lara Lillibridge. The anthology brings together women of all races, nationalities, and sexual orientations to reflect on the unique experience of womanhood. Feminine Rising was released by Cynren Press in May 2019 and is available at Cynren Press, Amazon, and select independent booksellers.

On June 26th, Dave Patterson (Fiction, W’13) and Aaron Hamburger are doing an event together at Print in Portland to celebrate the release of their new novels.

Bruce Pratt‘s (Fiction, S’04) poem “The First Cold Rain Since Spring” will appear in the next issue of The Connecticut River Review, and his short story “Ariel in LOve Summer 1999” has just been published by Valparaiso Fiction Review.

Shannon Ratliff (Creative Nonfiction, S’16) is celebrating her first anniversary as Director of Editorial and Growth at Wide Open Media Group in Austin, TX. She’s used her Stonecoast skills, from analyzing creative work to building educational seminars, to develop a team of 20+ writers and editors, growing readership from 8M to 23M monthly readers.

Morgan Talty’s (Fiction, W’19) short-short story “In a Jar” was published in Narrative Magazine as a Story of the Week.

Christopher Watkins (Poetry, W’08) has accepted the role of Senior Creative Writer for Silicon Valley-based artificial intelligence company DataVisor. The company focuses on the application of advanced AI and machine learning capabilities to the challenges of modern digital fraud and crime. Watkins’ move follows a nearly four-year tenure as Senior Writer and Chief Words Officer for online learning company Udacity.

Faculty member Elizabeth Searle and alumna Tamra Wilson (Fiction, S’11) are pleased that the teen idols anthology they co-edited is a finalist for the 2019 Eric Hoffer Book Award for Short Story/Anthology. Idol Talk: Women Writers on the Teenage Infatuations that Changed Their Lives was published last year by McFarland & Company. Hoffer Awards honor freethinking writers and independent books of exceptional merit. On May 10-11, several Idol Talk contributors converged in Newburyport, MA for a dance-enhanced reading at the Firehouse Center for the Arts. “Idol Talk: A Magical Memory Tour of Teen Idols” was emceed by writer/actress Marianne Leone. The two-night collaboration featured Exit Dance Company performers as well as readings of work by Stonecoast faculty member Suzanne Strempek Shea and alumnae Lee J. Kahrs, Kate Kastelein, Michelle Soucy, Darlene Taylor and Tamra Wilson. Joining them were New England authors B. A. Shapiro, Mary Granfield, Caitlyn McCarthy, and Mary Sullivan.

Stonecoast “Idol Talkers” (from left): Lee J. Kahrs, Michelle Soucy, Tamra Wilson, Elizabeth Searle, Darlene Taylor, and Suzanne Strempek Shea

 

 

 

 

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