Tag Archives: John Florio

Community News & Updates September 2019

FACULTY

The podcast of Tom Coash’s (Playwriting, Dramatic Arts) play Raghead has been added to the American Playbook Series. Raghead will also be produced in September at the Short & Sweet Festival in Auckland, New Zealand, and the Write About Now Festival in London, UK.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about the intersection of race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece was an August feature story for ESPN’s The UndefeatedToni Harris Made History by Getting a Football Scholarship. Now She Needs to Make Tackles. His YA book, War in the Ring: Joe Louis, Max Schmeling, and the Fight Between Hitler and America, was released by Macmillan’s Children’s Group in June 2019.

Aaron Hamburger (Fiction, Creative Nonfiction) will be reading from his novel Nirvana Is Here at KGB on 85 E. 4th St. in New York on Sunday, September 8 at 7:00 p.m. He’ll also be signing books at the Brooklyn Book Festival, Sunday September 22 at his publisher’s booth in the afternoon. Also, a new mini-documentary (two and a half minutes) about Aaron and the novel directed by Ender Emre is now available online here. Check out Aaron’s Nirvana events in October (including appearances at Literati Bookstore in Ann Arbor, The Fall for the Book festival at George Mason University, the Detroit Public Library, and the National Press Club…) here.

Four-Sided, the short film based on Elizabeth Searle‘s (Fiction, Playwriting, Popular Fiction, Scriptwriting) novel, is now an Official Selection at two more festivals this fall: Chi-Town Multicultural Film Festival in Chicago and Reel Q: Pittsburgh LGBTQ+ Film Festival! First, the film will have its USA debut at Massachusetts Independent Film Festival. For updates see www.afoursidedbedfilm.com

ALUMS

Elisabeth Tova Bailey (Creative Nonfiction, S’15) received the New England Director’s Award from the academy accredited Flickers’ Rhode Island International Film Festival for her film short The Sound of a Wild Snail Eating. She is director and screenwriter for the film, which she adapted from her CNF memoir of the same title (Algonquin Books). The film is also a double finalist for the international Jackson Wild Media Awards in the categories of Audioscape and Education. A slate of 20 festivals spring through fall included summer premiers in Italy, Australia, and Poland, with many upcoming fall screenings including premiers in Canada and Germany. For more information please see wildsnailfilm.org

Lindsey Barlow‘s (Popular Fiction, W’19) debut novel Pivot, the first of the Jack Harper trilogy, received a rave review in Publishers Weekly: “Barlow’s gorgeous writing will easily propel readers through the rest of the series.” You can read the entire review here.

Peter Adrian Behravesh (Popular Fiction, W’18) appeared at Worldcon 77 in Dublin, where he presented a paper, “Mischief in Her Heart: Women’s Empowerment in the Persian Fantastic,” and appeared on the panels “Muslim SFF” and “Using Science in Fantasy Writing.” In addition, Peter narrated Premee Mohamed’s story “Willing” for the August 20 episode of PodCastle. You can listen to it here.

Carina Bissett (Popular Fiction, S’18) placed her poem “The Perils of Invisibility” in Nonbinary Review #21 The Works of H .G. Wells (Zoetic Press, June 2019). In other news, her short story “The Gravity of Grace” was a finalist in the first quarter of Writers of the Future, May 2019. This story was one of the first pieces she workshopped at Stonecoast.

Renee S. DeCamillis (Popular Fiction, W’14) is excited to announce that her debut book, The Bone Cutters, is set for publication on Sunday, September 1st through Eraserhead Press. It’s a bizarro horror novella set in a dysfunctional psychiatric hospital, where you’ll meet a troubled young woman named Dory who encounters a peculiar and brutal group of patients when she’s sent to the wrong counseling group over and over again. Dory’s introduction to this counseling group sets her on the run in an attempt to save her life from The Bone Cutters. Renee’s book is available on Amazon, Indie Bound, Barnes & Noble, and at Longfellow Books. More stores to come soon. Two reviews for The Bone Cutters are already out, with more to come—one will soon be on the Cemetery Dance Reviews Blog. Here is what reviewers have to say about The Bone Cutters:

  • “It’s actually refreshing to be able to enjoy a book so much that you were miffed when it was over. As [her] debut novella, it’s a fantastic beginning to what could prove to be a career to watch. I’m giving this a solid 4 out of 5 [stars]…Considering that I’ve never read anything which rated a 5, I think The Bone Cutters is doing just fine.” ~Ginger Nuts of Horror
  • “I immediately fell in love with Dory, the writing style, the story…This is a terribly heart-wrenching story with a bit of a haunted house/ghost vibe where you’re also being chased by a bunch of crazy people who want to devour your bones. I didn’t want to put this book down.” ~Kendall Reviews

Renee is also thrilled to announce that Longfellow Books in Portland, Maine is hosting her book launch event on Thursday, September 5th, at 7:00 p.m. In addition to Renee’s reading and Q&A, there will also be live music to set the mood, performed by local guitarist Shaun Church Reehl. Elizabeth Searle will also be there as Renee’s MC.

September 12-14, Josh Gauthier‘s (Popular Fiction, S’17) 10-minute play “Expedition 3487-B” will be featured as part of the King of Crows play festival held at the St. Lawrence Arts Center in Portland, Maine. The festival is produced by the Crowbait Club, and you can find them on Facebook for more information.

Veda Boyd Jones (Fiction, S’17) has an essay, “Nice People,” in the summer issue of eMerge magazine.

Kristin Leonard (Fiction, S’18) has been selected to receive the Phi Kappa Phi Love of Learning Award to present at the 2019 Historic Writers of America Conference in Colonial Williamsburg, Virginia. She will be presenting a revised version of her third-semester presentation, “Discovery Through Multigenre Writing: How to Use Poetry and Playwriting to Develop Characterization, Conflict, & Plot in Fiction.”

Gregory Martin’s (Popular Fiction, W’17) short story “Inside” was recently published in Dark Moon Digest #36.

Mary Heather Noble (Creative Nonfiction, W’14) received news from the editors of Narrative Magazine that her personal essay “Plume: An Investigation” was selected as a finalist in this year’s Spring Story Contest. She is currently working on a new collection that explores the complexities and ambiguities of family.

Renée Olander (Poetry, W’05) will read from her new collection, American Dangerous, at the Old Dominion University 42nd Annual Literary Festival in Norfolk, Virginia, Thursday October 10, 4:00 p.m., free and open to the public.  The entire festival schedule is available here.

Bruce Pratt‘s (Fiction, S’04) poem “Dead Bodies and Declaratory Judgments” is forthcoming in Main Street Rag’s anthology Show us Your Papers, “The First Cold Rain Since Spring” will appear in the next Connecticut River Review, and “Lunar Eclipse” will be included in the special “Cosmos” edition of The Poeming Pigeon.

“Visionquest,” a prose poem by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the fall issue of Cimarron Review.

Lisa Romeo (Creative Nonfiction S’08) recently judged the nonfiction entries for Tiferet Journal’s annual writing contest and her flash piece “A Grave Duty,” was published in the August issue of Flash Glass, part of Glassworks Magazine. She will be a keynote speaker at NJ Women Who Write’s one-day conference in Madison, NJ, on September 21, and on November 23, Lisa will speak on “Revising the Memoir Manuscript” at the Philadelphia Writing Workshop. A fun piece, “A Beautiful Day in the Neighborhood,” is out in Chicken Soup: Angels All Around. Lisa’s editing role for Cleaver Magazine has expanded; she’s now handling craft essays on both fiction and nonfiction for their “Writer to Writer” column (pitch/submit here). In late August at the HippoCamp Conference for Creative Nonfiction, Lisa presented “Become a Writer who Reads Like a Writer” and was on a parenting/writing panel; earlier in the month, she led a week-long memoir workshop in New Hampshire for Murphy Writing.

Morgan Talty (Fiction, W’19) was included in Narrative Magazine‘s 30 Below 30 list for 2019. His short story “The Name Means Thunder” will appear in the Fall 2019 issue of The Georgia Review. 

 

 

 

 

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Community News & Updates July 2019

ANNOUNCEMENTS

It’s Boston Poetry Marathon time again! This year’s Boston Poetry Marathon is Friday-Sunday, August 16, 17, and 18, and …WE HAVE REALLY EXCITING NEWS! *We will be in a NEW LOCATION this year!* We are having this year’s Marathon at The Community Church of Boston at 565 Boylston St in Copley Square. This year’s event times are Friday, August 16th, from 6:00-10:30 p.m., Saturday, August 17th, from 12:00-10:30 p.m. (with a dinner break around 5:30, starting up again at 7:00 p.m.), and Sunday, August 18th, from 12:00-6:00 p.m. As always: every reader gets eight minutes each. For the third year running, Bridget Eileen (Poetry, W’09) is an organizer of this 20+ year-old Boston-area poetry festival tradition. This year’s lineup is TBD, but past years’ Stonecoast participants include alums Florine Melnyk, Carol Berg, Christine Tierney, and Vanesa Pacheco, and faculty Richard Hoffman and D. Nurkse. Admission is free but donations are welcome and appreciated. We are collecting donations ahead of time to help us with this year’s event at the new location. Learn more here. Event details are can be found here.

FACULTY

Candor Arts, in collaboration with Illinois Humanities and their #IllinoisTurns200, produced a risograph broadside of Tara Betts‘ (Poetry, Creative Nonfiction, Writing for Social Change) Illinois Bicentennial poem. The broadside also features illustrations by Kiki Dupont. Betts’ poem nods at the sesquicentennial Gwendolyn Brooks wrote in ’68 to mark 150 years of statehood. Betts’ broadside will be given to the winners of the Gwendolyn Brooks Youth Poetry Awards (#GWBYPA19) on August 10th, 2019.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) has agreed to a two-book deal with Macmillan Children’s Publishing Group. His first young-adult book, War in the Ring: Joe Louis, Max Schmeling, and the Fight between America and Hitler, was released in June. In its review, Booklist calls the book “a knockout.” School Library Journal says it “reads as smoothly as a novel” and recommends it for “all public and school libraries.” Last week, John and his writing partner (and wife), Ouisie Shapiro, discussed the book’s themes on ESPN radio; you can hear the interview here.

Aaron Hamburger (Fiction, Creative Nonfiction) was interviewed by novelist Kris Jansma for Electric Literature, which called his novel Nirvana Is Here “a pure joy to read on every page.” The Rupture also published a glowing review of Nirvana, calling it “an expertly written, bold, funny, serious novel.” DC fans, take note: on July 3rd, Aaron will be on a panel at the legendary Ask Rayceen Show doors opening at 6:00 p.m. He’ll also be teaching Publishing 101 at the Writer’s Center on July 10th, 7:00-9:00 p.m., as well as a special class on the novel Landfall by Thomas Mallon at Politics and Prose on July 14th, 2:00-4:00 p.m.

Nancy Holder (Popular Fiction) will accept the Grand Master Award, presented by the International Association of Media Tie-In Writers, at San Diego Comic-Con on July 19 at 2:00 p.m. in Room 32 AB. There will be an autograph session afterwards with a panel of tie-in writers in the Sails Pavilion. Here is the press release from the association:

Not many women get to play in over ten different universes, let alone create several of their own. Yet that is exactly what Nancy Holder makes look so very—and deceptively—easy to her myriad and devoted fans.

Every year, the International Association of Media Tie-In writers selects a grandmaster of tie-in writing to receive the Faust, IAMTW’s lifetime achievement award. For 2019, it is the IAMTW’s great pleasure to present the Faust to Nancy Holder. Her tie-in work runs the gamut from Firefly to Saving Grace. She’s written Angel in the Buffyverse, and Zorro in the seventeenth century. She novelized the Wonder Woman, Crimson Peak, and Ghostbusters movies, and wrote about a Feline Felon, and a pup in Wishbone. Above and beyond her media work, she’s co-created the YA series Wicked and Crusade.

Of the Bram Stoker award-winning and NYT bestselling author, IAMTW president Jonathan Maberry says, “Nancy is not only a superb writer and a smart businesswoman, but also a kind and compassionate member of the writing community.”

The IAMTW congratulates Grandmaster Nancy Holder on receiving the 2019 Faust Award.

More film news for Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting): her screenplay A Four-Sided Bed won Best Dramatic Screenplay at Hollywood Boulevard Film Festival in June, as well as Best First Time Feature Screenplay at Festivious Film Festival-LA, and was a Finalist at the Filmatic Drama Screenplay Awards. Over a dozen contests and festivals have given award recognition to Elizabeth’s script this year. The script will be featured in a full Staged Reading performance at the 15th Annual ReelHeART International Film and Screenplay Festival on July 5th in Toronto; Elizabeth will attend the film festival and do a Q/A after the staged reading. Later in July, Elizabeth’s script will be featured in a Best Scenes short read at the festival LGBT Toronto. Please see the updated website: http://www.afoursidedbedfilm.com

ALUMS

Jillian Abbott (Popular Fiction, S’04) has been invited to participate on a panel on the Ethics of Storytelling at Mix Digital, an international conference of digital writing at Bath Spa University in the UK on Monday, July 1, 2019; she also received a grant from the PSC_CUNY to attend the conference. The panel is moderated by writer Nikesh Shukladescribed by Foreign Affairs Magazine as one of the top 100 thinkers in the world and by The Bookseller as one of the 100 most influential people in publishing. Also on the panel is Digital Curator from the British Museum, Stella Wisdom, and British novelist Rosie Garland. More details can be found here.

The short-film adaptation of Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) memoir, The Sound of a Wild Snail Eating, has three launches in July. The film’s Australian launch is at the Revelation Perth International Film Festival July 4-17. Two New England launches follow at the Maine International Film Festival at Railroad Square (July 12-21) and then the Woods Hole Film Festival (July 27-August 3). Bailey wrote and directed the film. For more details see wildsnailfilm.org. Also, The Sound of a Wild Snail Eating has just been published in Spain in both Catalan (Més Libres) and Spanish (Capitán Swing) and the Spanish edition will have distribution in Mexico, Colombia, Peru, Costa Rica, Chile, Uruguay, and Argentina.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Derek Lubangakene’s story “Origami Angels” for the June 13th episode of Escape Pod. You can listen to it here.

Julie C. Day (Popular Fiction, S’12) is thrilled that her novella, The Rampant, now has both a cover and release date! The Rampant will be released by Aqueduct Press on October 1st, 2019, in both an ebook and paperback edition as part of their Conversation Pieces series.

It’s ten years since the hordes of old-world Sumerian gods arrived in Southern Indiana to kick off the end of the world, but things have not gone to plan. A principal player decided not to show. Now humanity is stuck in a seemingly never-ending apocalypse. Sixteen-year-old Emelia Bareilles and Gillian Halkey are determined to travel into the lands of the dead and force a change.

“I loved the epic journey of our two teenaged lesbian he­roes, Gillian and Emelia, through the sprawling horrors of the Sumerian afterworld. The clash of their modern feminist sensibilities with the cruel and rigid theocracy of the very oldest gods out-weirds much of the New Weird. In The Rampant, Julie Day calls us to visit a fan­tastical landscape in a voice that is hers alone.” ~James Patrick Kelly, winner of the Hugo, Nebula, and Locus awards

The Rampant was so much fun to read! Is that the right way to blurb a horror novel? I don’t know, but it’s the truth. Julie Day’s novel is smart, playful, sly and, yes, hor­rifying too. A short gem of a book.” ~Victor LaValle, author of The Changeling. Winner of the World Fantasy, Shirley Jackson, and British Fantasy awards.

“The girl-powered post-apocalyptic Sumerian under­world quest I didn’t know I needed.” ~Sarah Pinsker, winner of the Nebula and the Theodore Sturgeon Memorial Award

The Rampant is one of the most original Apocalypse tales I’ve read in ages. Julie C. Day avoids cliché and gives the reader the end-times by way of Sumerian myth—except this particular end-of-the-world stalls when one of its principal players decides not to show up. What unfolds is a journey into the underworld filled with joy and hor­ror, hope and loss. It’s a wise and lovely story—exactly what I’ve come to expect from Day.” ~Nathan Ballingrud, winner of the Shirley Jackson Award; shortlisted for the World Fan­tasy, British Fantasy, and Bram Stoker Awards.

Terri Glass’s (Poetry/Creative Nonfiction, S’13) poem “Waiting for the Lazuli Bunting” was published in the Spring 2019 issue of Birdland Journal, and her poem “Spirit Bear” will be published in the upcoming Marin Poetry Center Anthology. Terri also taught a workshop on the history of haiku for the summer residency of the MFA program at Dominican University in June 2019.

Lissa Kiernan (Poetry, S’11) is pleased to announce Catskill Lit: Words & Music Revivala generative writing retreat.

Alan King (Poetry, W’13) started his production company, Alan W. King Productions, which specializes in audio, video, literary services, marketing and content management. For authors, his services include book trailerssocial media banner designs to help promote your book, and media outreach for reviews. Alan marketed his second book, Point Blank, which was named among the “Ten Best Poetry Books for 2016” by Beltway Poetry Journal. It was also listed among “The Best Poetry Books of the New Year 2017” by Washington Independent Review of Books and was reviewed in publications such as the Washington City Paper and the Best American Poetry blog. Learn more here.

Kristin Leonard (Fiction, S’18) received the 2019 Maine Literary Award for Drama.

Jeanette Lynes‘ (Poetry/Fiction, S’05) second novel, The Small Things that End the World, won the Muslims for Peace and Justice Fiction Award at the 2019 Saskatchewan Book Awards, Canada.

John Christopher Nelson‘s (Fiction, S’15) flash-fiction piece, “A Miracle Shy of Martyrdom,” is forthcoming in Necessary Fiction. John is currently in residency as a Teaching Apprentice at Stonecoast.

Ellie O’Leary (Poetry, W’17) is organizing the first annual Fall Writerfest at the Pyramid Life Center in Paradox, NY, Sunday, September 22nd, through Friday September 27th, 2019. Fee is $300 inclusive of lodging, all meals, workshops, and seminars. Stonecoaster Clif Travers (Popular Fiction, S’17) will be teaching fiction, Ellie will be teaching a multi-genre workshop, and there will also be workshops in poetry and CNF along with seminars on publishing, Tai Chi, writing through grief, and more to be added.

Erin Roberts (Popular Fiction, W’18) is thrilled to have been recently awarded a 2019 Individual Artist Award from the Maryland State Arts Council and plans to use the grant to spend more time writing. She’s also deeply proud to have her story “Sour Milk Girls,” which was previously selected to be in The Best Science Fiction of the Year, Vol. 4, also selected to be in The Year’s Best Dark Fantasy and Horror 2019. Finally, her 2018 short story “The Grays of Cestus V,” originally in Asimov’s, is now available free to the masses through its inclusion in the short story podcast Tales from A Black Universe—links here (Spotify) and here (Apple).

Lisa Romeo (Creative Nonfiction, S ’08), will lead a one-day workshop, “Dialogue and Scene for Prose Writers,” with Cedar Ridge Writers Series, in Bedminster, NJ, on Saturday, July 20th. Details here.

Tamie (Harkins) Parker Song (Creative Nonfiction, S’12) invites writers of all stripes who are looking for a good editor to contact her. For the last five years she has worked as a developmental editor on a number of wonderful books that have been published by the University of California Press, focusing mostly on race and gender studies. She’s also edited half a dozen creative nonfiction books, a couple YA novels, and poetry. Authors she’s worked with include Michael Kimmel, Khaled Beydoun, Deepak Singh, Julie Bettie, Barbara Owen, and Robert Wyrod. She works on a generous sliding scale, and is especially interested in working with artists who are isolated socially or geographically, and with intellectuals whose work centers on social justice. She is happy to work with clients for just an hour or two, or for a year, or on an as-needed basis. Please contact her at tamieparkersong@gmail.com.

Tamra Wilson (Fiction, S’11) won a $500 Merit Scholarship to attend Tinker Mountain Writers Workshop held recently at Hollins University. The award was based on an excerpt from a novel in progress.

 

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Community News & Updates April 2019

ANNOUNCEMENTS

Call for Submissions: Climate Anthology
Now it is up to the artists. The scientists have warned us. They have been warning us for fifty years. But we have only 12 years to dramatically reduce our current carbon use before we cross the line into unprecedented climate catastrophe. We—Meghan Sterling and Kathleen Sullivan (Poetry, ’06)—are editing an anthology of Maine poets and essayists whose writing will, we hope, wake us, stir our imaginations both for our global future and our way of life here in Maine. We are looking for writing which helps find language for the fear, guilt, and grief of this moment, and, perhaps, for the hope. Published and unpublished work sought. Littoral Press has agreed to publish the book which we hope will be in Fall, 2019. The voices of youth most welcome. Send one essay (max 1,000 words) or up to three poems to: climateanthology@gmail.com Include a short bio. Deadline is May 31. Kathleen notes that Stonecoast alums are encouraged to submit even if they don’t live in Maine now.

CURRENT STUDENTS

Lauren Erin O’Brien‘s (Fiction) story “Atrophy,” recipient of the 2018 Goldenberg Prize for Fiction from Bellevue Literary Review, has been nominated by the board of contributing editors for a Pushcart Prize. The story originally appeared in the Spring 2018 issue of Bellevue Literary Review and can be read online here.

FACULTY

Tom Coash’s (Playwriting, Dramatic Arts) full-length play Cry Havoc will have its European Premiere at the Park Theatre in London, March 27-April 20. His short play Kamasutra is included in The Best Ten Minute Plays of 2019 anthology (Smith & Kraus)—available now!

Audiophile named Susan Conley’s (Fiction, Creative Nonfiction, Writing for Social Change) Elsey Come Home an Audiofile “Earphone Award Winner,” given to truly exceptional titles that excel in narrative voice and style, characterizations, suitability to audio, and enhancement of the text:  “At once urgent and contemplative, this new work focuses on Elsey, a painter and married mother living in China who has taken to drinking instead of creating art. Urged by her husband to find help, she attends a yoga retreat and discovers many truths, not the least of which about herself.” Also, Read it Forward named Elsey Come Home one of the best novels with “Characters Who Drink Too Much”: “Elsey has to face the ghosts of her past and figure out what alcohol is keeping her from confronting.” Finally, Elsey Come Home was Maine’s WERU-FM’s Book Worm’s March Book Club Pick. The live, in-studio interview, with call-ins was March 14. In their March 17th review, The Portland Press Herald called the narrator of Susan’s new novel Elsey Come Home “a feisty blur of a woman, caught in the grip of her many demons, hellbent on pushing everyone, and everything, away. Elsey is that rare creation that evokes real life, defies predictability and disarms us at every turn. Conley has taken a jittery pile of loose ends and made a thing of beauty.”

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about the intersection of race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece, “The Jackie Robinson of Pool, Cisero Murphy Hustled His Way to the Top,” was a March feature story for ESPN’s The Undefeated. His book One Nation Under Baseball: How the 1960s Collided with the National Pastime will be re-issued in paperback on April 1. His YA book, War in the Ring: Joe Louis, Max Schmeling, and the Fight Between Hitler and America, will be released by Macmillan’s Children’s Group on May 21, and just received this review from Kirkus.

More advance praise for Aaron Hamburger‘s (Fiction, Creative Nonfiction) Nirvana Is Here, due out May 14th! Brando Skyhorse calls the book “A yearning, generous, coming-of-age journey… funny, painful, heartbreaking.” Louis Bayard says, “A touching, finely wrought portrait of secrets lying like buried ordinance beneath ordinary lives.” The review by Amos Lassen raves, “Every once in a while, a book comes along that blows me away and Nirvana Is Here is one such book…” and I Like To Read says, “Almost impossible for me to put this book down, which is rare for me these days… a beautiful, sad, coming-of-age story that is a heartily welcome addition to the LGBTQ literature pantheon.” Also, a couple new tour dates added, including a stop at Word Bookstore in Jersey City on May 15th and the Fall for the Book Festival at George Mason University in October. Click here for the updated schedule to see if Aaron’s coming to your hometown!

Elizabeth Hand’s recent reviews include Niklas Natt och Dag’s The Wolf and the Watchman for The Washington Post; Mallory O’Meara’s The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Millicent Patrick for The Los Angeles Times; and Folk Horror Revival: Field Studies, The Devil’s Highway by Gregory Norminton, Ghost Wall by Sarah Moss, and Your Favorite Band Cannot Save You by Scotto Moore for The Magazine of Fantasy & Science Fiction.

Nancy Holder (Popular Fiction) is happy to announce the Crossroad Press reissue of Witch-Light and Making Love, two books she originally co-wrote with the late Melanie Tem for the groundbreaking horror imprint, Dell Abyss. Making Love is a retelling of Frankenstein, and the book is dedicated in part to Mary Shelley.

Elizabeth Searle and alumna Tamra Wilson (Fiction, S’11) are bringing Idol Talk to the stage! Idol Talk: A Magical Memory Tour of Teen Idols is premiering as a theatrical event produced by Firehouse Center for the Performing Arts and Exit Dance Company as a special fundraiser. The show stars actress and author Marianne Leone (The Sopranos) and will alternate short monologue-style readings from the book Idol Talk (co-edited by Elizabeth And Tammy) with dance numbers paying tribute to idols like The Beatles, Bob Dylan, The Monkees, and more. The show features Stonecoast alum readers/performers Lee J. Kahrs, Kate Kastelein (whose work will be performed by Marianne Leone), Michelle Soucy, and Darlene Taylor, along with Stonecoast faculty Suzanne Strempek Shea. Performances are May 10 & 11 at 8:00 p.m. at Firehouse Center for Performing Arts in Newburyport, MA; tickets on sale soon here.

It’s almost time for our 18th Writers’ Day at Bay Path University in Longmeadow, MA. Suzanne Strempek Shea (Creative Nonfiction, Fiction), the university’s writer in residence, is delighted to have booked speakers Jane Yolen, author of over 350 books for children and adults, discussing Writing for Younger Readers; C Flanagan Flynn, former managing editor of Brain, Child Magazine, discussing Writing and Publishing in Literary Magazines & Journals; and author and Bay Path MFA faculty member Shahnaz Habib, speaking about Writing Home, where you’re from and who your are. The event will be held Sunday, April 14, at the Philip H. Ryan Center in East Longmeadow, MA. For more information or to register, go here.

Jane Yolen

ALUMS

The short-film adaptation of Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) memoir The Sound of a Wild Snail Eating has launched. The film next screens in April at the International Wildlife Film Festival in Missoula, MT, and then will screen in late May/early June at CinemAmbiente Environmental Film Festival in Turin, Italy.

Michael Beeman (Fiction, S’09) published two short stories recently: “The Shift” in Eclectica Magazine and “The Maelstrom” in Failbetter.com.

Peter Adrian Behravesh (Popular Fiction, W’18) presented his paper “Mischief in Her Heart: Female Empowerment in the Persian Fantastic” at the 40th International Conference on the Fantastic in the Arts. He will be presenting the paper again at Worldcon 77 in Dublin in August. Peter also sold his story “The Moon and Mahasti” to the Holy C.O.W. anthology, which will be published this summer.

Carina Bissett (Popular Fiction, S’18) placed her poems “A Disappearing Act,” ”Snow White, Rose Red,” and “Persephone’s Promise” in the Spring issue of The Horror ‘Zine.

Karen Bovenmyer (Popular Fiction, S’13) has a short story coming out in Bill Adler Jr. and Sarah Doebereiner’s The Binge Watching Cure: Horror Edition anthology in October 2019—a reprint of “Cadaver Feet” which was featured in alumna Bonnie Jo Stufflebeam’s Art and Words show. Jose Gonzalez Lanza’s amazing artwork interpreting this piece is available for viewing at this link. This summer, Karen is teaching a 12-week online creative writing class May-August for Western Technical College—registration is now open and participants will earn transferrable college-level English credits. New or experienced poets/fiction writers world-wide are welcome in this online asynchronous class.

Jess Flarity (Popular Fiction, S’18) sold his short story about drug-fueled time traveling, “A Second’s Labour,” to The London ReaderThis piece was workshopped during his first semester at Stonecoast with Nancy Holder. Also, he has accepted a full-tuition scholarship to the University of New Hampshire’s Masters in English Studies program, where he will begin attending this fall.

Veda Boyd Jones (Fiction, S’17) will be speaking at the Authors’ Fair at Crowder College in Missouri on April 27. Her topic is research for fiction, and she’ll use examples from her own fiction as illustrations (spending two days at a TV station researching for a news anchor character in A Sense of Place, attending 14 Thursday nights of the Citizens’ Police Academy for a policewoman character for Here’s Your Trouble).

In March, The Last Woman in the Forest, the newest novel of Diane Les Becquets (Fiction, S’05), was released by Penguin Random House. Publishers Weekly said that the novel is “[an] elegantly written thriller…the story revs up, providing more than enough tension and suspense as Marian inches closer to the dangerous and disturbing truth. Eloquent, detailed descriptions of nature and of rescue dog training, survival techniques, and the peripatetic life of conservationists enrich the narrative.” Diane is on a book tour, including a visit to Water Street Bookstore in Exeter, NH, at 7:00 p.m. on April 11th (see below for more April dates).

Susan Lilley’s (Poetry, S’08) collection Venus in Retrograde comes out April 30 from Burrow Press. She is looking for a good excuse to come to New England and do some readings this summer. Reach her at susan.lilley@icloud.com. Check it out here: https://burrowpress.com/venus

On April 6, Alison McMahan (Popular Fiction, W’10) will be teaching a class, “The How-to of Deep Point of View,” for the Alvin Sherman Library at Nova Southeastern University, in Fort Lauderdale, FL, 2:00-3:30. Details here. Alison’s short story “King Hanuman” is now available in the the new Sisters in Crime/LA anthology Fatally Haunted (Down and Out Books, Spring 2019), edited by Rachel Howzell Hall, Sheila Lowe, and Laurie Stevens.

Ellie O’Leary (Poetry, W17) has two books accepted for publication. North County Press will publish both her memoir, Up Home Again, and her poetry manuscript, Breathe Here.

Alexandra Oliver (Poetry, W’12) is in the third year of her PhD at McMaster University in Hamilton, Ontario. She has just completed an interview with CBC’s The Sunday Edition (hosted by Michael Enright) concerning her work and, in particular, her most recent chapbook, On the Oven Sits a Maiden (Frog Hollow Press, 2018).

Lisa Panepinto‘s (Poetry, W’13) book where i come from the fish have souls was published by Spuyten Duyvil.

Bruce Pratt‘s (Fiction, S’04) short story “Ariel in LOve Summer” 1999 [sic] will appear in the summer 2019 edition of Valpariso Fiction Review; his poem “Looking” will appear in Gyroscope Review. Bruce will be reading from and signing copies of The Trash Detail, his new story collection from New Rivers Press, and Forms and Shades, his new poetry chapbook from Clare Songbirds Publishing, at The Bangor Public Library on Saturday, April 20, beginning at 2:30 p.m.; a Q&A will follow the reading, which is free and open to the public. For more information please call 207-947-8336. He will also be part of the annual Poets Speak event at the library that will take place on April 25; dozens of poets will read throughout the afternoon and early evening. On April 27, Bruce will join songwriters Cormac McCarthy, Stan Sullivan, and Jim Mercik for an evening of songs, stories, and a musical tribute to the late Bill Morrissey at The Roaring Brook Nature Center in Canton, CT. For reservations and directions please see the venues website or call 860-693-0263; the show, primarily a music event, begins at 7:30 p.m.—doors open at 7:00 and tickets are $20.00. Finally, on April 30, Bruce will join Anne Britting Oleson at the Belfast Public Library, 106 High Street, Belfast, ME, for a joint reading, book signing, and Q&A. The event is free, open to all and begins at 6:30 p.m.; additional info may be had by calling 207-338-3884.

Erin Roberts (Popular Fiction W ’18) is thrilled to have two of her short stories (“Sour Milk Girls” & “Snake Season”) on the 2018 Locus Recommended Reading List, which helps to determine the winners of the annual Locus Awards. She also recently had the opportunity to chat about her work as a whole on a Signal Boost episode of the Skiffy and Fanty podcast and hopefully didn’t say anything too incriminating! Note: The Locus list is packed with amazing stories, books, and collections (including work by Jim Kelly and Dora Goss)—read and vote for your favorites (voting open to all, whether a Locus subscriber or not, and write-ins are allowed!).

Lisa Romeo‘s (Creative Nonfiction, S’08) article “Yes, You Can Write Memoir, Even if Your Memory Isn’t Great” appears at the blog of The Open Center NYC, where she’ll be teaching a day-long workshop on the intersection of memory and memoir writing on April 13. Her essay “Forgiving the Bully in the Pulpit” appeared recently in The Moon Magazine. In August, Lisa will lead a week-long memoir workshop at the Live Free and Write Retreat in Sunapee, NH. Closer to her home in NJ, Lisa recently marked six years teaching with The Writers Circle.

Bonnie Jo Stufflebeam‘s (Popular fiction, S’13) story “Every Song Must End” appeared in the latest issue of Uncanny Magazine.

Kathleen Sullivan (Poetry, ’06) has a poem coming out in next volume of Poet Lore and has had an essay accepted for publication this summer in The Stonecoast Review.

Morgan Talty’s (Fiction, W’19) short story “Safe Harbor” was published in Narrative Magazine‘s Winter 2019 issue.

Adrienne S. Wallner’s (Poetry, W ’09) poem “Hydrangea” will appear in the Spring/Summer 2019 issue of The Aurorean.

 

 

 

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Community News & Updates March 2019

CURRENT STUDENTS

After some winter residency prepping growing pains (read trauma), and mixed-genre “Extreme Workshop” epiphany, Nina B. Lichtenstein (Creative Nonfiction) wrote about the importance of reading outside our genre instead of doing her qualitative residency response. Happily for her, Brevity picked it up for their blog on the craft of writing.

FACULTY

The film version of Tom Coash‘s (Playwriting, Dramatic Arts) short play Raghead, directed by award-winning Vermont filmmaker Nora Jacobson, will be shown at the Bermuda International Film Festival in March 2019. Coash founded the popular Famous For 15 Minutes New Play Festival in Bermuda and continues to be an active part of the Bermuda Arts community.

Ted Deppe‘s (Poetry, Coordinator of Stonecoast in Ireland) seventh book of poems, Riverlight, has just appeared from Arlen House in Ireland. It will take six months or so before Syracuse University Press assumes distribution rights in the US. Until then, anyone wanting a copy can send $20 to Ted and receive a signed copy. Mailing address until 1 May 2019 is Ted Deppe, PO Box 914, Trinidad, CA 95570.

David Anthony Durham’s (Fiction, Popular Fiction) Roman vampire story, “Kneeling Before Jupiter,” is included in the anthology Unfettered III: New Tales from Masters of Fantasy, from Grim Oak Press, edited by Shawn Speakman (March 19). David appears in the anthology beside authors such as Terry Brooks, Lev Grossman, Brian Herbert & Kevin J. Anderson, Robert Jordan & Brandon Sanderson, Robin Hobb, Mark Lawrence, Seanan McGuire, Naomi Novik, Robert V.S. Redick, Carrie Vaughn, and Tad Williams.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) has two books due out. War in the Ring: Joe Louis, Max Schmeling, and the Fight Between America and Hitler will be released by Macmillan Children’s Group on May 1, 2019. One Nation Under Baseball: How the 1960s Collided with the National Pastime will be re-released in paperback on April 1, 2019. Also, his essay on the first African-American world billiards champion, Cisero Murphy, will be published by ESPN on its website The Undefeated on March 6, 2019.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana Is Here has received a glowing review in Foreward Reviews: “A nostalgic, wrenching depiction of a youth in crisis whose sensitive, unsparing movements spark with realism… A tender self-reckoning, Nirvana Is Here brings the past full circle. Hamburger deftly reveals how incidents recede—even if they leave their mark—to bring new hopes into focus.” Check out the full schedule of his 10-city book tour here. Also, on Saturday, June 8, Aaron will be teaching a workshop on “Going to Extremes: How to Handle Scenes of Sex, Violence, Drugs, Ecstasy, and Other Intense Experiences” at the Fifth Annual Spring Writing Intensive at St. John’s in Annapolis.

Nancy Holder (Popular Fiction) will be a guest at two Australian Supanova comic conventions in April: Melbourne from April 5-7 and Gold Coast from April 12-14. She will be representing the new Sherlock Holmes anthology Sherlock Holmes and Dr. Was Not with her editor Christopher Sequeira, as well as other authors, for IFWG Publishing. The link is here.

Amanda Johnston (Poetry, Writing for Social Change) was recently elected to serve as interim president of the Cave Canem Foundation Board of Directors effective March 31, 2019. A 501-c-3 non-profit literary service organization with administrative and programming headquarters in Brooklyn, NY, Cave Canem has grown from a gathering of 26 poets to become an influential movement with a renowned faculty, high-achieving national fellowship of over 400 and a workshop community of 900. Read the full announcement here. On March 2, 2019, Amanda will facilitate her workshop Empathy in Craft as part of the Sunstar Festival in Pittsburgh, PA, at Kelly Strayhorn Theatre. Amanda will be at the following panels and readings during the 2019 AWP Conference in Portland, OR:

  • March 28 – 6:30 p.m.: Women Writers in Bloom Reading with Amanda Johnston, Naa Akua, Lauren K. Alleyne, Keisha-Gaye Anderson, Wendy Angulo, Nívea Castro, JP Howard, Anastacia Renee, Kimberly Reyes, Alberta Abbey, 126 NE Alberta St, Portland, Oregon 97211
  • March 28 – 7:00 p.m.: Affrilachians at the Heathman with Amanda Johnston, Frank X Walker, Ellen Hagan, Shayla Lawson, Randall Horton, Crystal Good, and Mitchell L. H. Douglas, Heathman Hotel, 1001 SW Broadway, Portland, OR 97205
  • March 29 – 6:30 p.m.: The Resistance is Femme (AF) Reading with Amanda Johnston, Patricia Smith, Ada Limón, Denice Frohman, and Anastacia Renée, Powell’s Books, Inc. (Powell’s City of Books) 1005 W Burnside ST, Portland, Oregon 97209
  • March 30 – 6:00 p.m.: Argus House Press Reading with Amanda Johnston, Teneice Durrant, Anastacia Renée, JR Toriseva, Angst Gallery, 1015 Main Street, Vancouver, WA 98663
  • March 30 – 3:00 p.m.: Panel: 21st Century Innovations in Poetic Form with Amanda Johnston, Jaimee Hills, Dora Malech, Kimberly Ann Southwick, Jaimie Gusman, E146, Oregon Convention Center, Level 1

Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) Tonya & Nancy: The Rock Opera was performed in concert version to a full house at the Lucille Lortel Theater in New York City on February 4, produced in association with Abingdon Theatre Company, drawing coverage in three features in Broadway World, including a “Photo Flash” feature of the show, as well in a feature plus a photo slideshow of the performance in Playbill.

Elizabeth and Tonya & Nancy composer Michael Teoli

Becca Kotte as ‘Tonya’ and Sara Jean Ford as ‘Nancy’ onstage at the Lortel Theater in NYC

Suzanne Strempek Shea (Creative Nonfiction, Fiction) is delighted to have booked Stonecoast alum Melanie Brooks for “Four Wednesdays of Writing” at Bay Path University in Longmeadow, MA. The four weekly sessions (March 20, 27, April 3 and 10 from 6:00 to 9:15 p.m.) will focus on Melanie’s essential book, Writing Hard Stories, and will provide a compassionate and supportive space for participants to engage in reading and writing exercises that begin peeling back the layers of their experiences and will help them uncover the powerful stories they have to tell. To register, click here. Also, Suzanne was honored to have her literary fairy godmother, Elinor Lipman, author of the newly released novel Good Riddance, include Suzanne’s first novel, Selling the Lite of Heaven, in this piece on books with happy endings.

Robert V.S. Redick’s (Popular Fiction) new story, “Thasha’s Cure for Cabin Fever,” will be published March 19, 2019, in the anthology Unfettered III from Grim Oak Press. The story is a return (for the first time in seven years) to the world of Robert’s Chathrand Voyage Quartet epic fantasy series.

ALUMS

On March 16, Lew Andrada (Popular Fiction, W’17) will present his academic paper “Nick Joaquín and the Tropical Gothic: How Magical Realism Explores Philippine Family Politics and Legacies” at the 40th Annual International Conference for the Fantastic in the Arts (ICFA) in Orlando. He’s looking forward to hanging out with fellow Stonecoasters at the conference!

Peter Adrian Behravesh (Popular Fiction, W’18) will be presenting his paper “Mischief in Her Heart: Female Empowerment in the Persian Fantastic” at 4:30 p.m. on Wednesday, March 13, at the 40th International Conference on the Fantastic in the Arts. He will also be chairing an academic panel, “Global Canons and Mythologies,” at 8:30 a.m. on Thursday, March 14.

Anthony D’Aries (Creative Nonfiction, W’09) was invited to present two seminars on memoir and dialogue at the 2019 Cape Cod Writers Conference, August 1-4. Anthony will also meet with participants in one-on-one manuscript consultations.

Julie C. Day‘s (Popular Fiction, S’12) story “Bluebeard’s Surrender” can be found in the anthology Gorgon: Stories of Emergence alongside fellow Stonecoaster Carina Bissett (Popular Fiction, S’18) and many other other fantastic writers. “Bluebeard’s Surrender” is about snakes, disastrous friendships, and the dreams of teenage girls.  Looking toward the future, in a exciting turn of events, Julie’s standalone novella, The Rampant, will be released this fall as a paperback and ebook by Aqueduct Press:

The Rampant is a queer-girls-in-love, coming-of-age short novel that involves a Sumerian Rapture in Southern Indiana. It’s also an intense narrative ride that is, by turns, harrowing, heartbreaking, and darkly funny.

Christianity it turns out got a whole lot of things wrong. It’s ten years since the hordes of old-world Sumerian gods, the Anunna and Anunnaki, arrived to kick off the end of the world. Massive tornadoes, tsunamis, government collapse: it all started out so strong, but the Rampant, the final herald of the apocalypse, failed to show. Both people and gods have had to adjust.

Sixteen-year-old friends Emelia Bareilles and Gillian Halkey have spent most of their childhood in a world filled with the echoes of lost friends, eviscerated family members, and dwindling hope. The world is an ugly broken place. Their only option is to travel to the Netherworld, collect the Rampant, and finally kick off the Rapture.

Riffing on fragments of historical text, including the Epic of GilgameshThe Rampant uses and refutes the known details and rules of the Sumerian underworld. As they travel through the lands of the dead, Emelia and Gillian meet loved ones and strangers trapped in a system they didn’t create. Each step makes them more determined to help create a better, godless world. In the end this is a story about the inequities of power, human self-determination, and the various ways in which we love each other.

Terri Glass (Poetry & Creative Nonfiction, S’13) will be reading with others at a reception for the anthology Fire and Rain: EcoPoetry of California at AWP in Portland, OR, on Friday, March 29, 6:30-8:00 p.m. Morrison Room, Level 1, Portland DoubleTree Hotel. She would love to see any faculty or fellow alum there.

C-SPAN’s BookTV featured the Black Author Breakfast Party on its channel. Alan King (Poetry, W’13) was among those who presented at the event on February 1. This event kicked off the African-American Read In series for Black History Month. Here’s a clip of Alan reading his poemHere’s the full video.

Ellen Meeropol (Fiction, W’06) is pleased to announce that she has sold her fourth novel, tentatively titled Her Sister’s Tattoo, and expects publication in spring 2020. She will be moderating a panel at AWP in Portland titled “Better Later? Success and the Late Blooming Woman Author.”

On March 22, Catharine H. Murray (Creative Nonfiction, S’17) will speak at the Virginia Festival of the Book in Charlottesville. In their workshop “Lives in Upheaval,” she and author Judy Goldman (Together) will discuss lives overturned by illness, mishap, grief, and how one survives and continues to live and love. In February, Catharine’s memoir, Now You See the Sky, was at the top the Portland Press Herald’s Best-seller list for Nonfiction.

You are invited to join Jenny O’Connell (Creative Nonfiction, S’17) as she reads from Book One of Finding Petronella, her nonfiction book about walking across Finland in the footsteps of Lappish legend Petronella van der Moer, on March 29 at Lincoln Street Center in Rockland, ME. The reading marks the culmination of Jenny’s six-month artist residency with the Ellis-Beauregard Foundation, and will be featured alongside the art and performances of three fellow artists. Free and open to the public! Details here.

Anne Britting Oleson (Poetry, W ’05) will have her third novel, Tapiser, published on March 1 by B Ink Publishing. B Ink also published The Book of the Mandolin Player in 2016 and Dovecote in 2017. Tapiser is also dedicated in part to Rebecca Bearden Welsh (Creative Nonfiction, W ’05).

Kelsey Olesen (Popular Fiction, W’17) will present her academic paper, titled “Demon Husbands and Magic Kings: Controlling Relationships in Uprooted and Spinning Silver,” on Saturday, March 16, at 2:00 p.m. as part of the International Conference on the Fantastic in the Arts in Orlando, Florida. Her paper will examine authorial responsibility and analyze the romantic relationships in both novels through a feminist lens.

Much news from Bruce Pratt (Fiction, S’04):

  • On Saturday, April 20, at 2:00 p.m. at The Bangor Public Library, Bruce will be reading from and signing copies of his new short story collection The Trash Detail and new poetry chapbook Forms and Shades. This event is free and open to the public—no reservations are necessary.
  • On Thursday, April 25, he will be part of the afternoon and evening-long Poet/Speak at The Bangor Public Library. This yearly gathering of dozens of poets and many more dozens of fans is also free and open to the public. Curated with care by Kathleen Ellis, this event includes established poets, emerging poets, student poets and, when available, the local Poetry Out Loud winners. Light refreshments, too. Always a fun and friendly gathering. Contact the library for exact times and details.
  • On Saturday, April 27, Bruce will join friends and fellow songwriters Cormac McCarthy, Stan Sullivan, and Jim Mercik for a very special reunion concert and tribute at The Roaring Brook Nature Center in Canton CT. In addition to playing their own songs and reading from books and manuscripts, each will perform a song by their late friend and fellow musician Bill Morrissey. The show starts at 7:30 p.m. and reservations may be made by calling 860.693.0263 during regular business hours. Expect surprise musical guests and perhaps a writer and a poet or two.
  • On May 25, Bruce returns to The Busy Bee333 Ocean House Road in Cape Elizabeth, for the wonderful series managed by former Portland Poet Laureate Marcia Brown (Poetry, S’04), where he will read from The Trash Detail. The program begins at 4:00 p.m. and will also feature a poet. Great place to grab some food and a beverage to enhance the experience.

Lisa Romeo (Creative Nonfiction, S’08) developed a new course, “Reading as a Writer,” she’s now teaching for Bay Path University’s MFA program, where she’s been Thesis Director for several years. Lisa will present a workshop on revision during the Montclair (NJ) Literary Festival on March 24. Her essay “How to Keep Loving Your Spouse: 30 Years of Small Gestures and Good Sex” was published on Valentine’s Day in Together Magazine.

Nikki Sambitsky (Creative Nonfiction, W’18) is back teaching again at the amazing Storyteller’s Cottage in Simsbury, CT! This time, she will be teaching writers how to be fearless in their writing. The workshop will go over some beautiful, strong, powerful essays by Genevieve Hudson, Mary Ruefle, Marcos Santiago Gonsalez, Julia A. Cohen, Michele Filgate, and others, and discuss what makes both the essays and the writers fearless, ways in which these writers approached difficult subjects, how they wrote about the topics they did, as well as literary devices, forms, and structures that enabled the writers to gain emotional depth and power in their writing. During the second half of the workshop, students will use what they’ve learned from studying these essays to craft fearless work of their own. This workshop is recommended for any writer who has been having trouble getting to the heart of an issue and is finding that they’ve been writing around a difficult situation. “Unapologetically Fearless” will run on Saturday, March 16, from 12:00-4:00 p.m. For more information, click this link.

Gina Troisi‘s (Creative Nonfiction, W’09) memoir The Angle of Flickering Light was a finalist for the 2018 Autumn House Press Full-Length Contest in Nonfiction. Her flash nonfiction piece, “Suicide Note,” was published in Iron Horse Literary Review‘s NewsFlash Series. Her essay “Nowhere Else But Here” recently received an Honorable Mention for American Literary Review‘s 2018 Nonfiction Contest.

Tamra Wilson (Fiction S’11) has a short story, “Church Camp,” accepted for the Spring 2020 issue of Trajectory, a Kentucky-based journal. On March 8 in Raleigh, she is keynote speaker at the NC State Conference of Colonial Dames XVII Century, sharing excerpts from Idol Talk: Women Writers on the Teenage Infatuations That Changed Their Lives, an anthology that she co-edited with Elizabeth Searle in 2018.

 

 

 

 

 

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Community News & Updates November 2018

ALUMS

Edible Queens, one of 85 “Edible” magazines across the US and Canada, has made Jillian Abbott’s (Fiction, S’04) popular (almost 16K followers) Instagram blog into a column. The blog explores migration, memory, and what the Welsh call Hiraeth, which means “homesickness for a home to which you cannot return, a home which maybe never was; the nostalgia, the yearning, the grief for the lost places of your past” through food. Read her column on Butterfly Cakes here.

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) book The Sound of a Wild Snail Eating is now available in Italian. Marsilio Editore is the publisher for the Italian translation, which launched in late September.

Misconceptions, a musical and part of Allen Baldwin‘s (Scriptwriting, W’17) thesis, will have a three-week run at Footlights Theatre in Falmouth from November 1st through the 17th. Here’s a description: “Penny and Vince have done everything right… so far. Faced with the challenge of infertility, they are now forced to reconsider their relationship and piece together a future that neither of them expected. Misconceptions is an emotional roller-coaster ride through modern relationships and romantic expectations. Irreverent but sincere, honest but hilarious, Misconceptions explores a relationship from the inside-out, as Penny and Vince struggle to stay together, finding their way back to the love that started it all. It’s about what we want from our partners, what we need from our lovers, and how the ugly moments of love can, somehow, bring us closer together.” Tickets available now—see www.thefootlightstheatre.com for more info.

Karen Bovenmyer (Popular Fiction, S’13) was interviewed as Assistant Editor with the PseudoPod team on Writing the Rapids. She has also been narrating poetry for Heroic Fantasy Quarterly. Listen to her read Ngo Binh Anh Khoa’s “The Necromancer.” Upcoming: Mary Soon Lee’s “Between Battles.” She’s also been tapped to narrate a short story for HFQ and for Escape Artist’s Cast of Wonders young adult podcast—links forthcoming in a future newsletter. She served as a judge for the Horror Writers Association’s Dark Poetry Scholarship and very much enjoyed reading new poets. All of you should apply for HWA scholarships next year when they open again. Read about them here. She continues to be grateful for Stonecoast, the best decision she ever made.

Linda Buckmaster (Creative Nonfiction, S’11) will be having not one, but two, launch parties for her hybrid memoir Space Heart: A Memoir in Stages, published by Burrow Press, both featuring live “space music.” On Sunday, November 4th from 3:00-6:00 p.m., she will be at Waterfall Arts Gallery in Belfast, Maine, with electronic keyboardist Tom Luther. On Saturday, November 10th, she will be at the Lowndes Shakespeare Theater in Orlando, Florida, starting at 7:00 p.m. The program will include Orlando Poet Laureate Susan Lilley (Poetry, ’08) and Interplanetary Acoustic Team. Linda’s long poem, “Northern Run,” is in the current Maine Review, and her poem “Entering the Abandoned Grain Mill at Dusk” will be part of the anthology Balancing Act 2, the second collection of Maine women poets published by Littoral Books. A review of Space Heart will be forthcoming in Forward Review.

Brenda Cooper (Fiction, S’17) is pleased to announce the November 11th release of a collection of stories set in the science-fictional world of her award-winning series that begins with The Silver Ship and the Sea. The collection, Stories of Fremont’s Children, includes old and new stories by Brenda, and new stories by John Pitts and Danielle Ackley-McPhail. It is published through eSpec Books in collaboration with Futuriter.com.

The hardcover edition of Julie C. Day‘s (Popular Fiction, S’12) debut collection Uncommon Miracles was released by PS Publishing On October 1st: “A grieving man travels through time via car crash. A family of matriarchs collects recipes for the dead. A woman gains an unexpected child in the midst of a bunny apocalypse. An outcast finds work in a magical slaughterhouse. Julie C. Day’s debut collection is rife with dark and twisted tales made beautiful by her gorgeous prose. Melding aspects of Southern Gothic and fabulism, and utilizing the author’s own scientific background, Day’s carefully rendered settings in these eighteen stories are both delightful and unexpected. Whether set in a uniquely altered version of Florida’s Space Coast or a haunted island off the coast of Maine, each story in this collection carries its own brand of meticulous and captivating weirdness. Yet in the end, it is the desperation of the characters that drives these stories forward and their wild obsessions that carry them through to the end. It is Day’s clear-eyed compassion for the dark recesses of the human heart and her dream-like vision of the physical world that make this collection a standout.”

Renee S. DeCamillis (Popular Fiction, W’ 14) is thrilled to announce that she has signed a book deal with Eraserhead Press and is one of six in their New Bizarro Authors Series. They will be publishing her novella The Bone Cutters, with a planned release in 2019. A bizarro story about the hell of mental illness, the evil hands of drug addiction, and the horror of psych. hospitals. Are you anxious, suicidal, have some anger issues you need to work on, or maybe you have a drug addiction you need to kick? No worries. Once you’ve checked into this psychiatric hospital, you’ll never be the same. Come, have a visit; stay as long as we need you. If you’re fresh, you’re in for one Hell of a ride once you meet The Bone Cutters.

Jess Flarity (Popular Fiction, S’18) is teaching a craft workshop on density at the Sag Harbor Creative Nonfiction Writer’s Conference this November 1st-4th and participating in a panel on publishing. He would like to thank his former mentor Theodora Goss for this workshop’s inspiration as well as everyone who worked on Stonecoast Review‘s Issue No. 9.

Melody Fuller’s (Creative Nonfiction, S’12) article “Harvest for the World” was published in the October/November 2019 Somm Journal. Here’s an excerpt:

When will there be a harvest for the world?

Today I speak cautiously and write carefully about what is means to be a black woman in white space.  Today I try to make sure I do not offend, demand, scare, dare or call people out for gross conduct, damaging gossip, divisive tactics and for pushing narratives that marginalize, hurt and dismiss those who look like me. I am not doing a good job carrying all of this, while being an industry pioneer who is working to build a table, set agenda and make sure I don’t get loud, pushy or rude.  Well, sometimes being labeled as one or all of those descriptors happens.  Being questioned and judged happens a lot especially when diversity discussions and women’s agendas intersect or are used interchangeably for self-serving and deflective purposes. You know what I mean.

When will there be a harvest for the world?

Clifford Royal Johns (Popular Fiction, W’18) will be on the following panels at Windycon, a Chicago area SF convention (November 9-11):

  • “Chicago SF Book Club: Discussing Shards of Honor and Barrayar by Bujold” — Saturday, November 10th, 1:00-2:00 p.m., Grand Ballroom H
  • “Streaming Services the New Movie/TV studios” — Sunday, November 11th, 11:00 a.m.-12:00 p.m., Lilac C
  • “Modern Prison Break: Our Need to Escape?_ — Sunday, November 11th, 12:00-1:00 p.m., Grand Ballroom H
  • Cliff will also be moderating a section of the Windycon Writers Workshop on Saturday morning.

Jeff Kass (Fiction, S’09) has had his second full-length poetry collection Teacher/Pizza Guy accepted for publication by Wayne State University Press for their Made in Michigan Series. The poems chronicle the 2016-2017 school year, during which Jeff worked not only as a full-time high school English teacher and the Director of Literary Arts at Ann Arbor’s Teen Center The Neutral Zone, but also a third job as a pizza delivery driver 2-3 nights a week. Look for the release in August or September of 2019!

On October 17th, Alan King (Poetry, W’13) was a featured performer on WPFW 89.3’s “Live @ 5,” which was part of the stations pledge drive. Learn more.

Alan King reading on WPFW 89.3’s “Live @ 5

Orlando Poet Laureate Susan Lilley (Poetry ’08) and former Belfast Poet Laureate Linda Buckmaster (Creative Nonfiction, S’11) will be reading together at the Burrow Press “Functionally Literate” event on November 10th in Orlando. Linda will be launching her new hybrid memoir from Burrow, Space Heart: A Memoir in Stages, which she started at Stonecoast. Susan’s first full-length poetry collection, The Green Hand of Venus, will be published by Burrow in 2019. They’ll be discussing Poet Laureate life and Satellite Beach, which just happens to be the title of Susan’s first poetry collection and the town where Linda grew up.

Tom MacDonald’s (Fiction, W’09) fourth crime novel, Murder in the Charlestown Bricks, was released October 1st, 2018. This is the fourth book in the Dermot Sparhawk Crime Novel Series. Private investigator Dermot Sparhawk is taking on cases no one else will touch. Born and raised in the Charlestown projects in Boston, Sparhawk fights for the underdog. He calls on his connections and physical skills to keep him from getting killed. He visits Charlestown’s waterfront gill mills and AA halls and travels the Historic Route 66 in search of the truth. And the truth almost kills him.

Catharine H. Murray’s (Creative Nonfiction, S’17) debut memoir Now You See the Sky will be released in November. On November 7th at 7:00 p.m., Print: A Bookstore (273 Congress Street in Portland) will host the release party. This is the launch book for Gracie Belle, Anne Hood’s imprint with Akashic Books that will focus on topics of Grief and Loss. Kirkus Reviews writes, “Murray’s lucid meditations and living-in-the-moment attitude serve as useful reminders to all of us that life is precious and fleeting and must be enjoyed to the fullest. It’s a simple message but an important one. As much a eulogy as a testament to the joy of life, the book is a heartwarming tale of dealing with life-altering loss. A tender, love-filled story of how one woman dealt with the loss of a young child.” On November 9th, Catharine will be reading with other local authors at Quiet City Books, 97 Lisbon St. in Lewiston at 6:00 p.m. And on November 15th, Murray discusses Now You See the Sky with imprint curator Ann Hood at Books on the Square, 471 Angell Street at 7:00 p.m. This is a Providence launch event for Murray’s memoir.

Jenny O’Connell (Creative Nonfiction, S’17) will read “The Office of the Mayor of Miessi,” her piece about living above the Arctic Circle among the wild gold miners of Finland’s Lemmenjoki National Park, on November 2nd at Longfellow Books for the SLICE Magazine Maine launch. The piece, which details part of Jenny’s solo walking journey across Finland in the footsteps of Lappish legend Petronella van der Moer, is currently out in the Fall/Winter “Flight” edition of SLICE, available here.

Lemmenjoki National Park: Pihlajamäki Cabin, the setting of “The Office of the Mayor of Miessi.”

Anne Britting Oleson (Poetry, W’05) has been invited to read her poetry at The Harrison in King’s Cross, London, as part of Elbow Room’s celebration of its final issue. The party begins at 8:00 p.m. on Saturday, November 3rd. If any Stonecoasters are in London, come on down!

The short-story collection The Trash Detail by Bruce Pratt (Fiction, S’04) is available for pre order. Booksellers may contact SPD, while individuals may order from their local bookstore, Amazon, or directly from New Rivers Press by sending an email to Nayt Rundquist at www.newriverspress.com. Bruce’s new chapbook Forms and Shades is due out very soon from Clare Songbird Publishing; they may be contacted at claresongbirdspub.com

They Speak Your Language: A Poetic Bestiary, by J. Stephen Rhodes (Poetry, W’11) and illustrated by Amanda Chao Benbassat, is now available at the Amazon Books website. These poems move back forth from the significant to the silly, with drawings of counter-cultural possums to aristocratic cats.

Lisa Romeo (Creative Nonfiction S ’08) will be at the BookMark Shoppe in Brooklyn, NY on November 15 to read from her memoir, Starting with Goodbye, along with Lindsay Wong, author of The Woo Woo. Lisa’s guest post “Publishing with a Small (Traditional) or University Press: When it Might be Right for You and Your Book,” appears on the website of the Nonfiction Authors Association. Her teleseminar on the topic aired there in October. Recently, the writing department at New Jersey City University hosted Lisa, who read and spoke to students in memoir writing and women’s studies classes. On November 17th, Lisa will present memoir writing tips at the Holmdel, NJ, Barnes & Noble, and also in November, she will make author visits to libraries in Warren, Hillsborough, and Franklin Township, all in NJ. Event details are listed at her site.

Nikki Sambitsky‘s (Creative Nonfiction, W’18) creative nonfiction lyric essay “Penny Drop” will be published in the November edition of Longridge Review. Nikki’s essay links her childhood experiences with that of her 7-year old autistic son’s as they share a swing ride on their favorite amusement park attraction, “The Yo-Yo.” “Penny Drop” is part of Nikki’s essay collection “Perseverate, Linger,” which focuses on her triumphs and trials with her husband and two autistic children.

Bonnie Jo Stufflebeam (Popular Fiction, S’13) will be interviewed at the November 12 LeVar Burton Reads Live event in Dallas, Texas, where LeVar will read her story “In the City of Martyrs.” Her novelette “The Crow Knight” just came out in Beneath Ceaseless Skies‘ anniversary issue. Her short story “Secret Keeper” has been reprinted in Paula Guran’s The Year’s Best Dark Fantasy & Horror 2018.

Christopher Watkins‘ (Poetry, W’08) poem “Emigrant Song” has been published by Harpur Palate and can be read in the current issue. Additionally, Christopher has just released his 11th album under his musical moniker “Preacher Boy.” The album is called The Rumble Strip and is now available from Coast Road Records. An enhanced lyric book has been published as a companion to the album, and the collection includes the book-length poem “I-80 Blues: 96 Choruses.” It is available for Kindle, or via the Preacher Boy website as a free PDF download.

FACULTY

Jeanne Marie Beaumont’s (Poetry) poem “Yet” from Letters from Limbo has been made into a short video, which is available on YouTube and can also be viewed on her website.

Tom Coash‘s (Playwriting, Dramatic Arts) award-winning, full-length play, Veils, will open at Macha Theatre Works in Seattle, WA, on November 30th and run through December 16th. His short play Raghead will be produced by the Black Cat Theatre Company as part of their “Millennials #Offended” festival at the Pleasance Theatre in London on December 19th.

John Florio (Fiction, Pop Fiction, Creative Nonfiction, Young Adult) writes about the intersection of race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece, “In a Year of Assassinations, an Angry Bob Gibson Pitched His Way Into the Record Books,” was an October feature story for ESPN’s The Undefeated. His YA book, War in the Ring: Joe Louis, Max Schmeling, and the Fight Between Hitler and America, will be released by Macmillan’s Children’s Group in May, 2019.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana is Here is now available for pre-order, either on Amazon or contact your local indie bookstore and tell them to reserve your copy. Release date is May 14, 2019! Also, Aaron gave a talk at the Library of Congress based on his article “Seven Layers of Heaven: How to Make a Jewish Bakery Classic at Home” from Tablet Magazine. His cake, created from his own original recipe, was served and enjoyed by all!

Aaron Hamburger’s talk at the Library of Congress on Seven Layers of Heaven.

Seven Layers of Heaven

On November 1st at 7:00 p.m., Amanda Johnston (Poetry, Writing for Social Change) reads with Dante Micheaux and L. Lamar Wilson in celebration of Stonecoast alum Quenton Baker‘s (Poetry, S’12) exhibit Ballast at the Frye Museum in Seattle, WA. Then on November 2nd at 7:00 p.m., she’ll read with Dante Micheaux, L. Lamar Wilson, Anastacia-Renee and Quenton Baker for A Writers Showcase featuring Cave Canem Poets at the Hugo House in Seattle, WA. And on November 3rd at 10:00 a.m., Amanda’s writing workshop Writing Public Tragedies will be at the Hugo House in Seattle, WA (registration required).

Ballast

Debra Marquart (Creative Nonfiction, Poetry, Writing for Social Change) was invited to perform a set of Bob Dylan songs at the Twin Cities Book Festival on October 13, 2018 to celebrate the publication of the anthology, Visiting Bob: Poems Inspired by the Life and Work of Bob Dylan, edited by Thom Tammaro and Alan R. Davis (New Rivers Press, 2018). Marquart’s poem, “Dylan’s Lost Years,” is one of the 100 poems included in the anthology. Her poem, “Come November,” was published by Terrain.org: A Journal of Built + Natural Environments for the “Letter to America” series. 28 October 2018. Debra’s essay “Buried Voices,” published as a Story of the Week by Narrative Magazine on June 7, 2018, was selected by Narrative Magazine for a “Top Five Stories of 2017-2018” commendations. Stonecoast fiction writer Morgan Talty was also selected by Narrative for “Top Five Stories” honors! Her micro-essay, “Some Things About That Day,” was anthologized in Short-Form Creative Writing: A Writer’s Guide and Anthology, edited by H.K. Hummel and Stephanie Lenox for Bloomsbury Press, 2018. Also, she delivered a plenary poetry reading entitled “True North” at the Luther College Writers Festival, September 27-28, 2018, in Decorah, Iowa.

Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) new CD—Tonya & Nancy: Highlights from the Rock Opera, produced and released by Broadway Records—has drawn strong reviews on Broadway World (“Tonya & Nancy Gets High Marks”) and on Broadway to Vegas, which called the CD in its review “stunningly awesome” and wrote of Elizabeth’s narrative: “The script covers a lot of territory and does so with the artistic skill of an Olympic champion.” The CD can be purchased from Grammy-winning Broadway Records. Updates and more info: http://www.tonyaandnancytherockopera.com

Two readings from late Stonecoast alum Elisabeth Wilkins Lombardo’s novel The Afterlife of Kenzaburo Tsuruda will be held in New England early this month. Ann Hood, Elizabeth Searle, and Suzanne Strempek Shea, all of whom mentored Elisabeth, a member of the program’s inaugural class, will read from the book at 7:00 p.m. on November 1st at An Unlikely Story in Plainville, MA. Suzanne will join Beth’s friends, fellow alums, and fellow Maine authors Morgan Callan Rogers and Jaed Coffin in a reading at 9:00 p.m. on November 5 at LFK in Portland, ME. Here’s a recent Portland Press-Herald story on Beth and her book. Suzanne will be reading from Idol Talk:  Women Writers on the Teenage Infatuations that Changed Their Lives with fellow faculty member Elizabeth Searle, and fellow Idol Talk contributors Caitlin McCarthy and Lisa Borders November 3rd at 2:00 p.m. at Worcester, MA, Public Library. Elizabeth and Stonecoast alum Tammy Wilson co-edited this major book on major crushes, which has been one of the Top Ten Bestsellers on publisher McFarland’s long list of pop culture books every month since July. There’ll be a special appearance at this event by and idol-themed tunes from Stonecoast’s personal DJ, DJJH.

Suzanne Strempek Shea, Elizabeth Searle and Jaed Coffin at the Portland Book Launch for The Afterlife of Kenzaburo Tsuruda by beloved Stonecoast alum Elisabeth Wilkins Lombardo

ANNOUNCEMENTS

The final 2018 event in the Local Writers Read series will be held on Friday, November 9th, from 6:00-8:00 p.m. at Quiet City Books in Lewiston, Maine. Offering multi-genre work organized around the theme of Order/Chaos, the list of readers includes four Stonecoast alumni: Nancy Brown (Fiction, S’08), Josh Gauthier (Popular Fiction, S’17), Catharine Murray (Creative Nonfiction, S’17), and Bill Stauffer (Fiction, W’17). Celebrating writing and community, the event is free and open to the public. Full details can be found on the Facebook event page.

Stonecoast MFA faculty member Elizabeth Hand will be the Guest of Honor at Boskone 56, New England’s longest running science fiction and fantasy convention. Boskone takes place in Boston, MA, from February 15-17, 2019, at the Westin Waterfront Hotel. In addition to Liz Hand, Boskone will also feature several Stonecoast faculty members, students, and alumni on the programme, including James Patrick Kelly, Theodora Goss, Robert Redick, Julie C. Day, Erin Roberts, and Erin Underwood. There will be a Stonecoast Community gathering and programming at the con. Memberships are required to attend, and more information is available online at www.boskone.org.

 

 

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Community News & Updates August 2018

ALUMS

Elizabeth Beechwood (Popular Fiction, S’14) is pleased to announce that her short story “The Painted Ponies of Wiley Creek” was featured by Not a Pipe Publishing for their Year of Publishing Women’s Short Stories series. Ted Deppe and others at the January ’18 Ireland Residency might recognize it—thanks for all your suggestions and encouragement!

Peter Adrian Behravesh (Popular Fiction, W’18) will be presenting his award-winning essay “The Vault of Heaven: Science Fictions’s Perso-Arabic Origins” at Worldcon 76 in San Jose as part of an academic panel titled “Lowriders and Flying Horses: Expanding SF’s Definitions.” The panel will take place on Friday, August 17th, at 10:00 a.m. in Room 211D of the San Jose Convention Center.

Carina Bissett (Popular Fiction, S’18) placed her poem “Blood Works” in the HWA Poetry Showcase: Vol. 5. She also sold her story “Tyger, Burning Bright” for inclusion in the anthology Gorgon: Stories of Emergence, which is scheduled for publication by Pantheon Magazine this fall. “Blood Works” was written under the mentorship of Cate Marvin, and “Tyger, Burning Bright” was originally written under the mentorship of Liz Hand and was later workshopped under the direction of Cara Hoffman. Carina wants to thank all of the Stonecoasters who helped her shape these pieces for publication.

Melody Fuller (Creative Nonfiction, S’12), President and Founder of The Oakland Wine Festival, published two articles in The SOMM Journal recently: “A Call to Action” (page 80; April/May 2018) looks at the state of diversity in the multi-billion dollar wine industry and sparked an ongoing narrative about race and wine and “Fine-Wining While Black” (page 26; June/July 2018) provides an inspirational personal narrative.

Alan King‘s (Poetry, W’13) Point Blank was among the seven books briefly reviewed and recommended by The Best American Poetry blog. Here’s an excerpt: “[In] Alan King’s second collection of poetry, Point Blank…each poem [is] charged with an undeniable exuberance, willing to hold forth on the unvarnished injustice so visible in the American grain, and to compose a music from this framework as mellifluous as any Luther Vandross track and as rough and ready as Raekwon’s Only Built 4 Cuban Linx.” Read the full review.

Paul Kirsch (Popular Fiction, W’11) was one of the writers on Pillars of Eternity 2: Deadfire‘s first DLC, the Beast of Winter, which launches on August 2nd. This adventure takes the player to a frozen island populated by a doomsday cult, an ancient dragon, and gods only know what else.

Andrea Lani (Fiction, W’14) had two essays published in online journals last month: “The Sparrow’s Song” was featured on The Sunlight Press, and “The World in their Hands,” which appeared last year in The Maine Review, was reprinted at Nature Writing.

Roxanne Ocasio’s (Popular Fiction, W’15) short story “The Chupacabra Next Door” will be published in an upcoming anthology called The Latinx Archive: Speculative Fiction for Dreamers. She first workshopped this story at the Voice of Our Nation Arts Foundation Workshop for writers of color in 2014. Roxanne credits Stonecoast for introducing her to Marjorie Liu, who mentored her during her second semester and encouraged her to write characters of color.

Jenny O’Connell (Creative Nonfiction, S’17) is thrilled to come full-circle as a Stonecoaster with her essay about art modeling, “Still Life,” in Issue No. 9 of the Stonecoast Review. She has a forthcoming piece about her walking journey across Finland in the upcoming “Flight” issue of Slice, as well as a craft article on vulnerability—based on her third semester project at Stonecoast—appearing in the fall “Risk” issue of Creative Nonfiction.

Suri Parmar (Popular Fiction, W’17) has joyfully accepted a visiting assistant professorship at Ryerson University’s School of Image Arts with the Faculty of Communication and Design, where she will preside over script development and film productions in the undergraduate film program, and teach screenwriting, directing, and creative leadership. Additionally, her short script Skin Deep has been adapted into a film.

Bruce Pratt‘s (Fiction, S’04) chapbook, Shades and Forms, has been accepted for fall publication by Clare Songbirds Publishing, and his short story collection The Trash Detail will also come out this fall from New Rivers Press.

Shannon Ratliff‘s (Creative Nonfiction, S’16) essay “Perennial” appears in the Summer ’18 issue of Pleiadescurrently available here.

Erin Roberts (Popular Fiction, W ’18) is the proud co-editor (alongside World Fantasy Award winner Sheree Renée Thomas and poet & artist Rasha Abdulhadi) of a special issue of Strange Horizons featuring stories, poems, and non-fiction from writers of color from the Southeastern USA. You can read Erin’s editorial and an introduction to the six amazing stories in the issue here.

Sean Robinson (Popular Fiction, W’14) had a short story, “Tide Child,” recently published by On Spec. It’s about the relationships between fathers and sons, and the day you realize your dad has a story of his own. Also, Selkies. It’s currently only available in print, and can be found here.  This also marks his first international publication. He also just returned from a month-long course in Ireland at NUI-Galway looking at Education in Ireland. If you’re a teacher, or interested in education, check it out here.

Lisa Romeo by David Wilson for The Boston Globe

Lisa Romeo (Creative Nonfiction, S’08), and her new memoir, Starting with Goodbye, were featured in the “Story Behind the Book Column” in The Boston Globe in early July, just ahead of appearances at several bookstores in Massachusetts and New Hampshire. Lisa was also featured on an episode of the podcast The Ish (Grieving-Ish, part 2). In early August, she will present a session on getting published and will read during Western Connecticut State University’s MFA residency.

Nikki Sambitsky (Creative Nonfiction, W’18) will be teaching a one-day workshop on grief and hybrid, experimental, and lyric essays this fall (Saturday, December 1st from 1:00-5:00 p.m.) at Pioneer Valley Writers’ Workshop! Check out the link to sign up and RSVP your spot! Another head’s up: Nikki is also teaching an Open Community Writing Session on November 16th from 6:00-8:00 p.m. at Pioneer Valley Writers’ Workshop. The session is free and open to the public! Come, sit, write, commune with fellow writers!

Bonnie Jo Stufflebeam (Popular Fiction, S’13) was interviewed on her local NPR station, KERA, about Spiderweb Salon, an arts collective in Denton, Texas, that she’s involved with. Her Nebula-nominated novelette “The Orangery” appears in the Nebula Awards Showcase 2018 anthology. Paula Guran chose her Nightmare story “Secret Keeper” for Guran’s Year’s Best Dark Fantasy & Horror 2018.

Lisa C. Taylor‘s (Poetry ’04) new short story collection, Impossibly Small Spaces was published by Arlen House/Syracuse University Press on July 27th in Ireland. Stonecoasters attending the launch at Merriman’s in Kinvara/County Galway included Ted and Annie Deppe and Teresa Scollon. It will come out in the US in early October (though you can obtain an early copy from Lisa). The price is $20 with $2.00 of each sale going to the ACLU. lisactaylor22@gmail.com

Adrienne S. Wallner’s (Poetry, W ’09) poem “Ticket Stub” will appear in the Fall 2018 issue of Stoneboat Literary Journal.

FACULTY

JJ Amaworo Wilson (Fiction, Popular Fiction, Writing for Social Change) launched his 2016 novel Damnificados in Caxias do Sul, Brazil, in July 2018 and had smaller events in Sao Paulo, Brasilia, Belo Horizonte, and Natal. The novel, based on a true story that took place in Caracas, Venezuela, has a distinctly Latin American flavor. Damnificados won three awards and will be translated into German and French in 2019.

JJ Amaworo Wilson Damnificados Brazil July 2018

John Florio (Fiction/Popular Fiction, S’07) writes about race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece, When Joe Louis fought Schmeling, White America Enthusiastically Rooted for a Black Man, was a June feature story for ESPN’s The Undefeated. His upcoming YA book, War in the Ring, is also about the historic Louis-Schmeling fight; it will be released by Macmillan’s Children’s Group in Spring 2019.

Aaron Hamburger‘s (Fiction, Creative Non fiction) short story “Refugees,” which he read from at the last residency, is out in the newest issue of Bennington Review.

Elizabeth Hand (Popular Fiction, Fiction) was a special guest at San Diego Comic-Con, where she received the prestigious Inkpot Award for her fiction. In early August, she’ll be teaching a workshop for young writers at the Fine Arts Workshop in Provincetown.

Jim Kelly’s (Popular Fiction) novella “The Wreck of the Godspeed” has been reprinted in The Final Frontier, edited by Neil Clarke from Night Shade Books. He has sold reprint rights to the original story “Yukui” from his new collection The Promise Of Space to Clarkesworld; it will appear later this year. He contributed an essay on the importance of short stories in science fiction to the blog Whatever.  Jim moderated a reading of Stonecoast alums at the Readercon science fiction and fantasy convention in Quincy on July 14.

Stonecoast alum reading at Readercon 2018

Debra Marquart’s (Creative Nonfiction, Poetry, Writing for Social Change) short fictions “This New Quiet” and “Dylan’s Lost Years” were included in New Micro: Exceptionally Short Fiction, co-edited by James Thomas and Robert Scotellaro and published by WW Norton, available in August 2018. Her poem “Even on a Sunday Drive” was a finalist in the 2017 Steve Kowit Poetry Prize and was published in the San Diego Poetry Anthology in March 2018. Also, Debra’s video poetry performance, “Small Buried Things: A Poet’s Response to Extraction,” was part of the Bedrock Lecture Series, organized by Oregon State University. The eighteen-part video lecture series was submitted as evidence to the Permanent Peoples’ Tribunal on Human Rights, Fracking, and Climate Change, an international tribunal that, in May of 2018, deliberated the global effects of fracking on human rights, the environment, and climate change.

Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) and Tamra Wilson’s (Fiction, S’11) anthology Idol Talk has received new media coverage and has multiple readings, including some newly added, in August:

  • Readings with Elizabeth Searle: August 8th at KGB in New York City at 7:00 p.m., including SCers Breena Clarke (Fiction) and new alum Lee J. Kahrs; (http://kgbbar.com/calendar/events/kgb_nyc_area_readers_from_idol_talk/) and August 30th at Harvard General Store 6:00-8:00 p.m. in Harvard, MA (including alum Michelle Soucy (Fiction, S’10, who created the fab. flyer).
  • On August 25th, Lee J Kahrs and Kate Kastelein will read from Idol Talk at 2:00 p.m. at Toadstool Books in Keene, NH.
  • More New England readings coming in September.
  • Readings and Talks in North Carolina with SC alum and Idol Talk co-editor Tamra Wilson: August 12th, Maine St Books in Davidson NC; August 13th Gaston County Library in Gastonia, NC; and August 21st at Morrison Branch Library in Charlotte, NC

Recent media includes Breena Clarke featuring Idol Talk on her blog,  Tammy’s radio interview in Hickory, NC, and the Boston Book Launch coverage on MetroWest Daily. Check the Idol Talk Facebook page for updates.

 

ANNOUNCEMENTS

YAAK VALLEY FOREST COUNCIL JOB OPENING: COMMUNITY OUTREACH/CONSERVATION ORGANIZER
Rick Bass
(Creative Nonfiction, Fiction, Writing for Social Change Faculty) and the Yaak Valley Forest Council are looking for a community outreach/conservation organizer to hire for a permanent position in northwest Montana’s Yaak Valley. Pay starts at $35-40K, depending on experience, and has growth potential. Insurance and vacation included, and the new hire will be able to work from home (in the community). Artistic inspiration in northwest Montana an added perk! (How is perk spelled? From what Latin root does it derive?) Sweet country and a valiant non-profit working for ecological and social justice.

BOSTON POETRY MARATHON SET FOR AUGUST 10-12 IN CAMBRIDGE
Bridget Eileen (Poetry, W’09), along with poets Suzanne Mercury, Darren Black, and Gillian Devereux, are this year’s Boston Poetry Marathon festival organizers. They are all published poets and veteran Marathon readers from the area. The poetry festival is entirely volunteer run. The Boston Poetry Marathon will be held August 10th – 12th, at Outpost 186 in Cambridge’s Inman Square. Throughout three days, over 100 local and out-of-town poets will read and perform their poems. Several Stonecoast Community members will be reading in this year’s marathon. The Marathon presents a diverse range of poetry styles; academics, slam poets, students from local creative writing programs, and everyone in between rub elbows during approximately 20 hours of poetry programming. Each poet is given a brief time slot to share their work with the audience. Attendance is free (donations accepted), and all ages are welcome.

“The Boston Poetry Marathon is a joyful, hopeful, and strengthening event, something vital during these dire times. We have poets, the poetry community, and poems to keep us going,” said co-organizer Bridget Eileen. “ Whether we go to poetry for escape, solace, empathy, or illumination, it fortifies us. When so many people come together to celebrate poetry, that certainly fortifies us. Bringing this event to so many people who treasure it is, of course, a lot of work–but it’s also energizing. All that creativity coming together in one place is really powerful. ”

“With so much political and social uncertainty right now, we feel it’s urgent to create a welcoming space for poets to share their poems and talk with one another,” said co-organizer Suzanne Mercury. “Poetry is a life-giving force, a deep and vital source of creative empathy. The world needs much more of it, especially now. The Boston Poetry Marathon offers more poetry—a lot more! Every year I come away exhausted, inspired, and ready to write.”

Gillian Devereux outlined the festival’s goals for maintaining inclusiveness. “We’re committed to finding new voices who may not have read here in the past to add to our roster. We want to hear from poets who represent the many diverse, vibrant poetic communities in the Greater Boston area.”

“The Marathon has a great base of dedicated followers—poets who share their work year after year,” said Darren Black. “It’s encouraging to see the developmental arcs of talented writers in our city. Whether you’re an established poet who has published many books, or you have never read your work in front of people before, the audience is so supportive. You never know what you’re going to hear. Every year is fresh, and a little unpredictable. But the basic formula is simple: We listen to a bunch of poems. We hang out. We have fun. We hope you’ll join us!”

For media inquiries, please contact the organizers at: bostonpoetrymarathon2018@gmail.com.

Event Details

What:  Boston Poetry Marathon
Where: Outpost 186 – 186 ½ Hampshire Street, Cambridge MA
When:  Friday, August 10th: 6:00-10:30 p.m.; Saturday, August 11th: 12:00 p.m.-10:30 p.m.; Sunday, August 12th: 11:00 a.m.-6:30 p.m.

Online at

bostonpoetrymarathon.wordpress.com
https://www.facebook.com/groups/bonstonpoetrymarathon/
http://instagram.com/bostonpoetrymarathon

 

 

 

 

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Community News & Updates May 2018

ANNOUNCEMENTS

Thank you to all who supported the One Month, One Voice campaign to benefit Stonecoast’s new Writing for Social Justice Scholarship. Together, we raised over $20,000! If you missed the campaign but would still like to be part of the movement, you can email stonecoastcommunity@maine.edu for information on donating or hosting an event. Thank you for being part of Stonecoast’s commitment to social justice.

Acclaimed Irish Fiction Writer Claire Keegan will be presenting a four-day Fiction Workshop in Winter Harbor, Maine, September 13-16, 2018!  Please contact Kathryn Balteff (current Fiction student) at info@FeatheredInk.org or Kathryn.balteff@maine.edu for details and registration information. Registration must be completed by June 1st. There are a limited number of spots available for this wonderful opportunity—don’t wait!

ALUM NEWS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) natural history memoir, The Sound of a Wild Snail Eating (Algonquin Books, 2010), has been adapted for stage in Switzerland. Produced by the theater company FRADS Fruhstuck auf der Szene Buchholzstrasse, the performance involves one actor and one dancer. A video trailer for the production can be viewed here. Performances dates are April 25th, 27th, and 28th at the Theater Tuchlaube in Aarau, Switzerland, and May 26th at the Kelelrteater in Bremgarten, Switzerland. More information is available here.

Set photo: The Sound of a Wild Snail Eating

Michael Beeman (Fiction, S’09) published his short story “The Witnesses” in the spring 2018 issue of The Superstition Review. His short story “The Dream” has been accepted for an upcoming issue of EPOCH magazine.

Peter Adrian Behravesh (Popular Fiction, W’18) has accepted a position as the audio producer for PodCastle, a weekly podcast that publishes fantastical short fiction.

Karen Bovenmyer (Popular Fiction, S’13) is chuffed her 200-word flash “Cadaver Feet” will be reprinted in The Binge Watching Cure II: Horror anthology. This short was written for alumna Bonnie Jo Stufflebeam’s Art & Words show and art created for it can be viewed here. Karen is super excited that she will be participating in this year’s Art & Words show and artwork will be created for her Rhysling award-nominated poem “Syncing Minefields.” She’s honored her novel Swift For The Sun won a silver medal in the LGBT category of the IBPA Benjamin Franklin Award. Her article about what to consider while selling your fiction to podcast markets, “One Story, Told Well,” is available for reading on Writespace. Karen will be presenting on panels at Writespace Houston, May 4-5: “The Good, the Bad, and the Slushy: How to Save Your Story from the Slush Pile Neverland,” “Submission Tools for New Writers,” “The Future of LGBTQ Publishing: New Stories, New Voices,” and “Metal and Speculative Fiction.” At the end of the month, May 25-27, Karen will be presenting on two panels at Comicpalooza Houston—“Speculative Poetry Deathmatch” and “Finding Writing Inspiration”—as well as participating in “Poetry of the Imagination: A Science Fiction and Fantasy Poetry Reading” at Kaboom Books. She was interviewed on KHOI radio’s community bookshelf (April 17) about her work and the effects of divorce and dating on her writing. Her short story about divorce, “From Now Until Infinity” published in Factor Four Magazine, has been receiving a lot of buzz and was reviewed by Maria Haskins in “10 extra excellent stories I read in March.” Karen can be heard narrating work by Llewellyn, Schow, Cushing, Barker, and Gifune on Cemetery Pod. Stonecoast continues to be the single most influential experience on Karen’s career and she is grateful for it every day!

On May 13 the collaborative sound art project Soundtrack becomes available for download. This is a work presented by the Queens Museum as part of the Mel Chin: All Over the Place exhibit with project curator Jace Clayton (aka DJ /rupture), which will include Jennifer Marie Brissett (Popular Fiction, S’11 ) reading from her novel Elysium.

KT Bryski (Popular Fiction, W’16) has a play premiering soon! A Canticle of Light will run May 30th-June 2nd in Toronto, produced by indie theatre company Missed Metaphor Productions.

Linda Buckmaster (Creative Nonfiction, S’11) now has her first-ever writer’s website lindabuckmaster.com. It includes her live blog “Field Notes,” her current “Audio Essays,” and all kinds of other great stuff. She’s also nailed the date for the launch of her hybrid memoir, Space Heart: A Memoir in Stages, for November 4 at Waterfall Arts in Belfast, Maine. If you’re in the neighborhood, stop by.

John Florio (Fiction/Popular Fiction, S’07) has written about the intersection of race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece, “When Martin Luther King Died, Major League Baseball Struck Out,” was an April feature story for ESPN’s The Undefeated. His YA book, War in the Ring: Joe Louis, Max Schmeling, and the Fight Between Hitler and America, will be released by Macmillan’s Children’s Group in Spring 2019.

Hank Garfield‘s (Fiction, S’04) short-short story “The Pickup Artist” appears in the May issue of Portland Magazine. Hank also has a nonfiction piece, “An Old Boat Gets a New Waterline,” in the May issue of Points East, a boating magazine covering the entire New England coast.

Alan King (Poetry, W’13) was the featured guest on WPFW 89.3 FM’s On The Margin with E. Ethelbert Miller. He discussed his latest book, Point Blank, talked fatherhood, and more. Listen to the recording here.

Paul Kirsch (Popular Fiction, W’11)—Pillars of Eternity 2: Deadfire will be released on May 8th for PC/Mac/Linux! The game is fully voiced and features the cast of Critical Role, a popular D&D podcast where talented gaming industry voice actors play a tabletop adventure together. All of the actors play prominent roles in Deadfire. Enjoy the trailer below for some of the action, and enjoy the writing on May 8th!

Will Ludwigsen‘s (Popular Fiction, W’11) latest collection Acres of Perhaps, featuring his work from Asimov’s Science Fiction Magazine and Nightmare Magazine plus several new stories, is now available from Amazon or your favorite online independent bookseller. If you enjoy alternate history crime, cursed toys, sky-gazing psychopaths, or creepy 60s TV shows, it may be just what you need for your nightstand.

Jeanette Lynes’ (Poetry/Fiction, ‘05) second novel, The Small Things That End The World, will appear in May 2018, published by Coteau Books, Regina, Canada. Jeanette is currently a Visiting Fellow at the University of Edinburgh’s Institute for Advanced Studies in the Humanities (IASH).

Both of Alison McMahan‘s (Popular Fiction, W’10) short mysteries, “The New Score” (Fish Out of Water Anthology, Wildside Press 4/17) and “The Drive By” (Busted! Arresting Stories from the Beat Anthology, LevelBest Books 4/17), have been nominated for Derringer Awards by the members of the Short Mystery Fiction Society. Winners will be announced on May 15th. Her short horror story “Kamikaze Iguanas” will appear in the MWA anthology for middle-grade readers entitled Scream and Scream Again (HarperCollins, 2018), edited by R. L. Stine, which is now available for pre-order.

John Christopher Nelson‘s (Fiction, S’15) flash piece “Chrysalis” is featured in Melanie Faith’s In a Flash! Writing & Publishing Dynamic Flash Prose, available now through Vine Leaves Press. Nelson’s work appears alongside other Stonecoast alumni in this collection.

“Unseen Canyon,” Jenny O’Connell‘s (Creative Nonfiction, S’17) essay about rafting the Grand Canyon with blind students, will appear in the summer edition of Camas, released this month. A second essay based on Finding Petronella, Jenny’s book project tracing her solo trek across Finland in the footsteps of Lappish legend Petronella van der Moer, is forthcoming from Slice Magazine in September.

American Dangerous, Renée Olander‘s (Poetry, W’05) first full-length collection of poems, will be published by Backlash Press in September 2018. She also has poetry and prose forthcoming in the anthology Feminine Rising, edited by Andrea Fekete and Lara Lillibridge, due in early 2019.

Anne Britting Oleson‘s (Poetry, W’05) third poetry chapbook, Alley of Dreams, has been published by Clare Songbirds Publishing of Auburn, NY.

Suri Parmar‘s (Popular Fiction, W’17) short film The Bakebook was selected by Female Eye Film Festival to screen in a curated exhibition at De Montfort University on April 13, 2018, in association with the Cinema and Television History (CATH) centre. Her short story “Forty Whacks” has also been published in Vague Visages.

Steve Rhodes (Poetry, W’11) has two ekphrastic poems that recently appeared in The Ekphrastic Review (April 10, based on a painting by Oldilon Redon; April 17, based on a painting by George Bellows). His poem “Aubade” will appear in Tahoma Literary Review in August.

Lisa Romeo (Creative Nonfiction, S’08) proudly announces the May 1 publication of Starting with Goodbye: A Daughter’s Memoir of Love after Loss (University of Nevada Press). She’d like to express her gratitude and appreciation to all of her Stonecoast faculty and mentors, workshop leaders, and fellow students/alumni for the help and support!

Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “Angry Kings” appeared in the recent issue of Beneath Ceaseless Skies. 

Melanie Viets (Creative Nonfiction, W’17) has an essay in About Place Journal: “A Humbling Place” appears in the new ‘Rewilding’ issue.

Tamra Wilson (Fiction, S’11) is co-editing a teen-idols anthology with Elizabeth Searle (Fiction, Popular Fiction, Scriptwriting) to be released June 15th from McFarland Publishers. Idol Talk will include work by Ann Hood, B. A. Shapiro, Susan Straight, Jill McCorkle, Lesléa Newman, Stephanie Powell Watts, and a host of others. The collection showcases a variety of female authors who share—most for the very first time—their teenage crush and the impact the experience had on their lives. Idol Talk will be the first book of teen-idol essays ever written entirely by female writers. Its focus is a topic that’s rarely discussed and seldom studied: the coming-of-age bridge in which girls intensely project themselves into a world beyond themselves. Both co-editors will be at Stonecoast in July to share excerpts and discuss writing about pop culture along with Nancy Holder (Popular Fiction).

STUDENT NEWS

Lindsey Barlow (Popular Fiction) has been offered a three book deal by California Coldblood Books, an imprint of Rare Bird Books, for a trilogy she has been working on for the past five years. She is over the moon for this wonderful opportunity, and she is so happy to be part of the CCB family.

FACULTY NEWS

Tom Coash’s (Playwriting) short play Quit Stalling will be produced in May as part of the 1:One Festival in Dubai, United Arab Emirates. Shortly thereafter, the short film The R Word (for which he wrote the screenplay) will premiere at the White River Indie Festival, June 3, in White River Junction, VT.

Ted Deppe (Poetry) and Annie Deppe will be reading at the Linen Hall Library in Belfast, Northern Ireland, at 1:00 p.m. on 18 May. Ted will give a poetry masterclass/workshop from 10:00 a.m. to 12:00 noon before the reading. As of this writing, there are still a few spots left for the workshop.

Jim Kelly’s (Popular Fiction) 2005 Nebula-winning novella, Burn, has just had its first ebook edition. Particle Books, a new electronic imprint from Tachyon Publications, launched Burn on April 24; it includes a new afterword by Jim. He talks about the writing of the book as well as his forthcoming short-story collection The Promise of Space in an interview with Paul Semel. In other reprint news, Jim is the only author from the U.S. included in the just-published anthology Future Fiction: New Dimensions in International Science Fiction, edited by Bill Campbell and Francesco Verso, from Rosarium Publishing. Also represented in the table of contents are India, Greece, Zimbabwe, China, Italy, the Canada, the U.K., Russia, Mexico, Nigeria, and Cuba. Jim’s novelette “Bernardo’s House” was first published in 2003.

 

 

 

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