Tag Archives: Julie C. Day

Community News & Updates June 2021

ANNOUNCEMENTS

Issue 15 of Stonecoast Review will be on sale during and after June residency. From the gorgeous covers to the angst-filled poems and stories inside, this issue holds a mirror up to the last crazy-Covid year. The SCR team did a phenomenal job putting this together and it is stunning. Copies will be available for purchase on the Stonecoast Review site and at Kelly’s Books-to-Go. All sales proceeds cover the cost of printing future issues. Stonecoast Review will hold an informational meeting during June residency for any students interested in working on issue 16, and the upcoming Editor-in-Chief, Shannon Bowring, is still looking for a poetry editor.

A few Stonecoast graduates have been working on Sandbox Adventures Volume 1, a collection of 12 Plug-and-Play Dungeons & Dragons Fifth Edition adventures that they’ve launched on Kickstarter. Shane Collins (Fiction, W’15) is the lead writer for the project, Frank Ard (Popular Fiction, S’14) is the lead copy editor, Ana Delcourt (Fiction, S’14), is the website designer and artistic consultant, and Joe Carro (Popular Fiction, S’14) is a contributing writer and playtester. The Kickstarter is underway and goes until June 24th.

CURRENT STUDENTS

Shannon Bowring (Fiction, 4th semester) was honored and thrilled to have her unpublished story “Romance,” from her collection-in-progress, chosen as a Finalist in this year’s MWPA Maine Literary Awards, alongside Stonecoast alum and category winner Morgan Talty. Shannon is also excited (and surprised) to have had work accepted in upcoming issues of Slush Pile Magazine and Raleigh Review.

ALUMS  

Peter Adrian Behravesh (Popular Fiction, W’18) is a finalist for the Aurora Award for Best Related Work for his work as the audio producer of the fantasy fiction podcast PodCastle, alongside co-editors C.L. Clark and Jen R. Albert, assistant editor/host Setsu Uzumé, and all of PodCastle’s fabulous associate editors. Peter also narrated R.K. Duncan’s story “Hassan the Executioner Walks Out of Jawasar for the Last Time” for the May 20 issue of Beneath Ceaseless Skies; you can listen to it here.

Carina Bissett (Popular Fiction, S’18) is pleased to announce that she accepted the Silver Hammer Award at the Bram Stoker Awards on Saturday, May 22: “The Horror Writers Association (HWA) periodically gives the Silver Hammer Award to an HWA volunteer who has done a truly massive amount of work for the organization, often unsung and behind the scenes.” Also at StokerCon, Carina shared her story “Twice in the Telling” as one of the author readings. This reimagining of a murder ballad can be found in the recently released anthology Upon a Twice Time now available from Air and Nothingness Press. In other news, Carina is busy at work reading solicited stories for the upcoming anthology Shadow Atlas: Dark Landscapes of the Americas, scheduled for release by Hex Publishers in October 2021. As one of the editors of this project, she is excited to share a dynamite line-up of authors in a table of contents that defies genre stereotypes. In an effort to broaden the scope of diversity in this ground-breaking anthology, Hex Publishers will be holding an open submission window from June 21 to June 27, 2021. Bissett is seeking short fiction set exclusively in South America and poetry situated in the landscapes of the Caribbean, Mexico, Central America, and South America.

Jennifer Marie Brissett is happy to announce that Destroyer of Light is now available for pre-order (to be published on October 12th).

J Brooke’s (Poetry, S’19) review of Melissa Febos’ audiobook Girlhood was just published by Audiofile Magazine. J shared the original (rejected) draft of their review with fellow Stonecoast summer 2019 graduates during a recent Hydra zoom reunion; for a copy of the far more interesting, rejected review, contact J at jbrookewrites.com. Their review of Useless Miracle by Barry Schechter was published earlier in the month without incident.

KT Bryski (Popular Fiction, W’16) is honoured to be a finalist in two categories for the Aurora Awards, Canada’s annual awards for science fiction and fantasy. Her short story “The Bone-Stag Walks,” originally published in Lightspeed, is a finalist for Best Short Story. The ephemera reading series—the monthly reading series she co-chairs—is a finalist in Best Fan Related. 

Julie C. Day (Popular Fiction, S’12) is thrilled to announce that the fourth installment of her mosaic novel Stories of Driesch, “We Girls,” was released in May. The first three chapters of the novel are also available as ebooks and online. During the course of 2021 twelve original stories in this world will be made available to read on the Vernacular Books website or to purchase as standalone ebooks. At the end of the year, the pieces will be published as a mosaic novel Stories of Driesch (ebook & print) by Vernacular Books. Julie is also at work with her co-editor Ellen Meeropol on the charity anthology Dreams for a Broken World (Reckoning Press, 2022), an invite-only anthology of the real and the fantastical to raise money for the Rosenberg Fund for Children. 

  • “Do Not Fragment: Stories of Driesch 3” — Read online: Vernacular Books website. Purchase “Do Not Fragment” eBook: Amazon

In this cyberpunk-ish city, consciousness is a commodity. And the self is an augmented, fractured creation. Death detectives work with memories in storied Limm-Glass. Children are outfitted with secondary Glassed-personalities. Black market operators acquire and traffic virtual Glassed-personalities, and man-made tools utilize modified and unmodified versions of both the living & the dead.

Lesley Heiser (Fiction, S’11) loves the spring. Her essay “Covens” came out in About Place Journal, Geographies of Justice issue. Her essay “Caithness Aurora” is forthcoming in June in Atticus Review. Her essay “Black Magic Marker” was longlisted for the CRAFT Literary Journal nonfiction prize. Her essay “Butterfly” was a finalist for the Maine Literary Award.

Gail Hovey’s (Creative Nonfiction, S’11) memoir She Said God Blessed Us was recently reviewed by WATER—Women’s Alliance for Theology Ethics and Ritual. She is in good company. Scroll down to review number four. 

Ellen Meeropol (Fiction, W’06) is thrilled and mildly terrified to announce a free public reading of her first play, Gridlock, on June 11. The opening scenes were workshopped with Tom Coash and Jeni Mahoney during the Stonecoast winter residency. Sponsored by Silverthorne Theater and LAVA, the reading will be both in person (gasp!) in Greenfield, MA, and live-streamed. Tickets and info here.

Tarver Nova‘s (Popular Fiction, S’11) short story “The Oracle and the Heist” was published in The J.J. Outré Review. He also has a short story forthcoming in Kaleidotrope.

Jenny O’Connell‘s (Creative Nonfiction, S’17) recent story on the fierce females who paddle Maine rivers is out in Maine Magazine. This piece—which spanned many weekends and river miles—was a heart project for Jenny, a river guide herself and a passionate advocate for better representation of women in outdoor media. This September, Jenny is putting her long-time dream of merging her writing and outdoor guiding careers into action: together with Maine Guide Chloë Rowse, she’s guiding a 7-day backpacking and writing adventure through Maine’s rugged 100 Mile Wilderness. Jenny is also thrilled to be teaching a character intensive at Salt Institute of Documentary Studies at MECA in early June. Limited space is available in both—Stonecoast writers enthusiastically welcome!

Suri Parmar‘s (Popular Fiction, W’17) short fiction piece “The Changeling” appears in Issue 10 of the literary magazine The Spectacle. She conceptualized the story as a modern-day interpretation of Shakespeare’s A Midsummer Night’s Dream.

Bruce Pratt (Fiction, S’04) has short story “Om Land Security” in in the new edition of Clackamas Literary Review. He has a short humor piece forthcoming in Portland Magazine.

Two memoir poems by J. Stephen (Steve) Rhodes (Poetry, W’11) will appear in the fall issue of Innisfree: “Herbie Mann at the Village Gate” and “Portrait, 1938.”

R. M. Romero‘s (Popular Fiction, S’15) magical realism novel in verse, The Ghosts of Rose Hill, will be published by Peachtree Teen in May 2022. 

Two more flash fictions for sid sibo (aka sidney woods, Fiction, W’19): “Permeable” and “Blameless” will be published in the July issue of Orca Literary Journal. Thanx to Suzanne Strempek Shea for introducing the compact story form that helps a literary self survive general distractedness.

Linda K Sienkiewicz (Fiction, S’09) is pleased to announce that her poem “The Second Worse Thing” won First Place in the Springfed Art Poetry Competition, judged by Kathleen McGookey. 

Starting on July 5th, Stonecoast alum and Tin House author (Night of the Living Rez, 2022) Morgan Talty (Fiction, W’19) will be teaching an online six-week introductory course to fiction through Writing Workshops DallasFor those interested, please find more information here. Morgan’s short story “The Blessing Tobacco,” which originally appeared in the Winter 2020 issue of TriQuarterly Magazine, was selected as the Winner of The Maine Literary Awards Short Fiction Contest. Read the story here.

Christopher Varlack (Creative Nonfiction/Poetry, S’10) received the 2021 Cultural Ally Award—“given to staff or faculty members for their support of and advocacy for providing a welcoming and inclusive environment in which to learn, live, and grow”—from Arcadia University. Christopher just completed his first year at Arcadia as a tenure-track assistant professor of English. Students said, “Dr. Varlack consistently encourages cultural, mental, and emotional betterment in students and faculty. His comprehensive knowledge of Black literature, literary history, and creative writing is extremely refreshing and creates an environment in class that is compelling and inspiring.”

Adrienne S. Wallner (Poetry, W’09) will be presenting stories and photos from her hiking adventures at Isle Royale National Park on June 9 at The Snowflake Arena in Land O Lakes, WI, hosted by the Land O Lakes Fish and Game Club. On June 16, Adrienne will be giving a poetry reading and book signing of her debut collection To the 4 a.m. Light at Mind Chimes Bookshop in Three Lakes, WI. Signed copies of To the 4 a.m. Light can also be ordered through Adrienne’s website. Adrienne also published a guest post on May 21 for Typewriter Tarot’s Patreon titled “Oracle Decks: A Faery Reading in the Woods” about using oracle cards to find creative clarity and insight about her writing projects. 

FACULTY 

Faith Adiele’s (Creative Nonfiction) poignant review of the audio memory archive for Black lives lost, 1-800 Happy Birthday, was published at hyperallergic.comA Joyous, Sorrowful Archive of Birthday Messages for Lives Lost to Police.  She also contributed a letter written to Biracial/Multiracial/Mixed Black girls to the recently published Dear Black Girl: Letters from Your Sisters on Stepping Into Your Power. She read her letter on Mother’s Day Weekend at a virtual event hosted by Bel Canto Books on May 8th alongside editor Tamara Winfrey-Harris, who talked about the Letters to Black Girls Project and the complicated relationship between mothers and daughters. Faith also talks bandit territory on an episode of the new travel podcast There She Goes! Travel Stories Told by the Women Who Wrote Them and is featured in a brief bonus Q & A as well. The podcast is co-hosted by the series editor of The Best Women’s Travel Writing, Lavinia Spaulding, and Kelly Chappie.

If you enjoy audiobooks, faculty member Tobias S. Buckell’s (Popular Fiction) latest novel A Stranger in the Citadel launched May 27th as an Audible Original. You can download it for free if you have an Audible subscription, without even using a credit! In Tobias’s new novel, “when a librarian arrives in Ninetha, an actual seeker and master of forbidden written knowledge, his presence unravels dark secrets at the heart of Lilith’s family’s rule over the city.”

Breena Clarke (Fiction) announces the publication of Chicken Soup for the Soul I’m Speaking Now: Black Women Share Their Truth in 101 Stories of Love, Courage and Hope. This anthology, which contains 101 compelling, honest stories and a dozen poems from over 100 Black women, is co-authored by Breena and published on June 1, 2021. 

John Florio (Creative Nonfiction, Popular Fiction) wrote his latest feature for The New York TimesShould Nurses Take a 30% Pay Cut When Their Patient Turns 23? He’s also signed to a two-book YA deal with Macmillan. Doomed: The Tragic Case of Sacco & Vanzetti will be released in Spring 2022; Serpico: An Authorized Biography of an Honest Cop is slated for Spring 2023.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) new novel Hotel Cuba was sold in a pre-empt to Harper Perennial, for publication in 2023. It’s the story of two sheltered Russian Jewish refugee sisters who find themselves trapped in hedonistic Prohibition-era 1920s Havana while trying to emigrate to America.  

Elizabeth Hand’s (Popular Fiction, Fiction) short story “The Owl Count” was a finalist for the American Society of Magazine Editors Award for fiction. Recent reviews include Billie Eilish, by Billie Eilish, for The Washington Post. Elizabeth recently spoke at the Writer’s Hotel Conference on creating memorable characters from the opening paragraph.

Nancy Holder (Popular Fiction) won the Bram Stoker Award for Excellence in a Graphic Novel for Mary Shelley Presents Tales of the Supernatural. Debbie Daughetee, editor and publisher of the graphic novel, is a Popular Fiction alumna from the Class of 2006.

Elizabeth Searle (Fiction, Popular Fiction, Scriptwriting) has Screenplay News: Variety has just announced that I’ll Show You Mine, a feature film script that Elizabeth co-wrote, is forthcoming as a Duplass Brothers Production film. The feature script was co-written by Elizabeth, bestselling author David Shields, and screenwriter Tiffany Louquet. The full film was shot in LA in May and is Executive Produced by Jay and Mark Duplass (Room 104) and by Lacey Leavitt (Outside In) & co; directed by Megan Griffiths (Lucky Them, Eden) and starring Poorna Jagannathan (Never Have I Ever, The Night Of, Big Little Lies) and Casey Thomas Brown (The Kominsky Method, Justified, Shameless). ICM is handling sales. The film is in post-production; release details TBA. Variety notes, “The dramedy, a Duplass Brothers Production, centers on Priya Sura, an author who has made a career of examining her own trauma, as she sits down to interview her nephew Nic for a new book about his history as a model who challenged gender norms and embraced his pansexuality in a very public forum. Their ensuing conversation, which takes place over the course of one intense weekend, forces each of them to reveal much more than expected and confront some of their most deeply hidden secrets.” Director Megan Griffiths said, “We started with a fantastic script, and every member of our team contributed to creating an environment that was conducive to vulnerability and risky, revealing performances.” Producer Mark Duplass added, “‘Some projects check all the boxes. This is one of them.’” See more details in the Variety announcement, and the film announcement also drew coverage overseas in The India Times.

Casey Thomas Brown and Poorna Jagannathan star in I’ll Show You Mine, an upcoming Duplass Brothers Productions feature film co-written by Elizabeth

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Community News & Updates March 2021

ANNOUNCEMENTS

This year, Stonecoast is thrilled to be launching two bi-monthly series:

The Stonecoast WISE Series, which kicked off at the January residency with “The Rhetoric of Rage”—a Task Before Us event where Stonecoast faculty, alumni, and guests discussed the use of rage in writing to fight oppression—continues this March with a reading from January’s Stonecoast Alumni Scriptwriting Workshop. Featuring alumni Stacie McCall Whitaker, Jeannie Mullins, Ellen Meeropol, and Dan McMinn, and a cast of brilliant professional actors from around the country, the event on Thursday, March 25th, at 7:00 p.m. EST will include a post-reading Q&A session with actors, writers, and directors on scriptwriting as a tool for social justice. Check the Stonecoast website next week for more information.

Alumni Master Class: Stonecoasters Demystify the Business of Writing is a collaborative, interactive series where alumni presenters share trade tricks, hacks, secrets, and valuable wisdom gained from life experience in the creative writing industry. Our first session was held in February, and featured Tom MacDonald, Candace Nadon, and Cameron Steiman discussing “Writing Habits.” Watch the video or peruse the resource list compiled during the session. We hope to see you in April as we tackle Self Marketing and Promotion!

FACULTY

Tom Coash’s (Playwriting, Dramatic Arts, Writing for Social Change) musical, Stepping Into Fire, will be featured on Season 3 of the Latest Draft Podcast along with interviews of Tom and his collaborator, Jonathan Brielle. Tom will also be teaching his very popular “Developing Believable Characters Who Know What They Want” workshop as part of the San Miguel Writers Conference’s online literary season. March 9th and 11th. Sign up now!

Martín Espada (Poetry, Writing for Social Change) had his first western Massachusetts Floaters event on February 24th, a virtual reading and conversation with his friend Paul Mariani, poet, biographer of poets, former UMass professor, and University Professor Emeritus at Boston College. The Odyssey Bookshop in South Hadley, MA, an independent bookstore that needs and deserves our support, hosted the event.

Elizabeth Hand (Popular Fiction, Fiction) is one of the artists included in A Brief Compendium of Cool. On March 9th, she’ll be part of a discussion on crime fiction at the Sturgis Library (via Zoom) with Steph Cha, Dan Chaon, and Rachel Howzell Hall; the event is free but does require pre-registration.

The New York Times Editors’ Choice novelist Cara Hoffman‘s (Fiction, Popular Fiction) story collection Ruin—an excavation of the American landscape revealing the beauty of outsiders and examining the varied ways the human conditions of isolation, despair, and joy connect us all—has been sold to Ramsey Kanaan at PM Press, in a very nice deal, by Rebecca Friedman at Rebecca Friedman Literary and will be published in spring 2022. Her nonfiction title Dream of No Nation: An Homage to Exarchia is forthcoming in 2023.

ALUMS 

Jillian Abbott’s (Popular Fiction, S’04) op-ed with Kathleen Wallace at the New York Daily News on the science of storytelling appeared on February 1st.

For his work as the audio producer of the fantasy fiction podcast PodCastle, Peter Adrian Behravesh (Popular Fiction, W’18) has received the British Fantasy Award for Best Audio, alongside co-editors C.L. Clark and Jen R. Albert, assistant editor Setsu Uzumé, and all of PodCastle‘s fabulous associate editors.

Carina Bissett (Popular Fiction S’18) is pleased to announce that her story “The Certainty of Silence” is included in Twisted Anatomy: A Body Horror Anthology. This piece is a Bluebeard/Little Mermaid mash-up written as a protest against domestic violence. Proceeds from this anthology benefit the Pulmonary Hypertension Association and the National Domestic Violence Hotline. She is also thrilled to announce that the anthology Arterial Bloom, edited by Mercedes M. Yardley, made the final Stoker ballot for Superior Achievement in an Anthology! “Rotten,” a Snow White retelling, is the final story in the book. In other news, her interview of past HWA president Lisa Morton is included in the StokerCon 2021 Souvenir AnthologyThe Phantom Denver Edition, edited by Josh Viola at Hex Publishers. She also shared her hopes and dreams for women working in the horror genre during the online panel Females of Fright!, which was moderated by award-winning author Gwendolyn Kiste.  

Julie C. Day (Popular Fiction, S’12) is thrilled to announce that the third installment of her mosaic novel Stories of Driesch will be released this month. The first two stories of the novel are already available as ebooks and online.  Every month of 2021 will include a new original story in this world, available to read on the Vernacular Books website or to purchase as an ebook. At the end of the year, the pieces will be published as a mosaic novel (ebook & print) by Vernacular Books.   

In this cyberpunk-ish city, consciousness is a commodity. And the self is an augmented, fractured creation. Death detectives work with memories in storied Limm-Glass. Children are outfitted with secondary Glassed-personalities. Black market operators acquire and traffic virtual Glassed-personalities, and man-made tools utilize modified and unmodified versions of both the living & the dead.

Jess Flarity (Popular Fiction, S’18) will appear on the Fifth Estate livestream on Tuesday, March 2nd, at 1:00 p.m. Eastern time to discuss an article he wrote on sex robots for their upcoming Spring Issue. You can listen to the stream here, or if you prefer hot, live video when it comes to talking about sexy smartbots, one will be uploaded at a later date.

Gail Hovey (Creative Nonfiction, S’11) was the featured guest on February 22nd at 1:00 p.m. EST, on Queer Spirit on OUT Cast at WMPG radio, Portland, ME. Queer Spirit is a series of conversations exploring queer life and the power of the Sacred. Listen here to the 30-minute+ conversation between hosts Marvin Ellison and Tamara Torres McGovern and Gail as they talk about her recently published memoir, She Said God Blessed Us: A Life Marked by Childhood Sexual Abuse in the Church. One reviewer describes the memoir this way: “This book is a gift. . . written with compassion, righteous anger, and deep insight about the turmoil that abuse generates and about the courage and tenacity required to disarm a debilitating curse and claim an authentic blessing.”

 Clifford Royal Johns’ (Popular Fiction, W’18) new novel, Velocity Blues, is now available for pre-order (paperback or Kindle) from your favorite bookstore (or Amazon). The novel was written at Stonecoast and was Cliff’s thesis work. It will be released in June.

The Best American Poetry site interviewed Alan King (Poetry, W’13) and his publisher about his upcoming chapbook, Crooked Smiling Light, which will be released in March; you can read the interview here. Alan’s chapbook was also reviewed in Auburn Avenue; read the review here.

In addition to co-editing a League of Women Voters book, publishing a poem and an essay, Linda Quinby Lambert (Creative Nonfiction, W’16) is a ghostwriter for LifeTime Memoirs. LTM is looking for ghosts and interviewers; if interested in PT work, see their website for vacancies in the U.S. and an application. Also, read Linda’s “Becoming a Ghost.”

Ellen Meeropol (Fiction, W ’06) participated in the Stonecoast Alumni Scriptwriting workshop with Tom Coash and Jeni Mahoney and loved it! The full-length version of her script Gridlock is in development with Silverthorne Theater Company, as a collaborative project with LAVA (Local Access to Valley Arts) in Greenfield, MA. Gridlock is a quasi-sequel to Ellen’s fourth novel, Her Sister’s Tattoo. Who knew that writing for theater was so different from writing a novel, and so much fun!

Bruce Pratt‘s (Fiction, S’04) story “Om Land Security” will be published in the next issue of The Clackamas Review and his poem, “That’s Not Right,” will be featured in the next Poetry Box anthology devoted to pandemic poetry. His story “Alex the Amazing” will appear in the next issue of Portland Magazine. Three of Bruce’s poems—“Sugarloaf December,” “Skating with the Eagle,” and “Cloud Skating”—will appear in the next issue of Aethlon: The Journal of the Sport Literature Association.

How do you keep going when everything seems stacked against you? Listen to award-winning author and illustrator Linda K. Sienkiewicz (Fiction S’09) discuss how to foster a creative life on the Ferndale Library’s podcast “A Little Too Quiet,” and learn how she navigated her venture into children’s picture books with Gordy and the Ghost Crab. Also, Linda was featured on a livestream poetry event for The Detroit Writers Guild, Detroit Public Library, and Poets & Writers, reading with writers Arnold Johnston and Bill Harris. 

Richard Squires (Fiction, S’14) has published his short story, “Branching Off in Shadow Heights,” in the Winter 2021 issue of BigCityLit. This story was selected by the Stonecoast Alumni Committee to represent Stonecoast’s Fiction genre at the celebration of the Stonecoast program’s 15th anniversary in 2017, where Richard was beyond thrilled to read. Work on this story began during the program under Aaron Hamburger’s expert mentorship. Special thanks to Alexandria Delcourt (Fiction, S’14), who helped with the pesky, final, magical touches.

Robert E. Stutts (Popular Fiction, S’10) was promoted to full Professor at Presbyterian College, where he is the Director of the Creative Writing Program and current Chair of the English department.

Lisa C. Taylor‘s (Poetry, S’04) poem “Mathematics and Language” will appear in the April edition of Sky Island Journal. Her poem “Imposter” will be featured on the website for Lily Poetry Review and also in the print version of the next issue. Lisa will be reading, along with Irish writer Geraldine Mills, at a virtual author event sponsored by the Irish Heritage Society of Milford on March 6th at 2:00 p.m. EST:

The IHSM Cultural Committee is thrilled to announce a reading with Geraldine Mills (direct from Ireland) and Lisa C. Taylor (now from Colorado) who have presented at the IHSM Clubhouse in the past. Geraldine will read from and hold discussion on her latest book, Bone Road, a verse memoir of her great grandparents’ immigration to America. She will be joined by her friend, and frequent collaborator, Lisa C. Taylor, who will read from her past and current poetry and from The Other Side of Longing, co-authored by Geraldine. Please contact Maureen Moore by March 5th at maureenmoore_2001@yahoo.com if you wish to attend, and she will send you the Zoom invitation link. Please type “Irish Author Event” in the subject of your email. 

Gina Troisi‘s (Creative Nonfiction, W’09) short story “Eve” was just published in the print edition of Night Shift Radio.

Adrienne S. Wallner’s (Poetry, W’09) debut poetry collection To the 4 a.m. Light will be released on March 26, 2021 by Finishing Line Press; to order, visit here. Read Adrienne’s blog at www.inkinthebranches.com. Find Adrienne on IG & FB @inkinthebranches. Click here to sign up for Adrienne’s newsletter.

Marco Wilkinson (Creative Nonfiction, S’13) will be leading an online writing workshop at the Hudson Valley Writers Center on April 18th from 12:30-4:30 p.m. entitled “What’s Left Unsaid: Writing Around and In Spite of the Truth in Creative Nonfiction.”  For more details and to register, go here

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Community News & Updates October 2020

FACULTY

Cara Hoffman‘s (Fiction, Popular Fiction) reporting on the uprising in Exarchia, “Dream of No Nation,” was recently published in The Daily Beast. Her long prose poem “Retouch/Switch,” part of Garth Greenwell’s KINK anthology, was recently translated and published in the polish magazine Femme. Her short story “DeChellis” will be published in the forthcoming issue of Bennington Review. Cara’s second novel for children, The Ballad of Tubs Marshfield, will be published in early November and is now available for pre-order.

Suzanne Strempek Shea (Creative Nonfiction, Fiction) will be among the 20 authors and poets featured at Old Dominion University’s 43rd annual Literary Festival, “Grit and Grace.” The series of virtual programs is free and open to the public October 4-8. Suzanne will read, speak, and do a Q&A October 8 from 12:30 to 1:30 p.m. EST. More information and links to all events are here.

 

ALUMS

Lindsey Barlow‘s (Popular Fiction, W’19) second novel of the Jack Harper Trilogy—Perish—was published October 13, 2020, by California Coldblood Books, an imprint of Rare Bird Books.

Peter Adrian Behravesh (Popular Fiction, W’18) can finally reveal that he sold an interactive novel to Choice of Games, which is set in the same Persian space fantasy universe as his Stonecoast thesis. Barring any unforeseen calamities (and there have been plenty of those lately), The Astralchemist’s Apprentice will be released in 2021. Peter also narrated Aimee Ogden’s story “More Than Simple Steel” for the September 24 episode of Escape Pod. You can listen to it here.

Carina Bissett (Popular Fiction, S’16) has a dinosaur robot story in the anthology Triangulation: Extinction, which was published by Parsec Ink in August. She also takes a look at giraffes as a critically endangered species in the story “An Authentic Experience,” which also came out in August in the anthology WILD: Uncivilized Tales from Rocky Mountain Fiction Writers.

Ed Boyle’s (Fiction, W’09) story “The Keeper of the Marsh” was recently published in Scarlet Leaf Review.

Kathy Briccetti (Creative Nonfiction, W’07) recorded a two-minute Perspective on San Francisco’s KQED public radio about her experiences working on the 2020 Census. She is currently shopping the novel she began after graduation, a story about an American family set in the tumultuous early months of 1968, an electrifying time of riots, political upheaval, protests, sexual revolution, feminism, and rock and roll.

KT Bryski (Popular Fiction, W’16) has a story in this quarter’s Apparition Lit: “The Gorgon’s Epitaphist” will be available to read on October 15. As well, join her on YouTube October 21 for this month’s ephemera reading series. Sarah Pinsker, Waubgeshig Rice, and Khashayar Mohammadi will read works on the theme of “Light.”

Darcy Casey (Fiction, W’19) has a new story in Yemassee‘s monthly spotlight. Her novel-in-progress, Pity-Heart, was long-listed for Retreat West’s Best Opening Page competition in September 2020.

Brenda Cooper‘s (Fiction, S’17) novel The Making War will be out from WordFire Press on October 7th. This the fourth and final book in an award-winning series that begins on a colony planet where six genetically altered children start their lives as spoils of war. Hugo and Nebula award-winning author Nancy Kress said, “The Making War is technologically inventive without ever losing sight of the human heart. A satisfying end to Cooper’s series.”

Anthony D’Aries‘s (Creative Nonfiction, W’09) story “An Honest Pain” was accepted by Flash Fiction Magazine. Anthony also recently signed with the Philip Spitzer Literary Agency for his novel.

Lauren M. Davis (Poetry, S’15) celebrates the publication of her poem “The Flowers You Brought Back from Italy” in Wrath Bearing Tree’s Spring 2021 issue.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce she will be reading alongside Cadwell Turnbull on October 27th at 7:30 p.m. EST as part of the Strange Lights SFF Reading Series. Originally planned to take place at Book Moon, the reading will be a virtual event. Follow the series on Facebook for pre-registration links.

The Lady of the Cliffs, Book Two of The Bury Down Chronicles series by Rebecca Kightlinger (Fiction, W’14), will be released on November 1, 2020, by Rowan Moon.

“The Art of Honorable Grieving” by Cynthia Kraack (Fiction, W’10) ran in the September 19 Saturday Evening Post. In other news, 40 Thieves on Saipan by Joseph Tachovsky and Cynthiareleased June 2 by Regnery History, has sold out its first run.

Under the name S.M. Mack, Sarah Mack’s (Popular Fiction, S’19) essay “On Bearing Witness in Pat Barker’s The Silence of the Girls was published as part of the Sirens conference 2020 summer essay series. It is an examination of the necessity of sitting with painful realities and connects a book that re-centers the Iliad on Briseis, enslaved and abused by Achilles and Agamemnon, to present-day injustices and crises.

Ellen Meeropol (Fiction, W’06) has a new essay about art, fiction, and life, in the inaugural issue of NOW, the journal of the Hobart Festival of Women Writers. And, for those Stonecoasters interested in politically engaged fiction, Ellen will be part of a panel titled The Personal and the Political: Writing the Social Protest Novel on October 29 at 6:30 pm. The event includes Andrew Altschul, Sanderia Faye, and Tina Egnoski. Details and registration link here.

Jenny O’Connell (Creative Nonfiction, S’17) took a leap into the world of libretto writing! “The Sky Where You Are,” commissioned by An Opera Theatre of Minneapolis and composed by Maria Thompson Corley, is an eleven-minute opera that sheds light on advocacy and domestic violence during quarantine. Written in collaboration with Women’s Advocates of Minnesota, the first domestic violence shelter for women in the U.S., it will premiere nationally October 23rd as part of the Decameron Opera Coalition’s “Tales from a Safe Distance.” Get your tickets here! Jenny is glad for this unexpected return to her musical roots, and excited to explore new ways to be a writer for change in the world.

Lisa Panepinto (Poetry, W’13) has two poems in the new Littoral Books anthology: Enough! Poems of Resistance and Protest.

A new essay, “Notes From the Father Field,” by Lisa Romeo (Creative Nonfiction, S’08), appears in the August issue of Adelaide Literary Magazine (published in New York and Lisbon).

Morgan Talty‘s (Fiction, W ’19) short story “The Blessing Tobacco” has been nominated for Best of the Net 2020 by TriQuarterly. “The Blessing Tobacco” was also featured in Literary Hub: The Best of the Literary Internet. His short story “Food for the Common Cold” will be published in the Fall 2020 Issue of Narrative Magazine.

Gina Troisi‘s (Creative Nonfiction, W’09) flash fiction piece, “After the Boston Marathon Bombing,” was just published in Gemini Magazine.

Marco Wilkinson (Creative Nonfiction, S’13) began teaching as a Visiting Assistant Professor at James Madison University in Fall 2020. He will also be a guest faculty member in the Antioch MFA Program for their Winter 2020 session.

 

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Community News & Updates July 2020

FACULTY

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) wrote his latest piece on sports and civil rights for The Nation: “When the KKK Played Against an All-Black Baseball Team.” His next book will be for young adults and is slated for release in 2021. Doomed: The Tragic Story of Sacco & Vanzetti tells the controversial story of two Italian anarchists convicted of murder and later executed in Boston, MA.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana Is Here received a Bronze Medal in the 2019 Foreword Reviews Indie Book Awards!

Elizabeth Hand’s (Fiction, Popular Fiction) novel Curious Toys is a finalist for both the Locus and Shirley Jackson Awards. The Book of Lamps and Banners, the fourth Cass Neary novel (due in September), has received great advance trade reviews, including a starred review from Booklist.  Hand recently wrote about John Garth’s The Worlds of J.R.R. Tolkien: The Places that Inspired Middle-earth for The Washington Post.

Jim Kelly’s (Popular Fiction) story “Faithful Sister” was published in Daily Science Fiction on June 17.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) is one of six writers who formed the group Writers Against Racial Injustice to raise funds for The Equal Justice Initiative. The group started with a goal of raising 10K and have wound up raising over 50K, with help from many supporters including Stonecoasters and coverage in The Boston Globe, Shelf Awareness, and a feature article on June 24 in Publishers Weekly. The fundraiser is running through July 4th; donations are welcome here.

The publication date for Robert V.S. Redick’s (Popular Fiction) new epic fantasy novel, Sidewinders (sequel to Master Assassins), has just been announced: it will be on the shelves on May 4, 2021, from Talos Press.

 

ALUMS

One of Jillian Abbott’s (Popular Fiction, S’04) students, Hastride Eduoard, was profiled for the animation project she submitted for her final project in Jillian’s ENG 384 RC Writing for Electronic Media class (Hastride’s video is at the end of the article).

Carina Bissett (Popular Fiction, S’18) is thrilled to announce that her short story “A Seed Planted” has been translated in Japanese for Night Land Quarterly Vol. 21 “The Fantasy of Sky Realms.” This short story was originally included in the anthology Hath No Fury, edited by Melanie R. Meadors. She also has a reprint of her flash piece “The Landscape of Lacrimation” included in the Weird Dream Society: An Anthology of the Possible & Unsubstantiated in Support of RAICES, edited by Julie C. Day. Both of these stories were originally drafted during her time at Stonecoast.

KT Bryski (Popular Fiction, W’16) has been long-listed for the Sunburst Award for her story “When the White Bird Sings,” published last year in Augur. In addition, the ephemera Reading Series is a finalist for the Aurora Award, under Best Fan Organizational.

Ed Boyle (Fiction, W’09) will have a story, “The Keeper of the Marsh,” published in the July issue of The Scarlet Leaf Review.

Libby Cudmore (Creative Nonfiction/Popular Fiction, S’10) has sold her second story, “A Brief History of Local Warfare,” to Ellery Queen Mystery Magazine. Her first, “All Shook Down,” is scheduled for publication in the September/October issue of EQMM.

teri elam’s (Poetry, S’19) personal essay “On Asking Mama To Pray for Me” will be included in the forthcoming anthology, Alone Together: Love, Grief, and Comfort During the Time of COVID-19 which is raising money for indie bookstores. Stonecoast professor Faith Adiele (Creative Nonfiction) is a contributor as well.

Terri Glass’s (Poetry & Creative Nonfiction, S’13) new book of poems, Being Animal (published by Aldrich Press), is now available for purchase through kelsaybooks.com and Amazon. These poems observe and embody a vast array of animals from the honeybee to the mountain lion in poems that celebrate their beauty, grieve their loss, and reflect on their wisdom. For a signed copy, please visit www.terriglass.com. Derrick Jensen, author of A Language Older than Words and Endgame, says, “A love for wild nature suffuses this beautiful collection. Poetry can serve no more important purpose than to rekindle our love of those who are wild.”

Barbara P. Greenbaum (Fiction, S’05) has had poems published or accepted for publication in Main Street Rag, Clementine Unbound, Green Hills Lantern, and Arcturus. She has also launched a website with co-editor Pit Pinegar dedicated to providing writing exercises for those who need them. The exercises were contributed by writers who teach. Anyone who has published work and teaches and is interested in contributing an exercise can contact her at barbarapgreenbaum@gmail.com for more details.

Gail Hovey (Creative Nonfiction, S’11) is happy to announce that her memoir, She Said God Blessed Us: A Life Marked by Childhood Sexual Abuse in the Church, will be published by Exposit in August. Many people at Stonecoast helped in the writing of this book. Here’s what fellow alum Elliot Long (Creative Nonfiction, S’10), now with the Emmett Till Interpretive Center, has to say about the memoir: “In She Said God Blessed Us, Gail Hovey introduces us to a firebrand who confronts her world with a fierceness and determination to fight for change. As she participates in several of the pivotal social justice movements of our times, from the fight against American racism in the 1960s to the campaign to end South African apartheid in the decades that followed, Hovey grows to recognize how abuse of power also shaped her young life—abuse at the hands of her religious mentor. Wrenching and celebratory, Hovey’s memoir depicts a long struggle to move through guilt and pain toward a peace she can claim as her own.” For more information and to order an advance copy, please visit Gail’s website.

Veda Boyd Jones (Fiction, S’17) has won the Neosho Arts Council’s short story contest for her story “December 1, 1969.” Judge Kevin Dilmore said, “A relatable protagonist and a suspenseful construction make this story a compelling read from the beginning. Backstory is introduced at a great pace just when readers will benefit the most from it. This is an enjoyable and thought-provoking read, and images from this will stay with readers for a long time.”

Alan King (Poetry, W’13) created four new poetry videos. The videos for “Beacon” and “Into the Light,” inspired by the poems of the same names, go into Alan and his wife’s battle with lupus, Alan doing a kidney swap to help his wife, and their surgeries. “Heartbreak is Unavoidable” is inspired by Alan’s poem “This Good”; and “A Poem for My New Born and George Floyd” is inspired by Alan’s new poem “The Land of Innocence,” which he wrote for his one-month-old daughter and George Floyd. You can watch the videos here.

Nina B. Lichtenstein (Creative Nonfiction, S’20) is especially happy to have an essay, “Saying Goodbye to Seafood,” published in Tablet Magazine, where her writing has been rejected several times in the past. This reminded her to never give up and to submit, submit, submit.

Julia Munemo (Creative Nonfiction, S’16) and Ellen Meeropol (Fiction, W’06) will be hosted by World Fellowship Center for a virtual reading and conversation about Writing from a Family Legacy on Monday, July 6, 7:00-8:00 p,m. Julia will read from her debut memoir The Book Keeper and Ellen from her new novel Her Sister’s Tattoo. Details and link here.

An excerpt from Julia McKenzie Munemo‘s (Creative Nonfiction, S’16) memoir The Book Keeper appeared on Public Seminar in June.

dg nanouk okpik’s (Poetry, W’10) poem “If Oil Is Drilled in Bristol Bay” was featured in the Poetry Foundation’s Poem of the Day email on June 5, 2020.

Ellie O’Leary (Poetry, W’17) will have her poem “That Poetry Thing” in the Summer 2020 issue of Ibbetson Street Magazine.

Bruce Pratt‘s (Fiction, S’04) poem “La Ride,” written in French, will appear with his English translation in the forthcoming anthology from Flying Ketchup Press. His poem “Dead Bodies and Declaratory Judgements” is forthcoming in Main Street Rag’s anthology Show Us Your Papers. And his poem  “My Grandfather’s Sky” will appear in North Scene Poetry Press’s anthology of poetry about 9/11.

The prose poem “Mountain” by J. Stephen (Steve) Rhodes (Poetry, W’11) will appear in the Fall/Winter issue of New South.

Sean Robinson (Popular Fiction, W’14) is pleased to share that as of today he is the Assistant Principal at Hinsdale Middle High School in Hinsdale, New Hampshire. In writing news, his essay “Hattery: The Many Roles of a First-Time Teacher” was accepted into Voices of Practice to be published later in 2020.

Kevin St. Jarre‘s (Popular Fiction, S’10) has signed a new book deal for his novel Celestine with Encircle Publications. It’s expected to be in bookstores in May 2021.

Genevieve Williams (Popular Fiction, S’14) has a short story titled “The Sea of Stars” in the new anthology Retellings of the Inland Seas from Candlemark and Gleam, edited by Athena Andreadis; and, an essay titled “Ghosts, Grimoires, and Dealing with Demons: Hellblazer’s Real-World Magic” in the new book From Bayou to Abyss: Examining John Constantine, Hellblazer from Sequart, edited by Lou Tambone and Rich Handley.

 

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Community News & Updates June 2020

ANNOUNCEMENTS

THE STONECOAST MFA VIRTUAL WRITING SERIES
Join us Monday, June 8th, 6:00-7:00 p.m. for “Rolled in Sugar: Food as an Entry into a Moment” with Stonecoast Director Justin Tussing. Like Proust’s madeleine, we’ll talk about food and writing and where both can take us. Link to join is here. The Stonecoast Virtual Writing Series is an effort to connect our community and continue learning together from afar. Led by a faculty member or guest instructor, sessions are held monthly.

 

CURRENT STUDENTS

Lauren Erin O’Brien‘s (Fiction, S’20) poem “After She Reads the Court Records” is forthcoming in the Fall/Winter 2020 issue of Witness.

 

FACULTY

Martín Espada‘s (Poetry, Writing for Social Change) new collection of poems, called Floaters, is forthcoming from W.W. Norton in January 2021.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about sports, crime, and social issues. In May, he wrote a feature about baseball for ESPN’s The Undefeated: J.L. Wilkinson Stood Out as the Only White Owner in the First Official Negro League. His next young-adult book is due out in 2021. Doomed: The Tragic Story of Sacco & Vanzetti tells the controversial story of two Italian anarchists wrongly convicted of murder and later executed in Boston, MA.

Elizabeth Hand’s (Popular Fiction, Fiction) forthcoming Cass Neary novel, The Book of Lamps and Banners, was named one of fall’s most anticipated titles by CrimeReads/LitHub. She was interviewed by The Coode Street Podcast, discussing pandemic reading. Her recent reviews include Megan Capisi’s Sin Eater and N.K. Jemisin’s The City We Became, both for The Washington Post.

Nancy Holder (Popular Fiction) was profiled in The San Diego Union Tribune on Saturday, May 24.

Authors Ryan Craig Bradford and Nancy Holder

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) and her theater cohorts are finding ways for the Shows to Go On in these challenging times: Michael Teoli, composer and “co-conspirator” with Elizabeth on Tonya & Nancy: The Rock Opera, performed two of his and Elizabeth’s songs from their rock opera in May on the Los Angeles-based Stealing Focus Digital Cabaret.
In a new May interview, the stars of the 2020 TheatreZone production of Tonya & Nancy—Whitney Winfield and Nikki Miller—discuss their “joyous” experience doing the rock opera in February and also the new realities of the theater world since then, on ZoomIntoTheZone.

Elizabeth and composer Michael Teoli, who did the music on Tonya & Nancy: The Rock Opera, with book & lyrics by Elizabeth

Join Suzanne Strempek Shea (Creative Nonfiction, Fiction) online June 1 at 1:00 p.m. for a conversation with Meredith O’Brien, author of the newly released Uncomfortably Numb, her memoir on the life-altering diagnosis of multiple sclerosis and on the practice of narrative medicine. The free event will include some details about Bay Path University’s upcoming Narrative Medicine Certificate. Please register for the webinar here.

 

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) book, The Sound of a Wild Snail Eating, was mentioned in a recent New York Times essay by Helen Macdonald, author of H is for Hawk. Macdonald’s essay on pandemic quarantine and birdwatching is available at this link.

Lindsey Barlow (Popular Fiction, W’19) was interviewed on episode 92 of a podcast called Thrill Seekers Radio with Alex Dolan to help advertise The Jack Harper Trilogy (Pivot, Perish, and Peak).

Peter Adrian Behravesh (Popular Fiction, W’18) appeared at the 2020 SFWA Nebula Conference on the “Finishing What You Didn’t Start: Editors Making Projects Their Own” panel.

Jennifer Marie Brissett (Popular Fiction, S’11) had a short story published in the May-June issue of Uncanny Magazine called “Through the Veil.”

J Brooke’s (Poetry, S’19) essay “Kaden has Covid” was a winner of Beyond Words Literary Magazine’s Dream Challenge and appears in the June issue online and in hard copy (essay can also be read in eir website jbrookewrites.com).

The ephemera reading series has gone virtual! Co-chaired by KT Bryski (Popular Fiction, W’16) and editor Jen R. Albert, ephemera is a monthly reading series showcasing diverse SFF. Catch the next event on June 17th, 7:00 p.m. ET, live on YouTube. ephemera was also recently nominated for an Aurora Award in the Best Fan Organizational category. It is funded by the Ontario Arts Council.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce the charity anthology Weird Dream Society: An Anthology of the Possible & Unsubstantiated in Support of RAICES is now available as both a paperback and ebook! This book is a culmination of a long year of work and a lot of help from some amazing creatives with Julie at the helm as Editor-in-Chief. Playful, whimsical, or dark, but always thoughtful and tinged with the inexplicably weird, the Weird Dream Society brings together twenty-three stories from the most innovative creators in speculative fiction, including Nathan Ballingrud, Carina Bissett (Popular Fiction, S’18), Gregory Norman Bossert, Karen Bovenmyer (Popular Fiction, S’13), Christopher Brown, Emily Cataneo, Julie C. Day, Michael J Deluca, Gemma Files, A.T. Greenblatt, Nin Harris, Chip Houser, James Patrick Kelly (Popular Fiction faculty), Marianne Kirby, Kathrin Köhler, Matthew Kressel, Jordan Kurella, Premee Mohamed, Sarah Read, Sofia Samatar, Bonnie Jo Stufflebeam (Popular Fiction, S’13), Steve Toase, and A.C. Wise. All proceeds from the anthology go to RAICES, which envisions a compassionate society where all people have the right to migrate and human rights are guaranteed.
Paperback: Amazon | Barnes&Noble | IndieBound.org
eBook: Amazon | Kobo | B&N Nook | Weightless Books
What Others Are Saying

  • “I adore it…These stories are what weird should be. Each one is a different subgenre and [yet] its own beast all together…I’m just feeling electrified by the stories in this collection…they are all connected in the places that matter. They are weird, they are genre, and they contain fantastic prose I’ll keep coming back to over and over again.” ~Paul Jessup, Vernacular Books Guest Review
  • “..the dream-like quality of the stories delivers on the promise of the title….the collection as a whole weaves in moments of profound strangeness, places where the rules of the universe seem to bend and buckle….There are ghosts of a shopping mall, and little girls with superpowers, and a man who can change skins….For fans of dark fantasy and science fiction, there’s a whole lot to like….And there are still moments of hope and clarity, tucked in among the shattered dreams the collection catalogs.” ~Charles Payseur, Quick Sip Reviews  

In addition to the anthology, Julie’s story “After the Apocalypse There Will Be Memory Poems” can now be found in the May 3rd issue of Vol.1 Brooklyn as part of their Sunday Stories series. This is a redrafted version of a piece from Julie’s thesis and a story that demanded a home. Julie’s story “Speculative Execution” is out this month in the anthology The Way of the Laser: Future Crime Stories, edited Stonecoast alums Eric M. Bosarge (Popular Fiction, W’12) and Joe M. McDermott (Popular Fiction, S’11). It’s a story about A.I.-infused glass, theft, and friendship in a networked city where no one is entirely alone.

Jessica de Koninck‘s (Poetry, S’11) poem “Virtual Seder” was a winner in the Writer’s Almanac Pandemic Poetry Contest. In an interview, Garrison Keillor discussed the poem with her as well as reading her poem “Repairs.” The full Zoom interview can be seen on the Writer’s Almanac website.

Jess Flarity (Popular Fiction, S’18) published a flash creative nonfiction piece, “The Simplest Recipe,” in Hippocampus.

Paul Kirsch (Popular Fiction, W’11) won a Nebula Award in the category of Game Writing for his work on The Outer Worlds, a spacefaring RPG that values player agency, player choice, and tells a story as morbid as it is fun. This is Paul’s first nomination, his first award, and as of writing this he’s celebrating with his cat. He’s currently working on an expansion to the game, launch date TBD.

Nylah Carpenter Lyman (Poetry, S’10) has had a poem titled “Making a Field” selected for Poetic License, a written word and visual arts exhibition, managed in collaboration by The Poetry Barn and the Arts Society of Kingston, NY. The process first involved having her poem chosen by the editorial team at Poetic License as a finalist.  Those poems were then forwarded on to visual artists at ASK. Once there, her poem was one of those selected by a visual artist, and so it will be mounted with the artist’s interpretation in an exhibition to be held in August 2020 at ASK’s gallery. If possible, the poets will be invited to come and read at the exhibition’s opening. The poems, and the paintings that were inspired by them, will be posted in a special issue on our sister site, The Poetry Distillery. While the gallery has been closed due to the COVID-19 crisis, they plan to reopen in June.

The Next Generation Indie Book Awards picked Tom MacDonald’s (Fiction, W’09) Dermot Sparhawk crime series—The Charlestown Connection (2011), Beyond the Bridge (2103), The Revenge of Liam McGrew (2015), Murder in the Charlestown Bricks (2018)—as a finalist in the series category. Also, the crime anthology Coast to Coast: Noir will publish a Dermot Sparhawk short story called “Nashua River Floater” in its 2020 edition, due out in June.

Daily Science Fiction published Dan McMinn’s (Popular Fiction, W’20) short story “Advice for Newbies at WoodCon” on May 5th.

Ellen Meeropol (Fiction, W‘06) is pleased to have her short story “Gridlock” in the spring 2020 issue of Solstice Magazine. It was wonderful working with Lee Hope again!

Starting Saturday, June 6th, Catharine H. Murray (Creative Nonfiction, S’17) will be teaching Memoir 101: Writing the Stories of Your Life, a weekly live Zoom class for five Saturdays, 10:00-11:30 a.m. EDT. For more information, click here.

John Christopher Nelson‘s (Fiction, S’15) creative nonfiction piece, “Things You Gave Me When You Left,” is online at The Real Story. Also, John was recently interviewed for a quarantine podcast by the folks at DUM DUM Zine, where it will be featured online shortly.

The concrete poem “Tree,” by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the next issue of The Comstock Review.

Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “Barking Dog Nocturnal” appeared in The Offing.

Gina Troisi‘s (Creative Nonfiction, W’09) short story “What Remains” was recently published in Volume 26 of Quarter After Eight. Her short story “Eve” was named a finalist for Iron Horse Review‘s Trifecta Award in Fiction. Her memoir, The Angle of Flickering Light, has been accepted by Vine Leaves Press and is forthcoming in April 2021.

“Church Camp,” a story by Tamra Wilson (Fiction, S’11), appears in the Spring 2020 issue of Trajectory, a journal based in Frankfort, KY.

 

 

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Community News & Updates April 2020

Hope everyone is staying safe!

CURRENT STUDENTS

Natalie Harris-Spencer’s (Fiction) short story “Labor Day Weekend” will be published on April 21st in Volume 2 of Allegory Ridge‘s fiction anthology, Archipelago. Allegory Ridge is a magazine for open-minded millennials that publishes travel writing, short stories, poetry, artwork, photography, and personal essays.

FACULTY

The German edition of JJ Amaworo Wilson‘s (Fiction, Popular Fiction, Writing for Social Change) novel Damnificados, translated by Connie Lösch, was published by Editions Nautilus on March 2nd. The book was positively reviewed in Der Spiegel, Europe’s largest weekly news magazine, the same week.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana Is Here is nominated as a 2019 Indie Book of the Year (LGBTQ fiction) from Foreward Reviews!

Elizabeth Hand (Popular Fiction, Fiction) will be leading a free online workshop focused on building resilience through writing for teens, sponsored by the Clarion West Writers Workshop; Stonecoast faculty member emeritus James Patrick Kelly (Popular Fiction) and current Stonecoast faculty member Tobias Buckell (Popular Fiction) are also instructors.  Recent reviews include N.K. Jemisin’s The City We Became and Megan Campisi’s Sin Eater, both for The Washington Post.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) published “Soundstage Musicals: Capturing Theater on Film” in the March 2020 issue of Imagine, the print and online magazine for the New England film community. Her article addresses the filming and streaming of musicals as one way to keep theater alive in these dark times.

ALUMS

Check out Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) current online radio and podcast interviews regarding her book, The Sound of a Wild Snail Eating. In addition to a lot of quirky snail science, the book relates to the pandemic experience, as it includes reflections on isolation and illness. Recent interviews include the following links: interviewed by Indira Naidoo for ABC Nightlife Radio in Sydney, Australia, and interviewed by Emily Kwong for NPR Science Podcast Short Wave.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Amit Gupta’s story “How Did It Feel to Be Eaten?” for the March 12th episode of Escape Pod. You can listen to it here. He also hosted the March 24th episode of PodCastle, featuring Sofia Samatar’s retelling of “The Tale of Mahliya and Mauhub and the White-Footed Gazelle,” available here.

Carina Bissett (Popular Fiction, S’18) has a Snow White retelling coming out in the anthology Arterial Bloom, edited by Mercedes M. Yardley. “Rotten” was the story she submitted with her application to Stonecoast, so she’s happy that is has finally found a home at Crystal Lake Publishing.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce that her novella The Rampant (Aqueduct Press) is a nominated finalist for the 2019 Lambda Literary Award in Science Fiction, Fantasy, and HorrorPublishers Weekly says, “Equal parts playful and heartbreaking, this apocalyptic novella offers one-of-a-kind answers about the end of the world….This clever and surprisingly fun take on the rapture is the perfect theological horror story.” The novella is available in both paperback and as an ebook.

Jess Flarity (Popular Fiction, S’18), PhD candidate in Literature, has been awarded a summer research grant from the University of New Hampshire to continue his work on the erasure of women in science fiction. He is excited to write an article on feminism related to Jesuit philosophy and the universe of Warhammer 40k as his entry point into the world of academic publishing.

 

David A. Hewitt’s (Popular Fiction, S’09) novelette The Great Wall of America, published by Mithila Press, is now available in both Kindle and paperback editions, and his short story “Donald Q. Haute, Gentleman Inquisitator, and the Peril of the Pythogator” will be appearing in the April 2020 issue of Metaphorosis.

Lissa Kiernan (Poetry, S’11) is happy to announce that her second full-length poetry collection has been selected as a semifinalist in Tupelo Press’s 2020 Dorset Prize.

Alison McMahan‘s (Popular Fiction, W’10) short story “Harlem in Havana” will be released April 7, 2020, in the anthology The Beat of Black Wings: Crime Fiction Inspired by the Songs of Joni Mitchell, edited by Josh Pachter, published by Untreed Reads. Alison will appear with fellow anthology authors Alan Orloff and Elaine Viets for a panel and signing on April 18th at Murder on the Beach Bookstore in Delray Beach, 6:00 p.m.

What a moment to launch a new novel! Ellen Meeropol (Fiction, W’06) is delighted that her fourth novel, Her Sister’s Tattoo, will be published on April 7th. She is working hard to convert her book tour to virtual events—live-streamed readings and Zoom book parties and curated series like A Mighty Blaze and Reading with Robin. Links to Internet events will be posted on her website as they’re set. Interesting times, no?

John Christopher Nelson‘s (Fiction, S’15) creative nonfiction piece, “Things You Gave Me When You Left” is forthcoming in The Real Story. John will have a solo author event—barring further quarantine—at Paper Boat Booksellers in West Seattle on the evening of May 1st.

dg nanouk okpik’s (Poetry, W’10) poem “When White Hawks Come” was published in the Academy of American Poets’ Poem-a-Day email on March 30, 2020 (the link also includes an audio recording of the poem).

Sean Robinson (Popular Fiction, W’14) is pleased to share that his short story “Soovien Hungered in the City of Spiders” is out at StarShipSofa. It’s a story about poetry-driven spider gladiatorial matches, and other stuff.

Catherine Schmitt (Creative Nonfiction, W’12) had a streak of publication right before everything changed: an article on wood construction and the future of Maine forests in Northern Woodlands magazine, a “Plant Love Story” about salt marsh grass, an essay on the striped skunk for Natural Resources Council of Maine, and an update on wild Atlantic salmon for The Working Waterfront. Her book, The President’s Salmon, was featured in several new podcasts and cited by Mark Kurlansky in his new book on salmon. And a lyric essay has been accepted by Waterwheel Review.

Kevin St. Jarre (Popular Fiction, S’10) recently participated in a six-author online showcase, hosted and broadcast via Zoom by publisher Encircle Publications. His novel Aliens, Drywall, and a Unicycle is now available for pre-order here.

Eugenio Volpe (Fiction, W’05) has an essay coming out in the summer issue of Massachusetts Review entitled “Jesus Kicks His Oedipus Complex.”

“Steve’s Ashes,” a story by Tamra Wilson (Fiction, S’11), appears in the Summer 2020 issue of Evening Street Review, a journal of Evening Street Press of Sacramento.

 

 

 

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Community News & Updates February 2020

ANNOUNCEMENTS

Alumnus Jacob Strunk (Fiction, W’07) has undergone heart surgery in January and some Stonecoasters are among those supporting a GoFundMe effort right now to help with expenses. If you’d like to donate, visit Jacob’s Big Dumb Heart.

BOSKONE 2020

This year’s Boskone—New England’s longest running science fiction convention—features many Stonecoast faculty and alumni on the program participant list, including: KT Bryski (Popular Fiction, W’16), Julie C Day (Popular Fiction, S’12), David Anthony Durham (Fiction, Popular Fiction faculty), Theodora Goss (Popular Fiction faculty), James Patrick Kelly (Popular Fiction, Playwriting faculty), Mur Lafferty (Popular Fiction, W’14), Robert V. S. Redick (Popular Fiction faculty), Erin Roberts (Popular Fiction, W’18), and (of course!) Erin Underwood (Popular Fiction, S’09). Word is that many other Stonecoasters will be in attendance as well. Feel free to join us! Boskone – February 14th to 11th at the Westin Waterfront Hotel, Boston.

FACULTY

Aaron Hamburger (Fiction, Creative Nonfiction) interviewed novelist Garth Greenwell about his new novel Cleanness for Electric Literature.

In 2021, New Rivers Press will publish Debra Marquart’s (Creative Nonfiction, Poetry, Writing for Social Change) next poetry collection, Gratitude with Dogs Under Stars: New & Collected Poems. Her poems have recently been included in three anthologies: “Come November” in Dear America: Letters of Hope, Habitat, Defiance, and Democracy, edited by Elizabeth Dodd, Simmons Buntin, and Derek Sheffield (Trinity University Press, 2020); “Dylan’s Lost Years” in Stone Gathering: A Reader 1.1 (Summer 2019); and “How Bad News Comes” in Send My Roots Rain: 52 Weeks of Poetry to Heal Your Grief, edited by Kim Langley (Paraklete Press, 2019). She published an essay, “The Unhappy Hour,” in Ascent Magazine in November 2019. Debra received a small grant ($4000) from Iowa Arts Council to complete a Poet-Laureate-in-the-Schools initiative in the 2019-2020 school year, and she was interviewed by Frontier Poetry in May 2019. In addition to writing, Debra did quite a lot of speaking:

Cate Marvin (Poetry) received the 2020 Maine Artist Fellowship Award in Literature (in this case, poetry) from the Maine Arts Commission.

More recent-vintage Stonecoasters might remember the collaboration seminar Suzanne Strempek Shea (Creative Nonfiction, Fiction) and painter pal Susan Tilton Pecora gave at a winter residency a few years back on a book project to benefit their neighbor, Blue Star Equiculture. The draft horse rescue will be closing in a few months due to a lack of donations and volunteers so Suzanne and Susan have turned their work into a series of notecards (each featuring painting and essay) to more quickly help pay final bills at the 11-year-old draft horse rescue. The set of ten blank notecards, priced at $25, includes five different signed images and essays from throughout the rescue’s history. Checks should be made out to Susan Tilton Pecora and sent to her at PO Box 195, Thorndike, MA, 01079; pay via PayPal at sess7@comcast.net. All donations are tax-deductible and will be acknowledged by Blue Star Equiculture, a registered nonprofit. Please note on checks or on PayPal payment how many sets of cards you’d like. The horses and their humans, including these two longtime friends and neighbors of Blue Star, thank you.

ALUMS

Peter Adrian Behravesh (Popular Fiction, W’18) joined a full voice cast to narrate Kyle Kirrin’s story “Yo, Rapunzel!” for the January 28th episode of PodCastle. You can listen to it here.

Karen Bovenmyer (Popular Fiction, S’13) is pleased to announce a new story, “Nightmare Spinner,” in Way of the Laser: Future Crime Stories, edited by Eric Bosarge (Popular Fiction, W’12) and Joe McDermott (Popular Fiction, S’11) (Vernacular Books) and two reprints: “Snow as White as Skin as White as Snow,” in Weird Dream Society, edited by Carina Bissett (Popular Fiction, S’18), Julie C. Day (Popular Fiction, S’12), Chip Houser, and Steve Toase (The Post-Apocalyptic Writers Society); and “Cadaver Feet,” in The Binge-Watching Cure II: An Anthology of Horror Stories, edited by Bill Adler, Jr., and Sarah Doebereiner (Claren Books, October 2019).

Sunspot Literary Journal chose the opening to one of J Brooke’s (Poetry, S’19) essays, “Before and After,” as finalist for their Inception Contest (voted one of 2019’s Best Writing Contests by Reedsy) and published eir essay in the most recent issue. Of possible interest is J worked on this piece second semester at Stonecoast and received editorial suggestions from Stonecoast Director Justin Tussing on it, which e incorporated.

Susan Casey’s (Fiction, W’10) book Rock On: Mining for Joy in the Deep River of Sibling Grief is being released on February 14, 2020. The book launch is at the Frontier Café on February 15th from 6:00-8:00 p.m. Links to register here and here.

Renee S. DeCamillis (Popular Fiction, W’ 14) will be reading from her horror/psychological thriller novella The Bone Cutters on Saturday, February 22nd, from 2:00-3:30 p.m. at the Lewiston Public Library. The event is free to the public and will conclude with book sales and signing. Renee is also thrilled to announce that she has signed a comic book deal with Phi3 Comics. She has been commissioned to write the book #4 finale, “Gateway of Destruction,” for the current Spiralmind storyline of “Muses’ Rise.” Publication date is TBD.

teri elam’s (Poetry, S’19) poem “High School Dancerettes at Half-Time” was published in the Winter 2019 issue of Prairie Schooner. teri’s poem “Butterflies” (a reflection on the criminalization of school-age black girls) was chosen as part of 2020’s Visible Poetry Project and will be brought to the screen by filmmaker Christina Sloan Stoddard.

Gail Hovey (Creative Nonfiction, S ’11) is delighted to announce that her memoir, worked on at Stonecoast and beyond, will be published this fall by Exposit/McFarland. The title for this story of the long reach of childhood sexual abuse by a seminary-trained woman is still being worked on, as the publisher says it’s a hard book to title. Watch this space.

Clifford Royal Johns (Popular Fiction, W’18) will be conducting a writing workshop on writing in first person on February 15th at 2:30 p.m. at the Capricon science fiction convention (February 13-16, 2020). He will also be a panelist at the convention on the following panels:

  • Detectives in the Wild – Thursday, 5:00 p.m.
  • Nonfiction for Fiction Writers – Friday, 10:00 a.m.
  • Lessons I Learned as a First-Time Novelist – Friday, 8:30 p.m.
  • How Not to Kill Yourself over a Deadline – Saturday, 5:30 p.m.
  • A Funny Thing Happened on the Way to the Publisher – Saturday, 8:30 p.m.

Veda Boyd Jones (Fiction, S’17) sold a mini-mystery, “Who’s That Valentine?”, to Woman’s World magazine, which is in the issue that hits your grocery/drugstore checkout lines on February 6th.

Rebecca Kightlinger (Fiction, W ’14) announces that a new, enhanced edition of Megge of Bury Down: Book One of the Bury Down Chronicles will be released by Rowan Moon on February 1, 2020, in advance of publication of Book Two of the series this summer. The book’s epigraph is from a poem by Annie Finch.

Fiona Lehn (Popular Fiction W’15) has a new speculative novel, Transformation Junkies, published by Wicked Publishing. Click here to read more about the project, and here to view the book trailer.

Joe M. McDermott (Popular Fiction, S’11) sold the short story “Wind Gets Her Own Place” to Analog Science Fiction and Fact.

Matthew Quinn Martin (Popular Fiction, S’10)’s film (co-written with director Doug C. Williams) Being is now available on DVD and Blu-Ray nationwide, exclusively at Wal-Mart (with more big box stores and streaming to follow). The film starts Ben Browder (Farscape, Stargate SG-1), Lance Henriksen (Aliens, Millennium), Ahd Kamel (Collateral), Robert Burke (BlacKkKlansman), Jason Iannacone (The Irishman), and James St. Vincent (The Price). The trailer can be viewed here.

Ellen Meeropol (Fiction, W’06) is pleased to be a featured presenter at AWP in San Antonio. She will read from her forthcoming novel Her Sister’s Tattoo and talk with Donna Hemans, Aimee Liu, and Kristen Young, about themes of families torn apart by history and war. Ellen’s recent New England ARC tour was featured in Shelf Awareness on January 10.

On February 22nd from 10:30 to 12:30, Catharine H. Murray (Creative Nonfiction, S’17) will be at the Belfast Free Library teaching Memoir 101 through the Maine Writers and Publishers’ Alliance. The workshop is free to MWPA members and $5 for non-members.

Anne Britting Oleson (Poetry, W’05) will have her fourth novel, Cow Palace, published by B Ink Publishing in March of this year. She is also gratified to have had her fourth poetry chapbook, Magic Somewhere Else, contracted by Clare Songbirds Publishing, to appear at the end of the summer.

Tamie Parker Song (Creative Nonfiction, S’12) was invited to the Arrowmont School of Arts and Crafts, in Gatlinburg, Tennessee, for a residency in writing. There, nested in the Great Smoky Mountains, she worked on a long essay she is composing about commercial fishing in Bristol Bay, what that experience gives her to understand about gendered violence, and how we might alchemize it into something transformative and new.

Kevin St. Jarre‘s (Popular Fiction, S’10) has signed a new book deal for his novel Aliens, Drywall, and a Unicycle with Encircle Publications, with a publication date of November 6, 2020.

Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “Where You Linger” appears in the January/February issue of Uncanny Magazine and is available to read free online later this month.

 

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Community News & Updates January 2020

HAPPY NEW YEAR!

ANNOUNCEMENTS

News from Stonecoast
Join the Stonecoast MFA community for a week of inspiring readings and discussions with Stonecoast’s award-winning faculty and guest writers, January 10-13th and 15-18th at the historic Harraseeket Inn in downtown Freeport, Maine.

The weeklong series includes flash faculty and guest readings, a conversation on the possibilities and perils of adapting one’s work for the stage, and a discussion of the inaugural WISE common text. The residency concludes with the Winter 2020 graduation ceremony.

A detailed schedule of the week’s events and readers can be found here.

CURRENT STUDENTS

In November, Nina B. Lichtenstein (Creative Nonfiction) was invited to Ottawa, Canada, to give a book talk on the occasion of the International Memorial Day for Jewish Refugees from Arab Lands. It was in connection with the recent publication of her translation from French to English of the novel For the Love of the Father by French-Tunisian-Jewish writer Chochana Boukhobza. Nina is also happy to share that her essay “Ink Stains and Blood Stains: The Spring of My Becoming” has been accepted for publication in the forthcoming Hippocampus anthology tentatively titled “INK” due out in 2020.

FACULTY

Tom Coash‘s (Playwriting, Dramatic Arts) play Raghead will be produced in North Hollywood by Actors Workout Studio, as part of their terrific TABOO Festival January 10 – February 8, 2020.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana Is Here is now available as an audio book!

Elizabeth Hand (Popular Fiction, Fiction) sold a stand-alone psychological thriller, Baby Go Bang, to Mulholland Books/Little, Brown. Her novel Generation Loss has been optioned by British production company Fremantle.

Cara Hoffman‘s (Fiction, Popular Fiction) children’s novel Bernard Pepperlin was a Kirkus Best Book of 2019 and Audiofile’s Best Audio Book of the Year.

Broadway icon Andrea McArdle (the original Annie) will star in a new 2020 production of Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) Tonya & Nancy: The Rock Opera. The production is being fully produced by longstanding Equity theater TheaterZone and is opening on February 6, 2020; it was featured in two recent articles in Broadway World. Further productions and a possible tour are in the works for 2020/2021; see the website for updates.

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) film short adaptation of her memoir The Sound of a Wild Snail Eating heads next to the Wild & Scenic Film Festival (CA), Victoria Film Festival (BC), and Kinofilm 16th Manchester International Short Film Fest (UK). The film also received a Jury’s Choice Award from the Thomas Edison Black Maria Film Festival, which tours throughout 2020.

Carina Bissett (Popular Fiction, S’18) is a finalist for the NESFA Short Story Contest. The story she submitted was one of the first pieces workshopped at Stonecoast with David Anthony Durham. The winners will be announced at BOSKONE 57 in February.

Linda Buckmaster (Creative Nonfiction, S’11) has had her essay “Alibi Bar, 1968” published in Atticus Review‘s “Super Unknown. Stories About Songs” series. Two of her poems have appeared in The Comstock Review, one in the Spring/Summer issue and one in the Fall/Winter. She has been awarded a writing residency in May at NES in Skagastrond, Iceland, to work on her current project—a literary journey across the North Atlantic. From there, she will go on to the Hebrides. She and Elizabeth Garber (Creative Nonfiction, ‘10) were on a panel at the WORD Conference in Blue Hill, Maine, with Jaed Coffin discussing the ethics of memoir.

Julie C. Day‘s (Popular Fiction, S’12) piece “Flyover Country” can be found in the January/February issue of InterzoneFirst lines: “Lovers are like flash floods, car collisions, aneurysms: always a possibility but never exactly expected. A small-plane pilot for AeroFix Corp, Sam arrived in my bed via a tray of purple pansies and a convoy of trucks intent on invading the Verona Municipal Airport.” Richard Wagner created the amazing illustration. This will be Julie’s 7th story with Interzone and her 8th with TTA Press.

Lesley Heiser (Fiction, S’11) was thrilled to see her essay “Rose” up on Diagram this past year. She wishes all Stonecoasters the very best for 2020.

Veda Boyd Jones (Fiction, S17) has an essay in the January-February issue of Good Old Boat, available at newsstands now.

Mike Langworthy (Creative Nonfiction, W’11) is co-writing dialogue and lyrics for Take The High Road, a musical produced in Denver during 2020. The show will combine repurposed melodies from musical theater and popular music with an original story of a real estate developer who locks horns with, and falls for, a community activist fighting his attempts to build a resort in her idyllic mountain town. The show is being produced by Magic Moments, a company that for over thirty-five years has created large-cast, high-quality musical productions that give performers with a broad range of special needs, both physical and developmental, opportunities to work alongside seasoned professionals. Rehearsals begin in January for performances in late March 2020.

Fiona Lehn (Popular Fiction W’15) has a new speculative novella, Lift-Off, published by Devine Destinies. Click here to read more about the project and here to view the book trailer.

Kristin Leonard‘s (Fiction, S’18) poetry was published in Maine’s Best Emerging Poets 2019 anthology. Her short story, “Jason’s Daddy,” was published in The Showbear Family Circus.

The Thomas Memorial Library in Cape Elizabeth, Maine, will host Catharine H. Murray (Creative Nonfiction, S’17) on January 11th from 1:00-3:00 p.m. for Writing the Stories of Your Life, a free workshop on writing memoir. Catharine will then offer a Six-Week Series for Women at the Good Medicine Collective from January 13th to February 17th; Writing to Heal will incorporate small group support, instruction and practice for using writing as a way to move through loss. On January 26th from 9:00 a.m. to noon, Catharine will join with Deb Cook to offer Winter’s Deep Peace Practice: Yoga Nidra and Writing, a morning of deep rest and integration. Participants will move from Yoga Nidra into a quiet hour of meditative journaling supported by prompts and guidance.

Mary Heather Noble (Creative Nonfiction, W’14) is pleased to share that her long-form essay, “Plume: An Investigation,” will be published in the January 2020 issue of True Story. The essay was started during her time at Stonecoast and has been modified from her Stonecoast thesis.

Jenny O’Connell’s (Creative Nonfiction, S’17) flash nonfiction piece “How to Sleep in an Airport,” published last spring in Hippocampus, has been nominated for a Pushcart Prize! This November, she spoke about positive risk-taking and her 2014 solo trek across Finland to a packed Camden Opera House at Midcoast Pecha Kucha night. You can watch her speech here.

Bruce Pratt (Fiction, S’04) has poetry in or forthcoming from The Cafe Review, Coal City Review, and Connecticut River Review and anthologies from Main Street Rag and Flying Ketchup Press. On January 25, Bruce will be offering a seminar entitled “Creating Your Novel in Ninety Minutes” at the Blue Hill Library; this is open to the public but limited to twelve participants. Contact Hannah Cyrus at the library for more information. Bruce will also be teaching a seminar for Maine Writers and Publishers Alliance at the Cobscook Community Learning Center in Trescott on February 29 from 10:00 a.m.-4:00 p.m. on learning to inhabit your fictional characters. Contact Hannah Perry at MWPA for details.

Sean Robinson (Popular Fiction, W‘14) doesn’t have much on the writing front, but just completed a Certificate of Graduate Studies in Educational Leadership and is now certifiable (exactly) as a school principal. He was also recently accepted into the Harvard Principal’s Center for a Certificate in School Management and Leadership. He has also, also, been accepted to a residency at the University of Washington’s Olympic Natural Resources Center this April. While he’s delighted, it all sounds way fancier than it is, he promises.

Patricia Smith, former faculty member and member of the Stonecoast 2008 class in poetry, has been named a Distinguished Professor for the City University of New York, the highest rank in the state’s university system.

Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “Where You Linger” will appear in the January/February issue of Uncanny Magazine.

Morgan Talty‘s (Fiction, W ’19) short story “The Blessing Tobacco” will be published this January in TriQuarterly. The story will also be excerpted in Literary Hub: The Best of the Literary Internet. 

Darlene Taylor (Fiction, W’17) received an award for a fellowship grant as an individual artist in literary arts from the DC Commission on Arts and the Humanities. She is completing research and writing that expands her short story “Piper’s March” into a novel (“Piper’s March” was published in Kweli Journal in 2018). In other news, Darlene will moderate a panel during the 2020 AWP Conference in San Antonio, Texas. The panel also features Breena Clarke of Stonecoast and authors Rion Amilcar Scott, Jacinda Townsend, and Crystal Wilkerson. The authors will discuss how fiction writers use historical imagination to create characters from little-known histories. “They Must Have Felt: Imagining Emotional Landscape and Place” is scheduled for Friday, March 6, 2020, from 12:10-1:25 p.m. in Room 205, Henry B. González Convention Center, Meeting Room Level.

Lisa C. Taylor (Poetry, S’04) was honored to be a part of a holiday reading in Orleans, MA, on December 27th with Tom Daley, Christine Jones, and J. Barrett Wolf, music by Jordan Renzi, sponsored by Voices of Poetry. Lisa has officially named her workshop offerings Whitewater Writing. She will offer an all-day writing retreat with a catered lunch on January 4th in Connecticut—snow date: January 11. This retreat is nearly full but contact Lisa if you are interested. Lisa is a fiction editor and interviewer for Wordpeace, an online magazine created by Lori Desrosier (the founder of Naugatuck Review). In the upcoming issue, Lisa interviewed Maida McKenna, founder of Word Scientists, a literacy organization in Nepal; and Kevin Brodie, an award-winning playwright who is currently working on a play about American Indian Schools directly related to time spent on a Shoshone reservation with his grandfather. This issue should be out in late February or early March. Lisa also writes book reviews; her latest review was on Look Look Look by Calista Buchen (Black Lawrence Press) and appeared in the Mom Egg Review in December. Western Stonecoasters: Lisa and her husband Russ will be moving to Colorado (near Durango) in late summer 2020. She would love to organize some readings and make contact with writers who live in that area. Finally, Lisa will be at AWP in San Antonio March 4-8 and would also like to meet up with Stonecoasters.

Melanie Viets (Creative Nonfiction, W’17) is pleased to share some of her efforts guest editing “Root Mapping” at The Learned Pig. Published features include new work from Rick Bass (Faculty: Creative Nonfiction, Fiction, Writing for Social Change) and in January, a new essay by Catharine Murray (Creative Nonfiction, S’17). Submissions are welcome as the journal series continues in 2020.

 

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Community News & Updates October 2019

ANNOUNCEMENTS

SUBMISSIONS OPEN: The Learned Pig

Melanie Viets (Creative Nonfiction, W’17) is currently a guest editor at the UK magazine The Learned Pig. Her “Root Mapping” section is an exploration of mapping place instead of space. What is sparked when today’s mapping is guided by a desire for connection and beauty instead of domination, when maps are living creations that arise from engagement and attention? Submissions of poetry, literary nonfiction, photo essays, and interviews are all welcome through October 31st.

CALL FOR SUBMISSIONS: The Way of the Laser: Future Crime

Vernacular Books, an indie press venture created by Joe McDermott (Popular Fiction, S’11) and Eric Bosarge (Popular Fiction, W’12) is pleased to announce they are accepting submissions for the anthology The Way of the Laser: Future Crime stories.

What we’re looking for: 

Crime stories that take place in the future. Preferably these stories will go beyond simple murders or capers to reveal something about how technology and the powers that wield it have changed our world. Is poisoning the nanobots responsible for programming the ads in your neural feed a crime? Is organized crime society’s only hope or responsible for its downfall? Consider what will constitute a crime and what unique problems it poses for your characters.

Keep in mind what is criminal behavior one day may be legal the next and vice versa. We want to see people caught up in the pitfalls of society ruled by corporations, ideologies, and demagogues and what lengths they will go to when there simply is no other choice.

Wow us with your original idea and blow us away with your writing.

Length: 4,000-8,000 words

Payment: $.05/word advance + royalties.

For SUBMISSION GUIDELINES visit www.vernacularbooks.com/submissions/

To support this project via Kickstarter, visit https://www.kickstarter.com/projects/vernacularbooks/the-way-of-the-laser-future-crime-stories 

CURRENT STUDENTS

Jac Evans’ (Popular Fiction) short story “Scales” appeared in Issue 30 of Three-Lobed Burning Eye, published on August 30! This story was workshopped in her very first Stonecoast residency.

FACULTY

David Anthony Durham (Fiction, Popular Fiction) has signed a new book deal with Tu Books for his middle-grade solar-punk fantasy novel, The Shadow Prince. It won’t enter the world until some time in 2021, but he’s happy. In November, he’ll be a guest at the first Reno Pop Culture Con.

Aaron Hamburger‘s tour for Nirvana Is Here rolls on, with stops at Literati Bookstore in Ann Arbor, at 7:00 p.m., Thursday, October 3rd; a reading and conversation at the Fall for the Book Festival at George Mason University at noon on Friday, October 11th; an appearance at the Rainbow Book Fair in New York on Saturday, October 12th; and a stop in Arlington, VA, for the Readings on the Pike reading series, Wednesday, October 15th at 7:30 p.m. Aaron will also be featured as part of the Detroit Public Library Author Series on Sunday, October 27th at 2:30 p.m., and will participate in the National Press Club Book Festival On Friday, November 1st. Keep up with all of Aaron’s latest events here.

Elizabeth Hand’s (Popular Fiction) novel Curious Toys, out October 15th, has received glowing early reviews, including raves from Publishers Weekly and Kirkus and starred reviews in Booklist and Library Journal, as well as advance praise from Audrey Niffenegger, Sarah Weinman, Peter Straub, and Bradford Morrow, among others. Liz will be appearing at the Strand Bookstore in New York City on October 16th, in conversation about the book with Benjamin Dreyer; at Solid State Books in D.C. with Michael Dirda on October 17th; at Anderson’s Bookstore in Chicago with Sarah Weinman on October 24th; and at the WORD Festival in Blue Hill, Maine, on October 26th, where she’ll be in conversation with Joe Hill and Laura Miller. Her forthcoming reviews include Rene Denfeld’s The Butterfly Girl in The Washington Post.

Cara Hoffman‘s (Fiction, Popular Fiction) debut children’s novel Bernard Pepperlin, out this fall from Harper Collins, was a Jr. Library Guild Selection, received a starred review in Kirkus, and earned glowing reviews in Publishers Weekly and School Library Journal which compared Bernard Pepperlin to books by Roald Dahl and E.B. White.

Robert Levy‘s (Popular Fiction) novella Anaïs Nin at the Grand Guignol is out this month from Lethe Press. Kirkus Reviews says, “Readers looking for a concentrated cocktail of Années folles splendor will find that this short erotic novel quenches their thirst. A finely crafted, Anaïs Nin–centered fantasy with unexpected depths,” while Publishers Weekly in a Starred Review writes, “Levy’s disquieting erotic imagery masterfully evokes Nin’s original prose. This sensual confection will enthrall readers looking for an intimate, disturbing thrill.”

Cate Marvin (Poetry) is this year’s editor of Best New Poets: 50 Poems from Emerging Writers, a series curated by Jed Livingood.

At the 2019 Massachusetts Independent Film Festival in September, Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) won Best Feature Film Screenplay and the short film Four-Sided, based on Elizabeth’s novel, was screened on the Festival’s closing night, September 7th. Elizabeth attended the Festival with Amy Carpenter Scott, one of the producers developing Elizabeth’s script, A Four-Sided Bed, as a feature film. Also in September, Elizabeth’s script was named a Finalist at the Northeast Film Festival and the short film Four-Sided was a Finalist at Moondance International Film Festival. See updates here.

Elizabeth and A Four-Sided Bed producer Amy Carpenter Scott at the 2019 Massachusetts Independent Film Festival

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) film short adaptation of her memoir The Sound of a Wild Snail Eating won the international Jackson Wild Media Award in the Education category. The film has an upcoming Canadian premier at the Edmunton International Film Festival and was recently reviewed in the San Francisco Examiner.  

Michael Beeman (Fiction, S’09) published two short stories recently: “Better” in The Saturday Evening Post and “The Escape Artists” in The Normal School.

Carina Bissett (Popular Fiction, S’18) was awarded the inaugural Ladies of Horror Fiction (LOHF) Writers Grant, which was funded by indie author Steve Stred.

KT Bryski (Popular Fiction, W’16) and PodCastle co-editor Jen R. Albert are pleased to announce their creation of a new speculative fiction reading series. Funded by the Ontario Arts Council, ephemera will feature literary speculative fiction with a focus on emerging and underrepresented voices. Starting in November, it will run the first Wednesday of every month at the Glad Day Bookshop, Toronto.  Follow ephemera on Twitter and Instagram @ephemeraseries.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce that Aqueduct Press has just released her 140-page novella, The Rampant, as a paperback and ebook:

Christianity it turns out got a whole lot of things wrong. It’s ten years since the hordes of old-world Sumerian gods arrived in Southern Indiana ready to kick off the end of the world. Massive tornadoes, tsunamis, government collapse: it all started out so strong, but the Rampant, the final herald of the apocalypse, failed to show. Both people and gods have had to adjust. Sixteen-year-old Emelia Bareilles and Gillian Halkey have spent most of their childhood stuck in this seemingly never-ending apocalypse. Now the two friends are resolute: they will travel into the lands of the dead and force a change.

Paperback:  Amazon | Publisher

eBook:  Amazon | Publisher

Goodreads list.

What others are saying

“Equal parts playful and heartbreaking, this apocalyptic novella offers one-of-a-kind answers about the end of the world….This clever and surprisingly fun take on the rapture is the perfect theological horror story.” ~Publishers Weekly

“Day perfectly balances dark and light in The Rampant, and offers up a fresh take on apocalyptic fiction that draws on ancient mythology and literature to create something that feels completely original and new.” ~The Book Smugglers Women to Read

Josh Gauthier’s (Popular Fiction, S’17) debut full-length play Of Murder and Madness opens in early October at Footlights Theatre in Falmouth, Maine. The show runs from October 10-26, and tickets are on sale now. Visit the Footlights Theatre website for full details.

Nancy Hayden (Fiction S’12) and her husband John Hayden are excited about the September release of their new book, Farming on the Wild Side: The Evolution of a Regenerative Organic Farm and Nursery from Chelsea Green Publishing. The book explores growing fruit and perennial vegetables, enhancing native biodiversity for pollinators, beneficial insects, and birds, and increasing resilience in the face of climate change. Its hopeful message is combined with the authors’ color photographs of their Vermont farm.

Veda Boyd Jones (Fiction, S’17) has been elected president of Ozarks Writers League, which is headquartered in Branson, Missouri, but includes Arkansas as well. She will preside over a spring and a fall conference with national speakers.

Alan King‘s (Poetry, W’13) Drift, the audiobook, is now available on Audible. Learn more here.

Paul Kirsch (Popular Fiction, W’11) co-wrote a game called The Outer Worlds, which launches October 25th on PC and consoles. The Outer Worlds is a dark sci-fi satire about consumerism and corporate greed in space, full of fun shooty combat and opportunities for creative roleplay. You can find the latest trailer here (and below).

Ellen Meeropol (Fiction, W’06) is delighted to reveal the cover of her fourth novel, Her Sister’s Tattoo, coming in April from Red Hen Press. Angela Davis blurbed the book with this quote: “The elegant restraint of Ellen Meeropol’s prose and the painstaking precision of her vision offer us discerning glimpses over decades and generations into the complexities of political engagement—its big questions and especially its intimacies. At a time when radical movements are on the rise, we find in Her Sister’s Tattoo exactly what we now need: both caution and hope.” Elli will be doing an ARC-drop road trip to New England indie bookstores this fall, so if you have suggestions about bookstores likely to be interested in a political novel, please let her know.

Catharine H. Murray (Creative Nonfiction, S’17) will be at the Lewiston Public Library October 5th from 3:00-4:30 p.m. to discuss Memoirs and Loss with Suzanne Farrell Smith. Murray will be back at the Lewiston Public Library on October 26th teaching a Memoir Workshop from 1:30 to 3:30 in the afternoon. Both events are free and open to the public.

John Christopher Nelson‘s (Fiction, S’15) story “Beth Garland Realizes Her Date is a Serial Killer” will be featured online in Parhelion Literary Magazine this October. John read this same piece at a Stonecoast Faculty & Guest event during his summer Teaching Apprenticeship.

Carolyn O’Doherty (Popular Fiction, W’11) is delighted to announce that her debut novel, Rewind, won the 2018 Oregon Spirit Book Award from the Oregon Council of Teachers of English. The award is given annually to the author of a distinguished contribution to young adult literature that engages and encourages readers’ imagination, discovery, and understanding, reflecting the spirit and values held by Oregonians. Carolyn’s second novel, Unleashed, the sequel to Rewind, was released in September 2019.

Ellie O’Leary (Poetry W’17) will be the featured poet at Amesbury (Massachusetts) Public Library’s Fall Poetry Series on Tuesday, October 22nd, at 6:00 p.m.

Anne Britting Oleson (Poetry, W’05) has contracted her latest novel, Cow Palace, with B Ink Publishing; the book will be published in 2021. She will be reading from her most recently published book, Tapiser, at the Boothbay Public Library on Saturday, October 12th, at 2:00 p.m.; she will also be the guest at Union’s Vose Library for their annual “Soup & Suspense” fundraiser on Thursday, October 17th, at 6:30 p.m.

“On the Ridge,” a poem about the search for a man lost in the Great Smoky Mountains National Park, by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the forthcoming issue of The American Journal of Poetry.

An essay, “Upstairs Love,” by Lisa Romeo (Creative Nonfiction, S’08) appears in the fall issue of Ovunque Siamo: New Italian-American Writing. Upcoming: Lisa and fellow Stonecoaster Anthony D’Aries will read together at I AM Books in Boston (November 9th); she will present two sessions at the Philadelphia Writing Workshop (November 23rd); and lead a three-day memoir workshop (January 17-20) at the Winter Poetry & Prose Getaway in Atlantic City, NJ, presented by Murphy Writing/Stockton University.

Catherine Schmitt (Creative Nonfiction, W’12) has an essay on the importance of Maine, and wonder, to Rachel Carson, in Maine Boats, Homes & Harbors Magazine,  and another about the monuments of oyster shells made by Wabanaki ancestors, in Island Journal. She wrote the cover story on Atlantic salmon for Maine Audubon’s Habitat magazine Summer Issue,  and she will be talking about salmon and signing copies of The President’s Salmon at Maine Audubon on October 3rd. Schmitt will be moderating a Maine Writers and Publishers Alliance discussion on “Finding a Publisher” at the Bangor Public Library on October 19th.

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Community News & Updates July 2019

ANNOUNCEMENTS

It’s Boston Poetry Marathon time again! This year’s Boston Poetry Marathon is Friday-Sunday, August 16, 17, and 18, and …WE HAVE REALLY EXCITING NEWS! *We will be in a NEW LOCATION this year!* We are having this year’s Marathon at The Community Church of Boston at 565 Boylston St in Copley Square. This year’s event times are Friday, August 16th, from 6:00-10:30 p.m., Saturday, August 17th, from 12:00-10:30 p.m. (with a dinner break around 5:30, starting up again at 7:00 p.m.), and Sunday, August 18th, from 12:00-6:00 p.m. As always: every reader gets eight minutes each. For the third year running, Bridget Eileen (Poetry, W’09) is an organizer of this 20+ year-old Boston-area poetry festival tradition. This year’s lineup is TBD, but past years’ Stonecoast participants include alums Florine Melnyk, Carol Berg, Christine Tierney, and Vanesa Pacheco, and faculty Richard Hoffman and D. Nurkse. Admission is free but donations are welcome and appreciated. We are collecting donations ahead of time to help us with this year’s event at the new location. Learn more here. Event details are can be found here.

FACULTY

Candor Arts, in collaboration with Illinois Humanities and their #IllinoisTurns200, produced a risograph broadside of Tara Betts‘ (Poetry, Creative Nonfiction, Writing for Social Change) Illinois Bicentennial poem. The broadside also features illustrations by Kiki Dupont. Betts’ poem nods at the sesquicentennial Gwendolyn Brooks wrote in ’68 to mark 150 years of statehood. Betts’ broadside will be given to the winners of the Gwendolyn Brooks Youth Poetry Awards (#GWBYPA19) on August 10th, 2019.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) has agreed to a two-book deal with Macmillan Children’s Publishing Group. His first young-adult book, War in the Ring: Joe Louis, Max Schmeling, and the Fight between America and Hitler, was released in June. In its review, Booklist calls the book “a knockout.” School Library Journal says it “reads as smoothly as a novel” and recommends it for “all public and school libraries.” Last week, John and his writing partner (and wife), Ouisie Shapiro, discussed the book’s themes on ESPN radio; you can hear the interview here.

Aaron Hamburger (Fiction, Creative Nonfiction) was interviewed by novelist Kris Jansma for Electric Literature, which called his novel Nirvana Is Here “a pure joy to read on every page.” The Rupture also published a glowing review of Nirvana, calling it “an expertly written, bold, funny, serious novel.” DC fans, take note: on July 3rd, Aaron will be on a panel at the legendary Ask Rayceen Show doors opening at 6:00 p.m. He’ll also be teaching Publishing 101 at the Writer’s Center on July 10th, 7:00-9:00 p.m., as well as a special class on the novel Landfall by Thomas Mallon at Politics and Prose on July 14th, 2:00-4:00 p.m.

Nancy Holder (Popular Fiction) will accept the Grand Master Award, presented by the International Association of Media Tie-In Writers, at San Diego Comic-Con on July 19 at 2:00 p.m. in Room 32 AB. There will be an autograph session afterwards with a panel of tie-in writers in the Sails Pavilion. Here is the press release from the association:

Not many women get to play in over ten different universes, let alone create several of their own. Yet that is exactly what Nancy Holder makes look so very—and deceptively—easy to her myriad and devoted fans.

Every year, the International Association of Media Tie-In writers selects a grandmaster of tie-in writing to receive the Faust, IAMTW’s lifetime achievement award. For 2019, it is the IAMTW’s great pleasure to present the Faust to Nancy Holder. Her tie-in work runs the gamut from Firefly to Saving Grace. She’s written Angel in the Buffyverse, and Zorro in the seventeenth century. She novelized the Wonder Woman, Crimson Peak, and Ghostbusters movies, and wrote about a Feline Felon, and a pup in Wishbone. Above and beyond her media work, she’s co-created the YA series Wicked and Crusade.

Of the Bram Stoker award-winning and NYT bestselling author, IAMTW president Jonathan Maberry says, “Nancy is not only a superb writer and a smart businesswoman, but also a kind and compassionate member of the writing community.”

The IAMTW congratulates Grandmaster Nancy Holder on receiving the 2019 Faust Award.

More film news for Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting): her screenplay A Four-Sided Bed won Best Dramatic Screenplay at Hollywood Boulevard Film Festival in June, as well as Best First Time Feature Screenplay at Festivious Film Festival-LA, and was a Finalist at the Filmatic Drama Screenplay Awards. Over a dozen contests and festivals have given award recognition to Elizabeth’s script this year. The script will be featured in a full Staged Reading performance at the 15th Annual ReelHeART International Film and Screenplay Festival on July 5th in Toronto; Elizabeth will attend the film festival and do a Q/A after the staged reading. Later in July, Elizabeth’s script will be featured in a Best Scenes short read at the festival LGBT Toronto. Please see the updated website: http://www.afoursidedbedfilm.com

ALUMS

Jillian Abbott (Popular Fiction, S’04) has been invited to participate on a panel on the Ethics of Storytelling at Mix Digital, an international conference of digital writing at Bath Spa University in the UK on Monday, July 1, 2019; she also received a grant from the PSC_CUNY to attend the conference. The panel is moderated by writer Nikesh Shukladescribed by Foreign Affairs Magazine as one of the top 100 thinkers in the world and by The Bookseller as one of the 100 most influential people in publishing. Also on the panel is Digital Curator from the British Museum, Stella Wisdom, and British novelist Rosie Garland. More details can be found here.

The short-film adaptation of Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) memoir, The Sound of a Wild Snail Eating, has three launches in July. The film’s Australian launch is at the Revelation Perth International Film Festival July 4-17. Two New England launches follow at the Maine International Film Festival at Railroad Square (July 12-21) and then the Woods Hole Film Festival (July 27-August 3). Bailey wrote and directed the film. For more details see wildsnailfilm.org. Also, The Sound of a Wild Snail Eating has just been published in Spain in both Catalan (Més Libres) and Spanish (Capitán Swing) and the Spanish edition will have distribution in Mexico, Colombia, Peru, Costa Rica, Chile, Uruguay, and Argentina.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Derek Lubangakene’s story “Origami Angels” for the June 13th episode of Escape Pod. You can listen to it here.

Julie C. Day (Popular Fiction, S’12) is thrilled that her novella, The Rampant, now has both a cover and release date! The Rampant will be released by Aqueduct Press on October 1st, 2019, in both an ebook and paperback edition as part of their Conversation Pieces series.

It’s ten years since the hordes of old-world Sumerian gods arrived in Southern Indiana to kick off the end of the world, but things have not gone to plan. A principal player decided not to show. Now humanity is stuck in a seemingly never-ending apocalypse. Sixteen-year-old Emelia Bareilles and Gillian Halkey are determined to travel into the lands of the dead and force a change.

“I loved the epic journey of our two teenaged lesbian he­roes, Gillian and Emelia, through the sprawling horrors of the Sumerian afterworld. The clash of their modern feminist sensibilities with the cruel and rigid theocracy of the very oldest gods out-weirds much of the New Weird. In The Rampant, Julie Day calls us to visit a fan­tastical landscape in a voice that is hers alone.” ~James Patrick Kelly, winner of the Hugo, Nebula, and Locus awards

The Rampant was so much fun to read! Is that the right way to blurb a horror novel? I don’t know, but it’s the truth. Julie Day’s novel is smart, playful, sly and, yes, hor­rifying too. A short gem of a book.” ~Victor LaValle, author of The Changeling. Winner of the World Fantasy, Shirley Jackson, and British Fantasy awards.

“The girl-powered post-apocalyptic Sumerian under­world quest I didn’t know I needed.” ~Sarah Pinsker, winner of the Nebula and the Theodore Sturgeon Memorial Award

The Rampant is one of the most original Apocalypse tales I’ve read in ages. Julie C. Day avoids cliché and gives the reader the end-times by way of Sumerian myth—except this particular end-of-the-world stalls when one of its principal players decides not to show up. What unfolds is a journey into the underworld filled with joy and hor­ror, hope and loss. It’s a wise and lovely story—exactly what I’ve come to expect from Day.” ~Nathan Ballingrud, winner of the Shirley Jackson Award; shortlisted for the World Fan­tasy, British Fantasy, and Bram Stoker Awards.

Terri Glass’s (Poetry/Creative Nonfiction, S’13) poem “Waiting for the Lazuli Bunting” was published in the Spring 2019 issue of Birdland Journal, and her poem “Spirit Bear” will be published in the upcoming Marin Poetry Center Anthology. Terri also taught a workshop on the history of haiku for the summer residency of the MFA program at Dominican University in June 2019.

Lissa Kiernan (Poetry, S’11) is pleased to announce Catskill Lit: Words & Music Revivala generative writing retreat.

Alan King (Poetry, W’13) started his production company, Alan W. King Productions, which specializes in audio, video, literary services, marketing and content management. For authors, his services include book trailerssocial media banner designs to help promote your book, and media outreach for reviews. Alan marketed his second book, Point Blank, which was named among the “Ten Best Poetry Books for 2016” by Beltway Poetry Journal. It was also listed among “The Best Poetry Books of the New Year 2017” by Washington Independent Review of Books and was reviewed in publications such as the Washington City Paper and the Best American Poetry blog. Learn more here.

Kristin Leonard (Fiction, S’18) received the 2019 Maine Literary Award for Drama.

Jeanette Lynes‘ (Poetry/Fiction, S’05) second novel, The Small Things that End the World, won the Muslims for Peace and Justice Fiction Award at the 2019 Saskatchewan Book Awards, Canada.

John Christopher Nelson‘s (Fiction, S’15) flash-fiction piece, “A Miracle Shy of Martyrdom,” is forthcoming in Necessary Fiction. John is currently in residency as a Teaching Apprentice at Stonecoast.

Ellie O’Leary (Poetry, W’17) is organizing the first annual Fall Writerfest at the Pyramid Life Center in Paradox, NY, Sunday, September 22nd, through Friday September 27th, 2019. Fee is $300 inclusive of lodging, all meals, workshops, and seminars. Stonecoaster Clif Travers (Popular Fiction, S’17) will be teaching fiction, Ellie will be teaching a multi-genre workshop, and there will also be workshops in poetry and CNF along with seminars on publishing, Tai Chi, writing through grief, and more to be added.

Erin Roberts (Popular Fiction, W’18) is thrilled to have been recently awarded a 2019 Individual Artist Award from the Maryland State Arts Council and plans to use the grant to spend more time writing. She’s also deeply proud to have her story “Sour Milk Girls,” which was previously selected to be in The Best Science Fiction of the Year, Vol. 4, also selected to be in The Year’s Best Dark Fantasy and Horror 2019. Finally, her 2018 short story “The Grays of Cestus V,” originally in Asimov’s, is now available free to the masses through its inclusion in the short story podcast Tales from A Black Universe—links here (Spotify) and here (Apple).

Lisa Romeo (Creative Nonfiction, S ’08), will lead a one-day workshop, “Dialogue and Scene for Prose Writers,” with Cedar Ridge Writers Series, in Bedminster, NJ, on Saturday, July 20th. Details here.

Tamie (Harkins) Parker Song (Creative Nonfiction, S’12) invites writers of all stripes who are looking for a good editor to contact her. For the last five years she has worked as a developmental editor on a number of wonderful books that have been published by the University of California Press, focusing mostly on race and gender studies. She’s also edited half a dozen creative nonfiction books, a couple YA novels, and poetry. Authors she’s worked with include Michael Kimmel, Khaled Beydoun, Deepak Singh, Julie Bettie, Barbara Owen, and Robert Wyrod. She works on a generous sliding scale, and is especially interested in working with artists who are isolated socially or geographically, and with intellectuals whose work centers on social justice. She is happy to work with clients for just an hour or two, or for a year, or on an as-needed basis. Please contact her at tamieparkersong@gmail.com.

Tamra Wilson (Fiction, S’11) won a $500 Merit Scholarship to attend Tinker Mountain Writers Workshop held recently at Hollins University. The award was based on an excerpt from a novel in progress.

 

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