Tag Archives: Natalie Harris-Spencer

Community News & Updates April 2020

Hope everyone is staying safe!

CURRENT STUDENTS

Natalie Harris-Spencer’s (Fiction) short story “Labor Day Weekend” will be published on April 21st in Volume 2 of Allegory Ridge‘s fiction anthology, Archipelago. Allegory Ridge is a magazine for open-minded millennials that publishes travel writing, short stories, poetry, artwork, photography, and personal essays.

FACULTY

The German edition of JJ Amaworo Wilson‘s (Fiction, Popular Fiction, Writing for Social Change) novel Damnificados, translated by Connie Lösch, was published by Editions Nautilus on March 2nd. The book was positively reviewed in Der Spiegel, Europe’s largest weekly news magazine, the same week.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana Is Here is nominated as a 2019 Indie Book of the Year (LGBTQ fiction) from Foreward Reviews!

Elizabeth Hand (Popular Fiction, Fiction) will be leading a free online workshop focused on building resilience through writing for teens, sponsored by the Clarion West Writers Workshop; Stonecoast faculty member emeritus James Patrick Kelly (Popular Fiction) and current Stonecoast faculty member Tobias Buckell (Popular Fiction) are also instructors.  Recent reviews include N.K. Jemisin’s The City We Became and Megan Campisi’s Sin Eater, both for The Washington Post.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) published “Soundstage Musicals: Capturing Theater on Film” in the March 2020 issue of Imagine, the print and online magazine for the New England film community. Her article addresses the filming and streaming of musicals as one way to keep theater alive in these dark times.

ALUMS

Check out Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) current online radio and podcast interviews regarding her book, The Sound of a Wild Snail Eating. In addition to a lot of quirky snail science, the book relates to the pandemic experience, as it includes reflections on isolation and illness. Recent interviews include the following links: interviewed by Indira Naidoo for ABC Nightlife Radio in Sydney, Australia, and interviewed by Emily Kwong for NPR Science Podcast Short Wave.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Amit Gupta’s story “How Did It Feel to Be Eaten?” for the March 12th episode of Escape Pod. You can listen to it here. He also hosted the March 24th episode of PodCastle, featuring Sofia Samatar’s retelling of “The Tale of Mahliya and Mauhub and the White-Footed Gazelle,” available here.

Carina Bissett (Popular Fiction, S’18) has a Snow White retelling coming out in the anthology Arterial Bloom, edited by Mercedes M. Yardley. “Rotten” was the story she submitted with her application to Stonecoast, so she’s happy that is has finally found a home at Crystal Lake Publishing.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce that her novella The Rampant (Aqueduct Press) is a nominated finalist for the 2019 Lambda Literary Award in Science Fiction, Fantasy, and HorrorPublishers Weekly says, “Equal parts playful and heartbreaking, this apocalyptic novella offers one-of-a-kind answers about the end of the world….This clever and surprisingly fun take on the rapture is the perfect theological horror story.” The novella is available in both paperback and as an ebook.

Jess Flarity (Popular Fiction, S’18), PhD candidate in Literature, has been awarded a summer research grant from the University of New Hampshire to continue his work on the erasure of women in science fiction. He is excited to write an article on feminism related to Jesuit philosophy and the universe of Warhammer 40k as his entry point into the world of academic publishing.

 

David A. Hewitt’s (Popular Fiction, S’09) novelette The Great Wall of America, published by Mithila Press, is now available in both Kindle and paperback editions, and his short story “Donald Q. Haute, Gentleman Inquisitator, and the Peril of the Pythogator” will be appearing in the April 2020 issue of Metaphorosis.

Lissa Kiernan (Poetry, S’11) is happy to announce that her second full-length poetry collection has been selected as a semifinalist in Tupelo Press’s 2020 Dorset Prize.

Alison McMahan‘s (Popular Fiction, W’10) short story “Harlem in Havana” will be released April 7, 2020, in the anthology The Beat of Black Wings: Crime Fiction Inspired by the Songs of Joni Mitchell, edited by Josh Pachter, published by Untreed Reads. Alison will appear with fellow anthology authors Alan Orloff and Elaine Viets for a panel and signing on April 18th at Murder on the Beach Bookstore in Delray Beach, 6:00 p.m.

What a moment to launch a new novel! Ellen Meeropol (Fiction, W’06) is delighted that her fourth novel, Her Sister’s Tattoo, will be published on April 7th. She is working hard to convert her book tour to virtual events—live-streamed readings and Zoom book parties and curated series like A Mighty Blaze and Reading with Robin. Links to Internet events will be posted on her website as they’re set. Interesting times, no?

John Christopher Nelson‘s (Fiction, S’15) creative nonfiction piece, “Things You Gave Me When You Left” is forthcoming in The Real Story. John will have a solo author event—barring further quarantine—at Paper Boat Booksellers in West Seattle on the evening of May 1st.

dg nanouk okpik’s (Poetry, W’10) poem “When White Hawks Come” was published in the Academy of American Poets’ Poem-a-Day email on March 30, 2020 (the link also includes an audio recording of the poem).

Sean Robinson (Popular Fiction, W’14) is pleased to share that his short story “Soovien Hungered in the City of Spiders” is out at StarShipSofa. It’s a story about poetry-driven spider gladiatorial matches, and other stuff.

Catherine Schmitt (Creative Nonfiction, W’12) had a streak of publication right before everything changed: an article on wood construction and the future of Maine forests in Northern Woodlands magazine, a “Plant Love Story” about salt marsh grass, an essay on the striped skunk for Natural Resources Council of Maine, and an update on wild Atlantic salmon for The Working Waterfront. Her book, The President’s Salmon, was featured in several new podcasts and cited by Mark Kurlansky in his new book on salmon. And a lyric essay has been accepted by Waterwheel Review.

Kevin St. Jarre (Popular Fiction, S’10) recently participated in a six-author online showcase, hosted and broadcast via Zoom by publisher Encircle Publications. His novel Aliens, Drywall, and a Unicycle is now available for pre-order here.

Eugenio Volpe (Fiction, W’05) has an essay coming out in the summer issue of Massachusetts Review entitled “Jesus Kicks His Oedipus Complex.”

“Steve’s Ashes,” a story by Tamra Wilson (Fiction, S’11), appears in the Summer 2020 issue of Evening Street Review, a journal of Evening Street Press of Sacramento.

 

 

 

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Community News & Updates March 2020

ANNOUNCEMENTS

STONECOAST AT AWP 2020
Are you attending AWP 2020? Stonecoast MFA will host a gathering from 6:00-7:30 p.m. on Thursday, March 5, at The Rose Bush (2301 San Pedro Ave, San Antonio, Texas 78212). We’ll have free appetizers, a short reading in honor of our new WISE (Writing for Inclusivity and Social Equity) program, and plenty of time to socialize and reconnect. The venue is BYOB. We hope you’ll join us!

ALUMNI WORKSHOP AT THE STONECOAST 2020 SUMMER RESIDENCY
This June, Stonecoast will once again offer a personalized writing experience for our Alumni. Held in conjunction with the Stonecoast summer residency, Elizabeth Hand will lead workshops that get alums to immerse in their writing within a peer setting again. This post MFA workshop is open to fiction writers of all stripes—short stories, novels, mimetic fiction, genre fiction, autofiction, meta-fiction et al. Participants will focus on both old and new work, with an aim towards polishing the former as well generating new ideas and expanding notions of what fiction is and can be in the 2020s. The conference fee includes four 2.5-hour workshop sessions, plus full access to all presentations, seminars, readings, pop-up classes, receptions, and special events. Participants will also have the opportunity for a one-on-one meeting with a literary agent.

  • Dates: June 21-25, 2020
  • Cost: $650.00 workshop fee, plus room and board (~$750 for 4 nights) or commuter fee ($285). Includes daily lunches and afternoon tea at the Harraseeket Inn.
  • Contact Lindsey Vazquez  to reserve your spot! Only 8 slots are available, and we expect this workshop to fill quickly. Once your participation is confirmed, a non-refundable deposit will be required to confirm your place in the workshop.

Testimonials from Susan Conley‘s Winter 2020 Alumni Workshop:

  • “One year post-graduation, Susan Conley’s alumni workshop was just what I needed. The workshop gave me the opportunity to drop into an intensive working environment and hit the ground running. The benefit of working with a seasoned Stonecoast instructor and writers who share a common language of craft and critiquing was invaluable—not mention the amazing support. I will definitely do this again and highly recommend it.”  ~Lee Bodkin
  • “Being back at Stonecoast was such a gift—from the workshops to the seminars, returning to Maine to write and be with ‘my people’ was just the motivation I needed to return to my heart’s work. The writing during those mornings was some of the better writing I have done in months.” ~Heather Wilson

Martha McSweeney Brower (Creative Nonfiction, W’19) shared this information for anyone interested in submitting to Maine Seniors or Maine Women:

CURRENT STUDENTS

Natalie Harris-Spencer’s (Fiction) short story “Labor Day Weekend” is due to be published this Spring in Volume 2 of Allegory Ridge‘s fiction anthology, Archipelago, due out April 21st. Allegory Ridge is a magazine for open-minded millennials that publishes travel writing, short stories, poetry, artwork, photography, and personal essays. More details to follow.

Nina Lichtenstein (Creative Nonfiction), a.k.a. The Viking Jewess, recently had a food essay published in The Canadian Jewish News, which was fun, because when she had originally submitted a version of it to a Maine food pub, they asked her to remove references to her Jewish background, which made her (pissed off) pull the submission. You can read the brief food essay here.

 

FACULTY

Tom Coash‘s (Playwriting, Dramatic Arts, Writing for Social Change) play Bubble, Bubble will be produced in Sydney, Australia, as part of the worldwide Short & Sweet Festival. His short musical Stepping Into Fire will be produced at the National Performing Arts Academy in Johannesburg, South Africa.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about sports, crime, and social issues. In February, he wrote a feature for ESPN’s The Undefeated: Rube Foster was the Big Man Behind the First Successful Negro Baseball League. His next young-adult book is due out in 2021; it will tell the controversial story of Sacco & Vanzetti, two Italian anarchists wrongly convicted of murder and later executed in Boston, MA.

Aaron Hamburger (Fiction, Creative Nonfiction) talks about his novel Nirvana Is Here and all things Nirvana in an interview with Rolf Potts for the podcast Deviate.

The Los Angeles Review of Books and The Boston Review recently profiled Elizabeth Hand (Popular Fiction, Fiction) and her novel Curious Toys. On February 29th, Leap Day, she and bestselling Swedish novelist Niklas Natt och Dag appeared at The English Bookshop in conversation about their fiction (and a mutual fascination with artist Henry Darger). Hand’s new story “The Owl Count” will appear in the forthcoming issue of the literary magazine Conjunctions.

Nancy Holder (Popular Fiction) was invested into the august company of the Baker Street Irregulars, a worldwide literary society whose 300 members devote themselves to the Sacred Writings (Sir Arthur Conan Doyle’s stories of Sherlock Holmes).  Her investiture name is “Beryl Garcia,” a character in the novel The Hound of the Baskervilles. She was invested in January at the annual Baker Street Irregulars Dinner at the Yale Club in New York City. In other news, Kymera Press, Nancy’s comic-book publisher, is holding a Kickstart to create a trade paperback out of four of her comic book adaptations of short stories written by women during the long nineteenth century. Nancy also wrote the introduction for three books:

  • The Phantom of the Opera by Gaston Leroux, which is the debut offering of the Horror Writers Association’s Haunted Library.
  • Across the Universe, edited by Michael A. Ventrella and Randee Dawn. This anthology collects short stories starring versions of the Beatles in alternate universes.
  • Gentlemen Prefer Domino Lady, an anthology featuring short stories about a pulp character from the 1930’s. She has also written short stories and comic books starring Domino Lady in the past, and is currently working on a commissioned DL story for Moonstone Books.

The February 2020 TheatreZone production of Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction Scriptwriting) Tonya & Nancy: The Rock Opera, starring Broadway’s Andrea McArdle, was reviewed as an “exemplary show…Seeing a scandal unfold never felt so good.” Elizabeth received a generous shout-out in the same review: “It all seemed bizarre beyond belief nearly 30 years ago, and someone had the brilliant idea to deliver it in a joyous theater package. We can credit playwright Elizabeth Searle for that and thank you, thank you, thank you.” Elizabeth was thrilled to work with Andrea, the original ANNIE, who earned raves in her dual role as the Mom(s). The show received media coverage in the Naples Daily News, including an interview with Elizabeth, and on the Naples ABC affiliate, Channel 7, featuring an interview with the show’s stars. New productions are in the works; for updates and pictures, see www.tonyaandnancytherockopera.com.

Above: Elizabeth and Broadway great Andrea McArdle as well as Tonya & Nancy leading ladies Whitney Winfield (Nancy) and Nikki Miller (Tonya) and producer Paul Boghosian from the Feb 2020 production of Tonya & Nancy: the Rock Opera

 

ALUMS

Elizabeth Beechwood (Popular Fiction, S’14) is happy to announce that her story “Yes, Yes, Yes, We Remember” was selected for the Third Flatiron Best of 2019 anthology with an illustration of the Rusalka on the cover. You can listen to “Yes, Yes, Yes, We Remember” as a free podcast, too. Also, Elizabeth’s short story “Just Beyond the Shore” was included in the Stoker-nominated anthology Nox Pariedolia. This sale is especially sweet because a long-ago draft was included in Elizabeth’s submission to and workshopped at Stonecoast!

J Brooke (Poetry, S’19) has a fiction essay among the top seven finalists for the North American Review’s 2020 Kurt Vonnegut Prize.

KT Bryski (Popular Fiction, W’16) has a story in the upcoming anthology Invisible Threads, from Apex Publications. Engaging a wide array of marginalized creators, Invisible Threads interrogates and deconstructs the social, cultural, and economic ties that hold us back. The Kickstarter runs until March 18th—see here for more information and backer rewards! She will also be assisting at the PodCastle booth at Toronto ComiCon, March 20-22. Come listen to PodCastle episodes and catch a hilarious live show!

Lauren M Davis (Poetry, S’15) is teaching courses in English writing, creative writing, and philosophy at the University of Saint Francis and Indiana Institute of Technology.

Teacher/Pizza Guy, poetry collection by Jeff Kass (Fiction, S’09), has been named a Michigan Notable Book for 2020. Here is a link to an article about it in MEA Magazine.

Alan King (Poetry, W’13) created two videos for his poems “Beacon” and “Into the Light.” Both poems were inspired by his experience as an organ donor when his wife lost kidney function because of lupus.

Paul Kirsch (Popular Fiction, W’11) has been nominated for a Nebula Award for his writing on The Outer Worlds, a dark sci-fi satire about consumerism and corporate greed in space, full of fun shooty combat and opportunities for creative roleplay. His fellow nominees include Leonard Boyarsky, Kate Dollarhyde, Chris L’Etoile, Daniel McPhee, Carrie Patel, Nitai Poddar, Marc Soskin, and Megan Starks. This is the second year the Nebula has recognized video game writing.

Kristin Leonard (Fiction. S’18) published an academic article, “First-Person Adolescent Storytellers and Virginia Tufte’s Artful Sentences: Syntax as Style. The article is a re-constructed version of her third-semester project. It begins with the opening line: “I first discovered Virginia Tufte’s Artful Sentences: Syntax as Style while preparing for a fiction workshop with Breena Clarke at the University of Southern Maine’s Stonecoast MFA creative writing program…”

Emily Levang’s (Creative Nonfiction, S’19) article “Can We Protect Nature by Giving It Legal Rights?” was recently published in Ensia.

Ellen Meeropol (Fiction, W ’06) will be a featured reader at the upcoming AWP on a panel discussing novels about families torn apart by history and war. Her essay on the same subject, “When They Take the Children,” was recently published in Mom Egg Review. Her fourth novel, Her Sister’s Tattoo, will be published on April 7, 2020.

Bruce Pratt‘s (Fiction, S’04) short story “Last Rites” appears in the February March issue of Portland Monthly Magazine, on newsstands now, and two of his poems, “I Know Why a Man” and “In this year of stingy snow and illness,” appear in the most recent edition of The Maine Edge.

After the Parade, a second book of poetry by Dana Robbins (Poetry, W’13), was published by Moon Pie Press of Westbrook Maine. The book is available for purchase here.

Lisa Romeo (Creative Nonfiction, S’08), has a flash list essay, “Marriage by the Numbers,” in the 10th anniversary issue of The Writers Circle Journal. She has additional essays forthcoming in Tiferet Journal and Flash Nonfiction Food. In late April, Lisa will appear on a panel presentation, “The Borderlands of Grief,” at The Calandra Italian American Institute’s Annual Conference in New York City with authors Nancy Caronia and Joanna Clapps Herman.

Morgan Talty‘s (Fiction, W’19) story “The Citizenship Question: We the People” will be published this spring in The Georgia Review‘s special issue on the 2020 U.S. Census. Talty’s two short craft essays, “Story, Speak” and “One-Edit,” will also appear in Shenandoah.

Gina Troisi‘s (Creative Nonfiction, W’09) essay “A Hunger” was recently published in Sycamore Review (Issue 31.1).

Christopher Watkins‘ (Poetry, W’08) poems “We Take Our Color From The Mines,” “The Sea Was Never A Friend To Us,” and “We Are Forced To Face One Another” have been accepted for publication by The Write Launch and will be included in the March 2020 issue. Additionally, Christopher, under his performance name “Preacher Boy,” has just released his 12th album, entitled See No Evil (Coast Road Records). The album is now available across all digital music platforms. Coast Road Records has published an Enhanced Lyric Booklet to complement the album’s release, which is now available for Kindle or as a free PDF.

 

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