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Community News & Updates October 2020

FACULTY

Cara Hoffman‘s (Fiction, Popular Fiction) reporting on the uprising in Exarchia, “Dream of No Nation,” was recently published in The Daily Beast. Her long prose poem “Retouch/Switch,” part of Garth Greenwell’s KINK anthology, was recently translated and published in the polish magazine Femme. Her short story “DeChellis” will be published in the forthcoming issue of Bennington Review. Cara’s second novel for children, The Ballad of Tubs Marshfield, will be published in early November and is now available for pre-order.

Suzanne Strempek Shea (Creative Nonfiction, Fiction) will be among the 20 authors and poets featured at Old Dominion University’s 43rd annual Literary Festival, “Grit and Grace.” The series of virtual programs is free and open to the public October 4-8. Suzanne will read, speak, and do a Q&A October 8 from 12:30 to 1:30 p.m. EST. More information and links to all events are here.

 

ALUMS

Lindsey Barlow‘s (Popular Fiction, W’19) second novel of the Jack Harper Trilogy—Perish—was published October 13, 2020, by California Coldblood Books, an imprint of Rare Bird Books.

Peter Adrian Behravesh (Popular Fiction, W’18) can finally reveal that he sold an interactive novel to Choice of Games, which is set in the same Persian space fantasy universe as his Stonecoast thesis. Barring any unforeseen calamities (and there have been plenty of those lately), The Astralchemist’s Apprentice will be released in 2021. Peter also narrated Aimee Ogden’s story “More Than Simple Steel” for the September 24 episode of Escape Pod. You can listen to it here.

Carina Bissett (Popular Fiction, S’16) has a dinosaur robot story in the anthology Triangulation: Extinction, which was published by Parsec Ink in August. She also takes a look at giraffes as a critically endangered species in the story “An Authentic Experience,” which also came out in August in the anthology WILD: Uncivilized Tales from Rocky Mountain Fiction Writers.

Ed Boyle’s (Fiction, W’09) story “The Keeper of the Marsh” was recently published in Scarlet Leaf Review.

Kathy Briccetti (Creative Nonfiction, W’07) recorded a two-minute Perspective on San Francisco’s KQED public radio about her experiences working on the 2020 Census. She is currently shopping the novel she began after graduation, a story about an American family set in the tumultuous early months of 1968, an electrifying time of riots, political upheaval, protests, sexual revolution, feminism, and rock and roll.

KT Bryski (Popular Fiction, W’16) has a story in this quarter’s Apparition Lit: “The Gorgon’s Epitaphist” will be available to read on October 15. As well, join her on YouTube October 21 for this month’s ephemera reading series. Sarah Pinsker, Waubgeshig Rice, and Khashayar Mohammadi will read works on the theme of “Light.”

Darcy Casey (Fiction, W’19) has a new story in Yemassee‘s monthly spotlight. Her novel-in-progress, Pity-Heart, was long-listed for Retreat West’s Best Opening Page competition in September 2020.

Brenda Cooper‘s (Fiction, S’17) novel The Making War will be out from WordFire Press on October 7th. This the fourth and final book in an award-winning series that begins on a colony planet where six genetically altered children start their lives as spoils of war. Hugo and Nebula award-winning author Nancy Kress said, “The Making War is technologically inventive without ever losing sight of the human heart. A satisfying end to Cooper’s series.”

Anthony D’Aries‘s (Creative Nonfiction, W’09) story “An Honest Pain” was accepted by Flash Fiction Magazine. Anthony also recently signed with the Philip Spitzer Literary Agency for his novel.

Lauren M. Davis (Poetry, S’15) celebrates the publication of her poem “The Flowers You Brought Back from Italy” in Wrath Bearing Tree’s Spring 2021 issue.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce she will be reading alongside Cadwell Turnbull on October 27th at 7:30 p.m. EST as part of the Strange Lights SFF Reading Series. Originally planned to take place at Book Moon, the reading will be a virtual event. Follow the series on Facebook for pre-registration links.

The Lady of the Cliffs, Book Two of The Bury Down Chronicles series by Rebecca Kightlinger (Fiction, W’14), will be released on November 1, 2020, by Rowan Moon.

“The Art of Honorable Grieving” by Cynthia Kraack (Fiction, W’10) ran in the September 19 Saturday Evening Post. In other news, 40 Thieves on Saipan by Joseph Tachovsky and Cynthiareleased June 2 by Regnery History, has sold out its first run.

Under the name S.M. Mack, Sarah Mack’s (Popular Fiction, S’19) essay “On Bearing Witness in Pat Barker’s The Silence of the Girls was published as part of the Sirens conference 2020 summer essay series. It is an examination of the necessity of sitting with painful realities and connects a book that re-centers the Iliad on Briseis, enslaved and abused by Achilles and Agamemnon, to present-day injustices and crises.

Ellen Meeropol (Fiction, W’06) has a new essay about art, fiction, and life, in the inaugural issue of NOW, the journal of the Hobart Festival of Women Writers. And, for those Stonecoasters interested in politically engaged fiction, Ellen will be part of a panel titled The Personal and the Political: Writing the Social Protest Novel on October 29 at 6:30 pm. The event includes Andrew Altschul, Sanderia Faye, and Tina Egnoski. Details and registration link here.

Jenny O’Connell (Creative Nonfiction, S’17) took a leap into the world of libretto writing! “The Sky Where You Are,” commissioned by An Opera Theatre of Minneapolis and composed by Maria Thompson Corley, is an eleven-minute opera that sheds light on advocacy and domestic violence during quarantine. Written in collaboration with Women’s Advocates of Minnesota, the first domestic violence shelter for women in the U.S., it will premiere nationally October 23rd as part of the Decameron Opera Coalition’s “Tales from a Safe Distance.” Get your tickets here! Jenny is glad for this unexpected return to her musical roots, and excited to explore new ways to be a writer for change in the world.

Lisa Panepinto (Poetry, W’13) has two poems in the new Littoral Books anthology: Enough! Poems of Resistance and Protest.

A new essay, “Notes From the Father Field,” by Lisa Romeo (Creative Nonfiction, S’08), appears in the August issue of Adelaide Literary Magazine (published in New York and Lisbon).

Morgan Talty‘s (Fiction, W ’19) short story “The Blessing Tobacco” has been nominated for Best of the Net 2020 by TriQuarterly. “The Blessing Tobacco” was also featured in Literary Hub: The Best of the Literary Internet. His short story “Food for the Common Cold” will be published in the Fall 2020 Issue of Narrative Magazine.

Gina Troisi‘s (Creative Nonfiction, W’09) flash fiction piece, “After the Boston Marathon Bombing,” was just published in Gemini Magazine.

Marco Wilkinson (Creative Nonfiction, S’13) began teaching as a Visiting Assistant Professor at James Madison University in Fall 2020. He will also be a guest faculty member in the Antioch MFA Program for their Winter 2020 session.

 

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Community News & Updates September 2020

CURRENT STUDENTS

Darcie Abbene’s (Fiction) flash fiction “Burn” was published in Capsule Stories Autumn 2020: Burning Up. The story was inspired by the Hayman Fire, Colorado’s largest wildfire.

Natalie Harris-Spencer‘s (Fiction) short story “Fish Out of Water” will be published this month in the fourth annual Issue of Oyster River Pages, under their Emerging Fiction Voices category. In addition, Natalie’s ghost story, “Open Heart Massage,” has been selected for publication in the CultureCult anthology of science fiction, “Breathe.” Publishing details to follow.

FACULTY

Tom Coash (Playwriting, Dramatic Arts, Writing for Social Change) will be teaching a Character Development workshop as part of the terrific “A Literary Season Online” assembled by the San Miguel de Allende Writers’ Conference & Literary Festival. Although the Conference won’t physically be in Mexico this time (Covid cancel), this new online format makes the Conference available to everyone everywhere! Really exciting line-up of speakers and teachers (including Margaret Atwood among many others).

In August, Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) was featured by New Rivers Press in their Writer’s Routine series. In script news: Elizabeth is one of the top 5% QuarterFinalist script writers, chosen out of over 7000 entries, for the 2020 Academy Nicholl Fellowships, which are run by the Academy of Motion Picture Arts and Sciences/the Oscars. Finally, Elizabeth is “Riding for Food” via team Food Link. Elizabeth and her son are longtime volunteers at Food Link, which helps to feed those in need, and she aims to ride the entire MinuteMan bike trail by October 4th to raise much-needed FoodLink funds; please click here.

Suzanne Strempek Shea (Creative Nonfiction, Fiction) invites you to join her online September 10, 7:00 to 8:30 p.m., when she’ll be talking narrative medicine, writing that has carried so many individuals (including Suzanne) along and through tough times. She’ll look at some great examples of the genre, and spend some time getting attendees started on their own.

 

 

ALUMS

The short film Elisabeth Tova Bailey (Creative Nonfiction, S’15) adapted from her Creative Nonfiction book, The Sound of a Wild Snail Eating, has been accepted by the SuperFest Disability Film Festival in San Francisco. A special film cut is being prepared to make the film fully accessible to viewers with visual and hearing impairments. Bailey has just completed the writing of a narrative script of audio descriptions, which will dovetail with the main narration. Audio descriptions tell the non-verbal action in a film along with the visual details in order to make a film accessible to those with visual limitations. Kiki Samko (Boston) has been cast as audio description narrator. Soundscape captions will also be added to the film for viewers with hearing impairments. This August marks the book’s 10th year in print, and Elisabeth will give a reading from the book for the Canadian Horticultural Therapy Association’s 2020 conference this fall.

Neptune, a film produced by Allen Baldwin (Scriptwriting, W’19), is now available on iTunes, Google Play, Microsoft, and Prime. Neptune features an all Maine cast and crew and is now being self-distributed through Baldwin’s company, The Story Board. The film is set in the late 1980s on an island off the coast of Maine; an orphan girl raised by the church becomes obsessed by the disappearance of a classmate, and her haunted dreams and visions propel her to push past her sheltered life. The film’s website is here.

Peter Adrian Behravesh (Popular Fiction, W’18) is a finalist for the Ignyte Award for Best Fiction Podcast for his work with PodCastle, alongside co-editors Jen R. Albert and Cherae Clark, assistant editor Setsu Uzumé, and former co-editor/special editions editor Khaalidah Muhammad-Ali. You can read the official announcement here and PodCastle‘s statement here. The awards are open to all members of the speculative fiction community, so please vote!

Ryan Brod (Creative Nonfiction, S’17) is excited to teach a Creative Nonfiction course at the University of New England this fall. You can check out a profile he wrote in the most recent issue of The Drake magazine.

J Brooke (Poetry, S’19) has an essay, “Hideous,” in the Embody section of The Maine Review.

Anthony D’Aries‘s (Creative Nonfiction, W’09) essay “No Man’s Land” will appear in the 25th anniversary issue of Sport Literate

Jaq Evans‘s (Popular Fiction, S’20) weird eco-gothic short story appears in Issue 2 of Fusion Fragment, and the poem generated in Katherine Larson and Deb Marquart‘s environmental workshop appears in Issue 20 of Typehouse Literary Magazine.

Josh Gauthier (Popular Fiction, S’17) and Daien Sanchez (Popular Fiction, S’18) have started a monthly livestream series titled Writers, Readers, and the Stories We Love. Featuring a new guest each month, each conversation includes discussion of writing craft, book recommendations, and storytelling across forms and genres. Information about upcoming streams can be found on Josh’s Facebook page. Past videos are available on his YouTube channel.

Lesley Heiser (Fiction, S’11) is now an associate Creative Nonfiction editor at jmww journal. She recently published a piece in the How We Are blog, which features responses to life during the pandemic and features several Stonecoasters.

Clifford Royal Johns (Popular Fiction, W’18) has placed his novel Velocity Blues with Vernacular BooksVelocity Blues was written at Stonecoast and was Cliff’s thesis work. Expect it next summer.

Nina B. Lichtenstein (Creative Nonfiction, S’20) is glad to announce that she has launched “Now You See Me”—an affordable author website building service. We all know it’s important to be “out there” in the virtual world, but not all of us are “tech-y” or willing to pay big dollars for our first site (until we sell our book for a great advance, at least.) Her rates start at $300 for a basic website, one that will shine and show off your work, personality, and esthetics. She promises personalized & prompt service. You can reach her at nblichtentein@gmail.com.

Tom MacDonald‘s (Fiction, W’09) short story “Nashua River Floater” will be published in crime anthology Coast to Coast: Noir, which is coming out on September 28; Tom was assigned the city of Nashua, New Hampshire, for his story. The anthology is edited by Paul D. Marks and Andrew McAleer. Later this fall, Tom’s 5th Dermot Sparhawk detective novel, Sleep Long, Sleep High, is due out.

John Christopher Nelson (Fiction, S’15) was featured on Episode 5 of DUM DUM Radio where he had the opportunity to chat with Julia Gibson and Taleen Kali, the fine folks behind DUM DUM Zine. You can listen to him BS and wax literary here.

A short piece by Lisa Romeo (Creative Nonfiction, S’08) is included in the new anthology Flash Nonfiction Food (Woodhall Press). She has work forthcoming in the next issue of Tiferet and in Adelaide Journal and was interviewed recently about memoir writing at A Healing Spirit. Lisa has expanded her one-on-one private teaching, coaching, and editing business, working with writers on book-length memoir, novel, short story, or essay manuscripts, or individual short pieces, proposals, query letters, and submission strategy. Details are here.

“The Fifth Direction,” an essay (and photos!) by Tamie Parker Song (Creative Nonfiction, S’12) appears in the August issue of Terrain.org. It is an exploration of gender, violence, trauma, and reaching for a different way, in the context of the Alaskan wilderness.

Rhiannon J. Taylor (Popular Fiction, S’19, writing as R. J. Howell) had two short stories published in August: “A Most Professional Demon” has been published by Translunar Travelers Lounge in issue 3 (available online and in ebook) and “Oresa” has been published in Beyond the Stars: Infinite Expanse (available in ebook, print forthcoming).

Two poems by Meghan Vigeant (Creative Nonfiction, S’20), “East Troy Street” and “She Writes the Kama Sutra,” appear online in the summer issue of Hole in the Head Review.

Anne Witty (Poetry, W’10) published a feature essay in the September 2020 “Best of Maine” issue of Down East Magazine, in which she reflects on her home territory of Seguinland in mid-coast Maine. She also has a piece entitled “The Double Portrait” forthcoming in The New Guard Review X.

 

 

 

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Community News & Updates August 2020

ANNOUNCEMENTS

This year’s Boston Poetry Marathon is taking place online from Thursday, August 6, to Saturday August 8. Stonecoast alumna Bridget Eileen (Poetry, S’09) returns as artistic director of the event for the fourth year running. With the this year’s virtual format, even more Stonecoasters will be taking part: former faculty Kazim Ali, Richard Hoffman, and Dennis Nurkse, along with alums Amy Alvarez, Cheryl Boyce-Taylor, Jessica de Koninck, Vanesa Pacheco, and Christine Tierney.

The event also includes Lloyd Schwartz, Danielle Legros George, Dorothea Lasky, and Eileen Myles, among many notable participants. Friday night will be a special look back on the history of the Boston Poetry Marathon and include a tribute to the late Kevin Killian from Lee Ann Brown and Tony Torn. The organizing team includes Bridget Eileen; the other artistic director, Suzanne Mercury; and two new organizers, Xtina Strong and Christina Liu.

In total, close to 150 poets will be reading their work during the three-day event. More information can be found here.

 

CURRENT STUDENTS

Darcie Abbene’s (Fiction) craft essay “Zen and the Art of Prickly Writing” is online at Parhelion Literary Magazine.

Natalie Harris-Spencer‘s (Fiction) creative nonfiction essay that she read at the Stonecoast Winter Residency open mic has been published in The Satirist. “The Great British Guide to Dining Out in America” is written by a Brit who moved to the U.S. two years ago and has been figuring out how to eat successfully here ever since.

 

FACULTY

JJ Amaworo Wilson‘s (Fiction, Popular Fiction, Writing for Social Change) essay “Black and Blue: The Uses of Anger” and his poem “Six Epitaphs for the Jazz Man” were published in July in the literary/arts journal The Bored Friday Project: Volume Five. His short story “Nazaré” will appear in the literary magazine A Public Space in the fall.

Tom Coash (Playwriting, Dramatic Arts, Writing for Social Change) was recently elected to the Seven Devils New Play Foundry’s Board of Directors. New Stonecoast Scriptwriting instructor Jeni Mahoney is featured in this excellent American Theater magazine article about Seven Devils, one of the best new play development groups in the world.

Susan Conley’s (Fiction, Creative Nonfiction, Writing for Social Change) latest novel, Landslide, will be published by Knopf on February 2, 2021.

Elizabeth Hand’s (Popular Fiction, Fiction) forthcoming novel The Book of Lamps and Banners received a starred review from Kirkus, saying, “Cass Neary is a tough, self-destructive character who still exudes compassion, courage, and love for the beauty and the pain of life—even more so because she recognizes its impermanence. Part Club Dumas, part The Girl with the Dragon Tattoo, all punk attitude and beautiful ache.” Recent reviews include Ursula Hegi’s The Patron Saint of Pregnant Girls for The Washington Post.

Katherine Larson (Poetry, Creative Nonfiction, Writing for Social Change) has been awarded the 2020-2021 Sowell Collection Fellowship. Offered in conjunction with colleagues in the Southwest Collection/Special Collections Libraries, the purpose of this award is to foster creative work and expression in the spirit of Texas Tech’s Sowell Family Collection in Literature, Community and the Natural World. Writing with a profound respect for the grandeur of the land, Sowell Collection writers are deeply engaged with questions of land use and the nature of community, the conjunction of scientific and spiritual values, and the fragility of wilderness.

Diane Seuss (Poetry) has been named a 2020 Guggenheim Fellow. Her fifth book of poems, frank: sonnetswill be published by Graywolf Press in March 2021.

 

 

 

 

 

ALUMS

Lindsey Barlow‘s (Popular Fiction, W’19) second novel of the Jack Harper Trilogy—Perish—will be published this October 13, 2020 by California Coldblood Books, an imprint of Rare Bird Books.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Prashanth Srivatsa’s story “Seven Dreams of a Valley” for the July 2 episode of Beneath Ceaseless Skies. You can listen to it here.

On July 27th, Cheryl Boyce-Taylor’s (Poetry, W’10) poem “After Robert Fuller” was the featured poem for the Academy of American Poets’ Poem-A-Day email. Cheryl’s latest book, Mama Phife Represents, is forthcoming from Haymarket Books in 2021.

KT Bryski (Popular Fiction, W’16) has a story in Lightspeed this month entitled “The Bone-Stag Walks.” She is also a finalist for the Aurora Award for her work co-chairing the ephemera reading series; the Auroras will be streamed live at 7:00 pm ET on August 15th.

Darcy Casey (Fiction, W’19) has two recent publications: her flash CNF “My Sister and Other Big Things” was a finalist to the Big Sky, Small Prose Flash Contest and is published in issue 92 of CutBank. She also has a flash fiction piece, “Portrait of a Young Woman During Quarantine,” in the June 2020 issue of Brilliant Flash Fiction.

Jess Flarity (Popular Fiction, S’18) is chairing his very first conference panel on nonbinary gender in science fiction at next year’s NeMLA. The conference takes place in Philadelphia, March 2021, and is currently planned to be a hybrid (meaning presenters can join remotely via Zoom or in-person), and he encourages any current Stonecoast students or alumni interested in academic scholarship in the area of Gender and Women’s Studies to submit a proposal by September 30th.

Veda Boyd Jones (Fiction, S’17) has three articles in the 2021 Harris Farmer’s Almanac, now in the magazine section of your favorite drugstore, grocery store, or bookstore.

Paul Kirsch (Popular Fiction, W’11) has been writing for Peril on Gorgon, a noir mystery set in the Outer Worlds that will be available on September 9th. His next project is Avowed, a new game in the Pillars of Eternity setting that will one day be available on Xbox and Windows 10.

Linda Morrow’s (Creative Nonfiction, S’13) book Heart of This Family: Lessons in Down Syndrome and Love will be available for pre-order/purchase in August 2020. The book description:

1966, the Beatles and Leave It To Beaver reign, the Vietnam War and Civil Rights rage, feminism is unheard of, and Linda’s first baby is diagnosed with Down syndrome. Determined to raise Steve at home, along with his two younger brothers, Linda tries to fulfill cultural norms as a homemaker, a woman whose voice is seldom heard or valued. But it isn’t in her nature to be meek.

Linda struggles to provide Steve an education at a time when disability rights don’t exist. Her advocacy focuses first on integrating him into the community, then, as he grows into adulthood, landing a real job and independent living.

Over these same decades, Linda learns to advocate for herself as well, starting with a career in public school education. When she unexpectedly falls in love with a woman, her life path takes unforeseen turns. Linda must dig deep to accept her new identity before she is read to meet her true solvate. Throughout, unwavering love for all her sons is her lodestar.

“The Fifth Direction,” an essay (and photos!) by Tamie Parker Song (Creative Nonfiction, S’12) appears in the July issue of Terrain.org and can be found here. It is about commercial fishing in Bristol Bay, Alaska—and it troubles the waters.

Kevin St. Jarre‘s (Popular Fiction, S’10) short story “Chuligani” has been accepted for the summer issue of Solstice Literary Magazine, due out in August 2020.

Lisa C. Taylor (Poetry, S’04) hosted two successful literary Zoom events featuring Irish writers in July. The first was with Alan McMonagle, author of the new novel Laura Cassidy’s Walk of Fame (Picador). The second event took place on July 21 and was part of the Virtual Irish Arts Expo, sponsored by the Irish Heritage Society of Milford, and it featured both Lisa and Irish writer Geraldine Mills, whose new verse memoir, Bone Road, was a focus. Lisa’s review of this collection was just published in Live Encounters, an online Irish review site. Additionally, Lisa has a new poem forthcoming in Bacopa Literary Review; it will be included in a collection to be published in late 2021. The biggest news of all is an offer on Lisa and her husband’s longtime home in Connecticut and a pending move to Mancos, Colorado, a tiny mountain town in the Four Corners area. Lisa and her husband will be heading to Colorado in early September to join their daughter and son-in-law in this gorgeous area near Mesa Verde National Park. They will be in a temporary space until November when the renters of their house will move out. Internet may be erratic during this transition time.

Eugenio Volpe (Fiction, W’05) was interviewed in The Massachusetts Review as a contributor to their summer issue.

Adrienne S. Wallner (Poetry, W’09) has signed a publishing contract with Finishing Line Press for her first poetry collection, To the 4 a.m. Light.  Several poems in her book were created and honed during her time at Stonecoast.  Adrienne’s work can be found here.

Lindsey Wells‘ (Creative Nonfiction, S’15) article “Spokane’s Riverfront Pavilion” was published in the July issue of Parks and Recreation Magazine.

 

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Community News & Updates June 2020

ANNOUNCEMENTS

THE STONECOAST MFA VIRTUAL WRITING SERIES
Join us Monday, June 8th, 6:00-7:00 p.m. for “Rolled in Sugar: Food as an Entry into a Moment” with Stonecoast Director Justin Tussing. Like Proust’s madeleine, we’ll talk about food and writing and where both can take us. Link to join is here. The Stonecoast Virtual Writing Series is an effort to connect our community and continue learning together from afar. Led by a faculty member or guest instructor, sessions are held monthly.

 

CURRENT STUDENTS

Lauren Erin O’Brien‘s (Fiction, S’20) poem “After She Reads the Court Records” is forthcoming in the Fall/Winter 2020 issue of Witness.

 

FACULTY

Martín Espada‘s (Poetry, Writing for Social Change) new collection of poems, called Floaters, is forthcoming from W.W. Norton in January 2021.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about sports, crime, and social issues. In May, he wrote a feature about baseball for ESPN’s The Undefeated: J.L. Wilkinson Stood Out as the Only White Owner in the First Official Negro League. His next young-adult book is due out in 2021. Doomed: The Tragic Story of Sacco & Vanzetti tells the controversial story of two Italian anarchists wrongly convicted of murder and later executed in Boston, MA.

Elizabeth Hand’s (Popular Fiction, Fiction) forthcoming Cass Neary novel, The Book of Lamps and Banners, was named one of fall’s most anticipated titles by CrimeReads/LitHub. She was interviewed by The Coode Street Podcast, discussing pandemic reading. Her recent reviews include Megan Capisi’s Sin Eater and N.K. Jemisin’s The City We Became, both for The Washington Post.

Nancy Holder (Popular Fiction) was profiled in The San Diego Union Tribune on Saturday, May 24.

Authors Ryan Craig Bradford and Nancy Holder

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) and her theater cohorts are finding ways for the Shows to Go On in these challenging times: Michael Teoli, composer and “co-conspirator” with Elizabeth on Tonya & Nancy: The Rock Opera, performed two of his and Elizabeth’s songs from their rock opera in May on the Los Angeles-based Stealing Focus Digital Cabaret.
In a new May interview, the stars of the 2020 TheatreZone production of Tonya & Nancy—Whitney Winfield and Nikki Miller—discuss their “joyous” experience doing the rock opera in February and also the new realities of the theater world since then, on ZoomIntoTheZone.

Elizabeth and composer Michael Teoli, who did the music on Tonya & Nancy: The Rock Opera, with book & lyrics by Elizabeth

Join Suzanne Strempek Shea (Creative Nonfiction, Fiction) online June 1 at 1:00 p.m. for a conversation with Meredith O’Brien, author of the newly released Uncomfortably Numb, her memoir on the life-altering diagnosis of multiple sclerosis and on the practice of narrative medicine. The free event will include some details about Bay Path University’s upcoming Narrative Medicine Certificate. Please register for the webinar here.

 

ALUMS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) book, The Sound of a Wild Snail Eating, was mentioned in a recent New York Times essay by Helen Macdonald, author of H is for Hawk. Macdonald’s essay on pandemic quarantine and birdwatching is available at this link.

Lindsey Barlow (Popular Fiction, W’19) was interviewed on episode 92 of a podcast called Thrill Seekers Radio with Alex Dolan to help advertise The Jack Harper Trilogy (Pivot, Perish, and Peak).

Peter Adrian Behravesh (Popular Fiction, W’18) appeared at the 2020 SFWA Nebula Conference on the “Finishing What You Didn’t Start: Editors Making Projects Their Own” panel.

Jennifer Marie Brissett (Popular Fiction, S’11) had a short story published in the May-June issue of Uncanny Magazine called “Through the Veil.”

J Brooke’s (Poetry, S’19) essay “Kaden has Covid” was a winner of Beyond Words Literary Magazine’s Dream Challenge and appears in the June issue online and in hard copy (essay can also be read in eir website jbrookewrites.com).

The ephemera reading series has gone virtual! Co-chaired by KT Bryski (Popular Fiction, W’16) and editor Jen R. Albert, ephemera is a monthly reading series showcasing diverse SFF. Catch the next event on June 17th, 7:00 p.m. ET, live on YouTube. ephemera was also recently nominated for an Aurora Award in the Best Fan Organizational category. It is funded by the Ontario Arts Council.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce the charity anthology Weird Dream Society: An Anthology of the Possible & Unsubstantiated in Support of RAICES is now available as both a paperback and ebook! This book is a culmination of a long year of work and a lot of help from some amazing creatives with Julie at the helm as Editor-in-Chief. Playful, whimsical, or dark, but always thoughtful and tinged with the inexplicably weird, the Weird Dream Society brings together twenty-three stories from the most innovative creators in speculative fiction, including Nathan Ballingrud, Carina Bissett (Popular Fiction, S’18), Gregory Norman Bossert, Karen Bovenmyer (Popular Fiction, S’13), Christopher Brown, Emily Cataneo, Julie C. Day, Michael J Deluca, Gemma Files, A.T. Greenblatt, Nin Harris, Chip Houser, James Patrick Kelly (Popular Fiction faculty), Marianne Kirby, Kathrin Köhler, Matthew Kressel, Jordan Kurella, Premee Mohamed, Sarah Read, Sofia Samatar, Bonnie Jo Stufflebeam (Popular Fiction, S’13), Steve Toase, and A.C. Wise. All proceeds from the anthology go to RAICES, which envisions a compassionate society where all people have the right to migrate and human rights are guaranteed.
Paperback: Amazon | Barnes&Noble | IndieBound.org
eBook: Amazon | Kobo | B&N Nook | Weightless Books
What Others Are Saying

  • “I adore it…These stories are what weird should be. Each one is a different subgenre and [yet] its own beast all together…I’m just feeling electrified by the stories in this collection…they are all connected in the places that matter. They are weird, they are genre, and they contain fantastic prose I’ll keep coming back to over and over again.” ~Paul Jessup, Vernacular Books Guest Review
  • “..the dream-like quality of the stories delivers on the promise of the title….the collection as a whole weaves in moments of profound strangeness, places where the rules of the universe seem to bend and buckle….There are ghosts of a shopping mall, and little girls with superpowers, and a man who can change skins….For fans of dark fantasy and science fiction, there’s a whole lot to like….And there are still moments of hope and clarity, tucked in among the shattered dreams the collection catalogs.” ~Charles Payseur, Quick Sip Reviews  

In addition to the anthology, Julie’s story “After the Apocalypse There Will Be Memory Poems” can now be found in the May 3rd issue of Vol.1 Brooklyn as part of their Sunday Stories series. This is a redrafted version of a piece from Julie’s thesis and a story that demanded a home. Julie’s story “Speculative Execution” is out this month in the anthology The Way of the Laser: Future Crime Stories, edited Stonecoast alums Eric M. Bosarge (Popular Fiction, W’12) and Joe M. McDermott (Popular Fiction, S’11). It’s a story about A.I.-infused glass, theft, and friendship in a networked city where no one is entirely alone.

Jessica de Koninck‘s (Poetry, S’11) poem “Virtual Seder” was a winner in the Writer’s Almanac Pandemic Poetry Contest. In an interview, Garrison Keillor discussed the poem with her as well as reading her poem “Repairs.” The full Zoom interview can be seen on the Writer’s Almanac website.

Jess Flarity (Popular Fiction, S’18) published a flash creative nonfiction piece, “The Simplest Recipe,” in Hippocampus.

Paul Kirsch (Popular Fiction, W’11) won a Nebula Award in the category of Game Writing for his work on The Outer Worlds, a spacefaring RPG that values player agency, player choice, and tells a story as morbid as it is fun. This is Paul’s first nomination, his first award, and as of writing this he’s celebrating with his cat. He’s currently working on an expansion to the game, launch date TBD.

Nylah Carpenter Lyman (Poetry, S’10) has had a poem titled “Making a Field” selected for Poetic License, a written word and visual arts exhibition, managed in collaboration by The Poetry Barn and the Arts Society of Kingston, NY. The process first involved having her poem chosen by the editorial team at Poetic License as a finalist.  Those poems were then forwarded on to visual artists at ASK. Once there, her poem was one of those selected by a visual artist, and so it will be mounted with the artist’s interpretation in an exhibition to be held in August 2020 at ASK’s gallery. If possible, the poets will be invited to come and read at the exhibition’s opening. The poems, and the paintings that were inspired by them, will be posted in a special issue on our sister site, The Poetry Distillery. While the gallery has been closed due to the COVID-19 crisis, they plan to reopen in June.

The Next Generation Indie Book Awards picked Tom MacDonald’s (Fiction, W’09) Dermot Sparhawk crime series—The Charlestown Connection (2011), Beyond the Bridge (2103), The Revenge of Liam McGrew (2015), Murder in the Charlestown Bricks (2018)—as a finalist in the series category. Also, the crime anthology Coast to Coast: Noir will publish a Dermot Sparhawk short story called “Nashua River Floater” in its 2020 edition, due out in June.

Daily Science Fiction published Dan McMinn’s (Popular Fiction, W’20) short story “Advice for Newbies at WoodCon” on May 5th.

Ellen Meeropol (Fiction, W‘06) is pleased to have her short story “Gridlock” in the spring 2020 issue of Solstice Magazine. It was wonderful working with Lee Hope again!

Starting Saturday, June 6th, Catharine H. Murray (Creative Nonfiction, S’17) will be teaching Memoir 101: Writing the Stories of Your Life, a weekly live Zoom class for five Saturdays, 10:00-11:30 a.m. EDT. For more information, click here.

John Christopher Nelson‘s (Fiction, S’15) creative nonfiction piece, “Things You Gave Me When You Left,” is online at The Real Story. Also, John was recently interviewed for a quarantine podcast by the folks at DUM DUM Zine, where it will be featured online shortly.

The concrete poem “Tree,” by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the next issue of The Comstock Review.

Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “Barking Dog Nocturnal” appeared in The Offing.

Gina Troisi‘s (Creative Nonfiction, W’09) short story “What Remains” was recently published in Volume 26 of Quarter After Eight. Her short story “Eve” was named a finalist for Iron Horse Review‘s Trifecta Award in Fiction. Her memoir, The Angle of Flickering Light, has been accepted by Vine Leaves Press and is forthcoming in April 2021.

“Church Camp,” a story by Tamra Wilson (Fiction, S’11), appears in the Spring 2020 issue of Trajectory, a journal based in Frankfort, KY.

 

 

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Community News & Updates April 2020

Hope everyone is staying safe!

CURRENT STUDENTS

Natalie Harris-Spencer’s (Fiction) short story “Labor Day Weekend” will be published on April 21st in Volume 2 of Allegory Ridge‘s fiction anthology, Archipelago. Allegory Ridge is a magazine for open-minded millennials that publishes travel writing, short stories, poetry, artwork, photography, and personal essays.

FACULTY

The German edition of JJ Amaworo Wilson‘s (Fiction, Popular Fiction, Writing for Social Change) novel Damnificados, translated by Connie Lösch, was published by Editions Nautilus on March 2nd. The book was positively reviewed in Der Spiegel, Europe’s largest weekly news magazine, the same week.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana Is Here is nominated as a 2019 Indie Book of the Year (LGBTQ fiction) from Foreward Reviews!

Elizabeth Hand (Popular Fiction, Fiction) will be leading a free online workshop focused on building resilience through writing for teens, sponsored by the Clarion West Writers Workshop; Stonecoast faculty member emeritus James Patrick Kelly (Popular Fiction) and current Stonecoast faculty member Tobias Buckell (Popular Fiction) are also instructors.  Recent reviews include N.K. Jemisin’s The City We Became and Megan Campisi’s Sin Eater, both for The Washington Post.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) published “Soundstage Musicals: Capturing Theater on Film” in the March 2020 issue of Imagine, the print and online magazine for the New England film community. Her article addresses the filming and streaming of musicals as one way to keep theater alive in these dark times.

ALUMS

Check out Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) current online radio and podcast interviews regarding her book, The Sound of a Wild Snail Eating. In addition to a lot of quirky snail science, the book relates to the pandemic experience, as it includes reflections on isolation and illness. Recent interviews include the following links: interviewed by Indira Naidoo for ABC Nightlife Radio in Sydney, Australia, and interviewed by Emily Kwong for NPR Science Podcast Short Wave.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Amit Gupta’s story “How Did It Feel to Be Eaten?” for the March 12th episode of Escape Pod. You can listen to it here. He also hosted the March 24th episode of PodCastle, featuring Sofia Samatar’s retelling of “The Tale of Mahliya and Mauhub and the White-Footed Gazelle,” available here.

Carina Bissett (Popular Fiction, S’18) has a Snow White retelling coming out in the anthology Arterial Bloom, edited by Mercedes M. Yardley. “Rotten” was the story she submitted with her application to Stonecoast, so she’s happy that is has finally found a home at Crystal Lake Publishing.

Julie C. Day (Popular Fiction, S’12) is thrilled to announce that her novella The Rampant (Aqueduct Press) is a nominated finalist for the 2019 Lambda Literary Award in Science Fiction, Fantasy, and HorrorPublishers Weekly says, “Equal parts playful and heartbreaking, this apocalyptic novella offers one-of-a-kind answers about the end of the world….This clever and surprisingly fun take on the rapture is the perfect theological horror story.” The novella is available in both paperback and as an ebook.

Jess Flarity (Popular Fiction, S’18), PhD candidate in Literature, has been awarded a summer research grant from the University of New Hampshire to continue his work on the erasure of women in science fiction. He is excited to write an article on feminism related to Jesuit philosophy and the universe of Warhammer 40k as his entry point into the world of academic publishing.

 

David A. Hewitt’s (Popular Fiction, S’09) novelette The Great Wall of America, published by Mithila Press, is now available in both Kindle and paperback editions, and his short story “Donald Q. Haute, Gentleman Inquisitator, and the Peril of the Pythogator” will be appearing in the April 2020 issue of Metaphorosis.

Lissa Kiernan (Poetry, S’11) is happy to announce that her second full-length poetry collection has been selected as a semifinalist in Tupelo Press’s 2020 Dorset Prize.

Alison McMahan‘s (Popular Fiction, W’10) short story “Harlem in Havana” will be released April 7, 2020, in the anthology The Beat of Black Wings: Crime Fiction Inspired by the Songs of Joni Mitchell, edited by Josh Pachter, published by Untreed Reads. Alison will appear with fellow anthology authors Alan Orloff and Elaine Viets for a panel and signing on April 18th at Murder on the Beach Bookstore in Delray Beach, 6:00 p.m.

What a moment to launch a new novel! Ellen Meeropol (Fiction, W’06) is delighted that her fourth novel, Her Sister’s Tattoo, will be published on April 7th. She is working hard to convert her book tour to virtual events—live-streamed readings and Zoom book parties and curated series like A Mighty Blaze and Reading with Robin. Links to Internet events will be posted on her website as they’re set. Interesting times, no?

John Christopher Nelson‘s (Fiction, S’15) creative nonfiction piece, “Things You Gave Me When You Left” is forthcoming in The Real Story. John will have a solo author event—barring further quarantine—at Paper Boat Booksellers in West Seattle on the evening of May 1st.

dg nanouk okpik’s (Poetry, W’10) poem “When White Hawks Come” was published in the Academy of American Poets’ Poem-a-Day email on March 30, 2020 (the link also includes an audio recording of the poem).

Sean Robinson (Popular Fiction, W’14) is pleased to share that his short story “Soovien Hungered in the City of Spiders” is out at StarShipSofa. It’s a story about poetry-driven spider gladiatorial matches, and other stuff.

Catherine Schmitt (Creative Nonfiction, W’12) had a streak of publication right before everything changed: an article on wood construction and the future of Maine forests in Northern Woodlands magazine, a “Plant Love Story” about salt marsh grass, an essay on the striped skunk for Natural Resources Council of Maine, and an update on wild Atlantic salmon for The Working Waterfront. Her book, The President’s Salmon, was featured in several new podcasts and cited by Mark Kurlansky in his new book on salmon. And a lyric essay has been accepted by Waterwheel Review.

Kevin St. Jarre (Popular Fiction, S’10) recently participated in a six-author online showcase, hosted and broadcast via Zoom by publisher Encircle Publications. His novel Aliens, Drywall, and a Unicycle is now available for pre-order here.

Eugenio Volpe (Fiction, W’05) has an essay coming out in the summer issue of Massachusetts Review entitled “Jesus Kicks His Oedipus Complex.”

“Steve’s Ashes,” a story by Tamra Wilson (Fiction, S’11), appears in the Summer 2020 issue of Evening Street Review, a journal of Evening Street Press of Sacramento.

 

 

 

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Community News & Updates February 2020

ANNOUNCEMENTS

Alumnus Jacob Strunk (Fiction, W’07) has undergone heart surgery in January and some Stonecoasters are among those supporting a GoFundMe effort right now to help with expenses. If you’d like to donate, visit Jacob’s Big Dumb Heart.

BOSKONE 2020

This year’s Boskone—New England’s longest running science fiction convention—features many Stonecoast faculty and alumni on the program participant list, including: KT Bryski (Popular Fiction, W’16), Julie C Day (Popular Fiction, S’12), David Anthony Durham (Fiction, Popular Fiction faculty), Theodora Goss (Popular Fiction faculty), James Patrick Kelly (Popular Fiction, Playwriting faculty), Mur Lafferty (Popular Fiction, W’14), Robert V. S. Redick (Popular Fiction faculty), Erin Roberts (Popular Fiction, W’18), and (of course!) Erin Underwood (Popular Fiction, S’09). Word is that many other Stonecoasters will be in attendance as well. Feel free to join us! Boskone – February 14th to 11th at the Westin Waterfront Hotel, Boston.

FACULTY

Aaron Hamburger (Fiction, Creative Nonfiction) interviewed novelist Garth Greenwell about his new novel Cleanness for Electric Literature.

In 2021, New Rivers Press will publish Debra Marquart’s (Creative Nonfiction, Poetry, Writing for Social Change) next poetry collection, Gratitude with Dogs Under Stars: New & Collected Poems. Her poems have recently been included in three anthologies: “Come November” in Dear America: Letters of Hope, Habitat, Defiance, and Democracy, edited by Elizabeth Dodd, Simmons Buntin, and Derek Sheffield (Trinity University Press, 2020); “Dylan’s Lost Years” in Stone Gathering: A Reader 1.1 (Summer 2019); and “How Bad News Comes” in Send My Roots Rain: 52 Weeks of Poetry to Heal Your Grief, edited by Kim Langley (Paraklete Press, 2019). She published an essay, “The Unhappy Hour,” in Ascent Magazine in November 2019. Debra received a small grant ($4000) from Iowa Arts Council to complete a Poet-Laureate-in-the-Schools initiative in the 2019-2020 school year, and she was interviewed by Frontier Poetry in May 2019. In addition to writing, Debra did quite a lot of speaking:

Cate Marvin (Poetry) received the 2020 Maine Artist Fellowship Award in Literature (in this case, poetry) from the Maine Arts Commission.

More recent-vintage Stonecoasters might remember the collaboration seminar Suzanne Strempek Shea (Creative Nonfiction, Fiction) and painter pal Susan Tilton Pecora gave at a winter residency a few years back on a book project to benefit their neighbor, Blue Star Equiculture. The draft horse rescue will be closing in a few months due to a lack of donations and volunteers so Suzanne and Susan have turned their work into a series of notecards (each featuring painting and essay) to more quickly help pay final bills at the 11-year-old draft horse rescue. The set of ten blank notecards, priced at $25, includes five different signed images and essays from throughout the rescue’s history. Checks should be made out to Susan Tilton Pecora and sent to her at PO Box 195, Thorndike, MA, 01079; pay via PayPal at sess7@comcast.net. All donations are tax-deductible and will be acknowledged by Blue Star Equiculture, a registered nonprofit. Please note on checks or on PayPal payment how many sets of cards you’d like. The horses and their humans, including these two longtime friends and neighbors of Blue Star, thank you.

ALUMS

Peter Adrian Behravesh (Popular Fiction, W’18) joined a full voice cast to narrate Kyle Kirrin’s story “Yo, Rapunzel!” for the January 28th episode of PodCastle. You can listen to it here.

Karen Bovenmyer (Popular Fiction, S’13) is pleased to announce a new story, “Nightmare Spinner,” in Way of the Laser: Future Crime Stories, edited by Eric Bosarge (Popular Fiction, W’12) and Joe McDermott (Popular Fiction, S’11) (Vernacular Books) and two reprints: “Snow as White as Skin as White as Snow,” in Weird Dream Society, edited by Carina Bissett (Popular Fiction, S’18), Julie C. Day (Popular Fiction, S’12), Chip Houser, and Steve Toase (The Post-Apocalyptic Writers Society); and “Cadaver Feet,” in The Binge-Watching Cure II: An Anthology of Horror Stories, edited by Bill Adler, Jr., and Sarah Doebereiner (Claren Books, October 2019).

Sunspot Literary Journal chose the opening to one of J Brooke’s (Poetry, S’19) essays, “Before and After,” as finalist for their Inception Contest (voted one of 2019’s Best Writing Contests by Reedsy) and published eir essay in the most recent issue. Of possible interest is J worked on this piece second semester at Stonecoast and received editorial suggestions from Stonecoast Director Justin Tussing on it, which e incorporated.

Susan Casey’s (Fiction, W’10) book Rock On: Mining for Joy in the Deep River of Sibling Grief is being released on February 14, 2020. The book launch is at the Frontier Café on February 15th from 6:00-8:00 p.m. Links to register here and here.

Renee S. DeCamillis (Popular Fiction, W’ 14) will be reading from her horror/psychological thriller novella The Bone Cutters on Saturday, February 22nd, from 2:00-3:30 p.m. at the Lewiston Public Library. The event is free to the public and will conclude with book sales and signing. Renee is also thrilled to announce that she has signed a comic book deal with Phi3 Comics. She has been commissioned to write the book #4 finale, “Gateway of Destruction,” for the current Spiralmind storyline of “Muses’ Rise.” Publication date is TBD.

teri elam’s (Poetry, S’19) poem “High School Dancerettes at Half-Time” was published in the Winter 2019 issue of Prairie Schooner. teri’s poem “Butterflies” (a reflection on the criminalization of school-age black girls) was chosen as part of 2020’s Visible Poetry Project and will be brought to the screen by filmmaker Christina Sloan Stoddard.

Gail Hovey (Creative Nonfiction, S ’11) is delighted to announce that her memoir, worked on at Stonecoast and beyond, will be published this fall by Exposit/McFarland. The title for this story of the long reach of childhood sexual abuse by a seminary-trained woman is still being worked on, as the publisher says it’s a hard book to title. Watch this space.

Clifford Royal Johns (Popular Fiction, W’18) will be conducting a writing workshop on writing in first person on February 15th at 2:30 p.m. at the Capricon science fiction convention (February 13-16, 2020). He will also be a panelist at the convention on the following panels:

  • Detectives in the Wild – Thursday, 5:00 p.m.
  • Nonfiction for Fiction Writers – Friday, 10:00 a.m.
  • Lessons I Learned as a First-Time Novelist – Friday, 8:30 p.m.
  • How Not to Kill Yourself over a Deadline – Saturday, 5:30 p.m.
  • A Funny Thing Happened on the Way to the Publisher – Saturday, 8:30 p.m.

Veda Boyd Jones (Fiction, S’17) sold a mini-mystery, “Who’s That Valentine?”, to Woman’s World magazine, which is in the issue that hits your grocery/drugstore checkout lines on February 6th.

Rebecca Kightlinger (Fiction, W ’14) announces that a new, enhanced edition of Megge of Bury Down: Book One of the Bury Down Chronicles will be released by Rowan Moon on February 1, 2020, in advance of publication of Book Two of the series this summer. The book’s epigraph is from a poem by Annie Finch.

Fiona Lehn (Popular Fiction W’15) has a new speculative novel, Transformation Junkies, published by Wicked Publishing. Click here to read more about the project, and here to view the book trailer.

Joe M. McDermott (Popular Fiction, S’11) sold the short story “Wind Gets Her Own Place” to Analog Science Fiction and Fact.

Matthew Quinn Martin (Popular Fiction, S’10)’s film (co-written with director Doug C. Williams) Being is now available on DVD and Blu-Ray nationwide, exclusively at Wal-Mart (with more big box stores and streaming to follow). The film starts Ben Browder (Farscape, Stargate SG-1), Lance Henriksen (Aliens, Millennium), Ahd Kamel (Collateral), Robert Burke (BlacKkKlansman), Jason Iannacone (The Irishman), and James St. Vincent (The Price). The trailer can be viewed here.

Ellen Meeropol (Fiction, W’06) is pleased to be a featured presenter at AWP in San Antonio. She will read from her forthcoming novel Her Sister’s Tattoo and talk with Donna Hemans, Aimee Liu, and Kristen Young, about themes of families torn apart by history and war. Ellen’s recent New England ARC tour was featured in Shelf Awareness on January 10.

On February 22nd from 10:30 to 12:30, Catharine H. Murray (Creative Nonfiction, S’17) will be at the Belfast Free Library teaching Memoir 101 through the Maine Writers and Publishers’ Alliance. The workshop is free to MWPA members and $5 for non-members.

Anne Britting Oleson (Poetry, W’05) will have her fourth novel, Cow Palace, published by B Ink Publishing in March of this year. She is also gratified to have had her fourth poetry chapbook, Magic Somewhere Else, contracted by Clare Songbirds Publishing, to appear at the end of the summer.

Tamie Parker Song (Creative Nonfiction, S’12) was invited to the Arrowmont School of Arts and Crafts, in Gatlinburg, Tennessee, for a residency in writing. There, nested in the Great Smoky Mountains, she worked on a long essay she is composing about commercial fishing in Bristol Bay, what that experience gives her to understand about gendered violence, and how we might alchemize it into something transformative and new.

Kevin St. Jarre‘s (Popular Fiction, S’10) has signed a new book deal for his novel Aliens, Drywall, and a Unicycle with Encircle Publications, with a publication date of November 6, 2020.

Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “Where You Linger” appears in the January/February issue of Uncanny Magazine and is available to read free online later this month.

 

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Community News & Updates November 2019

ANNOUNCEMENTS

ALUMNI RESIDENCY WORKSHOP: A CROSS-GENRE WORKSHOP IN FICTION AND CREATIVE NONFICTION

This January, Stonecoast is offering a personalized writing experience for our Alumni.  Held in conjunction with the Stonecoast winter residency, Susan Conley will lead workshops that get alums to immerse in their writing within a peer setting again. Participants will generate new work as well as discuss old work. It is our hope that you will get to see your writing from new vantage points and that you’ll leave the residency feeling inspired. The conference fee includes four 2.5 hour workshop sessions, plus full access to all presentations, seminars, readings, pop-up classes, reception, and special events. You’ll also get a one-on-one meeting with New York agent Stephanie Koven.

  • Dates: January 10-January 14, 2020
  • Cost: $650.00 workshop fee, plus room and board (~$750 for 4 nights) or commuter fee ($285). Includes daily lunches and afternoon tea at the Harraseeket Inn.
  • Contact Jenny O’Connell to reserve your spot! There are only 8 slots available, and we expect this workshop to fill quickly.

STONECOAST AT AWP

Do you plan on attending the 2020 AWP conference (March 4-7) in San Antonio? Contact Special Programs Coordinator Jenny O’Connell to be added to the list of attending Stonecoasters! As part of the new Stonecoast WISE (Writing for Inclusion and Social Equity) Initiative, all Stonecoast students, alumni, and faculty are invited to a WISE reading and discussion in San Antonio. Time and location TBD. We hope to see you there!

FACULTY

Tom Coash’s (Scriptwriting) play Thin Air has recently been published by Brooklyn Publishers. His play Raghead will be produced in Bronx, NY, as part of the Urban Waves Festival by the Open Hydrant Theater Company, November 11-17.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about sports, crime, and social issues. In October, he wrote a feature for ESPN’s The Undefeated: Red Sox’s Raquel Ferreira Breaks Through Baseball’s Glass Ceiling. He also recently signed a two-book YA deal with Macmillan Children’s Group. The first will tell the controversial story of Sacco & Vanzetti, two Italian anarchists wrongly convicted of murder and later executed in Boston, MA.

Aaron Hamburger (Fiction, Creative Nonfiction) has been awarded an arts and humanities fellowship from the DC Commission on the Arts and Humanities for 2020. The award, which supports individual artists who achieve excellence in the arts, was given on the basis of several selections from Aaron’s novel Nirvana Is Here. Also, Aaron will be presenting Nirvana Is Here at the National Press Club Book Fair on November 1st in Washington, DC.

Elizabeth Hand’s (Popular Fiction, Fiction) novel Curious Toys has received rave reviews from The New York Times, The Washington Post, The Chicago Tribune, The Chicago Review of Books, and CrimeReads, among others, and was named one of the Ten Books You Must Read Now by Oprah Magazine.

Jim Kelly (Popular Fiction emeritus) has been active in his retirement from Stonecoast. His short story “Selfless” appears in the current issue of Asimov’s Science Fiction Magazine and is featured in the Asimov’s Spotlight podcast in which Jim reads the story in its entirety. His novelette “Grace’s Family” was published last month in The Year’s Best Science Fiction & Fantasy 2019 Edition. A new standalone novella, King of the Dogs, Queen of the Cats, is forthcoming in January from Subterranean Press in print  and Blackstone Publishing in audio. The novelette “The Boyfriend Experience” will be published in the Twelve Tomorrows anthology from M.I.T. Press this summer, and the story “The Man I Love” is slated for later in 2020 in the Magazine of Fantasy and Science Fiction. When you read this, Jim will be in in Beijing as a guest of the Chinese government at the fourth annual China Science Fiction Conference (November 2-3), where he will give a presentation on teaching science fiction writers at Stonecoast and other programs.

Robert Levy’s (Popular Fiction) ghost story “The Vault of the Sky, the Face of the Deep” is included in Come Join Us By the Fire, a free audio anthology to celebrate the launch of Nightfire, a new horror imprint from Tor Books. More information about the anthology and the imprint can be found here.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) and A Four-Sided Bed, her script in development as a feature film, were featured in the October issue of Imagine Magazine, a longtime publication for the New England Film Community. In other film news: Four-Sided, the short film based on Elizabeth’s novel, won Best Experimental Short and second place as Best Narrative Short in Vegas Movie Awards, and the short film is a Semi-Finalist at Blow-Up: The International Art-House Film Fest, along with having screenings upcoming at festivals in Pittsburgh and Chicago. Elizabeth’s feature script A Four-Sided Bed won Best Dramatic Screenplay at Vegas Movie Awards and was selected for a Best Scenes short reading at the Romance Film Festival.

Imagine Magazine‘s feature article on Elizabeth and A Four-Sided Bed

 

ALUMS

Peter Adrian Behravesh (Popular Fiction, W’18) has accepted a full-time position as an editor for Seven Seas Entertainment, the #1 independently owned manga publisher in North America. He will be at the World Fantasy Convention in L.A. from October 31st to November 3rd, where he will moderate the “Mixing Genres” panel (Friday, November 1st, at 1:00 p.m.) and appear on the “Beyond Castles, Horses and Knights: Non-Eurocentric Fantasy” panel (Saturday, November 2nd, at 12:00 p.m.).

Nancy Holder (Popular Fiction faculty) and Debbie Lynn Smith Daughetee (Popular Fiction, S’04) would like to announce that Kymera Press is launching a Kickstarter in January 2020 for their title Mary Shelley Presents. The Kickstarter is to fund the printing of a trade paperback of all four issues (Nancy is the author and Debbie is the publisher). We hope you’ll help support us bringing back the voices of Victorian women horror writers in a unique and artful way.

Jess Flarity (Popular Fiction, S’18) has been accepted to present a paper on space Jesuits at this year’s Northeast Modern Language Association conference in Boston (NeMLA). The paper is titled “Glory to the Machine God: Tech-priests as Future Jesuits in the Warhammer 40k Universe” and might be included as part of his PhD thesis on the intersection of science fiction and philosophy. Space Jesuits and Habermas! What a time to be alive.

Zachary Jernigan

Zachary Jernigan (Popular Fiction, W’11) has sold History of the Defeated, a novella, to LGBTQ+-focused publisher Lethe Press. In creative-adjacent news, he’ll also be appearing on the live taping of Nicole Byer’s (Netflix’s Nailed It!) podcast Why Won’t You Date Me? on November 14th at Tempe Improv in Tempe, AZ. Zack can be found on Twitter at @CriticalJams.

Clifford Royal Johns (Popular Fiction, W’18) will be on the schedule for Windycon, a Chicago area SF convention (November 15-17), as follows:

  • Panel: Commerce in Space Opera — Friday, November 15th, 6:00-7:00 p.m. in Mueller Grand Ballroom G
  • Panel: Ask a Scientist — Saturday, November 16th, 1:00-2:00 p.m. in Lilac C
  • Chicago-SF Book discussion: Ringworld by Larry Niven — Saturday, November 16th, 3:00-4:00 p.m. in ISFiC Suite – Room 1612
  • Writers Workshop Moderator: Sunday — Sunday, November 17th, 9:00 a.m. to 12:00 p.m. in ISFiC Suite – Room 1612
  • Panel: Memorable Space Opera Settings — Sunday, November 17th, 1:00-2:00 p.m. in Mueller Grand Ballroom H

Veda Boyd Jones (Fiction, S’17) has several articles in the 2020 Harris’ Farmer’s Almanac on newsstands now. This year’s Christmas romance novella, The Christmas Parade, is now available on Amazon. Favorable reviews welcome. 🙂

Teacher/Pizza Guy, the new poetry collection by Jeff Kass (Fiction, S’09), was recently reviewed by The Ann Arbor Observer. Jeff will be reading on Wednesday, November 6th, at Nicola’s Books in Ann Arbor, MI, and on Wednesday, December 5th, at The White Plains Public Library in White Plains, NY.

Alan King (Poetry, W’13) is looking for reviewers for his audiobook Drift, now available on Audible. He has promo codes for review copies (US and UK). Those interested should contact him at alanw.king@gmail.com. Please add “DRIFT Audiobook Review” in the subject line.

Tom MacDonald‘s (Fiction, W’09) short story “Nashua River Floater” will be published next June in Coast to Coast Noir, a crime anthology edited by Paul D. Marks and Andrew McAleer.

Ellie O’Leary (Poetry W’17) has a poem “We Were a Family of Five When I Coughed” in the anthology The Hands We Hold: Poetry Concerning Breast Cancer.

Suri Parmar‘s (Popular Fiction, W’17) short film Skin Deep, based on her screenplay and directed by Ryan Couldrey, recently won second prize at Port Horror Festival’s short film showcase. Her short film Rialia also premiered at the CineFAM Film Festival, and her short script Vomit Comet was featured in a live staged reading at Toronto Cold Reads.

For the second year running, Cynthia Furlong Reynolds (Fiction, ‘12) won a journalism award in the annual Writers’ Digest Writing Competition. The first was for “Ginger Takes A Stand: A Life Lived With Polio,” the second “DNA Discoveries: Home Ancestry Tests are Rewriting Family Trees.” (Despite her commitment to finishing the novels she started at Stonecoast, Cynthia still loves writing for magazines.) In addition, Cynthia has had two non-fiction books published recently: The Purple Rose of Chelsea: Jeff Daniels and His Theater and Reach!, a business manual written for meta-franchiser John Rotche.

Two poems, “are you against me Boss” and “it’s dark outside Boss by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the forthcoming issue of Christianity and Literature. These poems are part of a new series of psalm-like poems inspired by Maurice Manning’s collection, Bucolics.

Lisa Romeo (Creative Nonfiction, S’08) was recently interviewed by Nonfiction Reads. She’d love to see Stonecoast folks at I AM BOOKS, in Boston, on Saturday, November 9th, at 6:00 p.m., when she’s reading along with (fellow Stonecoast alum) Anthony D’Aires (Creative Nonfiction, W’09) and New Hampshire poet/author Jennifer Militello.

Kathleen Sullivan (Poetry, ’06) has co-edited a book to be published this November by Littoral Books called A Dangerous New World: Maine Voices on the Climate Crisis. The book is an anthology of essays and poems by Maine writers on the topic of the climate catastrophe we are facing and can be purchased online, after November 15th, at Littoralbooks.com. On December 8th at 2:00 p.m. at Space, we will hold a publication party, and Kathleen would like to invite the Stonecoast community. Intended both as a work of art and as a call to action, the hope of the editors is that it wakes people to the enormous potential and already arrived losses a fossil fuel dependent world promises and, in the awakening, that people will be moved by their love for this place we call home to act. Kathleen has also had a poem, “Mrs. C and the Social Worker,” published in Cafe Review‘s Fall 30th Anniversary issue.

Darlene Taylor (Fiction, W’17) received an individual artist grant from the DC Commission on Arts and the Humanities. The merit-based grant supports her work as a literary artist during Fiscal Year 2020.

The Killing Moon, a novel written by Allister Timms (Popular Fiction, ’13) during his time at Stonecoast, was published on Halloween by PS Publishing, the UK’s foremost genre publisher.

 

 

 

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Community News & Updates September 2019

FACULTY

The podcast of Tom Coash’s (Playwriting, Dramatic Arts) play Raghead has been added to the American Playbook Series. Raghead will also be produced in September at the Short & Sweet Festival in Auckland, New Zealand, and the Write About Now Festival in London, UK.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about the intersection of race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece was an August feature story for ESPN’s The UndefeatedToni Harris Made History by Getting a Football Scholarship. Now She Needs to Make Tackles. His YA book, War in the Ring: Joe Louis, Max Schmeling, and the Fight Between Hitler and America, was released by Macmillan’s Children’s Group in June 2019.

Aaron Hamburger (Fiction, Creative Nonfiction) will be reading from his novel Nirvana Is Here at KGB on 85 E. 4th St. in New York on Sunday, September 8 at 7:00 p.m. He’ll also be signing books at the Brooklyn Book Festival, Sunday September 22 at his publisher’s booth in the afternoon. Also, a new mini-documentary (two and a half minutes) about Aaron and the novel directed by Ender Emre is now available online here. Check out Aaron’s Nirvana events in October (including appearances at Literati Bookstore in Ann Arbor, The Fall for the Book festival at George Mason University, the Detroit Public Library, and the National Press Club…) here.

Four-Sided, the short film based on Elizabeth Searle‘s (Fiction, Playwriting, Popular Fiction, Scriptwriting) novel, is now an Official Selection at two more festivals this fall: Chi-Town Multicultural Film Festival in Chicago and Reel Q: Pittsburgh LGBTQ+ Film Festival! First, the film will have its USA debut at Massachusetts Independent Film Festival. For updates see www.afoursidedbedfilm.com

ALUMS

Elisabeth Tova Bailey (Creative Nonfiction, S’15) received the New England Director’s Award from the academy accredited Flickers’ Rhode Island International Film Festival for her film short The Sound of a Wild Snail Eating. She is director and screenwriter for the film, which she adapted from her CNF memoir of the same title (Algonquin Books). The film is also a double finalist for the international Jackson Wild Media Awards in the categories of Audioscape and Education. A slate of 20 festivals spring through fall included summer premiers in Italy, Australia, and Poland, with many upcoming fall screenings including premiers in Canada and Germany. For more information please see wildsnailfilm.org

Lindsey Barlow‘s (Popular Fiction, W’19) debut novel Pivot, the first of the Jack Harper trilogy, received a rave review in Publishers Weekly: “Barlow’s gorgeous writing will easily propel readers through the rest of the series.” You can read the entire review here.

Peter Adrian Behravesh (Popular Fiction, W’18) appeared at Worldcon 77 in Dublin, where he presented a paper, “Mischief in Her Heart: Women’s Empowerment in the Persian Fantastic,” and appeared on the panels “Muslim SFF” and “Using Science in Fantasy Writing.” In addition, Peter narrated Premee Mohamed’s story “Willing” for the August 20 episode of PodCastle. You can listen to it here.

Carina Bissett (Popular Fiction, S’18) placed her poem “The Perils of Invisibility” in Nonbinary Review #21 The Works of H .G. Wells (Zoetic Press, June 2019). In other news, her short story “The Gravity of Grace” was a finalist in the first quarter of Writers of the Future, May 2019. This story was one of the first pieces she workshopped at Stonecoast.

Renee S. DeCamillis (Popular Fiction, W’14) is excited to announce that her debut book, The Bone Cutters, is set for publication on Sunday, September 1st through Eraserhead Press. It’s a bizarro horror novella set in a dysfunctional psychiatric hospital, where you’ll meet a troubled young woman named Dory who encounters a peculiar and brutal group of patients when she’s sent to the wrong counseling group over and over again. Dory’s introduction to this counseling group sets her on the run in an attempt to save her life from The Bone Cutters. Renee’s book is available on Amazon, Indie Bound, Barnes & Noble, and at Longfellow Books. More stores to come soon. Two reviews for The Bone Cutters are already out, with more to come—one will soon be on the Cemetery Dance Reviews Blog. Here is what reviewers have to say about The Bone Cutters:

  • “It’s actually refreshing to be able to enjoy a book so much that you were miffed when it was over. As [her] debut novella, it’s a fantastic beginning to what could prove to be a career to watch. I’m giving this a solid 4 out of 5 [stars]…Considering that I’ve never read anything which rated a 5, I think The Bone Cutters is doing just fine.” ~Ginger Nuts of Horror
  • “I immediately fell in love with Dory, the writing style, the story…This is a terribly heart-wrenching story with a bit of a haunted house/ghost vibe where you’re also being chased by a bunch of crazy people who want to devour your bones. I didn’t want to put this book down.” ~Kendall Reviews

Renee is also thrilled to announce that Longfellow Books in Portland, Maine is hosting her book launch event on Thursday, September 5th, at 7:00 p.m. In addition to Renee’s reading and Q&A, there will also be live music to set the mood, performed by local guitarist Shaun Church Reehl. Elizabeth Searle will also be there as Renee’s MC.

September 12-14, Josh Gauthier‘s (Popular Fiction, S’17) 10-minute play “Expedition 3487-B” will be featured as part of the King of Crows play festival held at the St. Lawrence Arts Center in Portland, Maine. The festival is produced by the Crowbait Club, and you can find them on Facebook for more information.

Veda Boyd Jones (Fiction, S’17) has an essay, “Nice People,” in the summer issue of eMerge magazine.

Kristin Leonard (Fiction, S’18) has been selected to receive the Phi Kappa Phi Love of Learning Award to present at the 2019 Historic Writers of America Conference in Colonial Williamsburg, Virginia. She will be presenting a revised version of her third-semester presentation, “Discovery Through Multigenre Writing: How to Use Poetry and Playwriting to Develop Characterization, Conflict, & Plot in Fiction.”

Gregory Martin’s (Popular Fiction, W’17) short story “Inside” was recently published in Dark Moon Digest #36.

Mary Heather Noble (Creative Nonfiction, W’14) received news from the editors of Narrative Magazine that her personal essay “Plume: An Investigation” was selected as a finalist in this year’s Spring Story Contest. She is currently working on a new collection that explores the complexities and ambiguities of family.

Renée Olander (Poetry, W’05) will read from her new collection, American Dangerous, at the Old Dominion University 42nd Annual Literary Festival in Norfolk, Virginia, Thursday October 10, 4:00 p.m., free and open to the public.  The entire festival schedule is available here.

Bruce Pratt‘s (Fiction, S’04) poem “Dead Bodies and Declaratory Judgments” is forthcoming in Main Street Rag’s anthology Show us Your Papers, “The First Cold Rain Since Spring” will appear in the next Connecticut River Review, and “Lunar Eclipse” will be included in the special “Cosmos” edition of The Poeming Pigeon.

“Visionquest,” a prose poem by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the fall issue of Cimarron Review.

Lisa Romeo (Creative Nonfiction S’08) recently judged the nonfiction entries for Tiferet Journal’s annual writing contest and her flash piece “A Grave Duty,” was published in the August issue of Flash Glass, part of Glassworks Magazine. She will be a keynote speaker at NJ Women Who Write’s one-day conference in Madison, NJ, on September 21, and on November 23, Lisa will speak on “Revising the Memoir Manuscript” at the Philadelphia Writing Workshop. A fun piece, “A Beautiful Day in the Neighborhood,” is out in Chicken Soup: Angels All Around. Lisa’s editing role for Cleaver Magazine has expanded; she’s now handling craft essays on both fiction and nonfiction for their “Writer to Writer” column (pitch/submit here). In late August at the HippoCamp Conference for Creative Nonfiction, Lisa presented “Become a Writer who Reads Like a Writer” and was on a parenting/writing panel; earlier in the month, she led a week-long memoir workshop in New Hampshire for Murphy Writing.

Morgan Talty (Fiction, W’19) was included in Narrative Magazine‘s 30 Below 30 list for 2019. His short story “The Name Means Thunder” will appear in the Fall 2019 issue of The Georgia Review. 

 

 

 

 

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Community News & Updates August 2019

ANNOUNCEMENTS

It’s Boston Poetry Marathon time again! This year’s Boston Poetry Marathon is Friday-Sunday, August 16, 17, and 18, and …WE HAVE REALLY EXCITING NEWS! *We will be in a NEW LOCATION this year!* We are having this year’s Marathon at The Community Church of Boston at 565 Boylston St in Copley Square. This year’s event times are Friday, August 16th, from 6:00-10:30 p.m., Saturday, August 17th, from 12:00-10:30 p.m. (with a dinner break around 5:30, starting up again at 7:00 p.m.), and Sunday, August 18th, from 12:00-6:00 p.m. As always: every reader gets eight minutes each. For the third year running, Bridget Eileen (Poetry, W’09) is an organizer of this 20+ year-old Boston-area poetry festival tradition. This year’s lineup is TBD, but past years’ Stonecoast participants include alums Florine Melnyk, Carol Berg, Christine Tierney, and Vanesa Pacheco, and faculty Richard Hoffman and D. Nurkse. Admission is free but donations are welcome and appreciated. We are collecting donations ahead of time to help us with this year’s event at the new location. Learn more here. Event details are can be found here.

FACULTY

Breena Clarke (Fiction), co-founder and co-organizer of The Hobart Festival of Women Writers, is hosting a stunning lineup of women writers for the seventh consecutive year in the small New York town of Hobart, the Book Village of The Catskills. The Festival offers three days of readings and workshops in every genre. The Festival will also present a Public Conversation that is free and open to all, “In These Times: Writing. Terror. Possibility.” Hobart Festival of Women Writers 2019 will be held on Friday, Saturday, and Sunday, September 6th, 7th, & 8th. For information and registration, click here. For Spotlights of all of the 2019 Participating Writers, go here.

Aaron Hamburger (Fiction, Creative Nonfiction) will be reading from his novel Nirvana Is Here at the annual Out Write Literary Festival in Washington, DC, Saturday, August 3rd, from 1:00-2:00 p.m. at the Reeves Center at 14th St. NW and U St. Aaron is also please to announce that the audio rights to Nirvana Is Here have just been sold.

Elizabeth Hand (Popular Fiction, Fiction) was an instructor at The Writers Hotel in New York City in early June and then later in the month was lead instructor at the Clarion West Writers Workshop in Seattle. Her forthcoming novel Curious Toys was reviewed in Publishers Weekly, which called it “a phantasmagoric time trip tailor made for fans of The Devil in the White City.” Recent reviews are Kate Mosse’s The Burning Chambers for The Washington Post and Paul Tremblay’s story collection Growing Things for The Los Angeles Times. Elizabeth was profiled and interviewed by Michael Fournier in punk zine Razorcake, talking about her involvement in the nascent NYC and DC punk scenes in the 1970s.

Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) feature film script A Four-Sided Bed, and the short film based on her novel, Four-Sided, have both been accepted at the upcoming Massachusetts Independent Film Festival in September. Elizabeth’s script is one of five finalists for Best Feature Film Script and the film Four-Sided will make its USA premiere at the festival, having screened previously in Cannes and been a Finalist at ShanghaiPRIDE festival. Elizabeth will be attending the festival with one of her feature film project producers, Amy Carpenter Scott of Creatrix Films. In other recent film news, Elizabeth’s script for A Four-Sided Bed won a Feature Film ‘Diamond’ Script prize in the International Independent Film Awards, was a Finalist in the California Women’s Film Awards, and was an Official Selection at Austin Revolution Film Festival. In July, her script was performed as a full Staged Reading at ReelHeART International Film and Script Festival in Toronto and as a Best Scenes reading at the film festival LGBT Toronto. Visit: www.afoursidedbedfilm.com 

Elizabeth and the ReelHeART Film Festival cast of A Four-Sided Bed in Toronto

Cazenovia University Professor Grazyna J. Kozaczka writes about Suzanne Strempek Shea’s (Creative Nonfiction, Fiction) four Polish-American-set novels in her new book, Writing the Polish American Woman in Postwar Ethnic Fiction (Ohio University Press). The book examines seven decades of writing by North American-born and immigrant authors representing the Polish-American Catholic tradition. The chapter “Suzanne Strempek Shea’s Gendered Ethnicity in the 1970s and 1980s” begins with this observation: “In constructing a female perspective, fiction writers such as the Chinese Americans Gish Jen, Maxine Hong Kingston, and Amy Tan, the Native American Louise Erdrich,the Puerto Rican Judith Ortiz Cofer, the Dominican American Julia Alvarerz and the Polish American Suzanne Strempek Shea have forced many of their characters into a process of reinventing both their gender and ethnic identities within a class-conscious environment.”

ALUMS

Emma Galvin will be voicing the audiobook for Lindsey Barlow‘s (Popular Fiction, W’19) Pivot, the first novel of the Jack Harper trilogy. Galvin has voiced an incredible number of audiobooks, which include Winter’s Bone and the Divergent series.

Peter Adrian Behravesh (Popular Fiction, W’18) will be appearing at Worldcon 77 in Dublin. He will be presenting his paper “Mischief in Her Heart: Women’s Empowerment in the Persian Fantastic” on Friday, August 16th, at 11:30 a.m. He will also be appearing on the following panels:

  • Writing from Non-Western Cultures (Thursday, August 15, 11:00 a.m.)
  • Fuzzy Lines: Decategorising Creative Work (Thursday, August 15, 2:00 p.m.)
  • Muslim SFF (Saturday, August 17, 1:00 p.m.)
  • Using Science in Fantasy Writing (Sunday, August 18, 4:00 p.m.)

See the Worldcon website for full details. In addition, PodCastle, the fantasy fiction podcast Peter produces, had been nominated for the British Fantasy Award for Best Audio.Ryan Brod (Creative Nonfiction, S’17) has accepted an adjunct teaching offer from University of New England’s English department, starting this fall. He has a short essay in the recently released summer issue (10.4) of The Flyfish Journal, and he continues to contribute regularly to the popular website MeatEater.

In continuing to break barriers, Debbie Smith Daughetee’s (Popular Fiction, S’06) comic book company, Kymera Press, just filled an order by the Smithsonian National Natural History Museum for the comic Ivory Ghosts, a murder mystery set against the illegal ivory trade.

Renee S. DeCamillis (Popular Fiction, W’14) is excited to announce that her debut book, The Bone Cutters, is set for publication on September 1st through Eraserhead Press. It’s a “bizarro” horror novella set in a dysfunctional psychiatric hospital. The story follows a troubled young woman named Dory who encounters a seriously strange and brutal group of psychiatric patients. Her introduction to this group of patients sets Dory on the run to save her life. The book will be available, as of right now, through Amazon, Barnes and Noble, and Longfellow Books. Renee is also very excited to announce that a book launch event for The Bone Cutters is being hosted by Longfellow Books in Portland, ME, on Thursday, September 5th at 7:00 p.m. at their 1 Monument Square bookstore location. Along with her reading, there will also be live music to help set the mood, performed by local guitarist Shaun Church Reehl, and the amazing Elizabeth Searle will be Renee’s Introduction Queen. Renee is also thrilled to announce that there are two great reviews out already for The Bone Cutters: one on Ginger Nuts of Horror and one on Kendall Reviews. A third review is coming out soon in Cemetery Dance, the date of which is not yet known, though it should be available before the September 1st publication of the book. Here are snippets of what reviewers are saying about The Bone Cutters:

“It’s actually refreshing to be able to enjoy a book so much that you were miffed when it was over. … As the debut novella from Renee S. DeCamillis it’s a fantastic beginning to what could prove to be a career to watch. … I’m giving this a solid 4 out of 5 [stars]. … Considering that I’ve never read anything which rated a 5 I think The Bone Cutters is doing just fine.” ~Joe X. Young, reviewer for Ginger Nuts of Horror.

“I immediately fell in love with Dory, the writing style, the story… This is a terribly heart-wrenching story with a bit of a haunted house/ghost vibe where you’re also being chased by a bunch of crazy people who want to devour your bones. I didn’t want to put this book down.” ~Miranda Crites, reviewer for Kendall Reviews

Kendall Reviews also published a piece Renee wrote on the subject of “Why Do You Write Horror?” For those of you who are interested, here is the link. Also, on Friday, August 2nd, Ginger Nuts of Horror is releasing an interview with Renee. From their home page you can click on the “Interviews” link on the left hand side of the screen to find the interview. Here is their link.

Jess Flarity (Popular Fiction, S’18) has published his academic essay “The Commodification of Transcendence: Absurdism and Existentialism in The Three Stigmata of Palmer Eldritch” in PKD Otaku #39 (a zine celebrating the work of Philip K. Dick), available here. Also, Jess has accepted an advancement from the University of New Hampshire and will now be attending graduate school as a candidate for a PhD in Literature.

Florence Grende‘s (Creative Nonfiction, S’07) book The Butcher’s Daughter: A Memoir has been shortlisted for the Rubery Book Award (2019). Along with the Kindle Book Award NonFiction (2018), the book has garnered yearly awards since its publication in late 2016.

Clifford Royal Johns (Popular Fiction, W’18) will be giving a short presentation at HippoCamp 2019, a conference for creative nonfiction writers (August 23-25, Lancaster, PA). The presentation is derived from his third semester project and graduating presentation about reducing the number of sentences that start with “I.” This is important to avoid sounding egotistical in memoir and to reduce sentence structure repetition.

Veda Boyd Jones (Fiction, S’17) will be speaking at the White County Creative Writers annual conference in Searcy, AR, on August 31st on “Researching Fiction.” She’ll use examples from her work: attending the citizen’s police academy for a policewoman character, spending two days at a TV station watching the news being put together for a news anchor character, going behind the bar to wash beer mugs for a bartender character, etc.

Lissa Kiernan (Poetry, S11) is pleased to announce that the legendary aerialist, creativity expert, and award-winning writer Philippe Petit has joined Catskill LIT Writing Retreat as Artist-in-Residence. Mr. Petit will lead a workshop in ekphrastic writing.

Cynthia Kraack (Fiction, W’10) and Joseph Tachovsky’s 40 Thieves: Saipan, the World War II story of the Sixth Marine Regiment’s Scout Sniper Platoon—precursors to Navy Seals—was sold to Regnery History for publication in spring 2020. Stories for this narrative non-fiction book were gathered through hours of interviews with surviving men, their letters, photos, and historical Marine materials.

Kristin Leonard‘s (Fiction, S’18) historical short story “El Camino Real” is the featured fiction in the open-access academic journal Postcolonial Text (Vol. 14, No. 1).

Ellen Meeropol (Fiction, W’06) will be presenting at the Hobart Festival of Women Writers September 6-8, 2019, in Hobart, NY. She’ll be reading on Friday, September 6th; on Saturday she’ll teach a workshop, “In It for the Long Haul: Writing the Novel.”

Catharine H. Murray (Creative Nonfiction, S’17) will be teaching a workshop on Memoir at the 79th Annual Writers’ Conference at Ocean Park (Maine) on August 13th at 9:30 a.m.

On August 16th at 6:00 p.m., Dave Patterson (Fiction, W’13) discusses his novelSoon the Light Will Be Perfect, at The Briar Patch in Bangor.

Lisa Romeo (Creative Nonfiction S’08) interviewed fiction writer Lisa Lenzo for The Rumpus, about Lenzo’s new short story collection, Unblinking. Romeo’s essay “Playing Along with My Dad’s Alzheimer’s Confusion,” which enlarges on a scene/idea in her memoir, Starting With Goodbye, appeared this month in Human Parts.

Gina Troisi‘s (Creative Nonfiction, W’09) essay “Buried Beneath Her Skin Like Slivers” was recently published in Under the Sun. Her flash essay “The Release” was published in the most recent issue of Pembroke MagazineHer short story “Spiraling Through the Sky” was a finalist for the 2019 New Letters Publication Award in Fiction.

Marco Wilkinson (Creative Nonfiction, S’13) has had his memoir/essay collection, Madder, taken by Coffee House Press. It will appear in 2021.

 

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Community News & Updates July 2019

ANNOUNCEMENTS

It’s Boston Poetry Marathon time again! This year’s Boston Poetry Marathon is Friday-Sunday, August 16, 17, and 18, and …WE HAVE REALLY EXCITING NEWS! *We will be in a NEW LOCATION this year!* We are having this year’s Marathon at The Community Church of Boston at 565 Boylston St in Copley Square. This year’s event times are Friday, August 16th, from 6:00-10:30 p.m., Saturday, August 17th, from 12:00-10:30 p.m. (with a dinner break around 5:30, starting up again at 7:00 p.m.), and Sunday, August 18th, from 12:00-6:00 p.m. As always: every reader gets eight minutes each. For the third year running, Bridget Eileen (Poetry, W’09) is an organizer of this 20+ year-old Boston-area poetry festival tradition. This year’s lineup is TBD, but past years’ Stonecoast participants include alums Florine Melnyk, Carol Berg, Christine Tierney, and Vanesa Pacheco, and faculty Richard Hoffman and D. Nurkse. Admission is free but donations are welcome and appreciated. We are collecting donations ahead of time to help us with this year’s event at the new location. Learn more here. Event details are can be found here.

FACULTY

Candor Arts, in collaboration with Illinois Humanities and their #IllinoisTurns200, produced a risograph broadside of Tara Betts‘ (Poetry, Creative Nonfiction, Writing for Social Change) Illinois Bicentennial poem. The broadside also features illustrations by Kiki Dupont. Betts’ poem nods at the sesquicentennial Gwendolyn Brooks wrote in ’68 to mark 150 years of statehood. Betts’ broadside will be given to the winners of the Gwendolyn Brooks Youth Poetry Awards (#GWBYPA19) on August 10th, 2019.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) has agreed to a two-book deal with Macmillan Children’s Publishing Group. His first young-adult book, War in the Ring: Joe Louis, Max Schmeling, and the Fight between America and Hitler, was released in June. In its review, Booklist calls the book “a knockout.” School Library Journal says it “reads as smoothly as a novel” and recommends it for “all public and school libraries.” Last week, John and his writing partner (and wife), Ouisie Shapiro, discussed the book’s themes on ESPN radio; you can hear the interview here.

Aaron Hamburger (Fiction, Creative Nonfiction) was interviewed by novelist Kris Jansma for Electric Literature, which called his novel Nirvana Is Here “a pure joy to read on every page.” The Rupture also published a glowing review of Nirvana, calling it “an expertly written, bold, funny, serious novel.” DC fans, take note: on July 3rd, Aaron will be on a panel at the legendary Ask Rayceen Show doors opening at 6:00 p.m. He’ll also be teaching Publishing 101 at the Writer’s Center on July 10th, 7:00-9:00 p.m., as well as a special class on the novel Landfall by Thomas Mallon at Politics and Prose on July 14th, 2:00-4:00 p.m.

Nancy Holder (Popular Fiction) will accept the Grand Master Award, presented by the International Association of Media Tie-In Writers, at San Diego Comic-Con on July 19 at 2:00 p.m. in Room 32 AB. There will be an autograph session afterwards with a panel of tie-in writers in the Sails Pavilion. Here is the press release from the association:

Not many women get to play in over ten different universes, let alone create several of their own. Yet that is exactly what Nancy Holder makes look so very—and deceptively—easy to her myriad and devoted fans.

Every year, the International Association of Media Tie-In writers selects a grandmaster of tie-in writing to receive the Faust, IAMTW’s lifetime achievement award. For 2019, it is the IAMTW’s great pleasure to present the Faust to Nancy Holder. Her tie-in work runs the gamut from Firefly to Saving Grace. She’s written Angel in the Buffyverse, and Zorro in the seventeenth century. She novelized the Wonder Woman, Crimson Peak, and Ghostbusters movies, and wrote about a Feline Felon, and a pup in Wishbone. Above and beyond her media work, she’s co-created the YA series Wicked and Crusade.

Of the Bram Stoker award-winning and NYT bestselling author, IAMTW president Jonathan Maberry says, “Nancy is not only a superb writer and a smart businesswoman, but also a kind and compassionate member of the writing community.”

The IAMTW congratulates Grandmaster Nancy Holder on receiving the 2019 Faust Award.

More film news for Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting): her screenplay A Four-Sided Bed won Best Dramatic Screenplay at Hollywood Boulevard Film Festival in June, as well as Best First Time Feature Screenplay at Festivious Film Festival-LA, and was a Finalist at the Filmatic Drama Screenplay Awards. Over a dozen contests and festivals have given award recognition to Elizabeth’s script this year. The script will be featured in a full Staged Reading performance at the 15th Annual ReelHeART International Film and Screenplay Festival on July 5th in Toronto; Elizabeth will attend the film festival and do a Q/A after the staged reading. Later in July, Elizabeth’s script will be featured in a Best Scenes short read at the festival LGBT Toronto. Please see the updated website: http://www.afoursidedbedfilm.com

ALUMS

Jillian Abbott (Popular Fiction, S’04) has been invited to participate on a panel on the Ethics of Storytelling at Mix Digital, an international conference of digital writing at Bath Spa University in the UK on Monday, July 1, 2019; she also received a grant from the PSC_CUNY to attend the conference. The panel is moderated by writer Nikesh Shukladescribed by Foreign Affairs Magazine as one of the top 100 thinkers in the world and by The Bookseller as one of the 100 most influential people in publishing. Also on the panel is Digital Curator from the British Museum, Stella Wisdom, and British novelist Rosie Garland. More details can be found here.

The short-film adaptation of Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) memoir, The Sound of a Wild Snail Eating, has three launches in July. The film’s Australian launch is at the Revelation Perth International Film Festival July 4-17. Two New England launches follow at the Maine International Film Festival at Railroad Square (July 12-21) and then the Woods Hole Film Festival (July 27-August 3). Bailey wrote and directed the film. For more details see wildsnailfilm.org. Also, The Sound of a Wild Snail Eating has just been published in Spain in both Catalan (Més Libres) and Spanish (Capitán Swing) and the Spanish edition will have distribution in Mexico, Colombia, Peru, Costa Rica, Chile, Uruguay, and Argentina.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Derek Lubangakene’s story “Origami Angels” for the June 13th episode of Escape Pod. You can listen to it here.

Julie C. Day (Popular Fiction, S’12) is thrilled that her novella, The Rampant, now has both a cover and release date! The Rampant will be released by Aqueduct Press on October 1st, 2019, in both an ebook and paperback edition as part of their Conversation Pieces series.

It’s ten years since the hordes of old-world Sumerian gods arrived in Southern Indiana to kick off the end of the world, but things have not gone to plan. A principal player decided not to show. Now humanity is stuck in a seemingly never-ending apocalypse. Sixteen-year-old Emelia Bareilles and Gillian Halkey are determined to travel into the lands of the dead and force a change.

“I loved the epic journey of our two teenaged lesbian he­roes, Gillian and Emelia, through the sprawling horrors of the Sumerian afterworld. The clash of their modern feminist sensibilities with the cruel and rigid theocracy of the very oldest gods out-weirds much of the New Weird. In The Rampant, Julie Day calls us to visit a fan­tastical landscape in a voice that is hers alone.” ~James Patrick Kelly, winner of the Hugo, Nebula, and Locus awards

The Rampant was so much fun to read! Is that the right way to blurb a horror novel? I don’t know, but it’s the truth. Julie Day’s novel is smart, playful, sly and, yes, hor­rifying too. A short gem of a book.” ~Victor LaValle, author of The Changeling. Winner of the World Fantasy, Shirley Jackson, and British Fantasy awards.

“The girl-powered post-apocalyptic Sumerian under­world quest I didn’t know I needed.” ~Sarah Pinsker, winner of the Nebula and the Theodore Sturgeon Memorial Award

The Rampant is one of the most original Apocalypse tales I’ve read in ages. Julie C. Day avoids cliché and gives the reader the end-times by way of Sumerian myth—except this particular end-of-the-world stalls when one of its principal players decides not to show up. What unfolds is a journey into the underworld filled with joy and hor­ror, hope and loss. It’s a wise and lovely story—exactly what I’ve come to expect from Day.” ~Nathan Ballingrud, winner of the Shirley Jackson Award; shortlisted for the World Fan­tasy, British Fantasy, and Bram Stoker Awards.

Terri Glass’s (Poetry/Creative Nonfiction, S’13) poem “Waiting for the Lazuli Bunting” was published in the Spring 2019 issue of Birdland Journal, and her poem “Spirit Bear” will be published in the upcoming Marin Poetry Center Anthology. Terri also taught a workshop on the history of haiku for the summer residency of the MFA program at Dominican University in June 2019.

Lissa Kiernan (Poetry, S’11) is pleased to announce Catskill Lit: Words & Music Revivala generative writing retreat.

Alan King (Poetry, W’13) started his production company, Alan W. King Productions, which specializes in audio, video, literary services, marketing and content management. For authors, his services include book trailerssocial media banner designs to help promote your book, and media outreach for reviews. Alan marketed his second book, Point Blank, which was named among the “Ten Best Poetry Books for 2016” by Beltway Poetry Journal. It was also listed among “The Best Poetry Books of the New Year 2017” by Washington Independent Review of Books and was reviewed in publications such as the Washington City Paper and the Best American Poetry blog. Learn more here.

Kristin Leonard (Fiction, S’18) received the 2019 Maine Literary Award for Drama.

Jeanette Lynes‘ (Poetry/Fiction, S’05) second novel, The Small Things that End the World, won the Muslims for Peace and Justice Fiction Award at the 2019 Saskatchewan Book Awards, Canada.

John Christopher Nelson‘s (Fiction, S’15) flash-fiction piece, “A Miracle Shy of Martyrdom,” is forthcoming in Necessary Fiction. John is currently in residency as a Teaching Apprentice at Stonecoast.

Ellie O’Leary (Poetry, W’17) is organizing the first annual Fall Writerfest at the Pyramid Life Center in Paradox, NY, Sunday, September 22nd, through Friday September 27th, 2019. Fee is $300 inclusive of lodging, all meals, workshops, and seminars. Stonecoaster Clif Travers (Popular Fiction, S’17) will be teaching fiction, Ellie will be teaching a multi-genre workshop, and there will also be workshops in poetry and CNF along with seminars on publishing, Tai Chi, writing through grief, and more to be added.

Erin Roberts (Popular Fiction, W’18) is thrilled to have been recently awarded a 2019 Individual Artist Award from the Maryland State Arts Council and plans to use the grant to spend more time writing. She’s also deeply proud to have her story “Sour Milk Girls,” which was previously selected to be in The Best Science Fiction of the Year, Vol. 4, also selected to be in The Year’s Best Dark Fantasy and Horror 2019. Finally, her 2018 short story “The Grays of Cestus V,” originally in Asimov’s, is now available free to the masses through its inclusion in the short story podcast Tales from A Black Universe—links here (Spotify) and here (Apple).

Lisa Romeo (Creative Nonfiction, S ’08), will lead a one-day workshop, “Dialogue and Scene for Prose Writers,” with Cedar Ridge Writers Series, in Bedminster, NJ, on Saturday, July 20th. Details here.

Tamie (Harkins) Parker Song (Creative Nonfiction, S’12) invites writers of all stripes who are looking for a good editor to contact her. For the last five years she has worked as a developmental editor on a number of wonderful books that have been published by the University of California Press, focusing mostly on race and gender studies. She’s also edited half a dozen creative nonfiction books, a couple YA novels, and poetry. Authors she’s worked with include Michael Kimmel, Khaled Beydoun, Deepak Singh, Julie Bettie, Barbara Owen, and Robert Wyrod. She works on a generous sliding scale, and is especially interested in working with artists who are isolated socially or geographically, and with intellectuals whose work centers on social justice. She is happy to work with clients for just an hour or two, or for a year, or on an as-needed basis. Please contact her at tamieparkersong@gmail.com.

Tamra Wilson (Fiction, S’11) won a $500 Merit Scholarship to attend Tinker Mountain Writers Workshop held recently at Hollins University. The award was based on an excerpt from a novel in progress.

 

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