Tag Archives: Rhiannon J. Taylor

Community News & Updates September 2020

CURRENT STUDENTS

Darcie Abbene’s (Fiction) flash fiction “Burn” was published in Capsule Stories Autumn 2020: Burning Up. The story was inspired by the Hayman Fire, Colorado’s largest wildfire.

Natalie Harris-Spencer‘s (Fiction) short story “Fish Out of Water” will be published this month in the fourth annual Issue of Oyster River Pages, under their Emerging Fiction Voices category. In addition, Natalie’s ghost story, “Open Heart Massage,” has been selected for publication in the CultureCult anthology of science fiction, “Breathe.” Publishing details to follow.

FACULTY

Tom Coash (Playwriting, Dramatic Arts, Writing for Social Change) will be teaching a Character Development workshop as part of the terrific “A Literary Season Online” assembled by the San Miguel de Allende Writers’ Conference & Literary Festival. Although the Conference won’t physically be in Mexico this time (Covid cancel), this new online format makes the Conference available to everyone everywhere! Really exciting line-up of speakers and teachers (including Margaret Atwood among many others).

In August, Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) was featured by New Rivers Press in their Writer’s Routine series. In script news: Elizabeth is one of the top 5% QuarterFinalist script writers, chosen out of over 7000 entries, for the 2020 Academy Nicholl Fellowships, which are run by the Academy of Motion Picture Arts and Sciences/the Oscars. Finally, Elizabeth is “Riding for Food” via team Food Link. Elizabeth and her son are longtime volunteers at Food Link, which helps to feed those in need, and she aims to ride the entire MinuteMan bike trail by October 4th to raise much-needed FoodLink funds; please click here.

Suzanne Strempek Shea (Creative Nonfiction, Fiction) invites you to join her online September 10, 7:00 to 8:30 p.m., when she’ll be talking narrative medicine, writing that has carried so many individuals (including Suzanne) along and through tough times. She’ll look at some great examples of the genre, and spend some time getting attendees started on their own.

 

 

ALUMS

The short film Elisabeth Tova Bailey (Creative Nonfiction, S’15) adapted from her Creative Nonfiction book, The Sound of a Wild Snail Eating, has been accepted by the SuperFest Disability Film Festival in San Francisco. A special film cut is being prepared to make the film fully accessible to viewers with visual and hearing impairments. Bailey has just completed the writing of a narrative script of audio descriptions, which will dovetail with the main narration. Audio descriptions tell the non-verbal action in a film along with the visual details in order to make a film accessible to those with visual limitations. Kiki Samko (Boston) has been cast as audio description narrator. Soundscape captions will also be added to the film for viewers with hearing impairments. This August marks the book’s 10th year in print, and Elisabeth will give a reading from the book for the Canadian Horticultural Therapy Association’s 2020 conference this fall.

Neptune, a film produced by Allen Baldwin (Scriptwriting, W’19), is now available on iTunes, Google Play, Microsoft, and Prime. Neptune features an all Maine cast and crew and is now being self-distributed through Baldwin’s company, The Story Board. The film is set in the late 1980s on an island off the coast of Maine; an orphan girl raised by the church becomes obsessed by the disappearance of a classmate, and her haunted dreams and visions propel her to push past her sheltered life. The film’s website is here.

Peter Adrian Behravesh (Popular Fiction, W’18) is a finalist for the Ignyte Award for Best Fiction Podcast for his work with PodCastle, alongside co-editors Jen R. Albert and Cherae Clark, assistant editor Setsu Uzumé, and former co-editor/special editions editor Khaalidah Muhammad-Ali. You can read the official announcement here and PodCastle‘s statement here. The awards are open to all members of the speculative fiction community, so please vote!

Ryan Brod (Creative Nonfiction, S’17) is excited to teach a Creative Nonfiction course at the University of New England this fall. You can check out a profile he wrote in the most recent issue of The Drake magazine.

J Brooke (Poetry, S’19) has an essay, “Hideous,” in the Embody section of The Maine Review.

Anthony D’Aries‘s (Creative Nonfiction, W’09) essay “No Man’s Land” will appear in the 25th anniversary issue of Sport Literate

Jaq Evans‘s (Popular Fiction, S’20) weird eco-gothic short story appears in Issue 2 of Fusion Fragment, and the poem generated in Katherine Larson and Deb Marquart‘s environmental workshop appears in Issue 20 of Typehouse Literary Magazine.

Josh Gauthier (Popular Fiction, S’17) and Daien Sanchez (Popular Fiction, S’18) have started a monthly livestream series titled Writers, Readers, and the Stories We Love. Featuring a new guest each month, each conversation includes discussion of writing craft, book recommendations, and storytelling across forms and genres. Information about upcoming streams can be found on Josh’s Facebook page. Past videos are available on his YouTube channel.

Lesley Heiser (Fiction, S’11) is now an associate Creative Nonfiction editor at jmww journal. She recently published a piece in the How We Are blog, which features responses to life during the pandemic and features several Stonecoasters.

Clifford Royal Johns (Popular Fiction, W’18) has placed his novel Velocity Blues with Vernacular BooksVelocity Blues was written at Stonecoast and was Cliff’s thesis work. Expect it next summer.

Nina B. Lichtenstein (Creative Nonfiction, S’20) is glad to announce that she has launched “Now You See Me”—an affordable author website building service. We all know it’s important to be “out there” in the virtual world, but not all of us are “tech-y” or willing to pay big dollars for our first site (until we sell our book for a great advance, at least.) Her rates start at $300 for a basic website, one that will shine and show off your work, personality, and esthetics. She promises personalized & prompt service. You can reach her at nblichtentein@gmail.com.

Tom MacDonald‘s (Fiction, W’09) short story “Nashua River Floater” will be published in crime anthology Coast to Coast: Noir, which is coming out on September 28; Tom was assigned the city of Nashua, New Hampshire, for his story. The anthology is edited by Paul D. Marks and Andrew McAleer. Later this fall, Tom’s 5th Dermot Sparhawk detective novel, Sleep Long, Sleep High, is due out.

John Christopher Nelson (Fiction, S’15) was featured on Episode 5 of DUM DUM Radio where he had the opportunity to chat with Julia Gibson and Taleen Kali, the fine folks behind DUM DUM Zine. You can listen to him BS and wax literary here.

A short piece by Lisa Romeo (Creative Nonfiction, S’08) is included in the new anthology Flash Nonfiction Food (Woodhall Press). She has work forthcoming in the next issue of Tiferet and in Adelaide Journal and was interviewed recently about memoir writing at A Healing Spirit. Lisa has expanded her one-on-one private teaching, coaching, and editing business, working with writers on book-length memoir, novel, short story, or essay manuscripts, or individual short pieces, proposals, query letters, and submission strategy. Details are here.

“The Fifth Direction,” an essay (and photos!) by Tamie Parker Song (Creative Nonfiction, S’12) appears in the August issue of Terrain.org. It is an exploration of gender, violence, trauma, and reaching for a different way, in the context of the Alaskan wilderness.

Rhiannon J. Taylor (Popular Fiction, S’19, writing as R. J. Howell) had two short stories published in August: “A Most Professional Demon” has been published by Translunar Travelers Lounge in issue 3 (available online and in ebook) and “Oresa” has been published in Beyond the Stars: Infinite Expanse (available in ebook, print forthcoming).

Two poems by Meghan Vigeant (Creative Nonfiction, S’20), “East Troy Street” and “She Writes the Kama Sutra,” appear online in the summer issue of Hole in the Head Review.

Anne Witty (Poetry, W’10) published a feature essay in the September 2020 “Best of Maine” issue of Down East Magazine, in which she reflects on her home territory of Seguinland in mid-coast Maine. She also has a piece entitled “The Double Portrait” forthcoming in The New Guard Review X.

 

 

 

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Community News & Updates May 2020

ANNOUNCEMENTS

STONECOAST MFA VIRTUAL WRITING SERIES
In an effort to connect our community and continue learning together from afar, Stonecoast is launching a monthly writing session led by a faculty member or guest instructor! Aaron Hamburger (Fiction, Creative Nonfiction) kicked off our first session in April with a fantastic Mindfulness and Creative Writing class. We are thrilled to present Susan Conley (Fiction, Creative Nonfiction, Writing for Social Change) on Monday, May 18th, with “Voice Across Genre: Tone and Pitch and How to Really Say What You Are Feeling,” followed by Justin Tussing (Stonecoast Director) on Monday, June 8th, with a pre-residency generative writing session.

Information and Zoom links will be distributed to current students and faculty via email, and to the greater community via the Stonecoast Portland Meetup group and the Friends of Stonecoast MFA Facebook Group. If you are unable to access any of these platforms, email Special Projects Coordinator Jenny O’Connell (jennifer.a.oconnell@maine.edu) to be added to the list.

You can also receive weekly writing prompts from faculty on the Stonecoast Facebook Page.

 

CURRENT STUDENTS

Natalie Harris-Spencer (Fiction) has been selected by Oyster River Pages for publication under their “Emerging Fiction Voices” category, established to showcase new writers who are just beginning to submit their work to journals. Her short story “Fish Out of Water” will be published in the Fourth Annual Issue of Oyster River Pages, due Summer 2020 (publication details to follow). ORP is a literary journal that embraces the reality that the personal has become the political and actively seeks to publish those who bring balance and diversity to historical institutions of power.

Nina Lichtenstein (Creative Nonfiction) recently had another piece up on the Brevity blog about how the lockdown has provided her with a much welcomed focus on writing, stripped of the otherwise regular and non-essential diversions. She has also embarked on a new project and is looking for contributors: If you know someone who is a Jew by choice, the planned anthology Our Stories, Our Tribe: Personal Essays by Converts to Judaism is looking for diverse voices in essays between 1500-4000 words. Email Nina (nblichtenstein@gmail.com) if you would like a copy of the Call for Submissions to share.

 

FACULTY

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) was happy that her novel We Got Him was chosen to be featured in April on Snowflakes in a Blizzard, which highlights books by Indie press writers. As noted in this piece, We Got Him, which was published by New Rivers Press, is also out in a 2018 audiobook version—published and narrated by star Stonecoast alumna Tanya Eby and her audiobook company, Blunder Woman Productions.

 

ALUMS

The film short The Sound of a Wild Snail Eating, adapted by Elisabeth Tova Bailey (Creative Nonfiction, S’15) from her memoir of the same title, won a Special Jury Mention from the ÉCU—The European Independent Film Festival in Paris, and an Honorable Mention from the USA Film Festival’s International Short Film & Video Competition in Dallas, Texas.

Jennifer Marie Brissett (Popular Fiction, S’11) made a guest post called “The Sophomore Book” about writing her next book on Fantasy Cafe for Women in SF&F Month. She also had a new poem published by The Free Library of the Internet Void called “Remember.” And AAWW Radio posted Breaking into Speculative Fiction, a panel discussion with Jenn and Malka Older, moderated by Tim O’Connell.

j brooke’s (Poetry, S’19) essay “Hybrid” was the Nonfiction Winner for Columbia Journal’s Womxn’s History Month Special Issue.

Renee S. DeCamillis (Popular Fiction, W’14) is excited to announce that she has found a means to get out and share her book The Bone Cutters during this pandemic. From May 11 to June 11, Renee is doing an online book tour, where her work will be featured on 50+ blogs. There will be a video reading, an interview, an excerpt or two, as well as free giveaways. Here is the link to find out how and where to check it all out. Stay safe, everyone!

teri elam’s (Poetry, S19) poetry manuscript was recently named a semi-finalist for the Two Sylvias Press Wilder Prize. During April, a film based on her poem “Butterflies” premiered during Visual Poetry Project’s online film celebration of National Poetry Month.

Andrea Lani (Fiction, W’14) was thrilled to have her essay “Faith in a Seed,” about motherhood and the extinction and rebirth of the American chestnut tree, published in the current issue of Spire: The Maine Journal of Conservation and Sustainability.

Alison McMahan‘s (Popular Fiction, W’10) short story “Harlem in Havana” was released April 7, 2020, in the anthology The Beat of Black Wings: Crime Fiction Inspired by the Songs of Joni Mitchelledited by Josh Pachter, published by Untreed Reads. Anthology authors Alison, Alan Orloff, and Elaine Viets taught a class on Writing Suspense via Zoom on April 26, 2020.

Ellen Meeropol (Fiction, W’06) and Robin Talbot (Stonecoast Associate Director) invite the Stonecoast community to a Virtual Book Event at PRINT Bookstore in Portland on May 13, 2020, at 7:00 pm. Co-hosted by Maine Writers and Publishers Alliance (MWPA) via Zoom, Ellen will read from her new novel, Her Sister’s Tattoo, and talk with Robin. To register, visit here or here.

John Christopher Nelson‘s (Fiction, S’15) stories “Sola Fide” (originally featured in the summer 2016 issue of Able Muse), “Avoidance,” and “Meaning As Use” are all featured as the fiction portion of Lights, the inaugural issue of Pleasure Boat Studio‘s new zine, available as a free PDF. John also read his story “Good Friday,” originally featured in Volume VI of The New Guard, on Good Friday for West Seattle’s own Pegasus Book Exchange.

Jenny O’Connell‘s (Creative Nonfiction, S’17) recent tribute to the late, great Ryan West—which doubles as an ode to the ultimate frisbee community—was published in Ultiworld magazine. Her essay “Valley of the Bulls” won the 2019 Appalachia Journal Humor in the Wild Contest, and is now available in print. An outdoor contributor for Maine Magazine, Jenny’s profile on camp owner and adventurer Chloë Rowse was published in March, and she has a forthcoming feature on ice climbing in Maine later this year. In April, Jenny signed with agents Jamie Chambliss and Steve Troha of Folio Literary Management, who will represent her book project, Finding Petronella

Suri Parmar (Popular Fiction, W’17) was recently awarded a media grant from the Ontario Arts Council for her experimental short You’re Smart, her first foray into non-narrative filmmaking. While production is presently on hold due to the ongoing COVID-19 pandemic, she hopes to complete her film in the following year.

Three short pieces from sid sibo’s (Fiction, W’19) in-process collection Familiar: Stories have been awarded the Neltje Blanchan Memorial award from the Wyoming Arts Council for best writing “informed by a relationship with the natural world.” Two other stories from the collection have earned Honorable Mentions, one of which, “Bull,” will be published online in Cutthroat magazine. The pen name can be traced to Stonecoast 2019 alum sidney woods.

Patricia Smith’s (Poetry, S’08; former faculty member) poem “Now He’s an Etching” appeared in The Academy of American Poets’ Poem-a-Day email for Thursday, April 16th.; the poem can be read and heard on the poets.org website.

Jacob Strunk (Fiction, W’07) was featured in April’s Voyage LA, an online magazine celebrating the artists and eccentrics that define Los Angeles. The profile features no revelatory bombshells, but there are some fun photos.

Lisa C. Taylor (Poetry, S’04) will have upcoming poetry published in Lily Poetry Review and Soul-Lit. Her book review of Rebecca Foust’s The Unexploded Ordnance Bin was published in Mom Egg Review in April. Lisa’s short story “Lucky” was shortlisted in the 2020 Fish Short Fiction contest, judged by Colum McCann. She has been a mentor through the AWP W2W program this spring, working with a fiction writer from Georgia. And Lisa will have a new collection of poetry published by Arlen House/Syracuse University Press in the spring of 2021.

Rhiannon J. Taylor’s (Popular Fiction, S’19, writing as R. J. Howell) dark fantasy/horror story “What You Lost in the Wildermere” has been published by Arsenika in their sixth issue. Additionally, her story “Parasites” is forthcoming from Frozen Wavelets.

As reported by Locus, Erin Underwood (Popular Fiction, S’09) won the 2020 Down Under Fan Fund (DUFF), which sends a fan from North America to CoNZealand, the 78th Worldcon. Paul Weimer, the North American DUFF administrator, said, “With ConZealand being a virtual Worldcon this year and Corvid-19, Erin will not be traveling to New Zealand this year, but hopes to travel to Australasia in the DUFF tradition in 2021, health and world events permitting.” Erin will also take over from Weimer as the new North American administrator.

Marco Wilkinson (Creative Nonfiction, S’13) is now the nonfiction editor at The Los Angeles Review. He is looking for fresh, engaging essays; in particular at this moment, he’d love to read about life during COVID-19. You can submit here.

 

 

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