Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) essay “Biophilia at my Bedside” was just published in the anthology Nature, Love, Medicine. The anthology, edited by Thomas Lowe Fleischner and published by Torrey House Press, includes essays by twenty-three writers including Robin Wall Kimmerer, Jane Hirschfield, and thich Nhat Hanh.
Karen Bovenmyer (Popular Fiction, S’13) is excited her story “The Scarlet Cloak” was reprinted in Like A Woman, a domestic violence benefit anthology. Her short story “Snow as White as Skin as White as Snow” was published in December’s issue of Gamut Magazine—classmates will recognize this story as inspired by her thesis novel-in-progess The Sleeping Boy. This just in: Factor Four Magazine will be publishing Karen’s science fiction short story “To Infinity and Beyond” in their inaugural issue. With this sale, Karen’s happy to announce she is applying to SFWA. She’s serving as a guest editor for Pseudopod Podcast for March 2018 and hope you all tune in to listen to the five awesome stories she selected (with the associate editing help of fellow ‘coasters Shawna Borman, Erin Roberts, and Cecelia Dockins). Her poem “Fire Lover” will appear in February’s Heroic Fantasy Quarterly, with an accompanying narration. Karen also has been narrating stories by others. Karen has created a recording of Penelope Evans’ “Wasps Make Honey” for a forthcoming episode of Escape Pod and Evan Dicken’s “The Taking Tree” for Pseudopod.
Illustration for Karen’s story “Snow as White as Skin as White as Snow”
Jennifer Marie Brissett (Popular Fiction, S’11) puts her memories of being a bookseller to use in a flash fiction story for the anthology Welcome to Dystopia edited by Gordon Van Gelder from OR Books. (Shh, most of the story I didn’t have to make up!)
Julie C. Day‘s (Popular Fiction, S’12) short story “Re-stitched” can be found in the January edition of Split Lip magazine. “Re-stitched” is about two sisters, Alicia and Stephanie, their family dysfunction, and the impurity of human flesh. It’s about as creepy as you’d expect…
Terri Glass’s (Poetry/Creative Nonfiction, S’13) Terri’s poem, “Violet Green Swallows” was published in Young Raven’s Review, Issue 6. Her poem “Cow Tipping Tuesday” will be published in the 2018 San Diego Poetry Annual and her haiku in the Spring Issue of The Fourth River.
Cindy Williams Gutiérrez (Poetry, W’08) received the 2017 Oregon Book Award for Drama for her play Words That Burn. The play dramatizes the WWII experiences of conscientious-objector William Stafford, Japanese-American internee Lawson Inada, and Chicano Marine Guy Gabaldón in their own words. The play premiered at Milagro Theatre in Portland, Oregon, in September of 2014 in commemoration of the William Stafford Centennial, Hispanic Heritage Month, and the 70th anniversary of the rescindment of Executive Order 9066 (incarcerating Japanese-Americans). Words That Burn was also produced in 2017 at the Merc Playhouse in Twisp, Washington, and the Linkville Playhouse in Klamath Falls, Oregon.
Alan King’s (Poetry, W’13) Point Blank was reviewed in The Washington City Paper, Auburn Avenue, and Run Tell That Magazine.
Will Ludwigsen‘s (Popular Fiction, W’11) third collection of short fiction tinged with crime and the supernatural, Acres of Perhaps, will be appearing in April 2018. It is available now for preorder from Lethe Press if you would like to support the small press.
Carolyn O’Doherty‘s (Popular Fiction, W’11) debut novel, Rewind, will be released April 10, 2018. The novel, published by Boyds Mills Press, tells the story of a group of teenagers with the ability to freeze time. The sequel will be published in Spring 2019.
Alexandra Oliver (Poetry, W’12) recently attended Continuum Music’s Urgent Voices multimedia performance in Toronto, featuring the debut of From the Diaries of William Lyon Mackenzie King, an operatic work for which she write the libretto. The Birmingham-based composer, Scott Wilson, was also in attendance. The Canada Council for the Arts has provided Oliver, Wilson, and Continuum director Ryan Scott with funding to develop the project.
Bruce Pratt‘s (Fiction, S’04) play Radio Silent has won the 2017 Meeting House Theatre Arts Lab’s annual new play contest and will receive a staged reading on January 20 at Schoodic Arts for All in Winterport, Maine. Pratt also won the award last year for his play The King of France. Several of his plays are among those being considered for full production next spring.
In addition to winning one of the South Carolina State Poetry Society contests, Steve Rhodes’s (Poetry, W’11) poem “Inheritance” won First Prize in Still: The Journal’s annual poetry contest. He and his wife, Ann, moved to Charleston, South Carolina, three years ago. Steve recently completed his third poetry collection, What You Don’t See, and is looking for a publisher. He is currently working on a prose and poetry memoir. This past summer and fall he was invited to give poetry readings as part of hikes in the Great Smoky Mountains National Park led by the singer/song-writer Doug Peters. Great fun.
Tamie (Harkins) Parker Song’s (Creative Nonfiction, S’12) poem “Thirteen Ways of Killing the Captain’s Son” was published in Selkie Zine, issue 5. You can find it here.
Kathleen Saville (Creative Nonfiction, S’13) has been invited as a speaker to the Match 2018 Virginia Festival of the Book to share her memoir Rowing for My Life: Two Oceans, Two Lives, One Journey, published by Skyhorse/Arcade Publishing in February 2017. Information on how to attend the Festival is here.
Olive L. Sullivan‘s (Fiction/Poetry, S’15) poetry collection Wandering Bone is now available on Amazon or directly from the publisher, Meadowlark Books. Several of the poems in this book were written as part of her second semester project with Jeanne Marie Beaumount.
Karrie Waarala (Poetry, S’11) has three poems—“Memory of Museum of Memory,” “How to Remember,” and “The Morning After”—in the current issue of Blackbird. Her poem “Death Spends Halloween at the Country Bar” was recently nominated for a Pushcart Prize by Escape into Life, where her work was featured in July. And her short story “High Side” appeared in Five on the Fifth earlier this year; this was her first fiction publication.
Marco Wilkinson’s (Creative Nonfiction, S’13) essay, “Hidden Light, Wooden Ladder, Bucket of Clay, Pillar of Water,” will appear in issue four of the Bennington Review. His nonfiction manuscript, Madder, was the first runner-up in the 2017 Red Hen Press Non-Fiction Prize, judged by Mark Doty.
Tamra Wilson (Fiction, S’11) was published in Vol. VI of The New Guard. “Dearest Mum” is part of The Dream Letters, an ongoing feature of the journal. Wilson’s fictional letter is excerpted from a novel-in-progress based on her great-grandmother, an orphan train.
Sarah Mack (Popular Fiction), publishing under S.M. Mack, won first place for the Katherine Patterson Prize for Young Adult Writing for her short story “The Carrying Beam.” The story was published online in Hunger Mountain, The VCFA Journal for the Arts, and is available here.
Illustration for Sarah’s story “The Carrying Beam”
David Anthony Durham (Fiction, Popular Fiction) just renewed the film option for Gabriel’s Story with Redwave Films, as well as the film/TV option for Pride of Carthage with Sonar Entertainment. His short story “All the Girls Love Michael Stein” will be republished in The Stonecoast Review and was recently published in translation in the Polish SFF magazine Nowa Fantastyka. He’s also signed on as one of the judges for the 2018 World Fantasy Awards. Details here via Locus.
Elizabeth Searle’s (Fiction, Popular Fiction, Scriptwriting) novel We Got Him (New Rivers Press) is forthcoming as an AudioBook in 2018, recorded by Stonecoast alum Tanya Eby and her Blunder Woman Productions. Both Elizabeth’s opera and her rock opera about Tonya Harding and Nancy Kerrigan will be produced in early 2018, at the time of the Winter Olympics. In January, the operetta group Mixed Precipitation in Minneapolis, Minnesota, will present Tonya and Nancy: The Opera—a one-act opera with libretto by Elizabeth and music by Abigail Al-Doory Cross—on Lake Harriet for the Art Shanties. Meanwhile, in New York City at 54Below on February 13th, Broadway stars sing a concert version of Tonya & Nancy: The Rock Opera, a show which will be recorded as a CD from Broadway Records and which has recently received coverage from Playbill and Broadway World (you can read the Broadway World article here). For updates, see: www.elizabethsearle.net