Tag Archives: Shannon Bowring

Community News & Updates April 2021

ANNOUNCEMENTS

The Stone House Readers’ Series is a weekly regular series for alumni, faculty, staff, and current students to share their writing live on Facebook. This is a program run by Troy Myers and Amanda Pleau, class of 2015, to give members of our community a casual and consistent opportunity to connect. Readers are scheduled in advance and are asked to bring 15 minutes of material. Here is the tentative lineup this month: 

  • April 4th: Suri Parmar (Popular Fiction), Bill Stauffer (Fiction), Ellie O’Leary (Poetry)
  • April 11th: Vanesa Pacheco (Poetry) and Meredith MacEachern (Fiction)
  • April 18th: Morgan Talty (Fiction) and Jenny O’Connell (Creative Nonfiction)
  • April 25th: Troy A. Myers (Poetry) and John Christopher Nelson (Fiction)

We have space for one more person to join the 11th, 18th and 25th of April, and are currently scheduling into May.

Stonecoast Review is raising money through a Givecampus campaign to fund their publishing costs and keep the journal alive and free-to-submit.

CURRENT STUDENTS

Shannon Bowring‘s (Fiction, Third Semester) short story “If It Fits, Take It” has been accepted for the third volume of Archipelago, Volume 3: The Allegory Ridge Fiction Anthology, which will be published this summer.

FACULTY

Tom Coash (Playwriting, Dramatic Arts, Writing for Social Change) will be teaching his popular workshop “From Blank Page To Stage,” focusing on writing and producing short plays, in person at the beautiful Pyramid Lake Fall Writerfest, September 12-16, 2021, organized by Stonecoast alumna Ellie O’Leary. Registration open now. Very reasonable price! Come join us!

Susan Conley’s (Fiction, Creative Nonfiction, Writing for Social Change) new novel Landslide (Knopf) was recently named a New York Times Editor’s Choice and a Best Book/Most Anticipated Book by Good Morning AmericaThe New York Post, Medium, Bustle, Biblio Lifestyle, and others. Her essay on boy silence recently appeared in LitHub. Her interview on the intersection of feminism and motherhood was published in The Woolfer. And her recent essay celebrating books with vibrant boy culture is here.  

Annie Deppe (Stonecoast in Ireland) has two poems in the March 30th issue of On the Seawall. Her third book of poems, Night Collage, is due out this spring from Arlen House in Ireland.

Aaron Hamburger (Fiction, Creative Nonfiction, Writing for Social Change) was a weeklong (virtual) visiting writer at the University of Nevada Reno MFA Program. Thanks to Stonecoast faculty David Anthony Durham for the invite and Stonecoast faculty Robert Redick for moderating a Q&A in his fiction workshop!

Debra Marquart’s (Creative Nonfiction, Poetry, Writing for Social Change) essay collection The Night We Landed on the Moon: Essays Between Exile & Belonging will be published by NDSU Press in July of 2021. Debra has published several essays in early 2021, including “The Death of a Lost Dog” (The Iowan, March 2021); “At 79, My Mother Decides to Plant Trees” (Fourth Genre, 2021); “On the Ephemerality of Things: Thoughts on the Demise of a Literary Press” (High Plains Reader, May 2020). In addition, her poem “Winter Amaranth” was published by Prairie Public Radio in March 2021. She co-curated poems for the Iowa Telepoem Booth Project, which features 180 recorded poems from 93 Iowa poets that can be listened to by dialing in to the Iowa Telepoem Booth. The physical booth, which was initially installed at the Pottawattamie Arts, Culture, and Entertainment Center, has migrated to the Council Bluffs Library. The installation will be traveling around the state of Iowa over the year. The project was funded by Humanities Iowa and the National Endowment for the Humanities. Debra was interviewed by Amy Butcher—along with Jamila Osman, Alexis Wiggins, and Torrey Peters—by VIDA Women & the Literary Arts following the release of The Best of Brevity anthology.  

Cate Marvin‘s (Poetry) fourth book of poems, Event Horizon, will be published by Copper Canyon Press in the spring of 2022.

ALUMS 

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Greg van Eekhout’s story “Spaceship October” for the March 11 episode of Escape Pod. You can listen to it here.

Ryan Brod‘s (Creative Nonfiction, S’17) flash essay, “Solo,” appears in the spring issue of Tahoma Literary Review. You can hear Ryan read his essay at TLR’s soundcloud page.

The Bangalore Review published J Brooke’s (Poetry, S’19) poem “Last Night I Dreamed My Mother Was Carl Reiner and I was Sad She Died,” and Audiofile Magazine published J’s review of A History of Scars by Laura Lee. CRAFT Literary awarded J’s essay “The Last” Honorable Mention in their 2020 CRAFT Flash Fiction Contest—the award did NOT include publication of the essay, so it is VERY available if any editors are reading this! J thanks Stonecoast Instructor Susan Conley (with whom J never worked and only knew in passing) for directing e to Audiofile Magazine as potential venue for their audiobook reviews. 

teri elam‘s (Poetry, S’19) poetry manuscript “An Observation of Beautiful Forms” was a finalist for the  2021 Perugia Press Prize

Josh Gauthier (Popular Fiction, S’17) is happy to announce the publication of his debut book Land of Outcasts, a fantasy-adventure novella featuring a gunslinger and a battle unicorn. The ebook releases April 6 and print copies will be available April 27 from most major retailers. Learn more about the book and find information about release events on Josh’s website

Rebecca Kightlinger‘s (Fiction, W’14) debut novel, Megge of Bury Down (the first draft of which was written at Stonecoast), is a finalist in the Independent Book Publishers Association‘s Bill Fisher Award for Best First Book in the category of Fiction. It is also a finalist in IBPA’s Benjamin Franklin Awards in the category of Audiobook: Fiction (Narrator: Jan Cramer). Winners will be announced in May. Thanks to all my Stonecoast workshop partners and to all the faculty members who endured all those rough, rough drafts!

Cynthia Kraack (Fiction, W’10) and co-author Joseph Tachovsky were featured on C-Span Book TV Saturday, March 6, to discuss 40 Thieves on SaipanThe Minneapolis Star Tribune ran a story about Bill Knuppel, one of the principal Marine Scout Snipers in the platoon.

Nina B. Lichtenstein (Creative Nonfiction, S’20) is excited to have won a paid fellowship for Spring 2021 at what has long been a dream pub of hers, Tablet Magazine: A New Read on Jewish Life. While there, she is mentored by her favorite editor, working on several pieces, assigned and pitched, and getting an inside look at how a cutting edge cultural magazine operates from the editors’ pov. Here’s her little Passover story cum Passover granola recipe that was just published. She’s also happy that an excerpt from her memoir-in-progress is fresh up at the lit mag Dorothy Parker’s Ashes: Brazen Words by Witty Dames. Everything True, More or Less. 

After nine books and ten years of traditional romance publishing with Harlequin, Dorchester, and other mainstream presses, Laura Navarre (Popular Fiction, W’11) has launched independent publishing company Ascendant Press. The first three books in her epic, hyper-sexy, reverse-harem space opera/sci-fi romance series will release wide starting in October 2021 with series debut Interstellar Angel, where Star Wars meets 50 Shades by way of The Hunger Games.

Forests Inside Us,” Jenny O’Connell‘s (Creative Nonfiction, S’17) piece on natural materials artist and environmental advocate Jordan Kendall Parks, was published in Decor Maine last month. “The Sky Where You Are,” her opera libretto on domestic violence and advocacy that premiered worldwide in 2020 as part of the Decameron Opera Coalition’s production Tales from a Safe Distance was added to the Library of Congress earlier this year. Jenny is excited to be teaching Am I You? Getting to the Heart of Your Characters, a character intensive for nonfiction writers at SALT Institute for Documentary Studies at MECA June 7-11th, 6:00-8:00 p.m. EST. The course will explore interview techniques that go for depth, using dialogue and voice to enhance characterization, profiling fascinating subcultures, and leveraging background research to locate and tap into the universal stories that run through us all. She’d love to write with any of you. 

Renée Olander (Poetry, W’05) will read new work and from American Dangerous (Backlash Press 2018) at Poems for Our Living and Breathing II (A Reading & Open Mic Series); this virtual event will be April 18, 2021, 5:00-6:30 p.m., led by Virginia Poet Laureate Luisa Igloria and sponsored by The Muse Writers Center.

Sean Robinson (Popular Fiction, W’14) is pleased to share that his essay “Hattery: The Many Roles of a First-Time Teacher” was recently published in Voices of Practice edited by Sean Michael Morris, Lucy Rai, and Karen Littleton. The book is available through PressBooks.

A lyric essay in Waterwheel Review (“The Family Dollar“) followed by a crush of December deadlines kept Catherine Schmitt (Creative Nonfiction, W ’12) distracted through the winter, and now spring has brought a flurry of published stories:

Mary Katherine Spain‘s (Fiction, S’16) short story “Collision” will be published in the upcoming volume of The New Guard Review

Starting in May, Stonecoast alum and Tin House author (Night of the Living Rez, 2022) Morgan Talty (Fiction, W ’19) will be teaching a three-month mentorship with Writing Workshops DallasHe will be taking on six writers. For those interested, please find more information here. 

Gina Troisi‘s (Creative Nonfiction, W’09) short story “Then You Were Gone” was just published in the spring issue of Solstice: A Magazine of Diverse Voices.

Sean Ulman (Fiction, ’05), who teaches writing in Seward, AK, published his debut novel Seward Soundboard with Cirque Press in November 2020. Well-known Alaskan author Nancy Lord wrote a review of the novel for The Anchorage Daily News. Here’s the novel description:

Lyrical vignettes broadcast the power of art in this novel set in the mountainous harbor town of Seward, Alaska. Like many of her fellow citizens, a woman attempting to resettle in her hometown—the Returner—turns to art and recreation when she feels overwhelmed by the rain, the wind, the dark or a “familiar chemical batch of unknown nonsense.” Citizens’ relationships with one another, the wilderness and the weather bounce to ironies, comedies and coincidences across a one-year cycle in the quirky seasonal town.

IG: @sewardsoundboard

Leave a comment

Filed under News & Updates

Community News & Updates February 2021

CURRENT STUDENTS

Shannon Bowring‘s (Fiction, Third semester) short experimental piece “Avian Elegies” has been nominated by Waterwheel Review for Best Small Fictions 2020. In addition, one of Shannon’s stories from her linked collection (a work-in-progress) was selected as a finalist in the fiction category of the 50th New Millennium Writing Awards.

FACULTY

Faith Adiele’s (Creative Nonfiction) latest essay, “On Traveling While Black,” appears in the latest issue of december magazine (31.2). Issues can be purchased here. Also, on January 23, 2021, Faith conversed with writer Julia Cameron (The Artist’s Way) about her new book, The Listening Path: The Creative Art of Attention,on NYC Open Center LIVE, available to watch here.

Tom Coash‘s (Playwriting, Dramatic Arts, Writing For Social Change) short play Thin Air is currently available online as a free podcast, by Lost Souls Monologues. Also, Tom’s play Raghead will be streamed online February 13 by Silverthorne Theater Company as part of their Short & Sweet New Play Festival.

Susan Conley’s (Fiction, Creative Nonfiction, Writing for Social Change) fifth book, Landslide, is a novel recently published with Knopf and named a “Most Anticipated Book for 2021” by Bustle, the New York Post, Biblio, and Medium, among others. Susan will be doing a virtual book tour that crisscrosses the country, with dates at Susanconley.com.

David Anthony Durham (Fiction, Popular Fiction) is thrilled about the recent cover reveal for his forthcoming middle grade fantasy novel, The Shadow Prince, with art by Eric Wilkerson. It pubs in September of this year!

Martín Espada (Poetry, Writing for Social Change) published a poem, “I Now Pronounce You Dead,” in the January 24th issue of The New York Times Magazine. The poem comes from his new book, Floaters, just released by W.W. Norton.

Aaron Hamburger (Fiction, Creative Nonfiction, Writing for Social Change) will be appearing on a special pre-Valentine’s Day panel called “Love = Love = Love: Five Authors on Equal Love in Lit,” sponsored by Three Rooms Press, on Saturday, February 13th, at 7:00 pm. The panel will be livestreamed on Facebook and YouTube. This lively discussion of equal love in literature by five award-winning LGBTQ authors—including, in addition to Aaron, Meagan Brothers, author, Weird Girl and What’s His Name; Aimee Herman, author, Everything Grows; Alvin Orloff, author, Disasterama; and Julia Watts, author, Quiver. Kat Georges, co-director of Three Rooms Press, will host. The discussion will explore: How love in literature has become more inclusive during recent decades; How each author addresses love in their writing and opens doors to acceptance of love without boundaries; Why literature can provide inspiration in times of loneliness and heartbreak; Different levels of love: from friendship to red-hot lust. Following the discussion, the authors will field questions from the livestream audience.

In Scriptwriting news, Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting, Writing for Social Change) Tonya & Nancy: The Rock Opera just won four Broadway World Regional Theater awards for the 2020 TheatreZone production, starring Broadway’s Andrea McArdle. The awards are given by Broadway World for different regions of the USA. Tonya & Nancy won Best Production of the Decade of a Musical—for the Southeast Florida region—and also Best Director, Best Vocal Performance, and Best Setting Design. For updates, see www.tonyaandnancytherockopera.com

ALUMS 

Frank Ard (Popular Fiction, S’14) is thrilled to announce the upcoming publication of his first novel, titled Back to Zero, a coming-of-age story about a high school student who discovers an unbelievable power, only to learn it is more perilous than he ever imagined. The e-book will be released in late April 2021, with a paperback edition to follow. Additionally, Frank plans to launch a Kickstarter on March 2nd to produce a limited print run of a signed hardcover edition; follow the project here.

Carina Bissett (Popular Fiction, S’18) is currently offering open registration for The Storied Imaginarium’s popular workshop Intersections: Science Fiction, Fairy Tales, and Myth. This workshop meets in an online format once a week during March and April. Traditional fairy tales and myths are paired with cultural or scientific concepts in this generative writing experience. Past participants have published workshop stories in a multitude of anthologies and magazines, including Apex Magazine, Beneath Ceaseless SkiesClarkesworldDaily Science FictionEscape Pod, and Interzone. For more information, visit The Storied Imaginarium.  

Minerva Canto‘s (Fiction, S’18) memoir essay was published in A Short Guide to Finding Your First Home in the United States, an anthology of immigrant stories, essays, poems and art. The title of her story was chosen as title for the book itself, which celebrated publication with a book launch reading. Minerva also participated in a discussion about cultural identity and read from her work for Literary Voices, Music, and the Chicano Community event hosted by the Cheech Marin Center for Art & Culture, Riverside Art Museum and Inlandia Institute. In addition, Minerva’s 13-year-old daughter published a horror story, “Sunflower Trades” in Young Voices, an anthology by Culture Cult Press featuring stories from teen writers in India, Australia, Philippines, Canada, and elsewhere. 

Darcy Casey‘s (Fiction, W’19) short story “Bird Day” was long-listed and shortlisted for the 2020 Fractured Literary Micro Fiction Contest. While it’s still waiting to find a home, she’s pleased that it’s had a nice run of success with one of her favorite literary magazines, and is eager to send it out into the world again. Her weird, second person experimental piece, “How to Return a Phone Call,” has found a home at Midway Journal and was published in January. You can read it here and let her know what you think by reaching out through her website at darcyleecasey.com, because she’s not so sure she’ll write another second person piece again. Additionally, she is currently working hard on editing her first novel as a writer-in-residence at Jentel Arts Foundation, and will be through mid-February.

Lauren M. Davis‘s (Poetry, S’15) poem “The Flowers You Brought Back From Italy,” published by Wrath Bearing Tree, has been released; read it here.  

David A. Hewitt‘s (Popular Fiction, S’09) story “The Continuing (Superpositional) Adventures of Schrödinger’s Cat” appears in the inaugural issue of Underland Arcana, now on sale. 

Gail Hovey (Creative Nonfiction, S’11) will be the featured guest on February 22 at 1:00 p.m. EST, on Queer Spirit on OUT Cast at WMPG radio, Portland, ME. Queer Spirit is a series of conversations exploring queer life and the power of the Sacred. Hosts Marvin Ellison and Tamara Torres McGovern talk with Gail about her recently published memoir. As introduction, Ellison says, “We could easily have an extended conversation with Gail about the Pan-African justice movements and her activism as a white ally in southern Africa and back in the U.S., but today we’re talking about her more recent publication, a memoir entitled She Said God Blessed Us: A Life Marked by Childhood Sexual Abuse in the Church. One reviewer describes the memoir, this way: ‘This book is a gift . . . written with compassion, righteous anger, and deep insight about the turmoil that abuse generates and about the courage and tenacity required to disarm a debilitating curse and claim an authentic blessing.’”

Alison McMahan‘s (Popular Fiction, W’10) short story “Volcano” will be released February 22, 2021, in the anthology The Great Filling Station Holdup: Crime Fiction Inspired by the Songs of Jimmy Buffettedited by Josh Pachter and published by Down & Out books. Pre-order link is here.

Jenny O’Connell (Creative Nonfiction, S’17) is thrilled to be joining the SALT Institute of Documentary Studies faculty this March to teach Writing the Creative Profile, a five-day intensive that reaches beyond traditional profile writing to aim for the universal. Registration is open to the public, and the early bird special ends February 15th. Jenny’s story “Just Don’t Fall,” about pushing through fear to climb a frozen waterfall with outdoor mentor Toby Arnold, was published last month in Maine Magazine.

Photo credit: Andy Gagne Photography

Suri Parmar’s (Popular Fiction, W’17) short script “Vomit Comet,” which she wrote for a dialogue workshop with Stonecoast mentor Mike Kimball, appears in Issue 07 of Waxing and Waning: A Literary Journal from April Gloaming Publishing. Suri would also like to thank her fellow workshop participants—Erin Barker, AJ Bauers, Ella Carroll-Smith, Elisha Emerson, and Amy Burroughs—for their feedback, which she implemented in the final draft. 

PJ Piccirillo’s (Fiction, S’04) The Indigo Scarf continues to gain traction. USA Today-bestselling author David Poyer says: “The story never falters, and the description certainly clearly evokes the time period and the mountains and valleys this author obviously loves. The escaped slave Jedidiah especially is a tormented soul; his story and ultimate fate sucked me in. …for the thoughtful reader it rings astoundingly true. This skilled and talented author should be much better known!” And Bruce Pratt (Fiction, S’04), author of The Trash Detail, writes: “Rich in illuminative detail, a deep sense of history, and a remarkable sense of place, this narrative is driven by beautifully drawn characters limned in exquisite prose. A literary page-turner of the highest stripe.” The Indigo Scarf is available from Sunbury Press,  Amazon, and bookstores. About The Indigo Scarf:

Based on the true story of two slaves who fled their owners with white women into the wilderness of north-central Pennsylvania, The Indigo Scarf interprets the little known legacy of slavery persisting in the north during the nineteenth century. Meticulously researched, the author’s work is informed by scholars in early American slave laws and northern black codes, by experts in post-colonial folkways, and by descendants who live to this day in the fugitive settlement their forbears established. While The Indigo Scarf relates the covert workings of sympathetic Quakers, the ruthlessness of a slave catcher, and the irony of a Revolutionary War veteran forced to face his daughter’s love for the slave Jedediah James, it treats the deeper theme of the spirit-breaking impact slavery has had across generations since abolition. Though shadowed in whiskey-making and timber-pirating, novel is a paean to devotion, testing the lengths a woman will go to save her man from a burning vengeance as he confronts the privations of a wild frontier while his former owner schemes his return. On a broader scale, the story is a testament to the perseverance and vision of pioneer women who devoted themselves to planting in their offspring the seeds of hope for liberty which may only be realized by descendants they would never know. Woven between scenes spanning a forbidden, historically based slave marriage on a plantation in Virginia’s tidewater region to a tragic liquor operation on the Susquehanna’s un-peopled and feral West Branch during the frontier decades after Pennsylvania’s last Indian purchase, the narrator’s own sub-tale culminates in her realization of how a pioneer-woman ancestor had destined her to break the generational chain of bondage.

 

An essay by Lisa Romeo (Creative Nonfiction, S’08), which appeared in the Autumn 2020 issue, has been nominated by Tiferet Journal for a Pushcart Prize. A “Power Profile” interview with Lisa appeared in October on the blog of author Laraine Herring.

Morgan Talty’s (Fiction, W’19) Night of the Living Rez, a collection of interconnected stories of family and life in the Penobscot Indian Nation in Maine, will be published in 2022 by Tin House. Books published by Tin House have made The New York Times’ and other national bestseller lists, won the Kingsley Tufts Poetry Award and National Book Critics Circle Award, been long-listed and among the finalists for the National Book Award, and more. Morgan has also recently won a generous grant from the Elizabeth George Foundation to support his next projects. 

To Speak in Salt, the collection of poetry Becky Thompson (Poetry, W’21) worked on while studying at Stonecoast, was awarded the Ex Ophidia poetry Prize and was a finalist for the Hollis Summer Poetry Prize (Ohio University Press).  All praises to Becky’s mentors—Katherine Larson, Debra Marquart, and Chen Chen.

Gina Troisi‘s (Creative Nonfiction, W’09) flash fiction piece “After the Boston Marathon Bombing,” which was published in Gemini Magazine earlier this year, was nominated for a Pushcart Prize. Her forthcoming memoir, The Angle of Flickering Light, most of which was written during her time at Stonecoast, is now available for preorder via https://gina-troisi.com/.

Christopher Watkins (Poetry, W’08) is pleased to share that three of his poems are forthcoming in Beatific Magazine. He is honored to announce that his song “The Damned (So Many More of Us Than Them)” was awarded SONG of the YEAR at the 2020 Manifesto Awards. Christopher records under the name “Preacher Boy.”

Leave a comment

Filed under News & Updates

Community News & Updates January 2021

ANNOUNCEMENTS

Stonecoast MFA 2021 Winter Residency

Join the Stonecoast MFA 2021 winter residency January 7-17th, 2021 for a week of inspiring readings and discussions! Evening events are free and open to the public and will be hosted online through Zoom. View the schedule and register here.

Stonecoast Tidings

If you’d like to receive Stonecoast’s quarterly newsletter featuring faculty interviews, alumni writing, and opportunities to rejoin residencies and engage with Stonecoast literary events, you can sign up for Stonecoast Tidings by updating your USM alumni profile.

The Stone House Readers’ Series

The Stone House Readers’ Series is a regular series for alumni, faculty, staff, and current students to share their writing live on Facebook. Readers are scheduled in advance and are asked to bring 15 minutes of material to share, whether it’s a work in progress, a published piece, or anything in between. This is a program run by Troy Myers and Amanda Pleau (Creative Nonfiction, S’15) to give members of our community a casual and consistent opportunity to connect. Join us Sundays in January! 

CURRENT STUDENTS

Shannon Bowring‘s (Fiction, Thirdsemester) essay “Fresh Cut” was recently selected as the winner of the Just Write Maine-related Nonfiction Award for the Joy of the Pen writing contest. In addition, her short experimental piece “Avian Elegies ” was published in Issue #4 of Waterwheel Review.

Natalie Harris-Spencer‘s (Fiction, Third semester) short essay “Expat Guilt,” which details the isolation of living an ocean apart from your family during a pandemic, appears in the British publication Dissonance Magazine

FACULTY

Faith Adiele’s (Creative Nonfiction) new Calm sleep story, narrated by acclaimed actor Idris Elba, was released on December 1, which was #GivingTuesday. For every listen of “Kingdom of the Sky,” Calm will donate $1 (and up to $100k) to support RED’s fight against AIDS and COVID-19 in sub-Saharan Africa. 

Doom Eternal: The Ancient Gods – Part One by id Software saw instructor Tobias S. Buckell (Popular Fiction) in the credits under Writing and also in Story Development, his first foray into writing in-game content for a major platform game. Tobias also edited and had a story in the anthology Reclaim, Restore, Return: Futurist Tales from the Caribbean, published for the 2020 Bocas Lit Fest in Trinidad. Other short stories appeared in editor John Joseph Adams Dystopia Triptych, Escape Pod: The Science Fiction Anthology, and Slate Magazine. He just turned in his latest novel, A Stranger in the Citadel, to Audible Originals, which will be out in May 2021.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) wrote a feature for The New York TimesHow New York City Vaccinated 6 Million People in Less Than a Month. He’s also at work on a young-adult book about Frank Serpico, the New York City cop who famously exposed systemic corruption in the NYPD.

Aaron Hamburger‘s (Fiction, Creative Nonfiction, Writing for Social Change) short story “My Darling Socialist” was chosen as a finalist in the Saints and Sinners Festival fiction contest for 2020-21. It will be published in the Festival’s 2021 anthology, forthcoming from Bold Strokes Books.

Elizabeth Hand’s (Popular Fiction, Fiction) The Book of Lamps and Banners received a rave review from Locus Magazine, and was named one of the year’s top 5 crime novels by Crime Reads/LitHub, one of the year’s top 10 thrillers by Crime Fiction Lover, and made LitReactor’s list of the year’s best novels. It was also noted in Fine Books Magazine in their roundup of best books about books. The audiobook was named one of the year’s best audiobooks by both Slate and AudioFile Magazine. Elizabeth was featured on the podcast 99% Invisible, talking about novelizations. Her recent reviews include Christopher Golden’s novel Red Hands and J.R.R. Tolkien’s Letters from Father Christmas, both for The Washington Post.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting, Writing for Social Change) will lead a virtual Playwriting Workshop called ACT ONE for the Charlotte Writer’s Club North, based in Charlotte NC, on February 27, 2021. Her personal essay “Covid Class of 2020” was published in NOW, a new online literary journal from the wonderful Hobart Festival of Women Writers, co-founded by Breena Clarke.

ALUMS

The film short The Sound of a Wild Snail Eating, adapted by Elisabeth Tova Bailey (Creative Nonfiction, S’15) from her memoir of the same title, screened in December at the Academy-accredited Leuven International Short Film Festival in Belgium. In March, the film screens at the Academy-accredited Tampere Film Festival in Finland. That month the film will also be part of Discover Film Awards in London.

Carina Bissett (Popular Fiction, S’18) is thrilled to announce the appearance of her story “An Embrace of Poisonous Intent” in the anthology Bitter Distillations: An Anthology of Poisonous Tales, published by Egaeus Press. This hardcover edition is limited to 340 copies. December also came with news that her linked vignettes created for a shared world were published in The Lost Citadel Roleplaying Game, which opens with a story by Elizabeth Hand.

Ryan Brod (Creative Nonfiction, S’17) has an essay coming out in the next issue of The Maine Review (Issue 7.1)He’s excited to start another semester teaching creative nonfiction at the University of New England.

J Brooke (Poetry, S’19) had “Nowhere to be Found is Atonement,” a poem about Yom Kippur during the pandemic, published by Detour Ahead Literary Magazine. J has enjoyed a number of essay publications in 2020, yet rarely has poems accepted for publication. Not complaining, though—merely commenting.

Terri Glass‘s (Poetry & Creative Nonfiction, S’13) poem “Unexpected Visitor” will be published in San Diego Poetry Annual 2021, and her poem “Amid all this Light” will appear in Issue 13 of Young Raven’s Literary Review. She will be reading on January 30 from her new book of poetry, Being Animal, via Zoom for the Watershed Festival, an environmental poetry festival based out of Berkeley, CA. Check her website, terriglass.com, for the link and time.

Gail Hovey (Creative Nonfiction, S’11) engaged in a wide-ranging conversation with blogger Dr. Deborah Adamy on December 14. They discussed Hovey’s memoir, She Said God Blessed Us: A Life Marked by Childhood Sexual Abuse in the Church, in the larger context of truth telling in this tumultuous year. 

Nina Lichtenstein (Creative Nonfiction, S’20) had an essay published in Kveller that starts like this: “A few years ago, my then 19-year old son called me from Norway via FaceTime to ‘share some news.’ Benya was spending a gap year in my native country. He was anxious about our conversation, an unease that was obvious to me—the mama bear back in the States—as soon as I saw his sweet punim on the screen. // ‘Mama, I’ve been meaning to talk to you about some things…’ he began.”

Nylah Lyman (Poetry, S’10) has signed a contract with Encircle Publications. They will publish her poetry collection in September 2021.

Catharine H Murray (Creative Nonfiction, S’17) will be opening Memoir 101: Writing the Stories of Your Life to a fourth cohort this month. This five-week live online series will meet Tuesdays at 10:00 a.m. EDT starting January 26, 2021. To register or for more information, go to catharinehmurray.com (the direct link).

On January 8th, Jenny O’Connell (Creative Nonfiction, S’17) will be moderating The Journey You Must Take, a conversation between debut authors Maggie Downs and Katherine E. Standefer, hosted by PRINT Bookstore and Portland’s Mechanics Hall. In Braver Than You Think, Maggie backpacks around the world to visit countries her mother—struck with early-onset Alzheimer’s—cannot make it to herself. In Katherine’s book Lightning Flowers, she travels to mines across Africa and the American West trying to understand whether her potentially-lifesaving implanted cardiac defibrillator might have caused loss of life along its supply chain. The dialogue will be enhanced by Jenny’s own 2014 solo trek across Finland (the subject of her current book project and Stonecoast thesis) following the footsteps of a female legend into the heart of the Arctic Circle. Guaranteed to be rich and vulnerable, this conversation will travel from what it takes to move from knowing you need to do something to actually doing it, to the financing of such journeys, to the craft challenges of telling personal stories that unfold in foreign contexts, to the unexpected things that happen along the trail, to the way grief can change along a journey. Register for the (free) event here.

Ellie O’Leary (Poetry, W’17) will be one of the featured poets reading for (Un)Cloistered Poetry on Sunday, January 10, at 6:00 p.m. Email EllieOLeary@gmail.com for the Zoom link.

Anne Britting Oleson (Poetry, W’05) has contracted her latest novel, Aventurine, to Encircle Publications, with an expected publication date of January 2022. This will be Anne’s fifth published novel. She joins Stonecoaster Kevin St. Jarre as an Encircle author.

Meghan Vigeant‘s (Creative Nonfiction, S’20) essay “The Shame Files” is about the contents of a plain, brown file labeled “Sexual Assault 2010.” It appears in the Stonecoast Review, issue 14, winter 2021. 

Adrienne S. Wallner’s (Poetry, W’09) debut poetry collection To the 4a.m. Light is now available for preorder from Finishing Line Press. For every book ordered before January 30, 2021, buyers will receive a one-of-a-kind bookmark, each with a unique line of poetry from To the 4 a.m. Light handwritten by the author. Bookmarks will be mailed after January 30, unless arrangements are made by contacting the author. All books will be shipped on the official release date of March 26, 2021. To order, go here. Read Adrienne’s blog at www.inkinthebranches.com. Find Adrienne on IG & FB @inkinthebranches. Click here to sign up for Adrienne’s newsletter.

An essay by Tamra Wilson (Fiction, S’11) appears in the 2020 anthology Friends: Voices on the Gift of Companionship, published by Jack Walker Press. “Dear Anne” was inspired by a 25-year correspondence that began in childhood.

Leave a comment

Filed under News & Updates