Tag Archives: Vanesa Pacheco

Community News & Updates April 2021

ANNOUNCEMENTS

The Stone House Readers’ Series is a weekly regular series for alumni, faculty, staff, and current students to share their writing live on Facebook. This is a program run by Troy Myers and Amanda Pleau, class of 2015, to give members of our community a casual and consistent opportunity to connect. Readers are scheduled in advance and are asked to bring 15 minutes of material. Here is the tentative lineup this month: 

  • April 4th: Suri Parmar (Popular Fiction), Bill Stauffer (Fiction), Ellie O’Leary (Poetry)
  • April 11th: Vanesa Pacheco (Poetry) and Meredith MacEachern (Fiction)
  • April 18th: Morgan Talty (Fiction) and Jenny O’Connell (Creative Nonfiction)
  • April 25th: Troy A. Myers (Poetry) and John Christopher Nelson (Fiction)

We have space for one more person to join the 11th, 18th and 25th of April, and are currently scheduling into May.

Stonecoast Review is raising money through a Givecampus campaign to fund their publishing costs and keep the journal alive and free-to-submit.

CURRENT STUDENTS

Shannon Bowring‘s (Fiction, Third Semester) short story “If It Fits, Take It” has been accepted for the third volume of Archipelago, Volume 3: The Allegory Ridge Fiction Anthology, which will be published this summer.

FACULTY

Tom Coash (Playwriting, Dramatic Arts, Writing for Social Change) will be teaching his popular workshop “From Blank Page To Stage,” focusing on writing and producing short plays, in person at the beautiful Pyramid Lake Fall Writerfest, September 12-16, 2021, organized by Stonecoast alumna Ellie O’Leary. Registration open now. Very reasonable price! Come join us!

Susan Conley’s (Fiction, Creative Nonfiction, Writing for Social Change) new novel Landslide (Knopf) was recently named a New York Times Editor’s Choice and a Best Book/Most Anticipated Book by Good Morning AmericaThe New York Post, Medium, Bustle, Biblio Lifestyle, and others. Her essay on boy silence recently appeared in LitHub. Her interview on the intersection of feminism and motherhood was published in The Woolfer. And her recent essay celebrating books with vibrant boy culture is here.  

Annie Deppe (Stonecoast in Ireland) has two poems in the March 30th issue of On the Seawall. Her third book of poems, Night Collage, is due out this spring from Arlen House in Ireland.

Aaron Hamburger (Fiction, Creative Nonfiction, Writing for Social Change) was a weeklong (virtual) visiting writer at the University of Nevada Reno MFA Program. Thanks to Stonecoast faculty David Anthony Durham for the invite and Stonecoast faculty Robert Redick for moderating a Q&A in his fiction workshop!

Debra Marquart’s (Creative Nonfiction, Poetry, Writing for Social Change) essay collection The Night We Landed on the Moon: Essays Between Exile & Belonging will be published by NDSU Press in July of 2021. Debra has published several essays in early 2021, including “The Death of a Lost Dog” (The Iowan, March 2021); “At 79, My Mother Decides to Plant Trees” (Fourth Genre, 2021); “On the Ephemerality of Things: Thoughts on the Demise of a Literary Press” (High Plains Reader, May 2020). In addition, her poem “Winter Amaranth” was published by Prairie Public Radio in March 2021. She co-curated poems for the Iowa Telepoem Booth Project, which features 180 recorded poems from 93 Iowa poets that can be listened to by dialing in to the Iowa Telepoem Booth. The physical booth, which was initially installed at the Pottawattamie Arts, Culture, and Entertainment Center, has migrated to the Council Bluffs Library. The installation will be traveling around the state of Iowa over the year. The project was funded by Humanities Iowa and the National Endowment for the Humanities. Debra was interviewed by Amy Butcher—along with Jamila Osman, Alexis Wiggins, and Torrey Peters—by VIDA Women & the Literary Arts following the release of The Best of Brevity anthology.  

Cate Marvin‘s (Poetry) fourth book of poems, Event Horizon, will be published by Copper Canyon Press in the spring of 2022.

ALUMS 

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Greg van Eekhout’s story “Spaceship October” for the March 11 episode of Escape Pod. You can listen to it here.

Ryan Brod‘s (Creative Nonfiction, S’17) flash essay, “Solo,” appears in the spring issue of Tahoma Literary Review. You can hear Ryan read his essay at TLR’s soundcloud page.

The Bangalore Review published J Brooke’s (Poetry, S’19) poem “Last Night I Dreamed My Mother Was Carl Reiner and I was Sad She Died,” and Audiofile Magazine published J’s review of A History of Scars by Laura Lee. CRAFT Literary awarded J’s essay “The Last” Honorable Mention in their 2020 CRAFT Flash Fiction Contest—the award did NOT include publication of the essay, so it is VERY available if any editors are reading this! J thanks Stonecoast Instructor Susan Conley (with whom J never worked and only knew in passing) for directing e to Audiofile Magazine as potential venue for their audiobook reviews. 

teri elam‘s (Poetry, S’19) poetry manuscript “An Observation of Beautiful Forms” was a finalist for the  2021 Perugia Press Prize

Josh Gauthier (Popular Fiction, S’17) is happy to announce the publication of his debut book Land of Outcasts, a fantasy-adventure novella featuring a gunslinger and a battle unicorn. The ebook releases April 6 and print copies will be available April 27 from most major retailers. Learn more about the book and find information about release events on Josh’s website

Rebecca Kightlinger‘s (Fiction, W’14) debut novel, Megge of Bury Down (the first draft of which was written at Stonecoast), is a finalist in the Independent Book Publishers Association‘s Bill Fisher Award for Best First Book in the category of Fiction. It is also a finalist in IBPA’s Benjamin Franklin Awards in the category of Audiobook: Fiction (Narrator: Jan Cramer). Winners will be announced in May. Thanks to all my Stonecoast workshop partners and to all the faculty members who endured all those rough, rough drafts!

Cynthia Kraack (Fiction, W’10) and co-author Joseph Tachovsky were featured on C-Span Book TV Saturday, March 6, to discuss 40 Thieves on SaipanThe Minneapolis Star Tribune ran a story about Bill Knuppel, one of the principal Marine Scout Snipers in the platoon.

Nina B. Lichtenstein (Creative Nonfiction, S’20) is excited to have won a paid fellowship for Spring 2021 at what has long been a dream pub of hers, Tablet Magazine: A New Read on Jewish Life. While there, she is mentored by her favorite editor, working on several pieces, assigned and pitched, and getting an inside look at how a cutting edge cultural magazine operates from the editors’ pov. Here’s her little Passover story cum Passover granola recipe that was just published. She’s also happy that an excerpt from her memoir-in-progress is fresh up at the lit mag Dorothy Parker’s Ashes: Brazen Words by Witty Dames. Everything True, More or Less. 

After nine books and ten years of traditional romance publishing with Harlequin, Dorchester, and other mainstream presses, Laura Navarre (Popular Fiction, W’11) has launched independent publishing company Ascendant Press. The first three books in her epic, hyper-sexy, reverse-harem space opera/sci-fi romance series will release wide starting in October 2021 with series debut Interstellar Angel, where Star Wars meets 50 Shades by way of The Hunger Games.

Forests Inside Us,” Jenny O’Connell‘s (Creative Nonfiction, S’17) piece on natural materials artist and environmental advocate Jordan Kendall Parks, was published in Decor Maine last month. “The Sky Where You Are,” her opera libretto on domestic violence and advocacy that premiered worldwide in 2020 as part of the Decameron Opera Coalition’s production Tales from a Safe Distance was added to the Library of Congress earlier this year. Jenny is excited to be teaching Am I You? Getting to the Heart of Your Characters, a character intensive for nonfiction writers at SALT Institute for Documentary Studies at MECA June 7-11th, 6:00-8:00 p.m. EST. The course will explore interview techniques that go for depth, using dialogue and voice to enhance characterization, profiling fascinating subcultures, and leveraging background research to locate and tap into the universal stories that run through us all. She’d love to write with any of you. 

Renée Olander (Poetry, W’05) will read new work and from American Dangerous (Backlash Press 2018) at Poems for Our Living and Breathing II (A Reading & Open Mic Series); this virtual event will be April 18, 2021, 5:00-6:30 p.m., led by Virginia Poet Laureate Luisa Igloria and sponsored by The Muse Writers Center.

Sean Robinson (Popular Fiction, W’14) is pleased to share that his essay “Hattery: The Many Roles of a First-Time Teacher” was recently published in Voices of Practice edited by Sean Michael Morris, Lucy Rai, and Karen Littleton. The book is available through PressBooks.

A lyric essay in Waterwheel Review (“The Family Dollar“) followed by a crush of December deadlines kept Catherine Schmitt (Creative Nonfiction, W ’12) distracted through the winter, and now spring has brought a flurry of published stories:

Mary Katherine Spain‘s (Fiction, S’16) short story “Collision” will be published in the upcoming volume of The New Guard Review

Starting in May, Stonecoast alum and Tin House author (Night of the Living Rez, 2022) Morgan Talty (Fiction, W ’19) will be teaching a three-month mentorship with Writing Workshops DallasHe will be taking on six writers. For those interested, please find more information here. 

Gina Troisi‘s (Creative Nonfiction, W’09) short story “Then You Were Gone” was just published in the spring issue of Solstice: A Magazine of Diverse Voices.

Sean Ulman (Fiction, ’05), who teaches writing in Seward, AK, published his debut novel Seward Soundboard with Cirque Press in November 2020. Well-known Alaskan author Nancy Lord wrote a review of the novel for The Anchorage Daily News. Here’s the novel description:

Lyrical vignettes broadcast the power of art in this novel set in the mountainous harbor town of Seward, Alaska. Like many of her fellow citizens, a woman attempting to resettle in her hometown—the Returner—turns to art and recreation when she feels overwhelmed by the rain, the wind, the dark or a “familiar chemical batch of unknown nonsense.” Citizens’ relationships with one another, the wilderness and the weather bounce to ironies, comedies and coincidences across a one-year cycle in the quirky seasonal town.

IG: @sewardsoundboard

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Community News & Updates August 2020

ANNOUNCEMENTS

This year’s Boston Poetry Marathon is taking place online from Thursday, August 6, to Saturday August 8. Stonecoast alumna Bridget Eileen (Poetry, S’09) returns as artistic director of the event for the fourth year running. With the this year’s virtual format, even more Stonecoasters will be taking part: former faculty Kazim Ali, Richard Hoffman, and Dennis Nurkse, along with alums Amy Alvarez, Cheryl Boyce-Taylor, Jessica de Koninck, Vanesa Pacheco, and Christine Tierney.

The event also includes Lloyd Schwartz, Danielle Legros George, Dorothea Lasky, and Eileen Myles, among many notable participants. Friday night will be a special look back on the history of the Boston Poetry Marathon and include a tribute to the late Kevin Killian from Lee Ann Brown and Tony Torn. The organizing team includes Bridget Eileen; the other artistic director, Suzanne Mercury; and two new organizers, Xtina Strong and Christina Liu.

In total, close to 150 poets will be reading their work during the three-day event. More information can be found here.

 

CURRENT STUDENTS

Darcie Abbene’s (Fiction) craft essay “Zen and the Art of Prickly Writing” is online at Parhelion Literary Magazine.

Natalie Harris-Spencer‘s (Fiction) creative nonfiction essay that she read at the Stonecoast Winter Residency open mic has been published in The Satirist. “The Great British Guide to Dining Out in America” is written by a Brit who moved to the U.S. two years ago and has been figuring out how to eat successfully here ever since.

 

FACULTY

JJ Amaworo Wilson‘s (Fiction, Popular Fiction, Writing for Social Change) essay “Black and Blue: The Uses of Anger” and his poem “Six Epitaphs for the Jazz Man” were published in July in the literary/arts journal The Bored Friday Project: Volume Five. His short story “Nazaré” will appear in the literary magazine A Public Space in the fall.

Tom Coash (Playwriting, Dramatic Arts, Writing for Social Change) was recently elected to the Seven Devils New Play Foundry’s Board of Directors. New Stonecoast Scriptwriting instructor Jeni Mahoney is featured in this excellent American Theater magazine article about Seven Devils, one of the best new play development groups in the world.

Susan Conley’s (Fiction, Creative Nonfiction, Writing for Social Change) latest novel, Landslide, will be published by Knopf on February 2, 2021.

Elizabeth Hand’s (Popular Fiction, Fiction) forthcoming novel The Book of Lamps and Banners received a starred review from Kirkus, saying, “Cass Neary is a tough, self-destructive character who still exudes compassion, courage, and love for the beauty and the pain of life—even more so because she recognizes its impermanence. Part Club Dumas, part The Girl with the Dragon Tattoo, all punk attitude and beautiful ache.” Recent reviews include Ursula Hegi’s The Patron Saint of Pregnant Girls for The Washington Post.

Katherine Larson (Poetry, Creative Nonfiction, Writing for Social Change) has been awarded the 2020-2021 Sowell Collection Fellowship. Offered in conjunction with colleagues in the Southwest Collection/Special Collections Libraries, the purpose of this award is to foster creative work and expression in the spirit of Texas Tech’s Sowell Family Collection in Literature, Community and the Natural World. Writing with a profound respect for the grandeur of the land, Sowell Collection writers are deeply engaged with questions of land use and the nature of community, the conjunction of scientific and spiritual values, and the fragility of wilderness.

Diane Seuss (Poetry) has been named a 2020 Guggenheim Fellow. Her fifth book of poems, frank: sonnetswill be published by Graywolf Press in March 2021.

 

 

 

 

 

ALUMS

Lindsey Barlow‘s (Popular Fiction, W’19) second novel of the Jack Harper Trilogy—Perish—will be published this October 13, 2020 by California Coldblood Books, an imprint of Rare Bird Books.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Prashanth Srivatsa’s story “Seven Dreams of a Valley” for the July 2 episode of Beneath Ceaseless Skies. You can listen to it here.

On July 27th, Cheryl Boyce-Taylor’s (Poetry, W’10) poem “After Robert Fuller” was the featured poem for the Academy of American Poets’ Poem-A-Day email. Cheryl’s latest book, Mama Phife Represents, is forthcoming from Haymarket Books in 2021.

KT Bryski (Popular Fiction, W’16) has a story in Lightspeed this month entitled “The Bone-Stag Walks.” She is also a finalist for the Aurora Award for her work co-chairing the ephemera reading series; the Auroras will be streamed live at 7:00 pm ET on August 15th.

Darcy Casey (Fiction, W’19) has two recent publications: her flash CNF “My Sister and Other Big Things” was a finalist to the Big Sky, Small Prose Flash Contest and is published in issue 92 of CutBank. She also has a flash fiction piece, “Portrait of a Young Woman During Quarantine,” in the June 2020 issue of Brilliant Flash Fiction.

Jess Flarity (Popular Fiction, S’18) is chairing his very first conference panel on nonbinary gender in science fiction at next year’s NeMLA. The conference takes place in Philadelphia, March 2021, and is currently planned to be a hybrid (meaning presenters can join remotely via Zoom or in-person), and he encourages any current Stonecoast students or alumni interested in academic scholarship in the area of Gender and Women’s Studies to submit a proposal by September 30th.

Veda Boyd Jones (Fiction, S’17) has three articles in the 2021 Harris Farmer’s Almanac, now in the magazine section of your favorite drugstore, grocery store, or bookstore.

Paul Kirsch (Popular Fiction, W’11) has been writing for Peril on Gorgon, a noir mystery set in the Outer Worlds that will be available on September 9th. His next project is Avowed, a new game in the Pillars of Eternity setting that will one day be available on Xbox and Windows 10.

Linda Morrow’s (Creative Nonfiction, S’13) book Heart of This Family: Lessons in Down Syndrome and Love will be available for pre-order/purchase in August 2020. The book description:

1966, the Beatles and Leave It To Beaver reign, the Vietnam War and Civil Rights rage, feminism is unheard of, and Linda’s first baby is diagnosed with Down syndrome. Determined to raise Steve at home, along with his two younger brothers, Linda tries to fulfill cultural norms as a homemaker, a woman whose voice is seldom heard or valued. But it isn’t in her nature to be meek.

Linda struggles to provide Steve an education at a time when disability rights don’t exist. Her advocacy focuses first on integrating him into the community, then, as he grows into adulthood, landing a real job and independent living.

Over these same decades, Linda learns to advocate for herself as well, starting with a career in public school education. When she unexpectedly falls in love with a woman, her life path takes unforeseen turns. Linda must dig deep to accept her new identity before she is read to meet her true solvate. Throughout, unwavering love for all her sons is her lodestar.

“The Fifth Direction,” an essay (and photos!) by Tamie Parker Song (Creative Nonfiction, S’12) appears in the July issue of Terrain.org and can be found here. It is about commercial fishing in Bristol Bay, Alaska—and it troubles the waters.

Kevin St. Jarre‘s (Popular Fiction, S’10) short story “Chuligani” has been accepted for the summer issue of Solstice Literary Magazine, due out in August 2020.

Lisa C. Taylor (Poetry, S’04) hosted two successful literary Zoom events featuring Irish writers in July. The first was with Alan McMonagle, author of the new novel Laura Cassidy’s Walk of Fame (Picador). The second event took place on July 21 and was part of the Virtual Irish Arts Expo, sponsored by the Irish Heritage Society of Milford, and it featured both Lisa and Irish writer Geraldine Mills, whose new verse memoir, Bone Road, was a focus. Lisa’s review of this collection was just published in Live Encounters, an online Irish review site. Additionally, Lisa has a new poem forthcoming in Bacopa Literary Review; it will be included in a collection to be published in late 2021. The biggest news of all is an offer on Lisa and her husband’s longtime home in Connecticut and a pending move to Mancos, Colorado, a tiny mountain town in the Four Corners area. Lisa and her husband will be heading to Colorado in early September to join their daughter and son-in-law in this gorgeous area near Mesa Verde National Park. They will be in a temporary space until November when the renters of their house will move out. Internet may be erratic during this transition time.

Eugenio Volpe (Fiction, W’05) was interviewed in The Massachusetts Review as a contributor to their summer issue.

Adrienne S. Wallner (Poetry, W’09) has signed a publishing contract with Finishing Line Press for her first poetry collection, To the 4 a.m. Light.  Several poems in her book were created and honed during her time at Stonecoast.  Adrienne’s work can be found here.

Lindsey Wells‘ (Creative Nonfiction, S’15) article “Spokane’s Riverfront Pavilion” was published in the July issue of Parks and Recreation Magazine.

 

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Community News & Updates August 2019

ANNOUNCEMENTS

It’s Boston Poetry Marathon time again! This year’s Boston Poetry Marathon is Friday-Sunday, August 16, 17, and 18, and …WE HAVE REALLY EXCITING NEWS! *We will be in a NEW LOCATION this year!* We are having this year’s Marathon at The Community Church of Boston at 565 Boylston St in Copley Square. This year’s event times are Friday, August 16th, from 6:00-10:30 p.m., Saturday, August 17th, from 12:00-10:30 p.m. (with a dinner break around 5:30, starting up again at 7:00 p.m.), and Sunday, August 18th, from 12:00-6:00 p.m. As always: every reader gets eight minutes each. For the third year running, Bridget Eileen (Poetry, W’09) is an organizer of this 20+ year-old Boston-area poetry festival tradition. This year’s lineup is TBD, but past years’ Stonecoast participants include alums Florine Melnyk, Carol Berg, Christine Tierney, and Vanesa Pacheco, and faculty Richard Hoffman and D. Nurkse. Admission is free but donations are welcome and appreciated. We are collecting donations ahead of time to help us with this year’s event at the new location. Learn more here. Event details are can be found here.

FACULTY

Breena Clarke (Fiction), co-founder and co-organizer of The Hobart Festival of Women Writers, is hosting a stunning lineup of women writers for the seventh consecutive year in the small New York town of Hobart, the Book Village of The Catskills. The Festival offers three days of readings and workshops in every genre. The Festival will also present a Public Conversation that is free and open to all, “In These Times: Writing. Terror. Possibility.” Hobart Festival of Women Writers 2019 will be held on Friday, Saturday, and Sunday, September 6th, 7th, & 8th. For information and registration, click here. For Spotlights of all of the 2019 Participating Writers, go here.

Aaron Hamburger (Fiction, Creative Nonfiction) will be reading from his novel Nirvana Is Here at the annual Out Write Literary Festival in Washington, DC, Saturday, August 3rd, from 1:00-2:00 p.m. at the Reeves Center at 14th St. NW and U St. Aaron is also please to announce that the audio rights to Nirvana Is Here have just been sold.

Elizabeth Hand (Popular Fiction, Fiction) was an instructor at The Writers Hotel in New York City in early June and then later in the month was lead instructor at the Clarion West Writers Workshop in Seattle. Her forthcoming novel Curious Toys was reviewed in Publishers Weekly, which called it “a phantasmagoric time trip tailor made for fans of The Devil in the White City.” Recent reviews are Kate Mosse’s The Burning Chambers for The Washington Post and Paul Tremblay’s story collection Growing Things for The Los Angeles Times. Elizabeth was profiled and interviewed by Michael Fournier in punk zine Razorcake, talking about her involvement in the nascent NYC and DC punk scenes in the 1970s.

Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) feature film script A Four-Sided Bed, and the short film based on her novel, Four-Sided, have both been accepted at the upcoming Massachusetts Independent Film Festival in September. Elizabeth’s script is one of five finalists for Best Feature Film Script and the film Four-Sided will make its USA premiere at the festival, having screened previously in Cannes and been a Finalist at ShanghaiPRIDE festival. Elizabeth will be attending the festival with one of her feature film project producers, Amy Carpenter Scott of Creatrix Films. In other recent film news, Elizabeth’s script for A Four-Sided Bed won a Feature Film ‘Diamond’ Script prize in the International Independent Film Awards, was a Finalist in the California Women’s Film Awards, and was an Official Selection at Austin Revolution Film Festival. In July, her script was performed as a full Staged Reading at ReelHeART International Film and Script Festival in Toronto and as a Best Scenes reading at the film festival LGBT Toronto. Visit: www.afoursidedbedfilm.com 

Elizabeth and the ReelHeART Film Festival cast of A Four-Sided Bed in Toronto

Cazenovia University Professor Grazyna J. Kozaczka writes about Suzanne Strempek Shea’s (Creative Nonfiction, Fiction) four Polish-American-set novels in her new book, Writing the Polish American Woman in Postwar Ethnic Fiction (Ohio University Press). The book examines seven decades of writing by North American-born and immigrant authors representing the Polish-American Catholic tradition. The chapter “Suzanne Strempek Shea’s Gendered Ethnicity in the 1970s and 1980s” begins with this observation: “In constructing a female perspective, fiction writers such as the Chinese Americans Gish Jen, Maxine Hong Kingston, and Amy Tan, the Native American Louise Erdrich,the Puerto Rican Judith Ortiz Cofer, the Dominican American Julia Alvarerz and the Polish American Suzanne Strempek Shea have forced many of their characters into a process of reinventing both their gender and ethnic identities within a class-conscious environment.”

ALUMS

Emma Galvin will be voicing the audiobook for Lindsey Barlow‘s (Popular Fiction, W’19) Pivot, the first novel of the Jack Harper trilogy. Galvin has voiced an incredible number of audiobooks, which include Winter’s Bone and the Divergent series.

Peter Adrian Behravesh (Popular Fiction, W’18) will be appearing at Worldcon 77 in Dublin. He will be presenting his paper “Mischief in Her Heart: Women’s Empowerment in the Persian Fantastic” on Friday, August 16th, at 11:30 a.m. He will also be appearing on the following panels:

  • Writing from Non-Western Cultures (Thursday, August 15, 11:00 a.m.)
  • Fuzzy Lines: Decategorising Creative Work (Thursday, August 15, 2:00 p.m.)
  • Muslim SFF (Saturday, August 17, 1:00 p.m.)
  • Using Science in Fantasy Writing (Sunday, August 18, 4:00 p.m.)

See the Worldcon website for full details. In addition, PodCastle, the fantasy fiction podcast Peter produces, had been nominated for the British Fantasy Award for Best Audio.Ryan Brod (Creative Nonfiction, S’17) has accepted an adjunct teaching offer from University of New England’s English department, starting this fall. He has a short essay in the recently released summer issue (10.4) of The Flyfish Journal, and he continues to contribute regularly to the popular website MeatEater.

In continuing to break barriers, Debbie Smith Daughetee’s (Popular Fiction, S’06) comic book company, Kymera Press, just filled an order by the Smithsonian National Natural History Museum for the comic Ivory Ghosts, a murder mystery set against the illegal ivory trade.

Renee S. DeCamillis (Popular Fiction, W’14) is excited to announce that her debut book, The Bone Cutters, is set for publication on September 1st through Eraserhead Press. It’s a “bizarro” horror novella set in a dysfunctional psychiatric hospital. The story follows a troubled young woman named Dory who encounters a seriously strange and brutal group of psychiatric patients. Her introduction to this group of patients sets Dory on the run to save her life. The book will be available, as of right now, through Amazon, Barnes and Noble, and Longfellow Books. Renee is also very excited to announce that a book launch event for The Bone Cutters is being hosted by Longfellow Books in Portland, ME, on Thursday, September 5th at 7:00 p.m. at their 1 Monument Square bookstore location. Along with her reading, there will also be live music to help set the mood, performed by local guitarist Shaun Church Reehl, and the amazing Elizabeth Searle will be Renee’s Introduction Queen. Renee is also thrilled to announce that there are two great reviews out already for The Bone Cutters: one on Ginger Nuts of Horror and one on Kendall Reviews. A third review is coming out soon in Cemetery Dance, the date of which is not yet known, though it should be available before the September 1st publication of the book. Here are snippets of what reviewers are saying about The Bone Cutters:

“It’s actually refreshing to be able to enjoy a book so much that you were miffed when it was over. … As the debut novella from Renee S. DeCamillis it’s a fantastic beginning to what could prove to be a career to watch. … I’m giving this a solid 4 out of 5 [stars]. … Considering that I’ve never read anything which rated a 5 I think The Bone Cutters is doing just fine.” ~Joe X. Young, reviewer for Ginger Nuts of Horror.

“I immediately fell in love with Dory, the writing style, the story… This is a terribly heart-wrenching story with a bit of a haunted house/ghost vibe where you’re also being chased by a bunch of crazy people who want to devour your bones. I didn’t want to put this book down.” ~Miranda Crites, reviewer for Kendall Reviews

Kendall Reviews also published a piece Renee wrote on the subject of “Why Do You Write Horror?” For those of you who are interested, here is the link. Also, on Friday, August 2nd, Ginger Nuts of Horror is releasing an interview with Renee. From their home page you can click on the “Interviews” link on the left hand side of the screen to find the interview. Here is their link.

Jess Flarity (Popular Fiction, S’18) has published his academic essay “The Commodification of Transcendence: Absurdism and Existentialism in The Three Stigmata of Palmer Eldritch” in PKD Otaku #39 (a zine celebrating the work of Philip K. Dick), available here. Also, Jess has accepted an advancement from the University of New Hampshire and will now be attending graduate school as a candidate for a PhD in Literature.

Florence Grende‘s (Creative Nonfiction, S’07) book The Butcher’s Daughter: A Memoir has been shortlisted for the Rubery Book Award (2019). Along with the Kindle Book Award NonFiction (2018), the book has garnered yearly awards since its publication in late 2016.

Clifford Royal Johns (Popular Fiction, W’18) will be giving a short presentation at HippoCamp 2019, a conference for creative nonfiction writers (August 23-25, Lancaster, PA). The presentation is derived from his third semester project and graduating presentation about reducing the number of sentences that start with “I.” This is important to avoid sounding egotistical in memoir and to reduce sentence structure repetition.

Veda Boyd Jones (Fiction, S’17) will be speaking at the White County Creative Writers annual conference in Searcy, AR, on August 31st on “Researching Fiction.” She’ll use examples from her work: attending the citizen’s police academy for a policewoman character, spending two days at a TV station watching the news being put together for a news anchor character, going behind the bar to wash beer mugs for a bartender character, etc.

Lissa Kiernan (Poetry, S11) is pleased to announce that the legendary aerialist, creativity expert, and award-winning writer Philippe Petit has joined Catskill LIT Writing Retreat as Artist-in-Residence. Mr. Petit will lead a workshop in ekphrastic writing.

Cynthia Kraack (Fiction, W’10) and Joseph Tachovsky’s 40 Thieves: Saipan, the World War II story of the Sixth Marine Regiment’s Scout Sniper Platoon—precursors to Navy Seals—was sold to Regnery History for publication in spring 2020. Stories for this narrative non-fiction book were gathered through hours of interviews with surviving men, their letters, photos, and historical Marine materials.

Kristin Leonard‘s (Fiction, S’18) historical short story “El Camino Real” is the featured fiction in the open-access academic journal Postcolonial Text (Vol. 14, No. 1).

Ellen Meeropol (Fiction, W’06) will be presenting at the Hobart Festival of Women Writers September 6-8, 2019, in Hobart, NY. She’ll be reading on Friday, September 6th; on Saturday she’ll teach a workshop, “In It for the Long Haul: Writing the Novel.”

Catharine H. Murray (Creative Nonfiction, S’17) will be teaching a workshop on Memoir at the 79th Annual Writers’ Conference at Ocean Park (Maine) on August 13th at 9:30 a.m.

On August 16th at 6:00 p.m., Dave Patterson (Fiction, W’13) discusses his novelSoon the Light Will Be Perfect, at The Briar Patch in Bangor.

Lisa Romeo (Creative Nonfiction S’08) interviewed fiction writer Lisa Lenzo for The Rumpus, about Lenzo’s new short story collection, Unblinking. Romeo’s essay “Playing Along with My Dad’s Alzheimer’s Confusion,” which enlarges on a scene/idea in her memoir, Starting With Goodbye, appeared this month in Human Parts.

Gina Troisi‘s (Creative Nonfiction, W’09) essay “Buried Beneath Her Skin Like Slivers” was recently published in Under the Sun. Her flash essay “The Release” was published in the most recent issue of Pembroke MagazineHer short story “Spiraling Through the Sky” was a finalist for the 2019 New Letters Publication Award in Fiction.

Marco Wilkinson (Creative Nonfiction, S’13) has had his memoir/essay collection, Madder, taken by Coffee House Press. It will appear in 2021.

 

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Community News & Updates July 2019

ANNOUNCEMENTS

It’s Boston Poetry Marathon time again! This year’s Boston Poetry Marathon is Friday-Sunday, August 16, 17, and 18, and …WE HAVE REALLY EXCITING NEWS! *We will be in a NEW LOCATION this year!* We are having this year’s Marathon at The Community Church of Boston at 565 Boylston St in Copley Square. This year’s event times are Friday, August 16th, from 6:00-10:30 p.m., Saturday, August 17th, from 12:00-10:30 p.m. (with a dinner break around 5:30, starting up again at 7:00 p.m.), and Sunday, August 18th, from 12:00-6:00 p.m. As always: every reader gets eight minutes each. For the third year running, Bridget Eileen (Poetry, W’09) is an organizer of this 20+ year-old Boston-area poetry festival tradition. This year’s lineup is TBD, but past years’ Stonecoast participants include alums Florine Melnyk, Carol Berg, Christine Tierney, and Vanesa Pacheco, and faculty Richard Hoffman and D. Nurkse. Admission is free but donations are welcome and appreciated. We are collecting donations ahead of time to help us with this year’s event at the new location. Learn more here. Event details are can be found here.

FACULTY

Candor Arts, in collaboration with Illinois Humanities and their #IllinoisTurns200, produced a risograph broadside of Tara Betts‘ (Poetry, Creative Nonfiction, Writing for Social Change) Illinois Bicentennial poem. The broadside also features illustrations by Kiki Dupont. Betts’ poem nods at the sesquicentennial Gwendolyn Brooks wrote in ’68 to mark 150 years of statehood. Betts’ broadside will be given to the winners of the Gwendolyn Brooks Youth Poetry Awards (#GWBYPA19) on August 10th, 2019.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) has agreed to a two-book deal with Macmillan Children’s Publishing Group. His first young-adult book, War in the Ring: Joe Louis, Max Schmeling, and the Fight between America and Hitler, was released in June. In its review, Booklist calls the book “a knockout.” School Library Journal says it “reads as smoothly as a novel” and recommends it for “all public and school libraries.” Last week, John and his writing partner (and wife), Ouisie Shapiro, discussed the book’s themes on ESPN radio; you can hear the interview here.

Aaron Hamburger (Fiction, Creative Nonfiction) was interviewed by novelist Kris Jansma for Electric Literature, which called his novel Nirvana Is Here “a pure joy to read on every page.” The Rupture also published a glowing review of Nirvana, calling it “an expertly written, bold, funny, serious novel.” DC fans, take note: on July 3rd, Aaron will be on a panel at the legendary Ask Rayceen Show doors opening at 6:00 p.m. He’ll also be teaching Publishing 101 at the Writer’s Center on July 10th, 7:00-9:00 p.m., as well as a special class on the novel Landfall by Thomas Mallon at Politics and Prose on July 14th, 2:00-4:00 p.m.

Nancy Holder (Popular Fiction) will accept the Grand Master Award, presented by the International Association of Media Tie-In Writers, at San Diego Comic-Con on July 19 at 2:00 p.m. in Room 32 AB. There will be an autograph session afterwards with a panel of tie-in writers in the Sails Pavilion. Here is the press release from the association:

Not many women get to play in over ten different universes, let alone create several of their own. Yet that is exactly what Nancy Holder makes look so very—and deceptively—easy to her myriad and devoted fans.

Every year, the International Association of Media Tie-In writers selects a grandmaster of tie-in writing to receive the Faust, IAMTW’s lifetime achievement award. For 2019, it is the IAMTW’s great pleasure to present the Faust to Nancy Holder. Her tie-in work runs the gamut from Firefly to Saving Grace. She’s written Angel in the Buffyverse, and Zorro in the seventeenth century. She novelized the Wonder Woman, Crimson Peak, and Ghostbusters movies, and wrote about a Feline Felon, and a pup in Wishbone. Above and beyond her media work, she’s co-created the YA series Wicked and Crusade.

Of the Bram Stoker award-winning and NYT bestselling author, IAMTW president Jonathan Maberry says, “Nancy is not only a superb writer and a smart businesswoman, but also a kind and compassionate member of the writing community.”

The IAMTW congratulates Grandmaster Nancy Holder on receiving the 2019 Faust Award.

More film news for Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting): her screenplay A Four-Sided Bed won Best Dramatic Screenplay at Hollywood Boulevard Film Festival in June, as well as Best First Time Feature Screenplay at Festivious Film Festival-LA, and was a Finalist at the Filmatic Drama Screenplay Awards. Over a dozen contests and festivals have given award recognition to Elizabeth’s script this year. The script will be featured in a full Staged Reading performance at the 15th Annual ReelHeART International Film and Screenplay Festival on July 5th in Toronto; Elizabeth will attend the film festival and do a Q/A after the staged reading. Later in July, Elizabeth’s script will be featured in a Best Scenes short read at the festival LGBT Toronto. Please see the updated website: http://www.afoursidedbedfilm.com

ALUMS

Jillian Abbott (Popular Fiction, S’04) has been invited to participate on a panel on the Ethics of Storytelling at Mix Digital, an international conference of digital writing at Bath Spa University in the UK on Monday, July 1, 2019; she also received a grant from the PSC_CUNY to attend the conference. The panel is moderated by writer Nikesh Shukladescribed by Foreign Affairs Magazine as one of the top 100 thinkers in the world and by The Bookseller as one of the 100 most influential people in publishing. Also on the panel is Digital Curator from the British Museum, Stella Wisdom, and British novelist Rosie Garland. More details can be found here.

The short-film adaptation of Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) memoir, The Sound of a Wild Snail Eating, has three launches in July. The film’s Australian launch is at the Revelation Perth International Film Festival July 4-17. Two New England launches follow at the Maine International Film Festival at Railroad Square (July 12-21) and then the Woods Hole Film Festival (July 27-August 3). Bailey wrote and directed the film. For more details see wildsnailfilm.org. Also, The Sound of a Wild Snail Eating has just been published in Spain in both Catalan (Més Libres) and Spanish (Capitán Swing) and the Spanish edition will have distribution in Mexico, Colombia, Peru, Costa Rica, Chile, Uruguay, and Argentina.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Derek Lubangakene’s story “Origami Angels” for the June 13th episode of Escape Pod. You can listen to it here.

Julie C. Day (Popular Fiction, S’12) is thrilled that her novella, The Rampant, now has both a cover and release date! The Rampant will be released by Aqueduct Press on October 1st, 2019, in both an ebook and paperback edition as part of their Conversation Pieces series.

It’s ten years since the hordes of old-world Sumerian gods arrived in Southern Indiana to kick off the end of the world, but things have not gone to plan. A principal player decided not to show. Now humanity is stuck in a seemingly never-ending apocalypse. Sixteen-year-old Emelia Bareilles and Gillian Halkey are determined to travel into the lands of the dead and force a change.

“I loved the epic journey of our two teenaged lesbian he­roes, Gillian and Emelia, through the sprawling horrors of the Sumerian afterworld. The clash of their modern feminist sensibilities with the cruel and rigid theocracy of the very oldest gods out-weirds much of the New Weird. In The Rampant, Julie Day calls us to visit a fan­tastical landscape in a voice that is hers alone.” ~James Patrick Kelly, winner of the Hugo, Nebula, and Locus awards

The Rampant was so much fun to read! Is that the right way to blurb a horror novel? I don’t know, but it’s the truth. Julie Day’s novel is smart, playful, sly and, yes, hor­rifying too. A short gem of a book.” ~Victor LaValle, author of The Changeling. Winner of the World Fantasy, Shirley Jackson, and British Fantasy awards.

“The girl-powered post-apocalyptic Sumerian under­world quest I didn’t know I needed.” ~Sarah Pinsker, winner of the Nebula and the Theodore Sturgeon Memorial Award

The Rampant is one of the most original Apocalypse tales I’ve read in ages. Julie C. Day avoids cliché and gives the reader the end-times by way of Sumerian myth—except this particular end-of-the-world stalls when one of its principal players decides not to show up. What unfolds is a journey into the underworld filled with joy and hor­ror, hope and loss. It’s a wise and lovely story—exactly what I’ve come to expect from Day.” ~Nathan Ballingrud, winner of the Shirley Jackson Award; shortlisted for the World Fan­tasy, British Fantasy, and Bram Stoker Awards.

Terri Glass’s (Poetry/Creative Nonfiction, S’13) poem “Waiting for the Lazuli Bunting” was published in the Spring 2019 issue of Birdland Journal, and her poem “Spirit Bear” will be published in the upcoming Marin Poetry Center Anthology. Terri also taught a workshop on the history of haiku for the summer residency of the MFA program at Dominican University in June 2019.

Lissa Kiernan (Poetry, S’11) is pleased to announce Catskill Lit: Words & Music Revivala generative writing retreat.

Alan King (Poetry, W’13) started his production company, Alan W. King Productions, which specializes in audio, video, literary services, marketing and content management. For authors, his services include book trailerssocial media banner designs to help promote your book, and media outreach for reviews. Alan marketed his second book, Point Blank, which was named among the “Ten Best Poetry Books for 2016” by Beltway Poetry Journal. It was also listed among “The Best Poetry Books of the New Year 2017” by Washington Independent Review of Books and was reviewed in publications such as the Washington City Paper and the Best American Poetry blog. Learn more here.

Kristin Leonard (Fiction, S’18) received the 2019 Maine Literary Award for Drama.

Jeanette Lynes‘ (Poetry/Fiction, S’05) second novel, The Small Things that End the World, won the Muslims for Peace and Justice Fiction Award at the 2019 Saskatchewan Book Awards, Canada.

John Christopher Nelson‘s (Fiction, S’15) flash-fiction piece, “A Miracle Shy of Martyrdom,” is forthcoming in Necessary Fiction. John is currently in residency as a Teaching Apprentice at Stonecoast.

Ellie O’Leary (Poetry, W’17) is organizing the first annual Fall Writerfest at the Pyramid Life Center in Paradox, NY, Sunday, September 22nd, through Friday September 27th, 2019. Fee is $300 inclusive of lodging, all meals, workshops, and seminars. Stonecoaster Clif Travers (Popular Fiction, S’17) will be teaching fiction, Ellie will be teaching a multi-genre workshop, and there will also be workshops in poetry and CNF along with seminars on publishing, Tai Chi, writing through grief, and more to be added.

Erin Roberts (Popular Fiction, W’18) is thrilled to have been recently awarded a 2019 Individual Artist Award from the Maryland State Arts Council and plans to use the grant to spend more time writing. She’s also deeply proud to have her story “Sour Milk Girls,” which was previously selected to be in The Best Science Fiction of the Year, Vol. 4, also selected to be in The Year’s Best Dark Fantasy and Horror 2019. Finally, her 2018 short story “The Grays of Cestus V,” originally in Asimov’s, is now available free to the masses through its inclusion in the short story podcast Tales from A Black Universe—links here (Spotify) and here (Apple).

Lisa Romeo (Creative Nonfiction, S ’08), will lead a one-day workshop, “Dialogue and Scene for Prose Writers,” with Cedar Ridge Writers Series, in Bedminster, NJ, on Saturday, July 20th. Details here.

Tamie (Harkins) Parker Song (Creative Nonfiction, S’12) invites writers of all stripes who are looking for a good editor to contact her. For the last five years she has worked as a developmental editor on a number of wonderful books that have been published by the University of California Press, focusing mostly on race and gender studies. She’s also edited half a dozen creative nonfiction books, a couple YA novels, and poetry. Authors she’s worked with include Michael Kimmel, Khaled Beydoun, Deepak Singh, Julie Bettie, Barbara Owen, and Robert Wyrod. She works on a generous sliding scale, and is especially interested in working with artists who are isolated socially or geographically, and with intellectuals whose work centers on social justice. She is happy to work with clients for just an hour or two, or for a year, or on an as-needed basis. Please contact her at tamieparkersong@gmail.com.

Tamra Wilson (Fiction, S’11) won a $500 Merit Scholarship to attend Tinker Mountain Writers Workshop held recently at Hollins University. The award was based on an excerpt from a novel in progress.

 

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