Tag Archives: Lindsey Barlow

Community News & Updates September 2019

FACULTY

The podcast of Tom Coash’s (Playwriting, Dramatic Arts) play Raghead has been added to the American Playbook Series. Raghead will also be produced in September at the Short & Sweet Festival in Auckland, New Zealand, and the Write About Now Festival in London, UK.

John Florio (Creative Nonfiction, Popular Fiction, Writing for Social Change) writes about the intersection of race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece was an August feature story for ESPN’s The UndefeatedToni Harris Made History by Getting a Football Scholarship. Now She Needs to Make Tackles. His YA book, War in the Ring: Joe Louis, Max Schmeling, and the Fight Between Hitler and America, was released by Macmillan’s Children’s Group in June 2019.

Aaron Hamburger (Fiction, Creative Nonfiction) will be reading from his novel Nirvana Is Here at KGB on 85 E. 4th St. in New York on Sunday, September 8 at 7:00 p.m. He’ll also be signing books at the Brooklyn Book Festival, Sunday September 22 at his publisher’s booth in the afternoon. Also, a new mini-documentary (two and a half minutes) about Aaron and the novel directed by Ender Emre is now available online here. Check out Aaron’s Nirvana events in October (including appearances at Literati Bookstore in Ann Arbor, The Fall for the Book festival at George Mason University, the Detroit Public Library, and the National Press Club…) here.

Four-Sided, the short film based on Elizabeth Searle‘s (Fiction, Playwriting, Popular Fiction, Scriptwriting) novel, is now an Official Selection at two more festivals this fall: Chi-Town Multicultural Film Festival in Chicago and Reel Q: Pittsburgh LGBTQ+ Film Festival! First, the film will have its USA debut at Massachusetts Independent Film Festival. For updates see www.afoursidedbedfilm.com

ALUMS

Elisabeth Tova Bailey (Creative Nonfiction, S’15) received the New England Director’s Award from the academy accredited Flickers’ Rhode Island International Film Festival for her film short The Sound of a Wild Snail Eating. She is director and screenwriter for the film, which she adapted from her CNF memoir of the same title (Algonquin Books). The film is also a double finalist for the international Jackson Wild Media Awards in the categories of Audioscape and Education. A slate of 20 festivals spring through fall included summer premiers in Italy, Australia, and Poland, with many upcoming fall screenings including premiers in Canada and Germany. For more information please see wildsnailfilm.org

Lindsey Barlow‘s (Popular Fiction, W’19) debut novel Pivot, the first of the Jack Harper trilogy, received a rave review in Publishers Weekly: “Barlow’s gorgeous writing will easily propel readers through the rest of the series.” You can read the entire review here.

Peter Adrian Behravesh (Popular Fiction, W’18) appeared at Worldcon 77 in Dublin, where he presented a paper, “Mischief in Her Heart: Women’s Empowerment in the Persian Fantastic,” and appeared on the panels “Muslim SFF” and “Using Science in Fantasy Writing.” In addition, Peter narrated Premee Mohamed’s story “Willing” for the August 20 episode of PodCastle. You can listen to it here.

Carina Bissett (Popular Fiction, S’18) placed her poem “The Perils of Invisibility” in Nonbinary Review #21 The Works of H .G. Wells (Zoetic Press, June 2019). In other news, her short story “The Gravity of Grace” was a finalist in the first quarter of Writers of the Future, May 2019. This story was one of the first pieces she workshopped at Stonecoast.

Renee S. DeCamillis (Popular Fiction, W’14) is excited to announce that her debut book, The Bone Cutters, is set for publication on Sunday, September 1st through Eraserhead Press. It’s a bizarro horror novella set in a dysfunctional psychiatric hospital, where you’ll meet a troubled young woman named Dory who encounters a peculiar and brutal group of patients when she’s sent to the wrong counseling group over and over again. Dory’s introduction to this counseling group sets her on the run in an attempt to save her life from The Bone Cutters. Renee’s book is available on Amazon, Indie Bound, Barnes & Noble, and at Longfellow Books. More stores to come soon. Two reviews for The Bone Cutters are already out, with more to come—one will soon be on the Cemetery Dance Reviews Blog. Here is what reviewers have to say about The Bone Cutters:

  • “It’s actually refreshing to be able to enjoy a book so much that you were miffed when it was over. As [her] debut novella, it’s a fantastic beginning to what could prove to be a career to watch. I’m giving this a solid 4 out of 5 [stars]…Considering that I’ve never read anything which rated a 5, I think The Bone Cutters is doing just fine.” ~Ginger Nuts of Horror
  • “I immediately fell in love with Dory, the writing style, the story…This is a terribly heart-wrenching story with a bit of a haunted house/ghost vibe where you’re also being chased by a bunch of crazy people who want to devour your bones. I didn’t want to put this book down.” ~Kendall Reviews

Renee is also thrilled to announce that Longfellow Books in Portland, Maine is hosting her book launch event on Thursday, September 5th, at 7:00 p.m. In addition to Renee’s reading and Q&A, there will also be live music to set the mood, performed by local guitarist Shaun Church Reehl. Elizabeth Searle will also be there as Renee’s MC.

September 12-14, Josh Gauthier‘s (Popular Fiction, S’17) 10-minute play “Expedition 3487-B” will be featured as part of the King of Crows play festival held at the St. Lawrence Arts Center in Portland, Maine. The festival is produced by the Crowbait Club, and you can find them on Facebook for more information.

Veda Boyd Jones (Fiction, S’17) has an essay, “Nice People,” in the summer issue of eMerge magazine.

Kristin Leonard (Fiction, S’18) has been selected to receive the Phi Kappa Phi Love of Learning Award to present at the 2019 Historic Writers of America Conference in Colonial Williamsburg, Virginia. She will be presenting a revised version of her third-semester presentation, “Discovery Through Multigenre Writing: How to Use Poetry and Playwriting to Develop Characterization, Conflict, & Plot in Fiction.”

Gregory Martin’s (Popular Fiction, W’17) short story “Inside” was recently published in Dark Moon Digest #36.

Mary Heather Noble (Creative Nonfiction, W’14) received news from the editors of Narrative Magazine that her personal essay “Plume: An Investigation” was selected as a finalist in this year’s Spring Story Contest. She is currently working on a new collection that explores the complexities and ambiguities of family.

Renée Olander (Poetry, W’05) will read from her new collection, American Dangerous, at the Old Dominion University 42nd Annual Literary Festival in Norfolk, Virginia, Thursday October 10, 4:00 p.m., free and open to the public.  The entire festival schedule is available here.

Bruce Pratt‘s (Fiction, S’04) poem “Dead Bodies and Declaratory Judgments” is forthcoming in Main Street Rag’s anthology Show us Your Papers, “The First Cold Rain Since Spring” will appear in the next Connecticut River Review, and “Lunar Eclipse” will be included in the special “Cosmos” edition of The Poeming Pigeon.

“Visionquest,” a prose poem by J. Stephen (Steve) Rhodes (Poetry, W’11), will appear in the fall issue of Cimarron Review.

Lisa Romeo (Creative Nonfiction S’08) recently judged the nonfiction entries for Tiferet Journal’s annual writing contest and her flash piece “A Grave Duty,” was published in the August issue of Flash Glass, part of Glassworks Magazine. She will be a keynote speaker at NJ Women Who Write’s one-day conference in Madison, NJ, on September 21, and on November 23, Lisa will speak on “Revising the Memoir Manuscript” at the Philadelphia Writing Workshop. A fun piece, “A Beautiful Day in the Neighborhood,” is out in Chicken Soup: Angels All Around. Lisa’s editing role for Cleaver Magazine has expanded; she’s now handling craft essays on both fiction and nonfiction for their “Writer to Writer” column (pitch/submit here). In late August at the HippoCamp Conference for Creative Nonfiction, Lisa presented “Become a Writer who Reads Like a Writer” and was on a parenting/writing panel; earlier in the month, she led a week-long memoir workshop in New Hampshire for Murphy Writing.

Morgan Talty (Fiction, W’19) was included in Narrative Magazine‘s 30 Below 30 list for 2019. His short story “The Name Means Thunder” will appear in the Fall 2019 issue of The Georgia Review. 

 

 

 

 

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Community News & Updates August 2019

ANNOUNCEMENTS

It’s Boston Poetry Marathon time again! This year’s Boston Poetry Marathon is Friday-Sunday, August 16, 17, and 18, and …WE HAVE REALLY EXCITING NEWS! *We will be in a NEW LOCATION this year!* We are having this year’s Marathon at The Community Church of Boston at 565 Boylston St in Copley Square. This year’s event times are Friday, August 16th, from 6:00-10:30 p.m., Saturday, August 17th, from 12:00-10:30 p.m. (with a dinner break around 5:30, starting up again at 7:00 p.m.), and Sunday, August 18th, from 12:00-6:00 p.m. As always: every reader gets eight minutes each. For the third year running, Bridget Eileen (Poetry, W’09) is an organizer of this 20+ year-old Boston-area poetry festival tradition. This year’s lineup is TBD, but past years’ Stonecoast participants include alums Florine Melnyk, Carol Berg, Christine Tierney, and Vanesa Pacheco, and faculty Richard Hoffman and D. Nurkse. Admission is free but donations are welcome and appreciated. We are collecting donations ahead of time to help us with this year’s event at the new location. Learn more here. Event details are can be found here.

FACULTY

Breena Clarke (Fiction), co-founder and co-organizer of The Hobart Festival of Women Writers, is hosting a stunning lineup of women writers for the seventh consecutive year in the small New York town of Hobart, the Book Village of The Catskills. The Festival offers three days of readings and workshops in every genre. The Festival will also present a Public Conversation that is free and open to all, “In These Times: Writing. Terror. Possibility.” Hobart Festival of Women Writers 2019 will be held on Friday, Saturday, and Sunday, September 6th, 7th, & 8th. For information and registration, click here. For Spotlights of all of the 2019 Participating Writers, go here.

Aaron Hamburger (Fiction, Creative Nonfiction) will be reading from his novel Nirvana Is Here at the annual Out Write Literary Festival in Washington, DC, Saturday, August 3rd, from 1:00-2:00 p.m. at the Reeves Center at 14th St. NW and U St. Aaron is also please to announce that the audio rights to Nirvana Is Here have just been sold.

Elizabeth Hand (Popular Fiction, Fiction) was an instructor at The Writers Hotel in New York City in early June and then later in the month was lead instructor at the Clarion West Writers Workshop in Seattle. Her forthcoming novel Curious Toys was reviewed in Publishers Weekly, which called it “a phantasmagoric time trip tailor made for fans of The Devil in the White City.” Recent reviews are Kate Mosse’s The Burning Chambers for The Washington Post and Paul Tremblay’s story collection Growing Things for The Los Angeles Times. Elizabeth was profiled and interviewed by Michael Fournier in punk zine Razorcake, talking about her involvement in the nascent NYC and DC punk scenes in the 1970s.

Elizabeth Searle’s (Fiction, Playwriting, Popular Fiction, Scriptwriting) feature film script A Four-Sided Bed, and the short film based on her novel, Four-Sided, have both been accepted at the upcoming Massachusetts Independent Film Festival in September. Elizabeth’s script is one of five finalists for Best Feature Film Script and the film Four-Sided will make its USA premiere at the festival, having screened previously in Cannes and been a Finalist at ShanghaiPRIDE festival. Elizabeth will be attending the festival with one of her feature film project producers, Amy Carpenter Scott of Creatrix Films. In other recent film news, Elizabeth’s script for A Four-Sided Bed won a Feature Film ‘Diamond’ Script prize in the International Independent Film Awards, was a Finalist in the California Women’s Film Awards, and was an Official Selection at Austin Revolution Film Festival. In July, her script was performed as a full Staged Reading at ReelHeART International Film and Script Festival in Toronto and as a Best Scenes reading at the film festival LGBT Toronto. Visit: www.afoursidedbedfilm.com 

Elizabeth and the ReelHeART Film Festival cast of A Four-Sided Bed in Toronto

Cazenovia University Professor Grazyna J. Kozaczka writes about Suzanne Strempek Shea’s (Creative Nonfiction, Fiction) four Polish-American-set novels in her new book, Writing the Polish American Woman in Postwar Ethnic Fiction (Ohio University Press). The book examines seven decades of writing by North American-born and immigrant authors representing the Polish-American Catholic tradition. The chapter “Suzanne Strempek Shea’s Gendered Ethnicity in the 1970s and 1980s” begins with this observation: “In constructing a female perspective, fiction writers such as the Chinese Americans Gish Jen, Maxine Hong Kingston, and Amy Tan, the Native American Louise Erdrich,the Puerto Rican Judith Ortiz Cofer, the Dominican American Julia Alvarerz and the Polish American Suzanne Strempek Shea have forced many of their characters into a process of reinventing both their gender and ethnic identities within a class-conscious environment.”

ALUMS

Emma Galvin will be voicing the audiobook for Lindsey Barlow‘s (Popular Fiction, W’19) Pivot, the first novel of the Jack Harper trilogy. Galvin has voiced an incredible number of audiobooks, which include Winter’s Bone and the Divergent series.

Peter Adrian Behravesh (Popular Fiction, W’18) will be appearing at Worldcon 77 in Dublin. He will be presenting his paper “Mischief in Her Heart: Women’s Empowerment in the Persian Fantastic” on Friday, August 16th, at 11:30 a.m. He will also be appearing on the following panels:

  • Writing from Non-Western Cultures (Thursday, August 15, 11:00 a.m.)
  • Fuzzy Lines: Decategorising Creative Work (Thursday, August 15, 2:00 p.m.)
  • Muslim SFF (Saturday, August 17, 1:00 p.m.)
  • Using Science in Fantasy Writing (Sunday, August 18, 4:00 p.m.)

See the Worldcon website for full details. In addition, PodCastle, the fantasy fiction podcast Peter produces, had been nominated for the British Fantasy Award for Best Audio.Ryan Brod (Creative Nonfiction, S’17) has accepted an adjunct teaching offer from University of New England’s English department, starting this fall. He has a short essay in the recently released summer issue (10.4) of The Flyfish Journal, and he continues to contribute regularly to the popular website MeatEater.

In continuing to break barriers, Debbie Smith Daughetee’s (Popular Fiction, S’06) comic book company, Kymera Press, just filled an order by the Smithsonian National Natural History Museum for the comic Ivory Ghosts, a murder mystery set against the illegal ivory trade.

Renee S. DeCamillis (Popular Fiction, W’14) is excited to announce that her debut book, The Bone Cutters, is set for publication on September 1st through Eraserhead Press. It’s a “bizarro” horror novella set in a dysfunctional psychiatric hospital. The story follows a troubled young woman named Dory who encounters a seriously strange and brutal group of psychiatric patients. Her introduction to this group of patients sets Dory on the run to save her life. The book will be available, as of right now, through Amazon, Barnes and Noble, and Longfellow Books. Renee is also very excited to announce that a book launch event for The Bone Cutters is being hosted by Longfellow Books in Portland, ME, on Thursday, September 5th at 7:00 p.m. at their 1 Monument Square bookstore location. Along with her reading, there will also be live music to help set the mood, performed by local guitarist Shaun Church Reehl, and the amazing Elizabeth Searle will be Renee’s Introduction Queen. Renee is also thrilled to announce that there are two great reviews out already for The Bone Cutters: one on Ginger Nuts of Horror and one on Kendall Reviews. A third review is coming out soon in Cemetery Dance, the date of which is not yet known, though it should be available before the September 1st publication of the book. Here are snippets of what reviewers are saying about The Bone Cutters:

“It’s actually refreshing to be able to enjoy a book so much that you were miffed when it was over. … As the debut novella from Renee S. DeCamillis it’s a fantastic beginning to what could prove to be a career to watch. … I’m giving this a solid 4 out of 5 [stars]. … Considering that I’ve never read anything which rated a 5 I think The Bone Cutters is doing just fine.” ~Joe X. Young, reviewer for Ginger Nuts of Horror.

“I immediately fell in love with Dory, the writing style, the story… This is a terribly heart-wrenching story with a bit of a haunted house/ghost vibe where you’re also being chased by a bunch of crazy people who want to devour your bones. I didn’t want to put this book down.” ~Miranda Crites, reviewer for Kendall Reviews

Kendall Reviews also published a piece Renee wrote on the subject of “Why Do You Write Horror?” For those of you who are interested, here is the link. Also, on Friday, August 2nd, Ginger Nuts of Horror is releasing an interview with Renee. From their home page you can click on the “Interviews” link on the left hand side of the screen to find the interview. Here is their link.

Jess Flarity (Popular Fiction, S’18) has published his academic essay “The Commodification of Transcendence: Absurdism and Existentialism in The Three Stigmata of Palmer Eldritch” in PKD Otaku #39 (a zine celebrating the work of Philip K. Dick), available here. Also, Jess has accepted an advancement from the University of New Hampshire and will now be attending graduate school as a candidate for a PhD in Literature.

Florence Grende‘s (Creative Nonfiction, S’07) book The Butcher’s Daughter: A Memoir has been shortlisted for the Rubery Book Award (2019). Along with the Kindle Book Award NonFiction (2018), the book has garnered yearly awards since its publication in late 2016.

Clifford Royal Johns (Popular Fiction, W’18) will be giving a short presentation at HippoCamp 2019, a conference for creative nonfiction writers (August 23-25, Lancaster, PA). The presentation is derived from his third semester project and graduating presentation about reducing the number of sentences that start with “I.” This is important to avoid sounding egotistical in memoir and to reduce sentence structure repetition.

Veda Boyd Jones (Fiction, S’17) will be speaking at the White County Creative Writers annual conference in Searcy, AR, on August 31st on “Researching Fiction.” She’ll use examples from her work: attending the citizen’s police academy for a policewoman character, spending two days at a TV station watching the news being put together for a news anchor character, going behind the bar to wash beer mugs for a bartender character, etc.

Lissa Kiernan (Poetry, S11) is pleased to announce that the legendary aerialist, creativity expert, and award-winning writer Philippe Petit has joined Catskill LIT Writing Retreat as Artist-in-Residence. Mr. Petit will lead a workshop in ekphrastic writing.

Cynthia Kraack (Fiction, W’10) and Joseph Tachovsky’s 40 Thieves: Saipan, the World War II story of the Sixth Marine Regiment’s Scout Sniper Platoon—precursors to Navy Seals—was sold to Regnery History for publication in spring 2020. Stories for this narrative non-fiction book were gathered through hours of interviews with surviving men, their letters, photos, and historical Marine materials.

Kristin Leonard‘s (Fiction, S’18) historical short story “El Camino Real” is the featured fiction in the open-access academic journal Postcolonial Text (Vol. 14, No. 1).

Ellen Meeropol (Fiction, W’06) will be presenting at the Hobart Festival of Women Writers September 6-8, 2019, in Hobart, NY. She’ll be reading on Friday, September 6th; on Saturday she’ll teach a workshop, “In It for the Long Haul: Writing the Novel.”

Catharine H. Murray (Creative Nonfiction, S’17) will be teaching a workshop on Memoir at the 79th Annual Writers’ Conference at Ocean Park (Maine) on August 13th at 9:30 a.m.

On August 16th at 6:00 p.m., Dave Patterson (Fiction, W’13) discusses his novelSoon the Light Will Be Perfect, at The Briar Patch in Bangor.

Lisa Romeo (Creative Nonfiction S’08) interviewed fiction writer Lisa Lenzo for The Rumpus, about Lenzo’s new short story collection, Unblinking. Romeo’s essay “Playing Along with My Dad’s Alzheimer’s Confusion,” which enlarges on a scene/idea in her memoir, Starting With Goodbye, appeared this month in Human Parts.

Gina Troisi‘s (Creative Nonfiction, W’09) essay “Buried Beneath Her Skin Like Slivers” was recently published in Under the Sun. Her flash essay “The Release” was published in the most recent issue of Pembroke MagazineHer short story “Spiraling Through the Sky” was a finalist for the 2019 New Letters Publication Award in Fiction.

Marco Wilkinson (Creative Nonfiction, S’13) has had his memoir/essay collection, Madder, taken by Coffee House Press. It will appear in 2021.

 

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Community News & Updates June 2019

ANNOUNCEMENTS

Public Events for the Summer 2019 Stonecoast Residency

You are invited to join the Stonecoast MFA community for a week of inspiring readings and discussions with Stonecoast’s award-winning faculty and guest writers, June 24-26 and June 28-July 1, at the historic Harraseeket Inn in downtown Freeport, Maine. See the full list of events HERE.

FACULTY

Tom Coash’s (Playwriting, Dramatic Arts) play Veils will be at the Daylesford Theatre in Hamilton, Bermuda, May 30-June 8, 2019.

Aaron Hamburger‘s (Fiction, Creative Nonfiction) novel Nirvana Is Here is here! Aaron’s currently on book tour, and so excited to see Stonecoasters at every stop along the way. (Thanks for all the support!) Check out his full tour schedule for June, when he’ll be hitting Seattle; San Francisco; Portland, OR; Washington, DC; the St. John’s Writing Intensive in Annapolis; and of course Portland, ME—where he’ll be teaming up with alum Dave Patterson at Print Bookstore on June 26th at 7:00 p.m. Be there or be square! Nirvana received a rave review from Foreword Reviews, which featured it as their book of the day. In non-Nirvana news, Aaron published a viral memoir essay in Tablet (“Day School Bullies”) as well as a new short story (“Kimono Story”) in The Maine Review.

Amanda Johnston (Poetry, Writing for Social Change) has two events in June:

  • June 2 at 7:30 p.m. — Amanda will read at A Womb of One’s Own, a literary rally and fundraiser in support of reproduction rights at Spider House Ballroom in Austin, TX.
  • June 15 at 6:30 p.m. — The Center for African American Poetry and Poetics presents Won’t You Celebrate with Me: Poetry and Prose from the Director’s ChairJoin award-winning poets and writers Dawn Lundy Martin (Center for African American Poetry and Poetics Director), Nicole Sealey (Cave Canem Executive Director), Salamishah Tillet (Founding Director at New Arts Justice Initiative at Express Newark), and Mahogany L. Browne (Artistic Director at Urban Word NYC), who will share their work and engage in a discussion moderated by Amanda Johnston (Executive Director at Torch Literary Arts). Presented in partnership with the Kelly Strayhorn Theater in Pittsburgh, PA.

The Governor of the State of Iowa appointed Debra Marquart (Creative Nonfiction, Poetry, Writing for Social Change) Iowa’s Poet Laureate in May of 2019.  Marquart was interviewed about the honor on Iowa Public Radio on May 23. Debra delivered a paper, “Looking for Dylan,” on the invited panel “Poets & Professors: Poets Talking Back to Bob” at the 2019 World of Bob Dylan Symposium held by Tulsa University’s Institute for Bob Dylan Studies (30 May–2 June 2019). On May 11th, she taught a Creative Jumpstart Workshop at the Elbow Lake Arts Council in Elbow Lake, MN. During the North American Review 50th Anniversary Conference at the University of Northern Iowa, 19-21 April 2019, Debra read her poem “Kablooey is the Sound You’ll Hear” at the Bullets into Bells Anthology Reading. She also participated in an invited panel, “What We Write About When We Write About Environment.” And on April 5th, Debra performed with her performance poetry band, The Bone People, for Coffeehouse Night at Lowe Park, Marion Arts Council, Marion, IA.

Elizabeth Searle (Fiction, Playwriting, Popular Fiction, Scriptwriting) has film news. Four-Sided, a short film based on Elizabeth’s novel and feature film script, premiered May 17th in Cannes, France. Four-Sided screened as an Official Selection at the 2019 That Film Festival-Cannes. This competition—funded by several major film companies and running concurrently with the Cannes Film Festival—screens short films with potential to be Feature Films. Four-Sided was also an official selection at Independent Shorts competition where it won three prizes: Gold Awards as Best Romance and Best Experimental short and a Silver Award as Best LGBT short. It is a Semi-Finalist at the 2019 Shanghai PRIDE film festival. Attached as star and co-producer to the potential feature film, and starring in the short film, is actress and activist in the Transgender community Rain Valdez (Transparent; Lopez; Razor Tongue). Four-Sided was produced by David Ball (producer on over thirty films) and Amy Carpenter Scott/CreatrixFilms as part of their ongoing development of A Four-Sided Bed as a feature film. Elizabeth’s feature script of A Four-Sided Bed has been selected for two full staged readings at the 15th annual ReelHeART Film and Screenplay Festival in Toronto in July, starring Rain Valdez. Elizabeth’s feature script was also selected for a ‘Best Scene’ reading in mid-July at the festival LGBT TORONTO. And the script is an official selection at the Top Indie Films Festival, among eight recent festivals recognizing the script. Visit the new website for both the short film and the feature film project.

ALUMS

The book trailer for Lindsey Barlow’s (Popular Fiction, W’19) first novel, Pivot, is available. Pivot will be published in October of this year.

Peter Adrian Behravesh (Popular Fiction, W’18) narrated Vajra Chandrasekera’s story “When Leopard’s-Bane Came to the Door of Third Heaven” for the May 28th episode of PodCastle. You can listen to it here.

Julie C. Day‘s (Popular Fiction, S’12) piece “Flight Aids Minus the Wings and Fuselage” can be found in the web journal Necessary FictionShort, visceral, and experimental, it doubles as an unofficial advisory from the US Department of Internal Disarmament.

Renee S. DeCamillis (Popular Fiction, W’14) is thrilled to announce that she is now a part of the Crystal Lake Publishing team, working as an editorial intern. She is also excited to announce her book launch event for her debut book The Bone Cutters. This event is scheduled for Thursday, September 5th at 7:00 p.m. at Longfellow Books in Portland, Maine. Not only will Renee do a reading from her horror novella, but there will also be original artwork inspired by her book—art created by Emily Strickland and Jasin Chapman, artists and owner of Leviathan Tattoo in Scarborough, Maine—on display and for sale, as well as on some free giveaways. Live music will help set the mood, performed by the extremely talented local guitarist Shaun Reehl. Stonecoast’s own Elizabeth Searle will also take part in the event as Renee’s MC/Introduction Queen. The release date for Renee’s debut book, The Bone Cutters, a bizarro horror novella published through Eraserhead Press, is September 1, 2019, though pre-orders have begun at Barnes & Noble and on Amazon. And for those interested, you can check out the first book review by Miranda Crites on Kendall Reviews. Here is the synopsis for The Bone Cutters:

Dory wakes up in the padded room of a psychiatric hospital with no recollection of how she wound up there. She soon finds out she’s been Blued-Papered—involuntarily committed. When she is sent to the wrong counseling group, she discovers a whole new world of drug addicts she’d never known existed. When she learns that those grotesque scars they all have are from cutting into their own bodies, it makes her skin itch. Why do they do it?—They get high off bone dust.  They carve down to the bone, then chisel and scrape until they get that free drug. When they realize Dory’s never been “dusted”, she becomes their target. After all, dust from a “Freshie” is the most intense high, and pain free—for the carver.

By the end of that first meeting Dory is running scared, afraid of being “dusted”, though the psych. hospital staff doesn’t believe a word she says.  She’s delusional—at least that’s what they tell her.  They end up sending her to that same counseling group every day, though Dory knows that all those junkie cutters want is what’s inside of her, and they won’t give up until they get what they’re after.

Like Girl Interrupted and “The Yellow Wallpaper,” The Bone Cutters is one woman’s dark and surreal experience with a madness that is not necessarily her own.

Elizabeth Garber (Creative Nonfiction, W’10) placed in the Eric Hoffer Awards, which honor the memory of the great American philosopher Eric Hoffer by highlighting salient writing, as well as the independent spirit of small publishers. Her memoir Implosion: A Memoir of an Architect’s Daughter has been named a Finalist in the 2019 Eric Hoffer Book Awards.

Cindy Williams Gutiérrez’s (Poetry, W’08) second poetry collection, Inlay with Nacre: The Names of Forgotten Women, was released by Aquarius Press/Willow Books on April 1st. The collection was awarded the 2018 Willow Books Editor’s Choice Poetry Selection and the 2016 Oregon Literary Fellowship for Writers of Color. Cindy’s new verse play, In the Name of Forgotten Women (based on her new collection), was performed at Wellspring, a ceremonial gathering space in Twisp, WA, to sold-out audiences in Washington’s Methow Valley on May 15th and 16th.

Veda Boyd Jones (Fiction, S’17) has sold an essay about her first time sailing on their used boat Wrinkle in Time to Good Old Boat, a magazine for hands-on sailboat owners.

Michael L. Joy’s (Popular Fiction, S’13) short story “Nick Break” is available now at Tough Crime.

Alan King (Poetry, W’13) created a short video on how he marketed his manuscript without an agent and without book contests. You can watch it here.

Linda Lambert (Creative Nonfiction, W’16) features Aaron Hamburger‘s visit to Seattle’s Third Place Books where he will be talking about his new novel Nirvana Is Here.

Kristin Leonard (Fiction, S’18) has been named Lit Fest’s 2019 Dramatic Writing Fellow for Emerging Writers. She is also presenting her research “First-Person Fictional Storytellers & Virginia Tufte’s Artful Sentences: Syntax as Style” at the Pennsylvania College English Association at Bloomsburg University.

Adam Mills (Popular Fiction, W’12) has accepted the position of Visiting Assistant Professor in English at Brevard College in Brevard, NC, started in Fall 2019. Mills’s full position is Coordinator of First-Year Writing and Writing Services and he will also serve as Coordinator of the Common Read. Mills also recently graduated from the University of Kansas with a Doctor of Philosophy degree in English (Spring 2019).

Julia McKenzie Munemo (Creative Nonfiction, S’16) is thrilled to announce the publication of The Book Keeper: A Memoir of Race, Love, and Legacy, available now for pre-order. The book chronicles a time decades after Julia’s father committed suicide, when she learned about his secret career during the pulp fiction boom of the ’60s and ’70s as a writer of interracial pornographic novels. After hiding that stack of old paperbacks from her Zimbabwean husband, their mixed-race children, and herself for years, she realized her obligation to face them if she was ever going to understand her legacy, her country’s treasonous history, and her whiteness.

Jenny O’Connell (Creative Nonfiction, S’17) is a finalist for a 2019 Maine Literary Award (short works, nonfiction) from Maine Writers & Publishers Alliance. Her debut flash nonfiction piece,“How to Sleep in an Airport,” was published last month in Hippocampus Magazine.

Mary Heather Noble (Creative Nonfiction, W’14) is pleased to announce the inclusion of her essay “Things I (Shouldn’t) Have to Tell My Daughters” in the new anthology Feminine Rising: Voices of Power & Invisibility, edited by Andrea Fekete and Lara Lillibridge. The anthology brings together women of all races, nationalities, and sexual orientations to reflect on the unique experience of womanhood. Feminine Rising was released by Cynren Press in May 2019 and is available at Cynren Press, Amazon, and select independent booksellers.

On June 26th, Dave Patterson (Fiction, W’13) and Aaron Hamburger are doing an event together at Print in Portland to celebrate the release of their new novels.

Bruce Pratt‘s (Fiction, S’04) poem “The First Cold Rain Since Spring” will appear in the next issue of The Connecticut River Review, and his short story “Ariel in LOve Summer 1999” has just been published by Valparaiso Fiction Review.

Shannon Ratliff (Creative Nonfiction, S’16) is celebrating her first anniversary as Director of Editorial and Growth at Wide Open Media Group in Austin, TX. She’s used her Stonecoast skills, from analyzing creative work to building educational seminars, to develop a team of 20+ writers and editors, growing readership from 8M to 23M monthly readers.

Morgan Talty’s (Fiction, W’19) short-short story “In a Jar” was published in Narrative Magazine as a Story of the Week.

Christopher Watkins (Poetry, W’08) has accepted the role of Senior Creative Writer for Silicon Valley-based artificial intelligence company DataVisor. The company focuses on the application of advanced AI and machine learning capabilities to the challenges of modern digital fraud and crime. Watkins’ move follows a nearly four-year tenure as Senior Writer and Chief Words Officer for online learning company Udacity.

Faculty member Elizabeth Searle and alumna Tamra Wilson (Fiction, S’11) are pleased that the teen idols anthology they co-edited is a finalist for the 2019 Eric Hoffer Book Award for Short Story/Anthology. Idol Talk: Women Writers on the Teenage Infatuations that Changed Their Lives was published last year by McFarland & Company. Hoffer Awards honor freethinking writers and independent books of exceptional merit. On May 10-11, several Idol Talk contributors converged in Newburyport, MA for a dance-enhanced reading at the Firehouse Center for the Arts. “Idol Talk: A Magical Memory Tour of Teen Idols” was emceed by writer/actress Marianne Leone. The two-night collaboration featured Exit Dance Company performers as well as readings of work by Stonecoast faculty member Suzanne Strempek Shea and alumnae Lee J. Kahrs, Kate Kastelein, Michelle Soucy, Darlene Taylor and Tamra Wilson. Joining them were New England authors B. A. Shapiro, Mary Granfield, Caitlyn McCarthy, and Mary Sullivan.

Stonecoast “Idol Talkers” (from left): Lee J. Kahrs, Michelle Soucy, Tamra Wilson, Elizabeth Searle, Darlene Taylor, and Suzanne Strempek Shea

 

 

 

 

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Community News & Updates July 2018

ANNOUNCEMENTS

Poetic Voices for Social Justice

Join us at SPACE Gallery on Thursday, July 12th, where Stonecoast MFA faculty member Martín Espada—recent winner of the Ruth Lilly Poetry Prize, Pulitzer Prize finalist, American Book Award winner and National Book Critics Circle nominee—will give a public reading alongside Lauren Marie Schmidt, author of three collections of poetry including Psalms of The Dining Room—a sequence of poems about her volunteer experience at a soup kitchen. The reading will feature music by current Stonecoast student Julie Cira and will be followed by a community discussion of the artist’s role in the community. All proceeds of this evening will go to benefit the Stonecoast MFA Writing for Social Justice Scholarship, established to reduce financial and social barriers to higher education, and support culturally and socially engaged writers committed to creating positive change in the community. RSVP here!

BIG NEWS for Stonecoast Review—not only does our Summer 2018 Issue No. 9 feature original, never before-printed stories from the award-winning authors James Van Pelt and Rick Wilber, but we’ve received a very generous $2500 donation from USM’s president and provost in support of our future endeavors. The catch with the donation is that we need to raise an equivalent amount of money within the year. Alumni can help out by purchasing a copy of Issue No. 9 through Kelly’s Books To Go—orders should be available by the end of this Summer Residency at the latest. They can also donate to us directly through the “Make a Gift” button and selecting the “Stonecoast MFA Literary Review Fund” as their designation. We intend to use this money to begin paying our contributors semi-professional rates as soon as possible, but in order to sustain a status of even $50 a submission, we’ll need over $2000 every semester. We hope that every alumni will pick up a copy (or three!) of every issue, as the success of our literary journal will help the overall status and prestige of the program. We encourage alumni to submit for Issue No. 10 when we open again in August—our goal is publish a handful of students and alumni with every issue.

ALUMS

Karen Bovenmyer (Popular Fiction, S’13) was a participant in Tina Connolly’s Young-Adult Novel Writing Workshop at the Kansas University Gunn Center for the Study of Science Fiction in June, funded by her Mary Wollstonecraft Shelley Scholarship from the Horror Writers Association. She worked on Sleeping Boy, a novel she started while at Stonecoast. She is excited to be under contract to write RPG tie-in fiction, has been enjoying narrating for the Stoker-Award-winning Independent Legions Press Cemetery Pod podcast, and regularly discusses speculative books, comics, and movies with Alasdair Stuart on the Escape Artists Patreon feed. She will be a moderator and panelist at the GenCon Writer’s Symposium in August, presenting on “Minding your Ps and Qs: Grammar and Punctuation for Authors,” “NaNoWriMo: National Novel Writing Month,” “How Other Creative Outlets Help Writing,” “Writing Micro and Flash Fiction,” and how to “Edit Your way Past the Slush Pile.” If any Stonecoasters will be at GenCon in August she would love to see them, so please email her at karen.bovenmyer@gmail.com to meet up.

KT Bryski (Popular Fiction, W’16) has another play opening this month! Adapted from her award-winning audio drama, Six Stories, Told at Night runs at the Toronto Fringe Festival July 5th-15th. She also looks forward to seeing friends and colleagues at Readercon!

Brenda Cooper‘s (Fiction, S’17) newest novel, Keepers, will be release by Prometheus books on July 31st, 2018. Keepers tells the story of two sisters who must support each other in a dangerous future where the cities are huge and the wild lands between empty and lawless. Keepers is the sequel to Wilders, which came out in 2017. Nancy Kress, Hugo- and Nebula award-winning author of If Tomorrow Comes, says that “Keepers shows us an earth that is the result of profound climactic and ecological changes. Nobody is better than Brenda Cooper at creating detailed and innovative futures. Keepers is a gem—a complex and plausible look at what we might face someday, and how we might respond.” The beginning of Keepers came from Brenda’s thesis, and she is grateful to James Patrick Kelley and Nancy Holder for being her first readers.

Lauren M Davis (Poetry, S’15) will be teaching courses in Creative Writing that she designed for the Indiana Institute of Technology in Fall 2018. She has also recently been given the title of Placemaking Coordinator from Big Car of Indianapolis and will work to cultivate arts, culture, outdoor activity, local food sources, and community for Fort Wayne, Indiana’s Electric Works project.

Julie C. Day‘s (Popular Fiction, S’12) debut collection Uncommon Miracles is now available for pre-order from PS Publishing. You can preview one of the stories here. Julie was also spotlighted on Tor.com—along with some other fabulous Stonecoasters—as part of  “150 ‘New’ Writers for Your Consideration.”  Here’s the full lowdown on Julie’s collection:

  • A grieving man travels through time via a car crash.
  • A family of matriarchs collects recipes for the dead.
  • A woman gains an unexpected child in the midst of a bunny apocalypse.
  • An outcast finds work in a magical slaughterhouse.

Whether set in a uniquely altered version of Florida’s Space Coast or a haunted island off the coast of Maine, each of the eighteen stories in this collection carries its own brand of meticulous and captivating weirdness.

“Julie C. Day makes a bold debut with this genre-bending collection of stories. At times whimsical, at times heartbreaking, but always clear-eyed and honest,UNCOMMON MIRACLES proves that Day has joined the front ranks of the writers carrying American fantasy into a new golden age.” ~Nathan Ballingrud

“Julie C. Day’s new collection, Uncommon Miracles, relates stories about what happens when strangeness, dream-like and nightmarish, infiltrates the lives of everyday people. A unique new voice in short fiction—sharp writing and a wonderfully idiosyncratic imagination.” ~Jeffrey Ford

“Julie C. Day’s stories are strongly strange, whether happening in a sort of now in this country or in a weirdly altered past. These stories seem to be what the term American Gothic was meant for.” ~John Crowley

Renee S. DeCamillis (Popular Fiction, W’14) published her horror story “Sunshower Death” in the horror anthology Deadman’s Tome: The Conspiracy Issue on June 1st, 2018. She was also a guest on the Deadman’s Tome Podcast on June 20th, 2018—World Refugee Day—where she not only discusses her story but she also talks about the inspiration behind it: the death of rock icon Chris Cornell. The host of the podcast, Mr. Deadman, has plans for a second podcast to continue their discussion, but an appearance date has not yet been set. Renee also published a new blog post—“The Mysterious Death of Rock Legend Chris Cornell: The Blue Skies Murder”—on her WordPress site where she breaks down the botched death investigation of Chris Cornell. On the Other Stories Podcast episode #143, Renee was interviewed and did a reading of her short story “The Unemployed Neighbor.” This story also appears in issue #37 of Sirens Call WiHM EZine, the 6th Annual Women in Horror Month Edition.  In older news, Renee’s poem “This Is Only the Beginning” appears in the Horror Writers Association Poetry Showcase Volume IV, which was published in the fall of 2017.

Alison McMahan‘s (Popular Fiction, W’10) book, Alice Guy Blaché, Lost Visionary of the Cinema (Bloomsbury 2002), has been translated into Spanish by Plots Ediciones (2006); adapted as a play by La Recua Teatro in Toledo, Spain (2012); and adapted into the documentary Be Natural by Pamela Green. The documentary premiered at Cannes in May 2018. Her mystery/horror for middle grade readers, “Kamikaze Iguanas,” will appear in the MWA anthology Scream and Scream Again, edited by R. L. Stine for HarperCollins, publication date July 24th. Alison is now represented by Gina Panettieri of Talcott Notch Literary.

An excerpt from Lisa Romeo’s (Creative Nonfiction, S’08) new memoir, Starting with Goodbye: A Daughter’s Memoir of Love after Loss, appears on the PBS site Next Avenue. Her essay, “The Unpredictability of Grief” is featured on Covey Club, a new online women’s magazine. At The Review Review, Lisa shared “How Lit Journal Publications Paved the Way to Published Memoir.” The book was recently reviewed at Literary MamaHalfway Down the Stairs, and MyCentralJersey. Lisa recently spoke at the Cedar Ridge Writers Series on “Three Big Challenges in Writing Memoir,” and addressed the New Jersey Library Association Conference on “Readers and Writers in the Library: Perfect Together.” Since her book’s publication in May, she’s also been interviewed at The Debutante BallSunlight Press, and Under the Sun. Lisa led a panel, “Memoir: It’s all Relative. The perils, pleasures, and pitfalls of writing about family,” at the Maplewood-South Orange (NJ) Book Festival; was featured on the Write The Book podcast (#508); and at The Quivering Pen, where she wrote about “My First (Disastrous) Writing Retreat.”  In July, Lisa will visit Newtonville Books (Newton, MA, July 12th); Blue Umbrella Books (Westfield, MA, July 14th), and Toadstool Bookstore (Keene, NH, July 15th). See her full list of upcoming events.

The Dollmaker of Kraków by R. M. Romero (Popular Fiction, S’15) has been shortlisted for the Young Quills Award in the U.K. and nominated for the Flemish Children’s and Youth Prize.

The Kweli Journal published “Piper’s March” written by Darlene Taylor (Fiction, W’17).

Lisa C. Taylor‘s (Poetry, S’04) short story “Consorts” will be published in The New Southern Fugitives. Her short story “Every Body of Water” will be published in Flights. Lisa’s short-story collection, Impossibly Small Spaces, will be released in Ireland in late summer by Arlen House and in the U.S. in October (Arlen House/Syracuse University Press).

Christopher Watkins‘ (Poetry, W’08) poem “Emigrant Song” has been accepted for publication by Harpur Palate and will be included in their Fall 2018 issue.

Hats off to Tamra Wilson (Fiction, S’11), whose short story “Midlife” was the sole fiction selection in the premiere issue of Torch, a journal of Richmond Community College, Hamlet, NC.

CURRENT STUDENTS

Cedar Valley Community College has offered Lindsey Barlow (Popular Fiction) a full-time Professor of English position, and she has accepted! The Texas state board meeting was on June 5th, and she was approved to teach full time. Lindsey is so excited and grateful. She thanks everyone who provided a letter of recommendation for her, and she thanks Cedar Valley, who allowed her to teach part time for so many years leading up to this.

Jess Flarity (Popular Fiction) is presenting his third semester research project on the philosophy of Philip K. Dick’s The Three Stigmata of Palmer Eldritch at the SFRA conference in Milwaukee this month. He will also be presenting a similar paper at this year’s Worldcon in San Jose this August.

Nina Lichtenstein‘s (Creative Nonfiction) essay about growing up a latchkey kid in 1970s Oslo, Norway, was published in the Poydras Review in June. She also appeared as a teller at Brunswick’s own SoundBites with the theme “Grilled,” and told a story about being interrogated at the Ben Gurion airport in Israel, and how this made her not take her privilege for granted; you can listen to Nina share that story below. Nina has also had several submissions rejected/declined for publication, and looks forward to improve them and submit again! And again.

FACULTY

To mark Pride Month, Tin House is now running Aaron Hamburger‘s (Fiction, Creative Nonfiction) essay “Sweetness Mattered” on their website. You can read it here.

Elizabeth Hand (Popular Fiction, Fiction) turned in Curious Toys, a novel set in 1915 Chicago, inspired by a true crime and the work of outsider artist Henry Darger, to Mullholland Books/Little Brown. Her short story “Ghost Light” appears in the new anthology Tiny Crimes, edited by Lincoln Michel and Nadxieli Nieto. In July, she’ll be a special guest at Comic-Con in San Diego, and then teaching a weeklong workshop for young writers at the Provincetown Fine Arts Work Center.

This summer Cara Hoffman (Fiction, Popular Fiction) received an Edward Albee Fellowship and a Wellstone Center Fellowship and signed a two-book contract with Harper Collins.

Nancy Holder (Popular Fiction) will appear at San Diego Comic Con International. She will be doing signings of her comic book Mary Shelley Presents in the Kymera Press Booth, #2003. She will also appear on two panels: “A Celebration of Mary Shelley” on Thursday, July 19th, at 4:30—5:30 p.m. in Room 26AB; and “Women on the Dark Side” on Thursday, July 19th, 7:00-8:00 p.m.

Jim Kelly’s new short story collection, The Promise of Space and Other Stories, debuts on July 17th, just in time for the summer residency. Published by Prime Books, it includes 14 previously published stories, several of which have appeared in various Year’s Best Science Fiction anthologies, and one story, “Yukui,” which is original to the collection. At 7:00 p.m. on Tuesday, July 31st, 2018, at Porter Square Books in Cambridge, Massachusetts, Jim will join his award-winning colleague John Chu for a reading at Speculative Boston, a new quarterly reading series featuring authors of science fiction, fantasy, and horror.

Debra Marquart‘s (Creative Nonfiction, Poetry, Writing for Social Change) essay about submerged and sometimes forgotten female singers’ voices, entitled “Buried Voices,” was featured as a Story of the Week in Narrative Magazine.

Elizabeth Searle‘s (Fiction, Playwriting, Popular Fiction, Scriptwriting) novel We Got Him (New Rivers Books) is now out in Audiobook from Blunder Woman Productions, narrated by award-winning Audiobook star and Stonecoast alum Tanya Eby; it is available on Audible and more. In June, Elizabeth’s Tonya & Nancy: The Rock Opera had its Southwest Regional Premiere in suburban Dallas, Texas, at the Ohlook Performing Arts Center; the production was reviewed as “Perfect for late-night theater fun” here. Idol Talk—the new anthology on Teen Idols co-edited by Elizabeth with Stonecoast alum Tammy Wilson, featuring multiple Stonecoast contributors—is on Instagram ( idol_talk ) and has multiple summer readings, including:

  • St. Stephens Branch Library, Hickory, NC, on July 23rd at 6:00 p.m. (with Stonecoast alumna Tammy Wilson, appearing at NC readings)
  • Catawba Country Library in Newton, NC, on July 24th at 6:00 p.m.
  • Patrick Beaver Library in Hickory, NC, on July 31st at 6:30 p.m.
  • Toadstool Books in Peterborough, NH, on July 21st at 2:00 p.m. (with Stonecoast students Lee J. Kahrs and Kate Kastelein)
  • Newtonville Books in Newton, MA, on July 27th at 7:00 p.m. (with Stonecoast alumna Michelle Soucy)
  • NYC reading at KGB bar ion August 8th at 7:00 p.m. (with Stonecoasters Elizabeth Searle and Breena Clarke)
  • Main Street Books in Davidson, NC, on August 12th at 2:00 p.m.
  • Gaston Public Library in Gastonia, NC, on August 13th at 4:00 p.m.
  • Morrison Branch Library in Charlotte, NC, on August 21st at 7:00 p.m.
  • Harvard General Store in Harvard, MA, on August 30th at 6:00 p.m. (with Stonecoasters Lee J Kahrs, Elizabeth Searle, and Michelle Soucy)

 

 

 

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Community News & Updates May 2018

ANNOUNCEMENTS

Thank you to all who supported the One Month, One Voice campaign to benefit Stonecoast’s new Writing for Social Justice Scholarship. Together, we raised over $20,000! If you missed the campaign but would still like to be part of the movement, you can email stonecoastcommunity@maine.edu for information on donating or hosting an event. Thank you for being part of Stonecoast’s commitment to social justice.

Acclaimed Irish Fiction Writer Claire Keegan will be presenting a four-day Fiction Workshop in Winter Harbor, Maine, September 13-16, 2018!  Please contact Kathryn Balteff (current Fiction student) at info@FeatheredInk.org or Kathryn.balteff@maine.edu for details and registration information. Registration must be completed by June 1st. There are a limited number of spots available for this wonderful opportunity—don’t wait!

ALUM NEWS

Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) natural history memoir, The Sound of a Wild Snail Eating (Algonquin Books, 2010), has been adapted for stage in Switzerland. Produced by the theater company FRADS Fruhstuck auf der Szene Buchholzstrasse, the performance involves one actor and one dancer. A video trailer for the production can be viewed here. Performances dates are April 25th, 27th, and 28th at the Theater Tuchlaube in Aarau, Switzerland, and May 26th at the Kelelrteater in Bremgarten, Switzerland. More information is available here.

Set photo: The Sound of a Wild Snail Eating

Michael Beeman (Fiction, S’09) published his short story “The Witnesses” in the spring 2018 issue of The Superstition Review. His short story “The Dream” has been accepted for an upcoming issue of EPOCH magazine.

Peter Adrian Behravesh (Popular Fiction, W’18) has accepted a position as the audio producer for PodCastle, a weekly podcast that publishes fantastical short fiction.

Karen Bovenmyer (Popular Fiction, S’13) is chuffed her 200-word flash “Cadaver Feet” will be reprinted in The Binge Watching Cure II: Horror anthology. This short was written for alumna Bonnie Jo Stufflebeam’s Art & Words show and art created for it can be viewed here. Karen is super excited that she will be participating in this year’s Art & Words show and artwork will be created for her Rhysling award-nominated poem “Syncing Minefields.” She’s honored her novel Swift For The Sun won a silver medal in the LGBT category of the IBPA Benjamin Franklin Award. Her article about what to consider while selling your fiction to podcast markets, “One Story, Told Well,” is available for reading on Writespace. Karen will be presenting on panels at Writespace Houston, May 4-5: “The Good, the Bad, and the Slushy: How to Save Your Story from the Slush Pile Neverland,” “Submission Tools for New Writers,” “The Future of LGBTQ Publishing: New Stories, New Voices,” and “Metal and Speculative Fiction.” At the end of the month, May 25-27, Karen will be presenting on two panels at Comicpalooza Houston—“Speculative Poetry Deathmatch” and “Finding Writing Inspiration”—as well as participating in “Poetry of the Imagination: A Science Fiction and Fantasy Poetry Reading” at Kaboom Books. She was interviewed on KHOI radio’s community bookshelf (April 17) about her work and the effects of divorce and dating on her writing. Her short story about divorce, “From Now Until Infinity” published in Factor Four Magazine, has been receiving a lot of buzz and was reviewed by Maria Haskins in “10 extra excellent stories I read in March.” Karen can be heard narrating work by Llewellyn, Schow, Cushing, Barker, and Gifune on Cemetery Pod. Stonecoast continues to be the single most influential experience on Karen’s career and she is grateful for it every day!

On May 13 the collaborative sound art project Soundtrack becomes available for download. This is a work presented by the Queens Museum as part of the Mel Chin: All Over the Place exhibit with project curator Jace Clayton (aka DJ /rupture), which will include Jennifer Marie Brissett (Popular Fiction, S’11 ) reading from her novel Elysium.

KT Bryski (Popular Fiction, W’16) has a play premiering soon! A Canticle of Light will run May 30th-June 2nd in Toronto, produced by indie theatre company Missed Metaphor Productions.

Linda Buckmaster (Creative Nonfiction, S’11) now has her first-ever writer’s website lindabuckmaster.com. It includes her live blog “Field Notes,” her current “Audio Essays,” and all kinds of other great stuff. She’s also nailed the date for the launch of her hybrid memoir, Space Heart: A Memoir in Stages, for November 4 at Waterfall Arts in Belfast, Maine. If you’re in the neighborhood, stop by.

John Florio (Fiction/Popular Fiction, S’07) has written about the intersection of race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece, “When Martin Luther King Died, Major League Baseball Struck Out,” was an April feature story for ESPN’s The Undefeated. His YA book, War in the Ring: Joe Louis, Max Schmeling, and the Fight Between Hitler and America, will be released by Macmillan’s Children’s Group in Spring 2019.

Hank Garfield‘s (Fiction, S’04) short-short story “The Pickup Artist” appears in the May issue of Portland Magazine. Hank also has a nonfiction piece, “An Old Boat Gets a New Waterline,” in the May issue of Points East, a boating magazine covering the entire New England coast.

Alan King (Poetry, W’13) was the featured guest on WPFW 89.3 FM’s On The Margin with E. Ethelbert Miller. He discussed his latest book, Point Blank, talked fatherhood, and more. Listen to the recording here.

Paul Kirsch (Popular Fiction, W’11)—Pillars of Eternity 2: Deadfire will be released on May 8th for PC/Mac/Linux! The game is fully voiced and features the cast of Critical Role, a popular D&D podcast where talented gaming industry voice actors play a tabletop adventure together. All of the actors play prominent roles in Deadfire. Enjoy the trailer below for some of the action, and enjoy the writing on May 8th!

Will Ludwigsen‘s (Popular Fiction, W’11) latest collection Acres of Perhaps, featuring his work from Asimov’s Science Fiction Magazine and Nightmare Magazine plus several new stories, is now available from Amazon or your favorite online independent bookseller. If you enjoy alternate history crime, cursed toys, sky-gazing psychopaths, or creepy 60s TV shows, it may be just what you need for your nightstand.

Jeanette Lynes’ (Poetry/Fiction, ‘05) second novel, The Small Things That End The World, will appear in May 2018, published by Coteau Books, Regina, Canada. Jeanette is currently a Visiting Fellow at the University of Edinburgh’s Institute for Advanced Studies in the Humanities (IASH).

Both of Alison McMahan‘s (Popular Fiction, W’10) short mysteries, “The New Score” (Fish Out of Water Anthology, Wildside Press 4/17) and “The Drive By” (Busted! Arresting Stories from the Beat Anthology, LevelBest Books 4/17), have been nominated for Derringer Awards by the members of the Short Mystery Fiction Society. Winners will be announced on May 15th. Her short horror story “Kamikaze Iguanas” will appear in the MWA anthology for middle-grade readers entitled Scream and Scream Again (HarperCollins, 2018), edited by R. L. Stine, which is now available for pre-order.

John Christopher Nelson‘s (Fiction, S’15) flash piece “Chrysalis” is featured in Melanie Faith’s In a Flash! Writing & Publishing Dynamic Flash Prose, available now through Vine Leaves Press. Nelson’s work appears alongside other Stonecoast alumni in this collection.

“Unseen Canyon,” Jenny O’Connell‘s (Creative Nonfiction, S’17) essay about rafting the Grand Canyon with blind students, will appear in the summer edition of Camas, released this month. A second essay based on Finding Petronella, Jenny’s book project tracing her solo trek across Finland in the footsteps of Lappish legend Petronella van der Moer, is forthcoming from Slice Magazine in September.

American Dangerous, Renée Olander‘s (Poetry, W’05) first full-length collection of poems, will be published by Backlash Press in September 2018. She also has poetry and prose forthcoming in the anthology Feminine Rising, edited by Andrea Fekete and Lara Lillibridge, due in early 2019.

Anne Britting Oleson‘s (Poetry, W’05) third poetry chapbook, Alley of Dreams, has been published by Clare Songbirds Publishing of Auburn, NY.

Suri Parmar‘s (Popular Fiction, W’17) short film The Bakebook was selected by Female Eye Film Festival to screen in a curated exhibition at De Montfort University on April 13, 2018, in association with the Cinema and Television History (CATH) centre. Her short story “Forty Whacks” has also been published in Vague Visages.

Steve Rhodes (Poetry, W’11) has two ekphrastic poems that recently appeared in The Ekphrastic Review (April 10, based on a painting by Oldilon Redon; April 17, based on a painting by George Bellows). His poem “Aubade” will appear in Tahoma Literary Review in August.

Lisa Romeo (Creative Nonfiction, S’08) proudly announces the May 1 publication of Starting with Goodbye: A Daughter’s Memoir of Love after Loss (University of Nevada Press). She’d like to express her gratitude and appreciation to all of her Stonecoast faculty and mentors, workshop leaders, and fellow students/alumni for the help and support!

Bonnie Jo Stufflebeam‘s (Popular Fiction, S’13) story “Angry Kings” appeared in the recent issue of Beneath Ceaseless Skies. 

Melanie Viets (Creative Nonfiction, W’17) has an essay in About Place Journal: “A Humbling Place” appears in the new ‘Rewilding’ issue.

Tamra Wilson (Fiction, S’11) is co-editing a teen-idols anthology with Elizabeth Searle (Fiction, Popular Fiction, Scriptwriting) to be released June 15th from McFarland Publishers. Idol Talk will include work by Ann Hood, B. A. Shapiro, Susan Straight, Jill McCorkle, Lesléa Newman, Stephanie Powell Watts, and a host of others. The collection showcases a variety of female authors who share—most for the very first time—their teenage crush and the impact the experience had on their lives. Idol Talk will be the first book of teen-idol essays ever written entirely by female writers. Its focus is a topic that’s rarely discussed and seldom studied: the coming-of-age bridge in which girls intensely project themselves into a world beyond themselves. Both co-editors will be at Stonecoast in July to share excerpts and discuss writing about pop culture along with Nancy Holder (Popular Fiction).

STUDENT NEWS

Lindsey Barlow (Popular Fiction) has been offered a three book deal by California Coldblood Books, an imprint of Rare Bird Books, for a trilogy she has been working on for the past five years. She is over the moon for this wonderful opportunity, and she is so happy to be part of the CCB family.

FACULTY NEWS

Tom Coash’s (Playwriting) short play Quit Stalling will be produced in May as part of the 1:One Festival in Dubai, United Arab Emirates. Shortly thereafter, the short film The R Word (for which he wrote the screenplay) will premiere at the White River Indie Festival, June 3, in White River Junction, VT.

Ted Deppe (Poetry) and Annie Deppe will be reading at the Linen Hall Library in Belfast, Northern Ireland, at 1:00 p.m. on 18 May. Ted will give a poetry masterclass/workshop from 10:00 a.m. to 12:00 noon before the reading. As of this writing, there are still a few spots left for the workshop.

Jim Kelly’s (Popular Fiction) 2005 Nebula-winning novella, Burn, has just had its first ebook edition. Particle Books, a new electronic imprint from Tachyon Publications, launched Burn on April 24; it includes a new afterword by Jim. He talks about the writing of the book as well as his forthcoming short-story collection The Promise of Space in an interview with Paul Semel. In other reprint news, Jim is the only author from the U.S. included in the just-published anthology Future Fiction: New Dimensions in International Science Fiction, edited by Bill Campbell and Francesco Verso, from Rosarium Publishing. Also represented in the table of contents are India, Greece, Zimbabwe, China, Italy, the Canada, the U.K., Russia, Mexico, Nigeria, and Cuba. Jim’s novelette “Bernardo’s House” was first published in 2003.

 

 

 

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