ANNOUNCEMENT

This year, a number of Stonecoast’s Popular Fiction students, alumni, and faculty are program participants at Boskone, New England’s longest running science fiction convention, which takes place February 16-18, 2018, at the Westin Waterfront Hotel in Boston, MA. For more information about Boskone, please visit www.boskone.org, and to view the list of program items that feature a Stonecoast community member, please check out this post. We will also have a large contingent of people attending who aren’t on the program this year. Closing the convention, we have a Stonecoast Reading to highlight our community members who are attending Boskone. If you are available to join the fun, we’d love to see you there!

ALUMS

Karen Bovenmyer (Popular Fiction, S’13) is happy her new anime-inspired nightmare microfiction, “The Things Between Us,” is now available in the beautifully illustrated Quick Shivers from the Midwest anthology.

Katie Bryski (Popular Fiction, W’16) announces that her audio drama “Six Stories, Told at Night” has won a Parsec Award for Excellence in Speculative Fiction Podcasting (Best Story – Novella). A stage adaptation of “Six Stories” will premiere at the Toronto Fringe Festival in July 2018.

Linda Buckmaster (Creative Nonfiction, S’11) has been broadcasting a series of five-minute audio essays on the Maine community radio station WERU. You can access these flash pieces from her blog. Her longer essay “Security Clearance,” which first appeared in Burrow Press’ “Fantastic Floridas,” is included in the upcoming anthology from University of Florida Press, In Season: Stories of Discovery, Loss, Home and Places In Between. The essay is also in her hybrid memoir Space Heart: A Memoir in Stages, coming out in Fall 2018 from Burrow Press.

Julie C. Day‘s (Popular Fiction, S’12) short story “Re-stitched”, which ran in the January issue of Split Lip Magazine, was Longform Fiction‘s pick of the week. Stealing Longform‘s story description, you can expect two sisters and a grotesque religious ritual. Umm yes, it is creepy. Julie’s Fightin’ Words interview can be found on the Split Lip blog. In other news, you can listen to a reprint of Julie’s story “The Rocket Farmer” at Podcastle 507. It was originally printed in 2017 issue of Interzone. If you’ve any interest in angry teenage girls, the history of rockets, and secret Florida farms, this story is for you.

Paula Treick DeBoard’s (Fiction, S’10) fourth novel, Here We Lie, was published on January 30th by Park Row Books, a division of Harlequin/Harper Collins. Publisher’s Weekly says Here We Lie “portrays the lies that people tell to find acceptance and the terrible acts that powerful people casually commit.” Booklist says the story “particularly resonates now, in the throes of the #metoo movement.” Paula is a lecturer of writing at the University of California, Merced. More information can be found on her website.

John Florio (Fiction/Popular Fiction, S’07) is a frequent contributor to The New Yorker, The Atlantic, The New York Times, and VICE Sports, and just delivered a crime feature to Vanity Fair. You can read his latest piece (for VICE Sports) here. His most recent book, One Nation Under Baseball: How the 1960s Collided with the National Pastime, was published by University of Nebraska Press in April. His next release, a nonfiction YA book about the historic Joe Louis-Max Schmeling fight of 1938, will be released by Macmillan Children’s Group later this year.

Becky Kightlinger’s (Fiction, W’14) debut novel, Megge of Bury Down: Book One of the Bury Down Chronicles, will be released by Zumaya Publications on February 1, 2018. Here’s a short summary:

In thirteenth-century Cornwall, on a sheep farm in the shadow of Bury Down, known for a thousand years as the land of the second sight, a healer has vowed to face flames rather than fail in her one task in this life: to bring her young daughter to vow to protect The Book of Seasons, an ancient grimoire whose power sustains the spirits of all their ancestors.

On the night of her vow-taking, wanting only to become a woman of Bury Down, and drawn by an inexplicable yearning to possess the book, Megge reaches for it. But when she touches its cover, it burns her fingers and she hears it whisper, “Murderer.” Fearing that the book will make her hurt those she loves, she rejects it and renounces her birthright.

To what lengths will her mother and the other women of Bury Down go to help Megge find the courage to take that vow? And how far will Megge go to elude a terrifying destiny?

Susan Lilley (Poetry, S’08) has been appointed the inaugural Poet Laureate of Orlando, Florida.

Anne Britting Oleson‘s (Poetry, W’05) second novel, Dovecote (B Ink, 2017), was reviewed in the Maine Sunday Telegram, January 21, 2018.  Anne’s third poetry chapbook, Alley of Dreams, will be published by Clare Songbirds Publishing House in March 2018.

Erin Roberts‘ (Popular Fiction, W ’18) short story “Sour Milk Girls” has gone from her thesis to the big time—it was published in the January issue of Clarkesworld and is available in print and in audio. Bonus story notes can be found on her website (as can her panel schedule for Boskone, which she’s hoping turns into a mini-Stonecoast reunion!).

Sean Robinson (Popular Fiction, W’14) has probably gone a little overboard, but is very excited for how 2018 is shaping up. In March, he will be presenting his essay “Out and Super” at ICFA. In April, he will be participating in a writing retreat at the Whiteley Center on San Juan Island, Washington. In May, he will be presenting an essay, “She Has Always Been Here,” at Dartmouth College, and in July will be participating in NUI-Galway’s Summer School for Teaching in Ireland. On the writing side, his story, “The Snow Queen’s Daughter” was selected as one of Metaphorosis Magazine‘s Best Stories of 2017.

Lisa Romeo (Creative Nonfiction ’08) published a nonfiction work with Longreads, “What to Do With a Man Who Has a Story, and a Gun.”

Bonnie Jo Stufflebeam (Popular Fiction, S’13) will be teaching a class in worldbuilding for the Dallas organization the Writer’s Garret on April 14. She will also take part in the University of North Texas’ Honors College benefit, Great Conversations on March 1st, where she will lead a table in a discussion of using one’s fears as inspiration.

Lisa C. Taylor’s (Poetry, S’04) short story “Even a Monkey” will appear in the March issue of Crannog. Her new collection of short fiction, Impossibly Small Spaces, will be released by Alren House in July in Ireland and in the U.S. in September.

 

FACULTY

Aaron Hamburger (Fiction, Creative Nonfiction) will be teaching How to Be Your Own Best Line-Editor at Politics & Prose Bookstore in Washington, DC, beginning February 6th. The goal of this four-session class is to turn you into a master of word-smithing!

Elizabeth Hand (Popular Fiction, Fiction) has sold two novels to Mulholland Books, Little Brown’s literary crime imprint: Curious Toys, set in 1915 Chicago and inspired by both a true crime and the life of outsider artist Henry Darger; and The Book of Lamps and Banners, the fourth Cass Neary novel. In early February, she will be guest of honor at Vinter, a literary convention in Uppsala, Sweden.

A round-up of news from Debra Marquart (Creative Nonfiction, Poetry):

• Debra’s essay “Things Not Seen in the Rear View Mirror” was selected for inclusion in Camas: Nature of the West.  25 Years 1992 – 2017, published in the Winter of  2017.
• Her poem “Kablooey is the Sound You’ll Hear” was anthologized in Bullets into Bells: Poets & Citizens Respond to Gun Violence, edited by Brian Clements, Alexandra Teague, and Dean Rader and published by Beacon Press in the fall of 2017.
• Another poem, “Getting Ready,” was selected for inclusion in Who Am I?, a grade-school textbook designed to introduce children to poetry. Published by Perfection Learning in the Fall of 2017.
• In the summer of 2017, Debra delivered keynote addresses and taught workshops at the following three festivals and conferences: (1) Luminous Moment, Luminous Word: A Creative Writing and Mindfulness Retreat in the Sheyenne National Grasslands (August 4-6, 2017); (2) the ASLE Conference, Association of the Study of Literature and Environment at Wayne State University (June 22-24); and (3) Iota: Short Forms Conference, Campobello Island, Maine.  8 – 11 July 2017.

Elizabeth Searle (Fiction, Popular Fiction, Scriptwriting) is preparing for performances of both her opera and rock opera in February. In January, ABC primetime showed a clip from the Chicago production of Elizabeth’s Tonya & Nancy: The Rock Opera on January 11th, 2018, as part of the ABC two-hour special on Tonya Harding. Also, On Superbowl Sunday afternoon (February 4th) at the Duxbury Free Public Library, Elizabeth is reading with superstar author and actress Marianne Leone (The Sopranos) from the anthology Elizabeth co-edited with Suzanne Strempek Shea featuring Leone and others: Soap Opera Confidential: Writers and Soap Insiders on Why We’ll Tune in Tomorrow As the World Turns Restlessly by the Guiding Light of Our Lives. On February 13th: Broadway Stars Sing Songs from Tonya & Nancy: The Rock Opera in New York City at 54Below. Since the last news post, the team announces that the concert and concert CD will be directed by Grammy- and Emmy-award winner Michael J. Moritz; the concert songs (Book and Lyrics by Elizabeth; music by Michael Teoli) will be recorded and released as a CD from Broadway Records. Watch for upcoming livestream coverage on Broadway.com. And then on February 23rd, a full production of Elizabeth’s one-act chamber opera Tonya & Nancy: The Opera (music by Abigail Al-Doory Cross) is being performed by Mixed Precipitation, an operetta group in Minneapolis/St. Paul, the night of the Women’s Figure Skating finals at the Olympics.