Thank you to all who supported the One Month, One Voice campaign to benefit Stonecoast’s new Writing for Social Justice Scholarship. Together, we raised over $20,000! If you missed the campaign but would still like to be part of the movement, you can email email@example.com for information on donating or hosting an event. Thank you for being part of Stonecoast’s commitment to social justice.
Acclaimed Irish Fiction Writer Claire Keegan will be presenting a four-day Fiction Workshop in Winter Harbor, Maine, September 13-16, 2018! Please contact Kathryn Balteff (current Fiction student) at info@FeatheredInk.org or Kathryn.firstname.lastname@example.org for details and registration information. Registration must be completed by June 1st. There are a limited number of spots available for this wonderful opportunity—don’t wait!
Elisabeth Tova Bailey’s (Creative Nonfiction, S’15) natural history memoir, The Sound of a Wild Snail Eating (Algonquin Books, 2010), has been adapted for stage in Switzerland. Produced by the theater company FRADS Fruhstuck auf der Szene Buchholzstrasse, the performance involves one actor and one dancer. A video trailer for the production can be viewed here. Performances dates are April 25th, 27th, and 28th at the Theater Tuchlaube in Aarau, Switzerland, and May 26th at the Kelelrteater in Bremgarten, Switzerland. More information is available here.
Michael Beeman (Fiction, S’09) published his short story “The Witnesses” in the spring 2018 issue of The Superstition Review. His short story “The Dream” has been accepted for an upcoming issue of EPOCH magazine.
Peter Adrian Behravesh (Popular Fiction, W’18) has accepted a position as the audio producer for PodCastle, a weekly podcast that publishes fantastical short fiction.
Karen Bovenmyer (Popular Fiction, S’13) is chuffed her 200-word flash “Cadaver Feet” will be reprinted in The Binge Watching Cure II: Horror anthology. This short was written for alumna Bonnie Jo Stufflebeam’s Art & Words show and art created for it can be viewed here. Karen is super excited that she will be participating in this year’s Art & Words show and artwork will be created for her Rhysling award-nominated poem “Syncing Minefields.” She’s honored her novel Swift For The Sun won a silver medal in the LGBT category of the IBPA Benjamin Franklin Award. Her article about what to consider while selling your fiction to podcast markets, “One Story, Told Well,” is available for reading on Writespace. Karen will be presenting on panels at Writespace Houston, May 4-5: “The Good, the Bad, and the Slushy: How to Save Your Story from the Slush Pile Neverland,” “Submission Tools for New Writers,” “The Future of LGBTQ Publishing: New Stories, New Voices,” and “Metal and Speculative Fiction.” At the end of the month, May 25-27, Karen will be presenting on two panels at Comicpalooza Houston—“Speculative Poetry Deathmatch” and “Finding Writing Inspiration”—as well as participating in “Poetry of the Imagination: A Science Fiction and Fantasy Poetry Reading” at Kaboom Books. She was interviewed on KHOI radio’s community bookshelf (April 17) about her work and the effects of divorce and dating on her writing. Her short story about divorce, “From Now Until Infinity” published in Factor Four Magazine, has been receiving a lot of buzz and was reviewed by Maria Haskins in “10 extra excellent stories I read in March.” Karen can be heard narrating work by Llewellyn, Schow, Cushing, Barker, and Gifune on Cemetery Pod. Stonecoast continues to be the single most influential experience on Karen’s career and she is grateful for it every day!
On May 13 the collaborative sound art project Soundtrack becomes available for download. This is a work presented by the Queens Museum as part of the Mel Chin: All Over the Place exhibit with project curator Jace Clayton (aka DJ /rupture), which will include Jennifer Marie Brissett (Popular Fiction, S’11 ) reading from her novel Elysium.
KT Bryski (Popular Fiction, W’16) has a play premiering soon! A Canticle of Light will run May 30th-June 2nd in Toronto, produced by indie theatre company Missed Metaphor Productions.
Linda Buckmaster (Creative Nonfiction, S’11) now has her first-ever writer’s website lindabuckmaster.com. It includes her live blog “Field Notes,” her current “Audio Essays,” and all kinds of other great stuff. She’s also nailed the date for the launch of her hybrid memoir, Space Heart: A Memoir in Stages, for November 4 at Waterfall Arts in Belfast, Maine. If you’re in the neighborhood, stop by.
John Florio (Fiction/Popular Fiction, S’07) has written about the intersection of race, politics, and sports for The New Yorker, The Atlantic, and The New York Times. His latest piece, “When Martin Luther King Died, Major League Baseball Struck Out,” was an April feature story for ESPN’s The Undefeated. His YA book, War in the Ring: Joe Louis, Max Schmeling, and the Fight Between Hitler and America, will be released by Macmillan’s Children’s Group in Spring 2019.
Hank Garfield‘s (Fiction, S’04) short-short story “The Pickup Artist” appears in the May issue of Portland Magazine. Hank also has a nonfiction piece, “An Old Boat Gets a New Waterline,” in the May issue of Points East, a boating magazine covering the entire New England coast.
Alan King (Poetry, W’13) was the featured guest on WPFW 89.3 FM’s On The Margin with E. Ethelbert Miller. He discussed his latest book, Point Blank, talked fatherhood, and more. Listen to the recording here.
Paul Kirsch (Popular Fiction, W’11)—Pillars of Eternity 2: Deadfire will be released on May 8th for PC/Mac/Linux! The game is fully voiced and features the cast of Critical Role, a popular D&D podcast where talented gaming industry voice actors play a tabletop adventure together. All of the actors play prominent roles in Deadfire. Enjoy the trailer below for some of the action, and enjoy the writing on May 8th!
Will Ludwigsen‘s (Popular Fiction, W’11) latest collection Acres of Perhaps, featuring his work from Asimov’s Science Fiction Magazine and Nightmare Magazine plus several new stories, is now available from Amazon or your favorite online independent bookseller. If you enjoy alternate history crime, cursed toys, sky-gazing psychopaths, or creepy 60s TV shows, it may be just what you need for your nightstand.
Jeanette Lynes’ (Poetry/Fiction, ‘05) second novel, The Small Things That End The World, will appear in May 2018, published by Coteau Books, Regina, Canada. Jeanette is currently a Visiting Fellow at the University of Edinburgh’s Institute for Advanced Studies in the Humanities (IASH).
Both of Alison McMahan‘s (Popular Fiction, W’10) short mysteries, “The New Score” (Fish Out of Water Anthology, Wildside Press 4/17) and “The Drive By” (Busted! Arresting Stories from the Beat Anthology, LevelBest Books 4/17), have been nominated for Derringer Awards by the members of the Short Mystery Fiction Society. Winners will be announced on May 15th. Her short horror story “Kamikaze Iguanas” will appear in the MWA anthology for middle-grade readers entitled Scream and Scream Again (HarperCollins, 2018), edited by R. L. Stine, which is now available for pre-order.
John Christopher Nelson‘s (Fiction, S’15) flash piece “Chrysalis” is featured in Melanie Faith’s In a Flash! Writing & Publishing Dynamic Flash Prose, available now through Vine Leaves Press. Nelson’s work appears alongside other Stonecoast alumni in this collection.
“Unseen Canyon,” Jenny O’Connell‘s (Creative Nonfiction, S’17) essay about rafting the Grand Canyon with blind students, will appear in the summer edition of Camas, released this month. A second essay based on Finding Petronella, Jenny’s book project tracing her solo trek across Finland in the footsteps of Lappish legend Petronella van der Moer, is forthcoming from Slice Magazine in September.
American Dangerous, Renée Olander‘s (Poetry, W’05) first full-length collection of poems, will be published by Backlash Press in September 2018. She also has poetry and prose forthcoming in the anthology Feminine Rising, edited by Andrea Fekete and Lara Lillibridge, due in early 2019.
Anne Britting Oleson‘s (Poetry, W’05) third poetry chapbook, Alley of Dreams, has been published by Clare Songbirds Publishing of Auburn, NY.
Suri Parmar‘s (Popular Fiction, W’17) short film The Bakebook was selected by Female Eye Film Festival to screen in a curated exhibition at De Montfort University on April 13, 2018, in association with the Cinema and Television History (CATH) centre. Her short story “Forty Whacks” has also been published in Vague Visages.
Steve Rhodes (Poetry, W’11) has two ekphrastic poems that recently appeared in The Ekphrastic Review (April 10, based on a painting by Oldilon Redon; April 17, based on a painting by George Bellows). His poem “Aubade” will appear in Tahoma Literary Review in August.
Lisa Romeo (Creative Nonfiction, S’08) proudly announces the May 1 publication of Starting with Goodbye: A Daughter’s Memoir of Love after Loss (University of Nevada Press). She’d like to express her gratitude and appreciation to all of her Stonecoast faculty and mentors, workshop leaders, and fellow students/alumni for the help and support!
Melanie Viets (Creative Nonfiction, W’17) has an essay in About Place Journal: “A Humbling Place” appears in the new ‘Rewilding’ issue.
Tamra Wilson (Fiction, S’11) is co-editing a teen-idols anthology with Elizabeth Searle (Fiction, Popular Fiction, Scriptwriting) to be released June 15th from McFarland Publishers. Idol Talk will include work by Ann Hood, B. A. Shapiro, Susan Straight, Jill McCorkle, Lesléa Newman, Stephanie Powell Watts, and a host of others. The collection showcases a variety of female authors who share—most for the very first time—their teenage crush and the impact the experience had on their lives. Idol Talk will be the first book of teen-idol essays ever written entirely by female writers. Its focus is a topic that’s rarely discussed and seldom studied: the coming-of-age bridge in which girls intensely project themselves into a world beyond themselves. Both co-editors will be at Stonecoast in July to share excerpts and discuss writing about pop culture along with Nancy Holder (Popular Fiction).
Lindsey Barlow (Popular Fiction) has been offered a three book deal by California Coldblood Books, an imprint of Rare Bird Books, for a trilogy she has been working on for the past five years. She is over the moon for this wonderful opportunity, and she is so happy to be part of the CCB family.
Tom Coash’s (Playwriting) short play Quit Stalling will be produced in May as part of the 1:One Festival in Dubai, United Arab Emirates. Shortly thereafter, the short film The R Word (for which he wrote the screenplay) will premiere at the White River Indie Festival, June 3, in White River Junction, VT.
Ted Deppe (Poetry) and Annie Deppe will be reading at the Linen Hall Library in Belfast, Northern Ireland, at 1:00 p.m. on 18 May. Ted will give a poetry masterclass/workshop from 10:00 a.m. to 12:00 noon before the reading. As of this writing, there are still a few spots left for the workshop.
Jim Kelly’s (Popular Fiction) 2005 Nebula-winning novella, Burn, has just had its first ebook edition. Particle Books, a new electronic imprint from Tachyon Publications, launched Burn on April 24; it includes a new afterword by Jim. He talks about the writing of the book as well as his forthcoming short-story collection The Promise of Space in an interview with Paul Semel. In other reprint news, Jim is the only author from the U.S. included in the just-published anthology Future Fiction: New Dimensions in International Science Fiction, edited by Bill Campbell and Francesco Verso, from Rosarium Publishing. Also represented in the table of contents are India, Greece, Zimbabwe, China, Italy, the Canada, the U.K., Russia, Mexico, Nigeria, and Cuba. Jim’s novelette “Bernardo’s House” was first published in 2003.